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XYLOPHONE
Cello, Piano
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Concert Pieces For Cello And Piano
Cello, Piano
[Sheet music]
Barenreiter
Edition no.: BA9695 ISMN: 9790006536580 Volume / Series: Bärenreiters Cello Col...
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Edition no.: BA9695 ISMN: 9790006536580 Volume / Series: Bärenreiters Cello Collection Editor: Sassmannshaus, Christoph Instrumentation of the work: Violoncello, Piano Product format: Piano reduction, Part(s), Teaching material Includes the following individual parts: Violoncello, Piano Binding: Stapled Pages / Format: 32/64 S. - 30,0 x 23,0 cm In the line with the series Bärenreiter's Concert Pieces which comprises editions geared towards young violinists, we are now publishing a separate collection for young cellists playing their first concerts. This edition contains 18 easy-to-learn concert pieces from the Baroque, Classical and Romantic periods including Dvorák’s Humoresque, Mendelssohn Bartholdy’s Song without Words, Fauré’s Berceuse and The Swan by Camille Saint-Saëns. The editor is Christoph Sassmannshaus, the grandson of the founder of The Sassmannshaus tradition, Egon Sassmannshaus. - Pieces for solo cello with piano accompaniment - Easy to medium difficulty - Ideal repertoire for cellists who have completed Early Start on the Cello, volumes 3 and 4 (BA 8998, BA 8999) A selection: Simonetti, Madrigal / Beethoven, Minuet / Dvorák, Humoresque / Wolf, Wiegenlied / Goltermann, Notturno / Klengel, Sarabande / Mendelssohn Bartholdy, Song without Words / Fauré, Sicilienne / Saint-Saëns, The Swan
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Edward Elgar: Concerto For Cello And Orchestra In E Minor Op.85: Cello:
Cello, Piano
[Sheet music]
-
Intermediate/advanced
Novello & Co Ltd.
Recognised as one of the most important works of the Cello repertoire Elgar's C...
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Recognised as one of the most important works of the Cello repertoire Elgar's Conerto Op.85 was completed in 1919 and stands as his final major completed work. This new edition edited by John Pickard of the Elgar Society uses for the first time the composer's original sketches to piece together an authoritative and definitive arrangement for Cello and Piano. A wonderful new edition of one of the most frequently performed works for the Cello.
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ESTELLE HUET - DES OREILLES MAGIQUES - VIOLONCELLE and PIANO
Français
Cello, Piano
Lemoine, Henry
Dans mes cours de violoncelle, je consacre toujours les cinq premières minutes ...
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Dans mes cours de violoncelle, je consacre toujours les cinq premières minutes à des jeux de formation de l'oreille que j'ai inventés. Ce rituel est un moment très précieux où l'élève se concentre, ouvre ses oreilles et expérimente son instrument par de nouvelles approches.Ces jeux ont beaucoup de succès auprès des élèves et plusieurs collègues m'ont demandé de les leur transmettre pour les pratiquer dans leurs cours. C'est pourquoi j'ai décidé de les regrouper dans une méthode, s'adressant à tous les professeurs de violoncelle qui cherchent des outils pour aider leurs élèves à progresser et qui souhaitent diversifier leur cours en expérimentant de nouvelles méthodes.Des oreilles magiques est une méthode originale par de nombreux aspects :L'oralitéL'élève ne voit jamais la méthode, qui fait uniquement appel à la transmission orale. Ainsi, l'élève fait vraiment jouer ses capacités auditives.L'apprentissage par le jeuLes jeux rendent le cours vivant et permettent de surmonter les difficultés en les abordant dans un contexte nouveau.La transdisciplinaritéCette méthode fait le lien entre le cours d'instrument et le cours de formation musicale, et permet de faire des progrès dans les deux disciplines.Une progression illimitéeLa plupart des jeux sont déclinés selon cinq niveaux progressifs. Chaque jeu proposé est faisable dès le premier cours de violoncelle et jusqu'aux plus hauts niveaux, et s'adresse aux enfants comme aux adultes.Le cinquième niveau est présenté sur un ton humoristique pour mettre en évidence le caractère illimité des progrès potentiels.Le lien avec le chantCette méthode emploie le chant comme un outil central du travail de l'oreille. Tout au long des jeux, l'élève est incité à chanter pour développer son chant intérieur.Je vous souhaite beaucoup de réussite avec cette méthode, et suis certaine que vos élèves adopteront ces jeux avec autant de plaisir que les miens !Estelle HuetEn 2018, la méthode Des oreilles magiques a remporté le Prix de l'Enseignement Musical de la CEMF.Presse[...] Des oreilles magiques, jeux d'oreille pour le cours de violoncelle d'Estelle Huet, manière ludique et inattendu d'introduire des cours de l'instrument [...]Pierre Jean TribotCrescendo Magazine (6 juillet 2019) / Violoncelle / Lemoine
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Starke Duos 1 Für Cello (Bratsche) Und Klavier
Cello, Piano
Holzschuh Musikverlag
23 Charakterstücke - leicht in beiden Instrumenten. Par GROB KARIN. / Recueil /...
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23 Charakterstücke - leicht in beiden Instrumenten. Par GROB KARIN. / Recueil / Violoncelle et Piano
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Ludwig van Beethoven: Sonatas For Piano And Violoncello: Cello: Instrumental
Cello, Piano
G. Henle
Alongside Bach’s Solo Suites a further highlight for cellists are Beethov...
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Alongside Bach’s Solo Suites a further highlight for cellists are Beethoven’s five Cello Sonatas. They were published between 1797 and 1817 and thus cover a large part of Beethoven’s compositional lifetime mirroring important stages of his musical development. This revised edition incorporates the findings contained in the critical report of the Beethoven Complete Edition which was compiled at the same time. The Urtext edition hasbeen re-engraved but the proven page layout of the previous edition has been preserved. The renowned cellist David Geringas provided completely new fingerings and bowings for the cello part which also has excellent page turns.An unmarked Urtext part is also included.
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Sonate F-Dur (STRAUSS RICHARD)
Cello, Piano
Schott
Arrangeur: Florence Eller. Par STRAUSS RICHARD. The Cello Sonata Op. 6 was compo...
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Arrangeur: Florence Eller. Par STRAUSS RICHARD. The Cello Sonata Op. 6 was composed over an apparently frequently interrupted period of three years, an extraordinarily long time for Strauss's early creative phase. The compositional process spawned two independent versions of the work, the first of which is published for the first time on the basis of the text in the Critical Edition of the Works of Richard Strauss in the current edition as a practical musical text. The genesis of the two versions and the reasons for revision can only be reconstructed in part: only one of the surviving autographs bears a date and the second version only survives in printed form. What is more, Strauss did not communicate in greater detail on this composition in correspondence with his family and friends. There are enormous differences between the two versions of the Sonata: Strauss deleted the entire second and third movements Larghetto and Allegro vivace, replacing them with a newly composed Andante and Finale. In the first movement, Allegro con brio, Strauss retained the thematic-motivic material and compositionally complex passages such as the three-voice fugue in the development section (from bar 241 in the first version and bar 275 in the second version) almost intact in the new version of the sonata, but also undertook extensive alterations, particularly in the structure of the piano part, the motivic-thematic development of the movement and its harmony which became far more ambitious.12 Particular attention should be drawn to the repetitive accompaniment of the con espressione theme beginning in bar 32 and the significantly shorter development in the first version. The current printed edition of the first version of Richard Strauss's Cello Sonata now makes it possible to follow Strauss's compositional development during this period. The significance of the differences between the versions also mean that two sonata compositions for violoncello and piano by Richard Strauss with fundamental disparities in their underlying character are now available for performance. (from the foreword by the editors)/ Répertoire / Violoncelle et Piano
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Butt-Chen: Cellowise 2: Cello: Instrumental Album
Cello, Piano
[Sheet music + CD]
Spartan Press
Another volume in this highly acclaimed series premiering sensational new arrang...
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Another volume in this highly acclaimed series premiering sensational new arrangements for cello. CELLOWISE 2 includes Lacrimosa by Mozart Paganini's La Campanella Prokofiev Romeo and Juliet Brahms Waltzes Op. 39 and Bach's Gavotte en Rondeau from Violin Partita in E made famous by Segovia.With the drama and spectacle of Prokofiev's Romeo and Juliet acrobatic leaps and fun of the Fair in Moussorgsky's Gopak reflective chiaroscuro of the Brahms Waltzes the fireworks of Paganini's La Campanella mystical Lacrimosa of Mozart's Requiem or Bach's colourful variations in the Gavotte en Rondeau this selection explores vivid and dramatic themes fromthe great Classics. It is idiomatic to the cello clear and accessible in technical format and makes a practical and versatile concert handbook for cellists of all ages.ContentsBach * 3. Polonaise (from Suite No. 2 BWV 1067) * 4. Gavotte en Rondeau (from Partita No. 3 in E major BWV 1006)Brahms * 7. Waltz op. 39 No. 9 * 8. Waltz op. 39 No. 15Handel * 1. Hornpipe (from the Water Music) * 2. Air (from the Water Music)Mozart * 5. Lacrimosa (from the Requiem K626)Mussorgsky (Moussorgsky) * 9. Gopak (from Sorochintsky Fair)Paganini * 6. La CampanellaProkofiev * 10. Montagues and Capulets (from Romeo and Juliet)
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Reynaldo Hahn: Pieces For Cello: Cello: Instrumental Work
Cello, Piano
Leduc, Alphonse
For quite some time posterity remembered Reynaldo Hahn (1874-1947) for just a h...
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For quite some time posterity remembered Reynaldo Hahn (1874-1947) for just a handful of songs and the operetta Ciboulette overlooking the incredible diversity of a catalogue as eclectic as it is appealing. Yet his chamber music contains many little-known treasures: thus cellist Steven Isserlis in his preface hastens to hail the first modern edition of these two scores which he regularly plays in recital so much does their beauty enchant the audience. Published in 1911 the Two Improvisations on Irish Airs for cello and piano turn out to be the transcription of his first and third Preludes for piano four hands (1894). Thesefolk themes come from the collection Songs of Old Ireland published 12 years earlier by Charles Villiers Stanford: gracefully and tenderly The Little Red Lark unfurls a melancholic tune of which the regular foundation respects the breadth of phrase typical of folk songs; in The Willow-Tree the lover begs his beloved in vain to take him in her arms one last time before he lies down lifeless in the shade of the tree. Beyond this sensitive exploration of the Irish soul Hahn offers us a journey into the past: the Variations chantantes sur un air ancien develop a theme borrowed from Cavalli’s opera Xerse. In this aria (1660 version: Act IV sc. 6) Ambassador Periarco dreams of moving away from court intrigues to be able to taste the pleasures ‘to which the gods have destined him’. Reynaldo Hahn’s variations succeed in maintaining the sweet simplicity of this theme as noble as it is refined.
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César Franck: Sonata / Mélancolie: Cello: Instrumental Work
Cello, Piano
-
Intermediate
Barenreiter
for Violoncello and Piano-Cesar Franck?s Sonata for Piano and Violin is one of t...
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for Violoncello and Piano-Cesar Franck?s Sonata for Piano and Violin is one of the most treasured works in the Violin repertoire a masterpiece of cyclic form with a gracefulness and expressive force almost paradigmatic for the age of musical Romanticism. This work was composed in 1886 and was dedicated to the Belgian violinist and composer Eugène Ysaÿe.Franck?s friend the cellist Jules Desart was so impressed when he heard the Violin Sonata performed at the Société nationale de musique in Paris that he adapted the work for his instrument. This arrangement was first published in 1887 by inserting the Cello part into the Piano score of the original edition. For this purpose thePiano score had received a new cover and the publisher had expanded the title of the composition to ?Sonate pour Piano et Violon ou Violoncelle?. This version by the cellist Jules Delsart for Piano and Violoncello is the only arrangement of the work authorized by the composer and its first edition represents the main source for Bärenreiter?s new scholarly-critical publication.This Barenreiter edition also includes a separate movement ?Mélancolie? first published after Franck?s death in 1911 again for the same instrumentation Piano and Violin or Violoncello. This short piece is based on a solfège exercise and was written at the height of the composer?s creative powers at about the same time as his famous Violin sonata.The edition is rounded off by an informative text on the genesis and reception history of the two compositions (Ger/Fr/Eng) a complete list of sources editorial notes and a Critical Commentary (Eng).Pioneering new Urtext editionInformative text on the genesis and reception history of the two compositions (Ger/Fr/Eng)Detailed Critical Commentary (Eng)Also available:Sonata; Andantino quietoso Op.6; Mélancolie for Piano & Violin BA9425.Sonata arranged for Piano & Viola BA10918.Sonata in A major arranged for Piano & Flute BA8734
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Ludwig van Beethoven: Variations For Pianoforte And Violoncello: Cello: Score
Cello, Piano
Barenreiter
Beethoven?s three sets of cello variations comprise the ?Twelve Variations on a ...
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Beethoven?s three sets of cello variations comprise the ?Twelve Variations on a Theme from H?ndel?s Oratorio ?Judas Maccabeus?? (WoO 45) the ?Twelve Variations on the theme ?Ein M?dchen oder Weibchen?? (op.66) from Mozart?s opera ?Die Zauberfl?te? and the ?Seven Variations on the duet ?Bei M?nnern welche Liebe f?hlen?? (WoO 46) also from ?Die Zauberfl?te?.These works have existed in many different editions some of which have from time to time been (tacitly) reprinted with corrections to keep up to date with the latest scholarship. This new B?renreiter Urtext edition however is the first to give all Beethoven?s rhythms in the violoncello part correctly.Beethoven?s autograph manuscript of op.66 is lost; the critical commentary (English) includes a complete facsimile of the violoncello part from the only surviving source (the first edition) illustrating the various problems encountered in determining the best musical text.With numerous corrections in the violoncello partIncluded in the critical commentary is a complete facsimile of the violoncello part of op. 66 as it appeared in the first edition
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Leos Janacek: Werke: Cello: Instrumental Album
Cello, Piano
[Score and Parts]
Barenreiter
Leos Janacek wrote only two works for cello and piano of which only Pohadka (Fa...
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Leos Janacek wrote only two works for cello and piano of which only Pohadka (Fairy Tale) became established in the concert repertoire. Although he completed the work the composer did not want to have it published. The history of the work’s composition is long and complicated. Janacek began writing the work before 1910 however the Pohadka (Fairy Tale) only received its final form after a series of corrections in 1923. The second composition the Presto is incomplete. Only a sketch exists which Janacek did not develop further. The original tempo marking of Allegro was changed by Janacek himself to Presto. The work has beendiscussed under this title in recent Janacek literature. In the supplement of this edition an early version of A Tale is included. The source to this version is a copy owned by Antonin Vana one of the first interpreters of the composition. The early version of A Tale offers a valuable and interesting alternative to today’s known version with its marked differences such as the considerably changed ending of the first movement and the original form of four movements. Urtext from the Janacek Complete Edition All available sources have been taken into consideration A detailed new foreword by Jiri Zahradka (Czech English German) “Again Bärenreiter sets the industry standard for scholarship clarity of type layout and paper qualitiy.”(Strings July 2009)
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DEBUSSY CLAUDE - SONATE POUR VIOLONCELLE ET PIANO
Cello, Piano
Durand
Debussy compose la Sonate pour violoncelle et piano en juillet 1915 en Normandie...
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Debussy compose la Sonate pour violoncelle et piano en juillet 1915 en Normandie. Âgé de 53 ans, éprouvé par le contexte de guerre et la maladie qui l'ont éloigné de la composition, il reprend ses travaux avec l'écriture de cette Sonate. Malgré la volonté d'affirmer un style français dans la lignée des maîtres du XVIIIe siècle, Debussy sous-entend à plusieurs reprises l'absence d'idée programmatique dans la Sonate : « Je n'ai d'ailleurs écrit que de la musique pure [...] dans la forme ancienne, si souple (sans la grandiloquence des sonates modernes) ». Ce volume fait partie de la collection « Musique française », conçue pour les étudiants, les professeurs et les interprètes professionnels ; l'introduction historique et les notes de performance sont signés par la violoncelliste de renom Emmanuelle Bertrand. / Violoncelle / Durand
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Ludwig van Beethoven: Sonate E Variazioni: Cello: Score
Cello, Piano
Dover Publications
Beethoven's five sonatas for cello and piano are basic works of the cello repert...
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Beethoven's five sonatas for cello and piano are basic works of the cello repertoire and his three sets of variations on themes by Mozart and Handel are perennial favorites of chamber-music programs as well. This volume contains all eight works in score format carefully reproduced from the authoritative complete-works edition published by Breitkopf
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Ola Gjeilo: Stone Rose - Three Pieces for Cello: Cello: Instrumental Work
Cello, Piano
Peters
Madison for Cello and Piano is taken from Ola Gjeilo's album of Piano and instru...
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Madison for Cello and Piano is taken from Ola Gjeilo's album of Piano and instrumental music Stone Rose. This favourite piece from the album is now available in sheet music complete with pull-out Cello part and Piano score.
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Gabriel Fauré: Sonata no. 1 in d minor op. 109: Cello: Score and Part
Cello, Piano
G. Henle
Immediately after finishing his second Violin Sonata op. 108 Fauré started wor...
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Immediately after finishing his second Violin Sonata op. 108 Fauré started work on a sonata for Cello and Piano in early 1917 thus realising a long-conceived plan. In their predisposition and attitude both works are very closely related. In the Cello sonata a sombre dramatic opening movement is also followed by a calm relaxed slow middle movement and a graceful finale. The critical response to the first performances was subdued but on account of increasing interest in Fauré?s complete late chamber music this sonata has recently been rediscovered as a substantial part of his oeuvre. The Henle Urtext edition constitutes the first criticaledition of this work. David Geringas a master of his craft supplied the markings in the Cello part.
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Camille Saint-Saëns: Sonata No.1 In C Minor Op.32: Cello: Instrumental Work
Cello, Piano
G. Henle
Sonata no.1 in c minor op. 32-At the beginning of the 1870s Camille?Saint-Saën...
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Sonata no.1 in c minor op. 32-At the beginning of the 1870s Camille?Saint-Saëns showed a particular fondness for the Violoncello. He completed his first Cello Sonata in December 1872 immediately after finishing his first Cello Concerto.The sonata is strongly reminiscent of Beethoven not only due to the key of c minor but also predominantly on account of its gripping dramatic art. The exceptional position of this demanding in parts highly virtuosicsonata was quickly recognised by the public and critics and so the work soon found its way into concert repertoire.?Henle's Urtext edition takes all surviving sources into account for the first time ever. PascalRogé and David Geringas kindly provided the markings for the Piano and Cello parts.
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Antonín Dvo?ák: Slavonic Dances Op. 46: Cello: Instrumental Work
Cello, Piano
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Intermediate
Barenreiter
Arranged For Violoncello and Piano-In 1891 Dvorák arranged the final eighth dan...
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Arranged For Violoncello and Piano-In 1891 Dvorák arranged the final eighth dance of his popular first set of the Slavonic Dances Op.46 for violoncello and piano. The Czech composer Jir Gemrot born in 1957 has followed his example and has arranged the remaining dances for the same scoring. However in order to approach Dvorák?s ideal sound Gemrot based his arrangements on the composer's orchestral score.Dvorák?s own arrangement of Slavonic Dance No. 8 has been taken from the Complete Edition of the Works of Anton n Dvorák Volume IV/3 (Compositions for Violoncello).First complete edition of the first set of Slavonic Dances arranged for violoncello and pianoby Jir GemrotIncludes Dvorák?s own arrangement of Dance No.8With fingering and bowing by Tomá? Jamn kForeword (Cz/Eng/Ger) by Eva Velická
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Tenor Clef (Cello and Piano/CD): Cello: Instrumental Album
Cello, Piano
[Score and Parts + CD]
This series takes cellists through the process of learning to read the tenor cle...
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This series takes cellists through the process of learning to read the tenor clef in a step-by-step structured approach.Complete with Cello part pull-out piano accompaniment and CD. To read the higher notes it is necessary to use 5th 6th 7th and 8th positions all of which are covered. The book thus provides a follow-up to Lorna Taylor's 'Go Fourth' and 'Taylor-Made'.
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Concerto no (AHO KALEVI)
Cello, Piano
Fennica Gehrman
Par AHO KALEVI. Kalevi Aho's (b. 1949) concerto no. 2 for cello and orchestra (2...
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Par AHO KALEVI. Kalevi Aho's (b. 1949) concerto no. 2 for cello and orchestra (2013) is in five movements performed without a break. It begins with a swinging Berceuse, followed by a very quick, virtuosic Presto in 5/8 time. The heart of the concerto is the cadenza-like third movement, Adagio, dominated throughout by the soloist. A fairly short Allegretto is followed by the closing Epilogue. This has flashbacks to the opening movement, and they lead to a cadenza in which the soloist plays only flageolet notes and pizzicatos. The concerto ends with a virtuosic coda in 5/8 time evocative of the second movement. Arto Noras gave the concerto its first performance with the Lahti Symphony Orchestra conducted by Osmo Vänskä in Naantali on June 5, 2014. It was a joint commission from the Naantali Music Festival and the Lahti Symphony Orchestra. This product consists of the solo part (18 pages) and piano reduction by Kari Vehmanen (62 pages) - have a look inside by clicking “sample”. The concerto is scored for a fairly small orchestra. The instrumentation is 2(II=afl)2(II=ca)2(II=bcl)2-2200-bar-02-str and the orchestral material is available for hire from the publisher. / Date parution : 2022-05-31/ Répertoire / Violoncelle et Piano
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Ernest Bloch: Prayer: Cello: Instrumental Work
Cello, Piano
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Intermediate
Carl Fischer
A fabulous work of chamber music by Swiss composer Ernest Bloch completed in 19...
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A fabulous work of chamber music by Swiss composer Ernest Bloch completed in 1924. At its heart Bloch's Jewish music is emotional expressionist and despite a slow sombre mood is coloured by an exotic ambience which reflects his increasingly Jewish voice. For Cello with Piano accompaniment Prayer has an atmosphere of intense sadness and inward feeling and the three pieces here are far less linked with virtuosity than with the power of expression and faith.
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Franz Schubert: Sonate A Arpeggione: Cello: Instrumental Work
Cello, Piano
[Sheet music]
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Intermediate/advanced
Barenreiter
Sonata In A Minor D 821 'Arpeggione' arranged for Cello & Piano.The New Schubert...
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Sonata In A Minor D 821 'Arpeggione' arranged for Cello & Piano.The New Schubert Edition is a scholarly-critical complete edition reflecting current knowledge of the sources and the latest research findings. It is thus indispensable for the study and authentic performance of Schubert's music.
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Cello Sonatas
Cello, Piano
Wiener Urtext
Avec ses sonates pour violoncelle et piano, Beethoven a jeté les bases d' un to...
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Avec ses sonates pour violoncelle et piano, Beethoven a jeté les bases d' un tout nouveau genre de musique de chambre qui a inspiré les compositeurs ultérieurs tels que Johannes Brahms et Richard Strauss , entre autres. L'étendue de ce qui a survécu des cinq oeuvres de Beethoven est tout à fait différent . Alors que tous les manuscrits originaux des deux sonates op tôt . 5 sont absents , matériel source exceptionnellement complet nous est parvenu de la fin opus 102, qui , cependant, ne laisse aucune question moins graves en suspens. La nouvelle édition de la Wiener Urtext Edition fournit un texte musical obtenue à partir de la comparaison critique des sources qui , toutefois , évite suggérant une certitude absolue aux passages problématiques. Ici, l'éditeur suggère plutôt la solution la plus plausible que le texte principal, mais des alternatives sont mises à la disposition du musicien dans les notes et remarques - et , dans le cas de grandes divergences , même dans la partie de violoncelle séparé de sorte que le violoncelliste peut voir ces informations sans avoir à chercher dans le rapport critique . Ce volume contient également la version de violoncelle de la Corne Sonata op. 17 l' instrumentation alternative qui peut être considéré comme absolument authentique selon une étude récente .Merci de pages dépliantes et optimisé pages -tours , le matériau de performance est extrêmement pratique. L'arrangement de la partie de violoncelle par Heinrich Schiff prend en compte non seulement les techniques de jeu individuels ' les musiciens, mais aussi les différences entre les différents instruments . / Violoncelle Et Piano
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4 Cities - Dört Sehir Op. 41
Cello, Piano
Schott
Fazil Say 'Villes Quatre' Sonata peut être considéré comme un voyage à trave...
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Fazil Say 'Villes Quatre' Sonata peut être considéré comme un voyage à travers quatre villes d'Anatolie. Ce travail a pris son inspiration dans les souvenirs Fazil Say et les événements de sa vie. Bodrum est bien connue comme une ville très fréquenté par les touristes qui le distingue des trois autres endroits. Ces quatre villes très différentes, avec leurs cultures individuelles ont été sélectionnés à partir de l'étendue de près de 2000 km de large de l'Anatolie.SivasSivas est une ville conservatrice située dans l'Est de l'Anatolie, qui est connu pour sa grande population alévie. Comme ¸ IK Veysel est un Ozan alévie (poète) et Fazil Say a été inspiré par sa chanson 'Saz?m' (mon saz / mon instrument) dans la première partie de ce travail. Le mouvement est conclu sur un ton mélancolique, à l'imitation de cet instrument ethnique.HopaUn mariage traditionnel fourni Faz?l Dites-le avec son inspiration pour ce deuxième mouvement qui embrasse la culture orientale de la mer Noire. Horon est une danse folklorique très rapide en 7/16 le temps qui se joue sur la kemence, un instrument typique de la région orientale de la mer Noire. La musique touche aussi à des danses caucasiennes, géorgiennes et Laz, chansons anonymes, 'les femmes Laz' et 'Cilveloy nanayda' (une chanson turque).AnkaraAnkara a déclaré que la capitale de la Turquie par Atatürk en 1923. Cette ville, avec sa population de quatre millions était où le compositeur est né et a également passé son enfance. 'Ankara'n?n Tas ¸ Ina Bak', une chanson rebelle datant de la Première Guerre mondiale, on peut discerner dans la section du milieu lugubre. Le mouvement avec son atmosphère de tragédie évoque l'esprit républicain et l'ambiance d'autrefois.BodrumBodrum est universellement connu comme le Saint-Tropez de la Turquie. Une rue célèbre de la ville est bordée de nombreux bars et pubs à partir de laquelle une cacophonie de musiques différentes peuvent être entendus, allant du jazz, pop et rock des chansons folkloriques. Fazil Say mélange les sons de ces pubs dans ce mouvement qui inclut un volet marche dans un tempo jazz balancer. Le mouvement fait référence à la 'Alt?nda Y?ld?zlar?n' chanson qui a été réalisée par le célèbre chanteur Zeki Muren qui est également né à Bodrum. Comme chanson ¸ IK Veysel de 'Uzun Ince Bir Yolday?m', qui est bien connu dans de nombreux rangements est également en vedette dans ce mouvement. Il est amené à une conclusion brutale et absurde dans sa description d'une bagarre pub aussi souvent vécu dans cette ville. / Violoncelle Et Piano
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Camille Saint-Saëns: Sonata for Violoncello and Piano D major: Cello:
Cello, Piano
-
Advanced
Barenreiter
The French composer Camille Saint-Saëns endowed the music world with a multitud...
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The French composer Camille Saint-Saëns endowed the music world with a multitude of masterpieces for violoncello including concertos sonatas and miniatures such as The Swan and the Allegro appassionato Op.43.This first publication of the Sonata in D major is based on Bärenreiter?s Camille Saint-Saëns ?uvres instrumentales complètes. Although we know from correspondence that two complete autographs existed only an incomplete autograph source containing the 1st movement and part of the 2nd movement which breaks off have come down to us. In his final work for violoncello Saint-Saëns juxtaposes highly rhythmical episodes with more poetic ones. These contrasts arereinforced by bold shifts of harmonic colouring and a highly inventive thematic development.These movements are destined to become standards for cellists.First ever Urtext edition of this incomplete work based on Camille Saint-Saëns ?uvres instrumentales complètesInformative Introduction (Fr/Eng/Ger)
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Biographie Et Catalogue Des Oeuvres Musicales
Français
Cello, Piano
Delatour France
Le pre?sent catalogue des oeuvres musicales de Maurice Emmanuel est a? ce jour l...
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Le pre?sent catalogue des oeuvres musicales de Maurice Emmanuel est a? ce jour la seule publication rendant compte de l'inte?gralite? des partitions qui nous sont parvenues. On pourra s'e?tonner a? bon droit qu'il ait fallu attendre pre?s de 80 anne?es apre?s la disparition du compositeur pour qu'il soit possible d'en prendre connaissance, et un tel retard me?rite certainement quelques explications.Nous avons fait le choix de pre?senter e?galement le document de Frank Emmanuel, qui donne des indications inte?ressantes, notamment sur les premiers interpre?tes (sur ce point, le texte a e?te? enrichi et actualise?), ainsi que le catalogue de Radio France dans sa version la plus re?cente. Enfin, un e?crit de Maurice Emmanuel lui-me?me fait part de ses volonte?s explicites, e?clairant par-la? les fragments d'un chantier d'archives trop longtemps reste? dans l'ombre. On peut penser, cependant, que le catalogue complet - le temps passe? permettant peut-e?tre de s'affranchir quelque peu de la terrible autocensure du compositeur - re?servera de belles de?couvertes, et qu'il pre?tera ainsi son concours aux promesses de l'avenir. / Livre
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3 Ragtimes
Cello, Piano
Schott
Qui aurait pensé que ragtime jouirait d'un autre renaissance ! Mais plus de 50 ...
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Qui aurait pensé que ragtime jouirait d'un autre renaissance ! Mais plus de 50 ans après la mort de son principal représentant, Scott Joplin, le film 'The Sting' a rendu ce style une fois populaire bien connus et à la mode à nouveau. Cette petite sélection des chiffons Joplin n'est évidemment pas complete sans ' The Entertainer '. En comparaison, ' Faciles vainqueurs ' et ' Rag-temps danse ' ne sont aucun moins amusant à jouer, surtout que dans ce dernier cas, l'interprète a non seulement à jouer, mais aussi stomp son pied. Excellente musique divertissement pour les nombreuses occasions ! / Violoncelle Et Piano
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Female Composers
Cello, Piano
Schott
Le quatrième volume de cette série de compositeurs femelles est dédié aux oe...
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Le quatrième volume de cette série de compositeurs femelles est dédié aux oeuvres de la XIXe et XXe siècles. Les pièces par Violetta Dinescu, Caroline Ansink, Myriam Marbe et Lucie Robert-Diessel ont été composées spécialement pour cette anthologie. / Violoncelle Et Piano
38.85 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
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Le Poulet Et Les Champignons #4 De '4 Fables' (JOUBERT CLAUDE-HENRY)
Français
Cello, Piano
[Score and Parts]
Combre
Par JOUBERT CLAUDE-HENRY. / Niveau : Fin Du 1er Cycle / classique / Réperto...
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Par JOUBERT CLAUDE-HENRY. / Niveau : Fin Du 1er Cycle / classique / Répertoire / Violoncelle et Piano
12.90 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
In Stock
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Novelettes (ROSSIGNOL BRUNO)
Français
Cello, Piano
[Sheet music]
Delrieu
Par ROSSIGNOL BRUNO. / classique / Répertoire / Violoncelle et Piano
14.50 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
In Stock
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Lettre tango pour Elise (violoncelle(s) et piano) (BEETHOVEN LUDWIG VAN / BRASSEUR A)
Cello, Piano
[Sheet music]
Soldano
Par BEETHOVEN LUDWIG VAN / BRASSEUR A. (Arr.). / Niveau : 1er cycle, 1ère ann...
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Par BEETHOVEN LUDWIG VAN / BRASSEUR A. (Arr.). / Niveau : 1er cycle, 1ère année / Répertoire / Violoncelle et Piano
13.30 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
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