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Cello, Piano
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Serge Lancen: If I were... for Cello Viola or Bassoon and Piano: Chamber
Cello, Piano
Leduc, Alphonse
French pianist and composer Serge Lancen (1922-2005) studied at the Paris Conse...
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French pianist and composer Serge Lancen (1922-2005) studied at the Paris Conservatoire where he won many prizes. Si J'Étais... for Cello Viola or Bassoon and Piano contributes to a significant catalogue of compositions by the composer. Si J'Étais... is a series of compositions by Lancen in which each piece depicts the style of a different great composer. Numbers 4 5 and 6 are influenced by Couperin Verdi and Albeniz. Adaptable to Cello Viola or Bassoon these Lancen pieces are exciting and informative ranging across a variety of musical styles. SiJ'Étais... is suitable for intermediate instrumentalists.
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Franz Joseph Haydn: Cello Concerto In C Hob.VIIb: Cello: Instrumental Work
Cello, Piano
G. Henle
Haydn’s Concerto for Violoncello and Orchestra in C major (Hob. VIIb:1) w...
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Haydn’s Concerto for Violoncello and Orchestra in C major (Hob. VIIb:1) was probably composed between 1762 and 1765 when he was already director of music to Prince Esterh zy. It may have been writtenfor the cellist in the court Orchestra Joseph Weigl (1740-1820) for whom Haydn most likely also wrote the solo Cello parts in his early symphonies. Weigl was a member of the Esterh zy ensemble from 1761 to 1769 andthereafter served as a principle cellist in various Viennese ensembles.The concerto was rediscovered by Oldrich Pulkert who in 1961 found an eighteenth-century manuscript copy (Prag National Museum Fonds Radenin) andpublished the concerto in 1962. Previously the existence of this piece was known only through Haydn’s entry in his private list of works (the so-called ‘Entwurf’ [‘draft’] catalogue).The Orchestral setting ismodest: besides the Strings (with a non-obligato Bassoon doubling the Bass part) there are two Oboes and two Horns which are reserved almost exclusively for the tutti passages.This Piano reduction is based on the text givenin the complete edition of Haydn’s works as edited by the Joseph Haydn Institute Cologne (Joseph Haydn Werke Series III Vol.2 with Preface and Critical Report published by G. Henle Verlag Munich 1981). The Cello partin the Piano reduction is identical to that of the complete edition and thus follows the Prague source as closely as possible even in the expression marks and in certain peculiarities of notation.
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M. Goddard: Buffoonery For Cello And Piano: Cello: Instrumental Album
Cello, Piano
[Score and Parts]
Spartan Press
This piece was originally written for the trombonist Michael Skitt as the final...
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This piece was originally written for the trombonist Michael Skitt as the final 'prank' movement of a concerto for trombone and orchestra. By popular request the piece has been given a separate piano part and has since been proved equally entertaining for trombone bassoon or cello!Grade: 8
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Joseph Bodin de Boismortier: Sonata: Cello: Instrumental Work
Cello, Piano
[Sheet music]
Barenreiter
By Joseph Bodin de Boismortier. Edited by Hugo Ruf. For Cello/Bassoon Basso Con...
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By Joseph Bodin de Boismortier. Edited by Hugo Ruf. For Cello/Bassoon Basso Continuo. Violoncello. Playing Score; Single Part. Op. 50/3. Published by Baerenreiter-Ausgaben (German import). (BA3963) ISBN M006442058.
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Hungarian Rondo (Cello And Piano)
Cello, Piano
EMB (Editio Musica Budapest)
Hungarian Rondo was composed by Zoltán Kodály in December 1917, drawing on mat...
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Hungarian Rondo was composed by Zoltán Kodály in December 1917, drawing on material from the incidental music he had written for Zsigmond Móriczs play Pacsirtaszó (Skylarking). The rondo form is shaped out of four new-style Hungarian folk songs and an instrumental dance melody. Kodály prepared the piece in two somewhat different versions, one for two clarinets, two bassoons and string orchestra, and the other for cello and piano. The orchestral version received its first performance in Vienna on 12 January 1918 at a 'historical concert' organized by the War Ministry of the Austro-Hungarian Monarchy. The cello version was premi?red by Miklós Zsámboky and Ottó Herz at the Budapest Academy of Music on 4 November 1927. Neither version appeared in print in the composers lifetime. The version for string orchestra was edited in 1976 by Ferenc Farkas and István Máriássy (and is distributed as a hire material under the order number K-1). The cello version appears here in print for the first time. The publication is based on the composers surviving manuscript and a contemporary manuscript copy of this. The fingerings are by the editor. / Violoncelle Et Piano
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Solo Time for Cello Book 2
Cello, Piano
[Sheet music + Audio access]
Oxford University Press
Par . collection for cello and piano, with audio tracks online Solo Time for Cel...
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Par . collection for cello and piano, with audio tracks online Solo Time for Cello is a two-volume series of concert pieces for the intermediate to advanced cellist. / Date parution : 2022-07-23/ Recueil / Violoncelle et Piano
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