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Cello, Piano
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Amazing Solos
Cello, Piano
Boosey and Hawkes
La musique dans ce livre est séduisante, parfois vraiment grande musique qui se...
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La musique dans ce livre est séduisante, parfois vraiment grande musique qui se trouve juste être simple. Aucun des pièces est simplement ' enseignement ' - presque al d'entre eux avait une vie réussie de leurs propres avant ils ont trouvé leur chemin ici - et ils ont été choisis pour leurs forces individuelles, purement musicales. Toutefois, le livre est plus qu'une collection de pièces remplit - les pièces qu'il compte près de graduée et très varié dans leurs demandes, afin que tout joueur qui travaille à travers eux auront la chance de consolider et de leur technique de Pologne. Ils sont aussi plus généralement variées dans le style. Ils donneront quelque plaisir inattendu et signpost certaines voies intéressantes et agréables qui pourraient autrement sont demeurées inexplorées. / Violoncelle Et Piano
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Sonata Brevis
Cello, Piano
Simrock
Créée en 1955, cette pièce, comme par exemple le violoncelle Sonate opus 2 co...
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Créée en 1955, cette pièce, comme par exemple le violoncelle Sonate opus 2 composé quelques années plus tôt, montre familiarité de Bertold Hummel avec ' son ' instrument dont il étudie avec Atis Teichmanis. La totalité de l'ouvrage est imprégné par son plaisir à jouer et une mélodie compréhensible - en particulier, le mouvement final brillant en 7/4 laisse une marque forte. La nouvelle édition nouvellement définie et soigneusement révisée sera un ajout intéressant au répertoire de jeunes violoncellistes. / Violoncelle Et Piano
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Robert Schumann: Concerto for Cello and Orchestra (Concertstück): Cello and
Cello, Piano
Peters
Original Version - Edition for Cello and Piano. Schumann?s Cello Concerto Redisc...
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Original Version - Edition for Cello and Piano. Schumann?s Cello Concerto Rediscovered. In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann?s original version of his Cello Concerto in A minor Op. 129 ? a piece he actually called a ?Concertstück? ? removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer?s manuscript held in the Biblioteka Jagiello?ska in Kraków. It is presented in a beautifully printed edition for cello with Schumann?s original piano reduction. Matching orchestral material is also available from the publisher. Only modern Urtext edition based on Schumann?s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Matching orchestral material available separately from Edition Peters Recording of the Concertstück featuring Josephine Knight available from Dutton Robert Schumann?s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann?s original conception of the work ? not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann?s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists. Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiello?ska in Kraków, to reveal Schumann?s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann?s original conception of the work as a Concertstück and restores Schumann?s musical text, free of posthumous interventions. It is presented in a beautifully printed edition for cello, with Schumann?s original piano reduction. Matching orchestral material is also available from the publisher. ?My ultimate wish,? says the editor, ?is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character ? one that is lighter and happier, even ?cheerful?, as Schumann himself described the work.?
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B Kelly: Sonatina: Cello: Instrumental Work
Cello, Piano
[Sheet music]
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Spartan Press
'Apart from the piano the cello is my favourite instrument. I taught myself how...
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'Apart from the piano the cello is my favourite instrument. I taught myself how to play it while still at school then took lessons with John Snowdon when I was a student at the R.C.M.. I had to give the cello up to concentrate on other things but my love for the instrument lingered on and in the past few years I have written works for two four and eight cellos so it seemed logical to write something for one hence this Sonatina! The dedication is to Naomi Butterworth who has championed my cello music and given many performances of it.'Bryan Kelly
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Pavane Op. 25
Français
Cello, Piano
[Sheet music]
Billaudot
La référence CC1904 I de l'éditeur Billaudot dont l'auteur célèbre est Lieg...
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La référence CC1904 I de l'éditeur Billaudot dont l'auteur célèbre est Liegeois Cornélis, qui a pour titre PAVANE OPUS 25, a été écrite et composée pour Violoncelle et plus particulièrement pour Violoncelle Et Piano. Cette partition musicale appartient à la catégorie Classique. / Violoncelle Et Piano / Partition
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Instrumental Solos
Cello, Piano
[Sheet music + CD]
Alfred Publishing
/ Violoncelle Et Piano
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