Uses: General All Saints Day ConcertScripture: Revelation 21:2; Ezra 1:1-4Beginning with the languid strains of a stunning low voice solo and incorporating the traditional spiritual “CityCalled Heaven ” this compelling anthem is a mixture of styles. The stately opening surrenders to a jazzy theme that is contagious in its “vibe” using the words almost as a rhythm instrument. The solo returns withchoral backup and the anthem ends with soulful exclamations celebrating the hope of heaven. Now available in three voicing options! Available separately: SATB TTBB SSAA Rhythm Pack (Guitar Bass Drums) StudioTrax CD(Accompaniment Split-Trax Performance) Orchestration (Score & parts for Flute 1&2 Clarinet 1&2 Bassoon Horn 1&2 Trumpets 1-3 Trombone 1&2 Bass Trombone/Tuba Drum Set Piano Violin 1&2 Violin Cello Double Bass).Duration: ca. 3:14.

This highly popular and traditional song is set by C.F. Chudleigh Candish for men's voices with full Piano accompaniment.

This Christmas standard is one of the most recorded holiday songs of our time. This arrangement awakens the beloved song to new possibilities dressing it in a sophisticated suit of traditional choral elements and light jazz. The creative crescendo of the original song unfolds verse by verse as the news of the Christ Child's birth goes from the shepherd boy to the people everywhere. The call and response format is maintained but refreshed by shimmering chords and creative counterpoint. A study in choral color don't miss the opportunity of sharing this wonderful Christmas classic with your audience.

Dvorak's setting of the traditional text translated into English by Rosa Newmarch.

Nobody Does It Better sung by Carly Simon came from the James Bond film The Spy Who Loved Me . Marvin Hamlisch and Carole Bayer Sager's song marked the first time a bond song had not shared its title with that of the film - since the tradition started. It stood as an excellent pop song in its own right and has endured as Carly Simon's longest-charting hit and the title of her greatest hits album. This choral version has been arranged for male voice TTBB choir with Piano accompaniment by Thomas Lydon. / Choeur TTBB Et Piano

“Nordic Polska” is a combination of traditional Swedish and Finnish folksongs arranged for performance by LEVELELEVEN a combination of The Real Group and Rajaton. Using scatting and nonsense syllables the sound of the folksongs shines through. A beautiful and other-worldly sound. Available for mixed voices and men's chorus.

The traditional text with spiritual roots has been adapted by the composer. With an unadorned melody set in a simple but beautiful musical language with open transparent harmonies this music can be sung well by groups of many different abilities and in many situations. Duration: 3:00.

Masterful composer David Schwoebel sets the great master J.S. Bach's Jesu Joy Of Man's Desiring to text by master hymnodist Charles Wesley (the traditional text is included as well) transcribed for male chorus and keyboard.

This sweet lilting melody is arranged from a traditional Irish folk song another capital arrangement from our Chanticleer series

The Lark In The Clear Air is a traditional Irish air. Since the 1800s it has been associated with a poem by the Irish writer Sir Samuel Ferguson (1810-1886) one of the founding fathers of the Irish literary revival. It has been arranged here by Edgar M. Deale for TBarB Three-part Male Voice Chorus with Piano accompaniment. It makes a perfect recital item for any Male Voice Choir. Edgar M. Deale (1902-1999) was a twentieth century Irish composer. A former chorister at Christ Church Cathedral Dublin he was largely self-taught as a composer. His output was limited to a few dozen original works and arrangements but hiscontribution to Irish music is gradually achieving the recognition it deserves.

This a cappella setting of a traditional South African praise song just bursts with joyful energy. Dynamic contrast percussion and a wide range of layered vocal textures make this an appealing concert choice. Available: SATB a cappella. Performance Time: Approx. 2:15.

Opening with a slow unaccompanied statement of the refrain this contemporary setting of the traditional spiritual then unfolds into a dramatic layering thematic treatment that is tremendously exciting. Includes optional congas and electric bass.

Your singers will love rehearsing and performing this rhythmic celebration based on traditional African music. Layered vocal lines call and response and the vitality of the conga claves and djembe will bring freshness and energy to your concert!

Randall Johnson is a master at combining traditional and jazz styles. The Latin Benedictus text harkens to an ancient time and after a solemn start the music suddenly breaks into a fast and festive roll. Selected for the Randy Stenson Male Chorus Series this is a great high school or festival number. This piece was performed at the 2015 ACDA National Convention. Medium difficulty.