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Percussion Ensemble
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Choral SATB
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Nico Muhly: An Outrage: SATB: Vocal Score
Choral SATB
SATB, Percussion(s)
[Vocal Score]
-
Intermediate/advanced
St Rose Music Publishing
An Outrage is an enticing piece of music composed by Nico Muhly and has been s...
(+)
An Outrage is an enticing piece of music composed by Nico Muhly and has been scored for SATB Drones and Drum.It's galloping melodic lines slip out of the percussive writing as if by centrifugal force holding a sense of outrage at bay.Nico Muhly has composed a wide scope of work for ensembles soloists and organizations including the American Symphony Orchestra New York City Ballet The Royal Ballet and artist Conrad Shawcross to name a few. Muhly has also lent his skills as performer arranger and conductor to the likes of Usher and Björk.
6.50 GBP - Sold by Musicroom UK
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Dan Forrest: Three Nocturnes: SATB: Vocal Score
Choral SATB
[Vocal Score]
Hinshaw Music Inc.
This is a fifteen minute work in three movements-the text to each penned by diff...
(+)
This is a fifteen minute work in three movements-the text to each penned by different lyricists in diverse styles dealing with the stars. Scored for mixed chorus (div.) With percussion ensemble the texts come alive in Dan Forrest's lush harmonic writing and colorful use of the percussion.
9.99 GBP - Sold by Musicroom UK
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Glyn Perrin: Phillidor's Defence: Chamber Ensemble: Score
Choral SATB
SATB divisi
[Sheet music]
University Of York Music Press
For Soprano Saxophone Alto Saxophone Trumpet Trombone Percussion and Electr...
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For Soprano Saxophone Alto Saxophone Trumpet Trombone Percussion and Electric Keyboard.Published in 1992.First performed by the Mercury Ensemble Roger Heaton conductor Royalty Theatre London 1992.Score.
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Dan Forrest: Lightly Stepped a Yellow Star: Double Choir: Vocal Score
Choral SATB
[Vocal Score]
Hinshaw Music Inc.
Scored for mixed chorus (div.) with percussion ensemble the text by Emily Dicki...
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Scored for mixed chorus (div.) with percussion ensemble the text by Emily Dickinson for this second movement of three nocturnes comes alive in Dan Forrest's lush harmonic writing and colorful use of the percussion.
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Have A Very Merry Christmas
Choral SATB
Alfred Publishing
Choirs of any size will sound full on this jubilant fanfare with Christmas carol...
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Choirs of any size will sound full on this jubilant fanfare with Christmas carol appeal. The inclusion of 'We Wish You a Merry Christmas? elevates the holiday cheer, and an optional brass and percussion ensemble will add a festive flourish. / Choeur Mixte (SATB)
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Lift High the Cross: Brass Ensemble: Parts
Choral SATB
SATB, Organ
Fred Bock Music Company
This majestic Easter anthem has been elevated to dramatic regal status by Richar...
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This majestic Easter anthem has been elevated to dramatic regal status by Richard Nichols with a new setting for SATB Choir and Organ with optional Brass and Percussion.
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James Whitbourn: The Three Dimensions: Mixed Choir and Ensemble: Vocal Score
Choral SATB
Chester
Commissioned by the Pennsbury High School Concert Choir, James D. Moyer, directo...
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Commissioned by the Pennsbury High School Concert Choir, James D. Moyer, director in celebration of the tenth annual Big Sing concert in Princeton University Chapel, April 25, 2018 and to mark the fiftieth anniversary of the assassination of Martin Luther King, April 4, 1968 and his preaching in Princeton University Chapel. SATB, Soprano Saxophone, Percussion, Piano/Organ
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Bruce Adolphe: Reach Out Raise Hope Change Society: Mixed Choir and Ensemble:
Choral SATB
[Vocal Score]
Lauren Keiser Music Publishing
SATB Chorus Woodwind Quintet and 3 Percussion
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BERNSTEIN - CHICHESTER PSALMS - BOY SOLOIST, CHOEUR MIXTE (SATB) ET ORCHESTRE, OU SOPRANO, CHOEUR MIXTE (SATB), HARP, ORGUE ET PERCUSSION
Choral SATB
Boosey and Hawkes
Chaque été, la cathédrale de Chichester dans le Sussex mobilise ses voisines ...
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Chaque été, la cathédrale de Chichester dans le Sussex mobilise ses voisines de Winchester et de Salisbury pour l'un des plus grands festivals de musique religieuse de Grande-Bretagne : le Southern Cathedral's Festival. Pour l'édition de 1965, on a commandé une composition à Leonard Bernstein - les Chichester Psalms, devenus très populaires entretemps. Cette oeuvre en trois parties se base sur des psaumes hébraïques, que Bernstein a réuni lui-même pour en souligner le caractère liturgique. L'année de la création des Chichester Psalms, Bernstein était en congé sabbatique d'un an de son poste au New York Philharmonic Orchestra, une occasion qu'il a utilisée pour composer. Il raconte : « À l'époque, je n'ai composé pendant un an quasiment que de la dodécaphonie, et des choses encore plus expérimentales. J'étais heureux de faire émerger ces nouvelles sonorités ; mais après environ six mois de travail, j'ai tout jeté. Ce n'était pas ma musique, ce n'était pas sincère. Ensuite, il y a eu les Chichester Psalms - certainement la pièce tonale en si majeur la plus claire que j'aie jamais composé ».Année : 1965Pages : 44Langue : Hebrew / Choeur et ensemble vocal / Boosey
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Eric Whitacre: Higher Faster Stronger: SATB: Score
Choral SATB
Chester
Higher Faster Stronger (A3 Full Score)-Full A3 score for Higher Faster Stron...
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Higher Faster Stronger (A3 Full Score)-Full A3 score for Higher Faster Stronger by Eric Whitacre Commissioned by BBC Radio 3. First performance 29 August 2012 at the BBC Proms Royal Albert Hall London by the BBC Singers Eric Whitacre Singers ensemblebash (percussion) and Christopher Glynn (piano) conducted by the composer.Scoring: Triple chorus (SATB) including solo sopranoPercussion (3 players)PianoDuration: c. 5 minutes
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Per Nørgård: Abendlied Und Märchenfarben: SATB: Score
Choral SATB
[Sheet music]
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Advanced
Wilhelm Hansen
Programme Note ABENDLIED & MÄRCHENFARBEN for accordion ensemble incl. choir a...
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Programme Note ABENDLIED & MÄRCHENFARBEN for accordion ensemble incl. choir and percussion ad lib. (1980).MÄRCHENFARBEN is a virtuoso piece for accordion ensemble based on Nørgård´s ?infinity series? and a special multi-layered rhythm also heard in the composers well known choral work ?Wie ein Kind? (second movement) from the same year 1980.This rhythm with the onomatopoeic nickname ´pischop´ has a swaying and breathing quality which seems well suited for an ensemble of accordions. Two percussion parts to be added ad lib. - are composed into the tone music of the accordions in ?Märchenfarben?.The piece was composed in 1980 for the very talented Det DanskeHarmonika Ensemble and its leader Jeanette Dyremose an ensemble that enlarged the instrumental piece with an introduction (as suggested by the composer) singing and playing Nørgård´s choral song ?Abendlied? (1980) to a sunset idyllic poem by Adolf Wölfli (1864-1930) including here the word ´märchenfarben´ the title of the shimmering and colorful instrumental music to follow with Märchenfarben. The duration of Abendlied & Märchenfarben is around 15-17 minutes (5-6´ + 10-11´).Per Nørgård
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Dan Forrest: Requiem for the Living: SATB: Vocal Score
Choral SATB
[Vocal Score]
Hinshaw Music Inc.
Commissioned by the Hickory NC Choral Society for their 35th anniversary season ...
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Commissioned by the Hickory NC Choral Society for their 35th anniversary season Dan Forrest's Requiem For The Living is scored for mixed choir with solos for boy soprano and/or mezzo-soprano soprano & tenor. The instrumentation is available for large orchestra or chamber ensemble. Combining both liturgical and non-liturgical texts in some cases the traditional texts are slightly re-arranged for contextual emphasis. This powerful five movement work projects a wide range of meaningful expression from a biting essay on the vanity and pain of existence to a plea for mercy and a celebration of eternal light. The work standsalone - but would be especially moving for all saints Good Friday or even Palm Sunday. Movements: Introit - Kyrie Vanitas Vanitatum Agnus Dei Sanctus Lux Aeterna 3. Instrumentations available on rental only: 1. Full orch. (HMB265a): 2 flutes 2 oboes 2 bb clarinets 2 bassoons 2 horns (or 1-4: if performing with a large choir horn lines may be doubled by a second player on each part) 2 bb trumpets 2 trombones bass trombone or trombone 3 tuba percussion (1 player: suspended cymbal crash cymbal bass drum triangle glockenspiel crotales (bowed) snare drum low tom-tom (opt.)(or other low drum) timpani (3) (one player) harp strings (min. Suggested count 4.4.2.2.1) full score. 2. Chamber version (HMB265b) - flute oboe horn in f (optional) combined percussion (one player: timpani suspended cymbal crash cymbal triangle glockenspiel crotales (bowed) snare drum low tom-tom (optional) (or other low drum) harp violin cello organ full score. 3. Expanded chamber version (HMB265c) - flute oboe horn in f(opt.) percussion from full orchestra version (1 player: suspended cymbal crash cymbal bass drum triangle glockenspiel crotales (bowed) snare drum low tom-tom (opt. or other low drum) timpani (3) from full orchestra version (1 player) harp strings from full orchestra version
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Per Nørgård: Winter Cantata: SATB: Score
Choral SATB
Wilhelm Hansen
Winter Cantata / Vinterkantate (1976) by Per Nørgård for a variable ensemble o...
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Winter Cantata / Vinterkantate (1976) by Per Nørgård for a variable ensemble of soloist mixed choir and instruments (minimum: vocalist and organ). Programme Note: When in 1975 I had finished composing my 3rd Symphony (begun in 1973) I wrote three simple melodies for two psalm texts by Ole Sarvig: ?The Year? and ?Choral Hymn?. These three tunes were derived from the same material as the second movement of the 3rd Symphony and could be harmonized together in several different tempo relationships at the same time - like fractals which inspired me to write several choral and instrumental works in the following decade based on thesemelodies: ?Frost Psalm? ?Winter Cantata? ? Winter Hymn? ?Cantica? and others. One of these ´Sarvig melodies´ is now included in the new Danish Hymnbook under the title ?Året?(The Year). Ole Sarvig´s poem ?Året? (The Year) is Danish perhaps Scandinavian in character but its symbolic atmosphere is global (now snow is covering the whole earth). The basic composition of this cantata based on Sarvig´s many verses was done by letting soloist choir and instruments change in feelings and moods: from the almost silent inward-looking beginning (I: Chorale dolorosa) to a dancelike and happy optimism (II: A heaven germ on winged foot thrust deep into the earth its root) followed by nightmarish tone rows as the ?year-wheel of fortune? is turning (III: Sacrifice The Year) and the temptations of the snake (IV: In Paradiso) to the allegorical fights between egoism and altruism (V:The Cycle Autumn. Purgatory) before the ?waiting for a disaster?- atmosphere at the end of this choral Odyssé. Winter Cantata was from the beginning (1976) designed as an open work to be arranged by different combinations of soloists choir and (different) instruments. The printed version by Per Nørgård and Ivan hansen for soloist mixed choir and instruments (obo violin trombone vibraphone/percussion and organ) is from 1990. The work
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Nico Muhly: A Good Understanding: SATB: Vocal Score
Choral SATB
[Vocal Score]
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Intermediate
St Rose Music Publishing
Contemporary American composer Nico Muhly is a prolific writer and arranger who ...
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Contemporary American composer Nico Muhly is a prolific writer and arranger who at 32 is the youngest composer ever to have been commissioned by the Metropolitan Opera in New York. His oeuvre includes two operas and many solo pieces and works for small ensemble Orchestra and Chorus and he has collaborated widely. A Good Understanding displays Muhly’s early Choral influences from his years as a boy chorister alternating thrilling Organ passages with contemplative sections that demand quite a lot of all the performers. This piece for Treble Semi-Chorus SATB Percussion and Organ incorporates words from psalms 99 and111.
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Karl Jenkins: Adiemus Colores: SATB: Vocal Score
Choral SATB
SATB, Orchestra
[Vocal Score]
Boosey and Hawkes
As a composer he recognises no boundaries musical commercial geographical or...
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As a composer he recognises no boundaries musical commercial geographical or cultural. His is a way of thinking and composing that is perfectly in tune with the spirit of the times Classic FM MagazineReleased ten years after the original Adiemus albums that helped to make Karl Jenkins' name Adiemus Colores draws inspiration from the sights sounds colours and rhythms of Latin American music.As with the original Adiemus Jenkins combines classical principles with the flavours of world and ethnic music supported by lively Percussion. His Choral writing adopts an invented language with nomeaning like scat singing in jazz. Each movement is named in Spanish after a colour and explores the mood that each evokes for the composer embracing Brazilian samba Argentinian tango and Spanish bolero.Adiemus Colores is scored for Choir and Ensemble with Soloists with a total duration of 75 minutes.
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A Cappella Warm-Ups: Mixed Choir a Cappella: Vocal Score
Choral SATB
SATB A Cappella
[Vocal Score]
Hal Leonard
for Pop and Jazz Choirs. What choral conductor or soloist has not looked around ...
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for Pop and Jazz Choirs. What choral conductor or soloist has not looked around for new ideas for warming up the voice? Here are over 39 creative exercises which do more than just warm up the voice: they help to relax the body, train the ear and develop an awareness of dynamics and rhythm. Two top authors, Deke Sharon and J.D. Frizzell, have provided a wide array of warm ups specifically designed for pop and jazz choirs but these warm ups will work well for contemporary a cappella groups of all sizes and styles. Every vocal ensemble has its strengths and weaknesses which vary from year to year. The warmups within can to help polish your weak spots and hone your strengths. Regardless of your group_x001A_s strengths, this book is can help you address the full range of skills required for great musicmaking. Topics include: Rhythm, Syllables, Tone, Intervals, Dynamics, Intonation, Blend, Balance, Pitch, Improvisation, Solo Techniques, and Vocal Percussion.
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Eric Whitacre: Higher Faster Stronger (Set Of 3 Chorus Scores): SATB: Vocal
Choral SATB
SATB, Piano
[Sheet music]
Chester
Higher Faster Stronger was Commissioned by the BBC and first performed 29 Augu...
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Higher Faster Stronger was Commissioned by the BBC and first performed 29 August 2012 at the BBC Proms Royal Albert Hall London by the BBC Singers Eric Whitacre Singers and ensemblebash conducted by thecomposer.Scoring:Triple chorus (SATB) including solo sopranoPercussion (3 players)PianoDuration: c. 8 minutes
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Ruth Artman: Joyful Noise: SATB: Vocal Score
Choral SATB
[Vocal Score]
Hinshaw Music Inc.
With brass ensemble and selected percussion this anthem provides a rousing clim...
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With brass ensemble and selected percussion this anthem provides a rousing climax for celebration or festival occasions. Written with a large choral group in mind it also stands well on its own with a smaller choir and limited instrumentation.
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James Whitbourn: Missa Carolae (Revised 2012): SATB: Vocal Score
Choral SATB
SATB, Organ
[Vocal Score]
Chester
James Whitbourn's Christmas mass incorporating carol melodies from France Engla...
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James Whitbourn's Christmas mass incorporating carol melodies from France England Germany and Poland. This edition is the Vocal Score for use with the full ensemble of piccolo brass organ and percussion and doubles as theFull Score for a new reduction for SATB chorus optional piccolo and organ. Mass text in Latin with introit in English.
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Henry Purcell Poul Ruders Nahum Tate: Prologue To Dido And Aenas: SATB: Vocal
Choral SATB
SATB, Piano
Wilhelm Hansen
Vocal score/Piano reduction for Poul Ruders' Prologue To Dido And Aenas by Henry...
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Vocal score/Piano reduction for Poul Ruders' Prologue To Dido And Aenas by Henry Purcell (2011). Text by Nahum Tate. Commissioned by The Danish National Vocal Ensemble / DR Scored for Mixed Choir (SATB) String Quartet Percussion Theorbe and Harpsichord.Score available: WH31460Parts available: WH31460A
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Bryan Kelly: Surrexit Hodie: SATB: Vocal Score
Choral SATB
[Vocal Score]
Novello & Co Ltd.
SATB Choir with Ensemble of Percussion Organ and Strings.
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John Rutter: Winchester Te Deum: SATB: Vocal Score
Choral SATB
[Vocal Score]
Oxford University Press
John Rutter's Winchester Te Deum is a glorious work with a great sense of ceremo...
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John Rutter's Winchester Te Deum is a glorious work with a great sense of ceremony. Written for Winchester Cathedral this important setting is bright and joyful and equally suitable for church and concert performance. It pairs wonderfully in a concert half with Rutter's Gloria and provides perfect material for a festival evensong or occasional service. This can be performed by SATB choir accompanied by either organ organ with 5-part brass ensemble (2 trumpets horn trombone tuba) and optional timpani and percussion or orchestra.
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The Bells: Mixed Choir a Cappella: Vocal Score
Choral SATB
[Vocal Score]
Southern Music Ltd
for SATB Chorus and Piano-This majestic setting of Edgar Allen Poe verses for ad...
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for SATB Chorus and Piano-This majestic setting of Edgar Allen Poe verses for advanced chorus has been performed by the Juilliard Pre-College Chorus Cantabile Singers the University of Vermont and others. Two arrangements are available: one with single piano accompaniment and a second calling for an ensemble of two pianos and four percussion.
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John Rutter: Now Thank We All Our God: Mixed Choir: Instrumental Work
Choral SATB
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Intermediate
Oxford University Press
No. 1 of Two Hymns of Praise-A tremendous celebratory work arranged by John Rutt...
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No. 1 of Two Hymns of Praise-A tremendous celebratory work arranged by John Rutter for Mixed Choir and Brass Ensemble. Now Thank We All Our God starts with a triumphant fanfare introduction and is a majestic and inspiring piece. It is based on Ecclesiasticus 50:22-24 a 17th Century text by Martin Rinkart and it is believed that it was written for a celebration service to mark the end of the Thirty Years War in 1648. This is the complete Set of Parts for Brass ensemble consisting of 4 Trumpets in B Flat and C 2 Horns 2 Trombones Bass Trombone Percussion and Timpani.
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Dominick Argento: The Masque Of Angels Suite: SATB: Vocal Score
Choral SATB
[Vocal Score]
Boosey and Hawkes
Argento has crafted a five-movement suite from his 1964 opera The Masque of Ange...
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Argento has crafted a five-movement suite from his 1964 opera The Masque of Angels. Designed as a mini choral drama it includes a Processional for the angels; the well-known Gloria; the colorful Arrival of the Archangels; a majestic Sanctus; and a joyful Recessional. Best for larger ensembles this suite is a showcase for magnificent choral sound. Orchestra parts are available on rental.Instrumentation: 2 oboes (2nd doubling english horn) bassoon 2 trumpets in Bb trombone 2 Violas Cello harp percussion (cymbals triangle suspendes cymbal bells/chimes Glockenspiel tambourine sleigh bells)
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Jeff Nelson Scott Wesley Brown: Grace Alone: SATB: Vocal Score
Choral SATB
[Vocal Score]
Shawnee Press
Uses: General RevivalScripture: James 4:6; Romans 3:24-25; Hebrews 4:16; II Pet...
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Uses: General RevivalScripture: James 4:6; Romans 3:24-25; Hebrews 4:16; II Peter 3:18A modern contemporary classic takes wing in a musical setting that opens it up to ensembles of any size andlevel. The chorus is so memorable as it articulates the foundations of our faith and declares the attributes of unfailing grace. A beautiful theme for any worshipping choir! A full orchestration and performance track offersadditional options to directors. Available separately: SATB StudioTrax CD (Accomp. SplitTrax Perf.) Orchestration (Score & parts for Flute 1 & 2 Oboe Clarinet 1 & 2 Bassoon Horn 1 & 2 Trumpets 1-3 Trombones 1 & 2 BassTrombone/Tuba Timpani Melodic Percussion Aux. Percussion Piano Violin 1 & 2 Viola Cello Double Bass). Duration: ca. 3:44.
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John Rutter: Now Thank We All Our God: SATB: Vocal Score
Choral SATB
[Vocal Score]
Oxford University Press
Festival hymn with introductory fanfare for mixed choir Brass ensemble timpani...
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Festival hymn with introductory fanfare for mixed choir Brass ensemble timpani percussion and Organ or Orchestra.
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'Sð Do Mhamo I: SATB: Vocal Score
Choral SATB
[Vocal Score]
Mark Foster Music
This traditional Irish folk song sub-titled “The Wealthy Woman ” ha...
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This traditional Irish folk song sub-titled “The Wealthy Woman ” has reached worldwide popularity thanks to the popular folk ensemble Celtic Woman. Desmond Earley has created this arrangement using vocal whispers body percussion and divisi choir to create a vocal orchestra that will bring the house down. Baritone and soprano solo sections give your singers a change to really shine.
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