This is the brand new addition to the string series. Full of new pieces, mixed with arrangements of old favourites. Ideal for Double Bassists who are between grades 2-4. 28 Items:

Yorke Edition-Born in Oxford in 1917 Francis Baines was a well-known and much respected professional double bass player. He studied at the Royal College of Music in London with Claude Hobday where he later taught. Something of an eccentric he immersed himself in early music at a time when few people were taking it seriously. He owned a beautiful Amati bass that he had restored as a violone which it probably was originally and he was a regular fixture as a principal player in a number of orchestras and ensembles that dedicated themselves to period performing including those directed by Denys Darlow with whom he broadcast and recorded frequently.Besides playing the doublebass Francis Baines was an exponent of the treble viol and led the Jaye Consort of Viols which he founded. He also played several kinds of bagpipe and the hurdy-gurdy. As a composer he dabbled in many styles one of his greatest claims to fame being that of writing for the popular Hoffnung concerts in the 1960s. He was the author of a number of papers about the history of the double bass sometimes arriving at scholarly conclusions that were colourful if not always entirely accurate. He discovered the Giovannino del Violone sonatas subsequently published by Yorke Edition although today it is thought that they were probably not written for a 16' pitch instrument at all. His edition of the Capuzzi double bass concerto published by Boosey & Hawkes was for many years one of the few solo works available for the instrument. This however he largely re-composed because he thought it could be improved: towards the end of his life he confessed that with hindsight he probably should have treated it differently.Grounds was written in 1969 as a sort of party piece and was given to Yorke Edition in support of a drive to enlarge the repertoire for the instrument in a wide variety of styles. It was set on the syllabus of the Associated Board of the Royal Schools of Music for many years.Francis Baines died

A first of its kind approach to the learning of double bass incorporating traditional classical studies with practical jazz and popular music applications. Michael Moore who has been at the top of the jazz bass scene since his arrival in New York in the 1960s and pioneer of jazz education Clem DeRosa combine to produce an easy to follow method designed for individual or classroom application.

Par RUBIN MARK. Mark Rubin et Kevin Smith vous montrent la façon facile de jouer simple, double et triple des gifles sur beaucoup de styles de musique populaire. Vous apprendrez rockabilly, bluegrass, Tex-Mex polkas, Tonk, Chicago blues, boogie, pays et swing. Comprend une manifestation spéciale d'échantillons solos. Close up et ralentit les versions de la marque de chansons d'apprentissage facile. Remarque : cette vidéo utilise la contrebasse. / Niveau : Intermédiaire / Rock - Solos / Accessoire / Contrebasse

Get a Better Grip on Neck Navigation!-Mastering the bass neck has always been a challenge even for very experienced players. The diagrams in Bass Fretboard Atlas will help you quickly memorize scales and arpeggios that may have previously seemed impossible to grasp. You'll be able to easily see and understand how scale and arpeggio shapes are laid out and how they connect and overlap across the neck. The material in this collection is presented in all 12 keys using complete 17-fret neck diagrams with color-coded displays of the most common fingerings.

Par MASSARD DANIEL. A week in Sundance, recueil de sept pièces pour contrebasse seule, est un outil pédagogique destiné aux élèves du 1er cycle des conservatoires et écoles de musique. On trouve dans ces pièces des modes de jeu différents qui permettent d'aborder le langage musical sous des formes très diverses. Les élèves vont ainsi les découvrir au fur et à mesure de leur progression dans l'apprentissage de l'instrument. Bien que leur interprétation demande une grande rigueur, ces pièces laissent à chacun la possibilité d'y apporter sa propre émotion musicale. Daniel Massard / classique / Répertoire / Contrebasse

Anne Fuzeau Classique vous propose un large choix de partitions de musique classique et contemporaine.Téléchargez le catalogue Anne Fuzeau Classique / Contrebasse / 6 pages / niveau : 3 / Editions Instrumentales - Format: 21 X 30