For Fingerstyle Guitar. Par GROSSMAN STEFAN. As aspiring fingerpicking guitarists started expanding their horizons from folk, blues, and ragtime in the 1970s, it was only logical to look towards early jazz tunes as a vast source for new possibilities. For one thing, they could follow the same evolutionary path from ragtime to jazz that had been taken by pianists such as Jelly Roll Morton and Harlem stride players like James P. Johnson and Fats Waller. These musicians all composed in a variety of styles, but their most ambitious piano solos expanded on the classic ragtime format developed by the likes of Scott Joplin, James Scott, and Joseph Lamb, using several strains that usually changed keys at least once. Morton, the self-proclaimed inventor of jazz, would record versions of tunes like King Porter Stomp and The Original Jelly Roll Blues that are similar to straight ragtime performances, and others where there is lots of room left for embellishment and jazz improvisation. The present collection is a bonanza for guitarists who want to tackle advanced arrangements along the lines of ragtime but featuring jazz age harmonies from the playing of Jelly Roll Morton, Louis Armstrong, Bix Beiderbecke, WC Handy, the Original Dixieland Jazz Band and other early jazz legends. The 32 arrangements included are by a wide assortment of guitarists including Ernie Hawkins, Pat Donohue, Lasse Johansson, Duck Baker, Ton Van Bergeyk, Sandy Shalk, Steve McWilliam, and Dorian Henry. / Date parution : 2022-01-14/ Recueil / Guitare

Par INGRAM ADRIAN. A varied collection of masterpieces respectfully arranged for solo jazz guitar. From the readily playable to the fiendishly virtuosic, there are challenges for all ability levels including syncopation, jazz chords and 'Lenny Breau style' cascading harmonics. - Selection of universally acknowledged masterpieces - Modern yet historically respectful arrangements - Challenges all ability levels - Arrangements feature syncopation, jazz chords and 'Lenny Breau style' arpeggios in harmonics - Playable both finger style and/or pick and finger combinations - Essential material for both study and performance - Enjoyable and rewarding pieces to play / Niveau : Intermédiaire à Avancé / Jazz - Solos / Recueil / Guitare

Reduction Of Score. Par CORDERO ERNESTO. La johnstonei Concierto par Ernesto Cordero est salué comme l'un des plus beaux concertos écrites pour guitare et orchestre de chambre. Il intègre efficacement divers éléments interculturelles des grandes Antilles. Il s'agit de l'île-nations parlant espagnols de Cuba, de Porto Rico et de République dominicaine. Un artiste doit souvent une réduction du score orchestral pour piano, donc le soliste pouvez essayer l'ensemble orchestral saveur et des couleurs avec un pianiste. Elle est idéale lorsque le compositeur peut écrire cette pensée condensée d'orchestration de piano et de ses ressources idiomatiques. De cette façon qu'il sera devenu organiquement intégré avec le soliste comme défini entité, reflétant le concept original d'orchestral. Cordero fait cela très habilement et maintenant sa belle johnstonei de Concierto sera accessible à un public plus large. Nous devons comprendre qu'il existe des possibilités moins fréquentes d'avoir un orchestre mais nombreuses occasions plus d'avoir un pianiste expérimenté capable de partager avec le soliste de guitare (dans un chambe... / Niveau : Intermédiaire à Avancé / Classic - Score / Répertoire / Guitare Classique

For the first time this edition presents work for Guitar solo and for Guitar duet by Graciano Tarragó grouped into different collections. Despite the fact that the composer published the set of works separately (with the exception of the collections of studies and the Catalan Christmas songs) it is not difficult to see that a natural classification surges from its formal structure from its source of inspiration and from its intent upon observing the works as a whole.The main objective of this revision was to update its presentation to meet the demands of the Guitar world today and to offer scores that ease the introduction to the study of this copious collectionof works. The works hold an indisputable musical beauty and demand technical virtuosic knowledge of the highest level.

Le quatrième DVD dans les nuits de série de la Casa Patas, est encore une autre performance live concert à tablao Casa Patas vous apportant la magie du flamenco. Ce concert performance caractéristiques Guadiana au chant, Pol Vaquero dansant, David Cerreduela et Iván Losada à la guitare, Lucky Losada sur cajón et Pedro Jiménez au piano. Une brochure est enfermée qui contient les biographies des artistes interprètes ou exécutants, histoire sur Casa Patas et la liste du programme de concert flamenco Esencia. Numéro de produit 8353034947 UK. / Guitare Classique / 50 pages / niveau : Intermédiaire / Dvd - Format: 7,5 X 5,25

This anthology compiled by Frederic Zigante presents original Guitar music written in the first 70 years of the 20th century by famous non-guitar-playing Italian composers. The works by Ottorino Respighi Mario Castelnuovo-Tedesco Giorgio Federico Ghedini Gian Francesco Malipiero Franco Margola Bruno Bettinelli and Gofreddo Petrassi are definitely representative of Italy's excellence in music during this period also in their different styles. We start with Ottorino Respighi's unfinished Variazioni (1909) - the first attempt by a twentieth-century Italian composer to write for the Guitar - followed by Mario Castelnuovo-Tedesco's highlypopular Taranetella and Capriccio diabolica - now classics in the Guitar repertoire - and Goffredo Petrassi's masterpiece Suoni notturni. This anthology also includes other less well-known but still brilliant pieces that rightly deserve the attention of skilled performers.

Les Productions d'OZ proposons ici une nouvelle série intitulée Les nombreux visages de la guitare. Bien que le regroupement par niveau a été conservée , le répertoire est composé exclusivement de compositions originales choisies par les compositeurs eux-mêmes. D'OZ exclusivités choisis parmi les publications plus anciennes sont ici côte à côte avec de toutes nouvelles pièces.Le catalogue d'OZ regorge de petits trésors écrits pour tous les niveaux par des guitaristes , compositeurs et professeurs dévoués à la cause de la guitare classique . Le titre suggère un portrait optimiste de la pratique instrumentale dans de nombreuses régions du monde , et la portée de la 'famille' de compositeurs qui sont réguliers contributeurs d'OZ . Le métissage des genres et des pays apportent une saveur internationale qui rend ces oeuvres si spécial.C'est avec un esprit ouvert que je me suis engagé dans ce projet ambitieux d'enregistrer la musique des six volumes. J'ai été séduit par les qualités mélodiques et l'efficacité des différentes techniques de guitare impliqués dans ces travaux, et en même temps fournir aux étudiants une nouvelle et intéressante répertoire. / Guitare

For Fingerstyle Guitar. Par GROSSMAN STEFAN. Ragtime is in many ways the quintessential American music. It arrived at the turn of the last century with many transitions, notably the discovery of the means to record sound, and the determination of Afro-Americans of genius to be appreciated as artists. The music we call ragtime represents not only a moment of great anticipation (as the advent of jazz was on hand) but also of fulfillment. There are perhaps, 200 classic ragtime pieces that represent a corpus of extraordinary beauty - some of the most straightforward, melodious, and out and out joyful music that there ever was. In the early 1960?s guitar players started to tackle arranging this music. David Laibman and Dave Van Ronk were in the vanguard of this movement. Van Ronk?s arrangement of St. Louis Tickle became a rite of passage for fingerstyle guitarists. Laibman?s arrangements of Scott Joplin?s classic rags amazed and challenged the fingerpickers from coast to coast and across the Atlantic Ocean to Europe. By the 1970s other guitarists tried their skills playing ragtime. In the last fifty years this pursuit has carried on. This collection presents eight outstanding guitarists and their approaches to arranging and playing cake walks and classic rags. Tackling the material in this collection will greatly help your development and mastery of the fretboard and what Rev. Gary Davis called your six-string piano. Both your hands will get a complete aerobic workout! An audio download link is included with performances of each title. / Date parution : 2022-01-14/ Recueil / Guitare

Par STOVER RICHARD RICO. Dans ce Mel Bay publication guitariste / compositeur Rico Stover, offre ses Variations romanes de composition originale d'une page partition de l'oeuvre avec accompagnement audio 25. La Romance Anonimo ('Anonymous Romance') est l'un des morceaux les plus populaires du répertoire de guitare classique. Aussi connu sous Romance espagnole, Romance de Amor, Jeux interdits et Estudio de Rubira, ce travail du 19ème siècle a des amants continuellement ravis de l'instrument à travers le monde et est devenu un élément standard de la pédagogie de la guitare. Différentes 'saveurs' de styles de guitare se font entendre dans ces variations qui sont inspirés par les guitaristes / compositeurs qui Rico admire: Mateo Carcassi, Joe Pass, Heitor Villalobos, Luiz Bonfa, Chet Atkins et Atahualpa Yupanqui. Après une courte introduction, le thème de la Romance est entendue, après quoi les variations commencent. Chaque variation suit le modèle mineur / majeur: Variante 1: Arpegiado - arpèges classiques. Variante 2: Bordoneo - ligne textures basse. Variation 3: Villalobosiana - dans le style du maître. Variation 4: Bossanova - syncopes brésiliennes. Variation 5: Choix de Chet - fingerpicking de style campagnard. Variation 6: Aire de Danza - rythmes de danse latino-américains. L'essai 'Romance Anonimo: qui la composaient?' explore les différentes théories concernant la question de la paternité, y compris une analyse des sept éditions différentes de la romance qui date de 1900-1958. / Niveau : Intermédiaire / Répertoire / Guitare

Adrian Legg takes an in-depth look at some of the more intriguing open tunings for acoustic guitar plus a variety of trailblazing effects. ?Frailing? for guitar Celtic-style playing DADGAD tuning open G tuning dynamics attack advanced hammer and pull techniques and even Scottish bagpipe effects?all these and much more make this DVD an exceptionally rewarding lesson from a British guitar master.

British Guitar guru Adrian Legg guides you through some of his trademark devices that will help you look at the instrument in a new unusual and creative way. His pioneering ideas are designed to help you step away from all the pre-conceived ideas of how a guitar works and what it can do.The techniques in this tutorial will add rich textures and stunning effects to your arrangements. They include:Use of Keith-style banjo tunersImitating the sound of the pedal steel guitarUsing double string bendsworking with harmonised scalesUsing half-capos that leave some strings ringing whilst barring othersNine full instrumental piecesare used to show these ideas in context including Silent Night Auld Lang Syne and Brooklyn Blossom. Each piece is explored in depth examining the possibilities for embellishment that will transform each performance into something that is entirely your own.

for solo guitar-The title of Julian Anderson?s first piece for Guitar refers to a painting by Joan Miró in which the dominant element is a vivid blue. Fragments of objects can be detected: Guitar strings the orange of a Catalan barretina a smoking pipe. It is the elemental quality of the painting that Anderson was drawn to in writing Catalan Peasant With Guitar. This piece is part of a series of three pieces by Anderson relating to the colour blue (though not musically related) beginning with his Violin concerto In lieblicher Bläue and ending with Van Gogh Blue.