Par ZAREMBA DREW. Brincando com Fogo by Drew Zaremba is a fiery baião Latin played at half note = 100 BPM. Lead trumpet range is to written G on top of the staff, suggested written solos for tenor 1 and trumpet 2, space for drum fills, auxiliary percussion, optional instruments to include vibes, plus non-stop action. Energy abounds! (6:16) / Date parution : 2022-10-12/ Répertoire / Jazz Ensemble

Ce qui compte dans un chemin, ce qui compte dans une ligne, c'est toujours le milieu, pas le début ni la fin. On est toujours au milieu d'un chemin, au milieu de quelque chose. ' (Gilles Deleuze, Claire Parnet, Dialogues.)Charmediterrannéen représente un moment très significatif de mes recherches sur les relations entre notre langage maternel (les musiques ethniques de la Méditerranée, surtout de l'Afrique du Nord, du sud de l'Italie et de la Sardaigne, lieu de mes racines) et le jazz contemporain.Le but, c'est de mettre en route des collisions de différentes qualités de langage pour inventer des images nouvelles, le devenir d'une rencontre dans le temps d'éléments contraires, qui se révéleraient complémentaires ? régularité / irrégularité - continuité / discontinuité - vitesse / lenteur - présence / absence - musique et? poésie, photographie, danse? - blanc / noir - saleté / propreté - juste / faux - son / silence - vide / plein - tradition / innovation - jazz / non jazz?A la recherche d'une ligne de passage des formes à l'action, ce qui, sur le plan musical, signifie réussir à aller au-delà des partitions, qui seront rigoureuses et soignées. Il s'agit toutefois de découvrir ce qu'il y a derrière l'écriture? L'essence du matériel, dans sa différence, est ce qui dépasse la structure, c'est l'aspect merveilleux de l'art de l'improvisation que je définis comme ' un geste, quelque chose qui intéresse la culture refoulée du corps et de ses émotions, qui synthétise en un seul instant/instinct créatif les étapes caractérisant les processus de l'art de composer : connaissance, pensée, décision. ' / Big Band

Use each part of Jim Mahaffey's Ten-Minute Jazz Warmup separately or play it nonstop as a daily warmup in less than 10 minutes. Optional parts included for flute oboe clarinet euphonium and bassoon. Contents:-Part I. CHORALE Pitch phrasing balance dynamics- Part II. “DOO-DOTS” Articulation and rhythms- Part III. SCALES In swing style around the circle of fourths with M7 arpeggios-“KICKS” To prepare your drummer and ensemble to enter on various upbeats and downbeats.

Professional Editions-Jazz Ens-This Beatles classic is treated to a creative and varied setting in this production number from Richard Tuttobene. The lush chorale-like opening leads to a jazz waltz setting of the main theme featuring a flugelhorn soloist. Thefull ensemble isfeatured in a straight ahead swing section and the slow chorale style from the opening makes a brief yet effective return near the end. A unique tour de force for mature ensembles.

Commissioned by the US Army Jazz Ambassadors this arrangement by Eric Richards shines new light on the beauty and depth of the classic Beatles hit. An up-tempo Brazilian groove gives way to hints of samba and songo but alwayswith a smooth and laidback feel. Piano solo is featured off the top followed by a trio of tenor trombone and guitar on the head and later solo space for one or more of these players. A brief nod to the classical feel of theoriginal Beatles track helps build to aclimactic shout for the full ensemble. Nice!

The Bird hasFlown-Arranged in a style similar to the vintage version by Buddy Rich here is an easy jazz waltz based on this classic Beatles hit. It features strong ensemble writing along with a written or ad lib. solo for alto sax.

Recorded by the Beatles on Let It Be and notably performed on the roof of Apple Studios in London here is a rockin' version for very young jazz bands.

Mike found a nice jazz shuffle groove for this early Beatles classic that will be a lot of fun for beginning groups. The minor blues solo section allows players to use either the blues scale or dorian mode for ease in improvising. Full length recording included.

Turn the creative forces of Frank Mantooth loose on a couple of Beatle favorites and you never know what you might get! Here Frank uses a New Orleans style street beat creating a wonderful effect with these well-known classics.Requiring no solos this chart is a study in unique ensemble stylings.

One of the many distinctive hits from the Beatles Can't Buy Me Love is arranged here in a medium up-tempo shuffle groove and provides a marvelous swing setting for the entire ensemble.

Here's an easy version of this big band favorite from the Count Basie Orchestra. Your audience is sure to recognize this one and it's the perfect way to introduce young players to one of the great bands of all time.