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4 Clarinettes en Sib et Clarin… (4)
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Guitare, Cor Anglais, Alto, Cl… (4)
Musical Awakening (4)
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Flûte Traversière ou Violon)… (4)
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Music Theory (4)
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:: (4)
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TTBB (3)
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Biography (2)
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Voix Basse(s) Et Piano (2)
Bagpipe (2)
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Baritone Saxophone (2)
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Soli (STB) Et Orchestre (2)
Banjo (2)
Duo de marimbas. (2)
Saxophone Soprano (2)
Solistes SA et Orgue (2)
2 Flûtes à Bec et Guitare (2)
Réduction Piano (2)
2 Violons, Alto, Basse et 2 C… (2)
Soli and Orchestra (2)
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Children choir, Piano (2)
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Cor en Mib (2)
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Clarinette (1)
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1 Ou 2 Clarinettes (1)
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Instrument en cle de fa (Bass)… (1)
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4 Saxophones (Clarinettes) (1)
Xylophone (ou marimba) (1)
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Clavecin (1)
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Soprano Ténor, Baryton et Orc… (1)
Double Choeur Mixte (1)
Plusieurs Clarinettes (1)
Voix Solo, Choeur Mixte et Orc… (1)
String Trio: 3 cellos (1)
Soliste, Choeur D'Hommes Et Or… (1)
Accordéon Avec Paroles (1)
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Flûte à Bec Piccolo, 2 Violo… (1)
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Saxophone Alto 1 (1)
Choeur de Chambre (Choeur Mixt… (1)
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Woodwind Quartet: any 4 woodwi… (1)
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3 Saxophones (trio) (1)
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Mezzo-Soprano voice, Piano (1)
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Choeur SA (M) (1)
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Conga (1)
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Béla Bartók: Concerto for Orchestra: Orchestra: Study Score
Orchestra
G. Henle
With the ?Concerto for Orchestra ? Henle inaugurates a series of affordable stud...
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With the ?Concerto for Orchestra ? Henle inaugurates a series of affordable study scores based on the text of the Bartók Complete Edition. When Bartók received the commission to compose this piece from Serge Koussevitsky in May 1943 it meant not only financial support but also an important creative impetus for the gravely ill composer. By October the five-movement concerto which Koussevitsky enthusiastically dubbed ?the best orchestral work of the last 25 years ? was already complete. The first performances in the winter of 1944 45 were also very successful. Nevertheless Bartók was moved to set down an alternate ending which thecomposer who passed away in September 1945 would never be destined to hear. Bartók specialist Klára Móricz includes both versions in her edition and summarises the history and transmission of the ?Concerto for Orchestra? in a fascinating foreword. A brief commentary section provides information about the principles underlying the edition.
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Antonín Dvo?ák: Symphony No. 7 In D Minor Op.70 (Study Score): Orchestra: Study
Orchestra
Barenreiter
Bärenreiter Urtext Paperback-Dvo ák's Symphony No. 7 In D Minor Op.70. Forewo...
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Bärenreiter Urtext Paperback-Dvo ák's Symphony No. 7 In D Minor Op.70. Foreword by Dvo ák scholar Smaczny (Cz/Eng/Ger)Dvo ák?s Seventh Symphony was commissioned by the Royal Philharmonic Society in August 1883 and premiered in London on 22 April 1885 conducted by the composer himself. Two months later Dvo ák shortened the second movement by about 40 bars. The work was published by Simrock in this form in 1885.In 2013 Bärenreiter published the score and orchestral parts in a first scholarly-critical edition of Dvo ák?s Seventh Symphony (BA 10417). It is now being issued as a study score. The editor Jonathan Del Mar hasalready won international acclaim for his editions of the Dvo ák Cello Concerto (BA 9045) as well as of works by Beethoven and Elgar. He has taken every source into account including the extant correspondence.Like the score and parts this study score presents the original version of the second movement in the appendix. A new foreword has been added by Dvo ák scholar Jan Smaczny.
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Antonín Dvo?ák: String Quartet No. 2 In B-Flat B17 (Study Score): Orchestra:
Orchestra
Barenreiter
Study score format 22 5 x 16 5cm.Like Dvorákâ??s third and fourth quartets (...
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Study score format 22 5 x 16 5cm.Like Dvorákâ??s third and fourth quartets (in D major and E minor respectively) String Quartet No.2 In B-Flat Major was probably composed between 1868 and 1870 when the young and still inexperienced composer was openly responding to stimuli from his musical surroundings and excitedly adopting new compositional techniques. All three quartets were long considered lost; it was even said that Dvorák destroyed them. But copies of the parts resurfaced in the archive of the Prague Conservatory and have served as the principal source for this new publication.This edition presents the musical text fromthe â??Anton n Dvorák Complete Editionâ? together with a new foreword by Hartmut Schick.- Musical text based on the â??Anton n Dvorák Complete Editionâ? volume IV/5.- New foreword by Hartmut Schick (Ger/Cz/Eng).- Parts available BA9540.
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Antonín Dvo?ák: Symphony No. 2 In B-Flat Op.4 (Study Score): Orchestra: Study
Orchestra
Barenreiter
The Dvorák symphonies represent a milestone in symphonic literature and encompa...
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The Dvorák symphonies represent a milestone in symphonic literature and encompass the composer's creative period from 1865 to 1893. They reflect the impact of Czech and with the 9th Symphony the impact of American folk music on Dvorák. Each study score contains a short history of the Dvorák Edition as well as valuable information on each of the works by the Dvorák scholar Jarmila Gabrielová.
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Béla Bartók: Concerto For Orchestra: Orchestra: Score
Orchestra
Boosey and Hawkes
Bartók’s Concerto for Orchestra one of the most performed 20th century w...
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Bartók’s Concerto for Orchestra one of the most performed 20th century works regularly featuring in the concert programme series of many leading orchestra across the world.Bartok’s Concerto for Orchestra is in five movements arranged in what is termed an ‘arch’ form; the outer movements (first and fifth) are related as are the second and fourth and the third movement functions as the ‘keystone’ of the arch.Available here as part of the Boosey Masterworks series is the full score of Bartok’s popular orchestral work as edited by Malcolm MacDonald.
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Antonín Dvo?ák: Slavonic Rhapsody In G Minor Op.45/2 (Full Score): Orchestra:
Orchestra
[Sheet music]
Barenreiter
Op. 45 Nr. 2-Dvorák?s ?Slavonic Rhapsodies? Op.45 were composed in 1878 and iss...
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Op. 45 Nr. 2-Dvorák?s ?Slavonic Rhapsodies? Op.45 were composed in 1878 and issued by the publisher Simrock Berlin the following year. These three independent orchestral works (in D major G minor and A-flat major) were published with the same opus number and mark the beginning of his so-called Slavonic period.Now the ?Slavonic Rhapsodies? are being issued separately in scholarly-critical editions. The editor Robert Simon has taken Dvorák?s authorised first edition as his principal source.A work that initiated Dvorák?s so-called ?Slavonic period?New Urtext edition incorporating every known sourceForeword (Eng/Cz/Ger) and Critical Commentary (Eng) bythe editorFull score & parts (BA10402) available for sale
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Antonín Dvo?ák: Slawische Rhapsodie As-dur: Orchestra: Score
Orchestra
[Score]
Barenreiter
Op. 45 Nr. 3-Dvorák composed his ?Slavonic Rhapsodies? Op.45 in 1878 initiatin...
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Op. 45 Nr. 3-Dvorák composed his ?Slavonic Rhapsodies? Op.45 in 1878 initiating his so-called ?Slavonic period?. They were issued by the publisher Simrock the following year as three independent orchestral pieces (in D major G minor and A-flat major) appearing under the same opus number.Now the ?Slavonic Rhapsodies? are being issued separately in scholarly-critical editions. The editor Robert Simon has taken Dvorák?s authorised first edition as his principal source.A work that initiated Dvorák?s so-called ?Slavonic period?New Urtext edition incorporating every known sourceForeword (Eng/Cz/Ger) and Critical Commentary (Eng) by theeditorFull score and parts (BA10403) available for sale
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Complete Serenades In Full Score - Series II
Orchestra
Dover Publications
Certains de la musique la plus durable et populaire de Mozart a été composée ...
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Certains de la musique la plus durable et populaire de Mozart a été composée pour des occasions relativement mineurs - fêtes, mariages, et bien plus encore - y compris ces mouvements multi-pièces instrumentales. 'Eine kleine Nachtmusik', K.525, 'Posthorn' Serenade, K.320, la Sérénade en mi bémol majeur, K.375, la Sérénade en si bémol, K.361/370a, Sérénade en ré majeur, K.203 / 189 B, et plus encore.Réimpression de sélections de la série 9, 10, et 13 de Wolfgang Amadeus Mozart, Werke, Breitkopf and Härtel, Leipzig, 1880-1881. / Orchestre
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Complete Serenades In Full Score - Series I
Orchestra
Dover Publications
Deux volumes trésor de charme, pièces effervescents composés par Mozart dans ...
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Deux volumes trésor de charme, pièces effervescents composés par Mozart dans les années 1770 et 1780. Inclus sont les favoris tels que Eine kleine Nachtmusik, K.525, 'Une Plaisanterie musicale,' K.522, la 'Haffner' Serenade, K.250/248b, Serenata Notturna, K.329, et le 'Posthorn' Serenade, K 0.320.Réimpression de sélection à partir de Wolfgang Amadeus Mozart Werke, Breitkopf and Härtel, 1880-1881. / Orchestre
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Antonín Dvo?ák: Cello Concerto In B Minor Op.104 (Study Score): Cello: Study
Orchestra
[Score]
Barenreiter
This study score is based on the score and complete performance material of Dvor...
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This study score is based on the score and complete performance material of Dvorák?s famous Cello Concerto In B Minor (BA 9045) edited by Jonathan Del Mar and published in 2011. In addition the study score contains a Foreword by Dvorák scholar Jan Smaczny.Like every other major 19th-century Cello concerto Dvorák?s concerto resulted from a collaboration between the composer and a virtuoso musician. Several passages in Dvorák?s autograph were written by the cellist Hanus Wihan but Bärenreiter?s edition now reveals that some details in the orchestral parts are also in his writing showing just how closely the twomusicians were working together.The editor Jonathan Del Mar has conscientiously examined every available source including two that have hitherto been either ignored or crucially undervalued. His research has led to a benchmark edition that reconstructs for the first time since its initial publication in 1896 Dvorák?s definitive version of the solo part. It differs from previous editions in practically every bar and hundreds of corrections have also been made to the orchestral parts.Includes Dvorák?s final and definitive version of the solo Cello part.Incorporates new discoveries regarding the collaboration between Dvorák and Wihan.With Feuermann?s and Casals?s alternative versions of a passage in the first movement.Detailed Foreword (Eng/Cz/Ger)
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Antonín Dvo?ák: Slavonic Rhapsody No.1 in D major Op.45 (Viola): Orchestra: Part
Orchestra
[Part]
Barenreiter
Viola-Dvorák’s “Slavonic Rhapsodies” Op.45 were composed in 1...
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Viola-Dvorák’s “Slavonic Rhapsodies” Op.45 were composed in 1878 and issued by the publisher Simrock Berlin the following year. These three independent orchestral works (in D major G minor and A-flat major) were published with the same opus number and mark the beginning of his so-called Slavonic period.The “Slavonic Rhapsody” Op.45/1 in D major now appears in an Urtext edition. The editor Robert Simon has made use of the first edition authorised by the composer as the principal source of his new scholarly-critical edition.- A work marking the beginning ofDvorák’s so-called Slavonic period- Urtext edition incorporating every known source- Foreword (Eng/Cz/Ger) and Critical Commentary (Eng) by the editor- Full score & parts (BA10401) available for sale
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Antonín Dvo?ák: Slavonic Rhapsody No.1 in D major Op.45 (Cello): Orchestra: Part
Orchestra
[Part]
Barenreiter
Cello-Dvorák’s “Slavonic Rhapsodies” Op.45 were composed in 1...
(+)
Cello-Dvorák’s “Slavonic Rhapsodies” Op.45 were composed in 1878 and issued by the publisher Simrock Berlin the following year. These three independent orchestral works (in D major G minor and A-flat major) were published with the same opus number and mark the beginning of his so-called Slavonic period.The “Slavonic Rhapsody” Op.45/1 in D major now appears in an Urtext edition. The editor Robert Simon has made use of the first edition authorised by the composer as the principal source of his new scholarly-critical edition.- A work marking the beginning ofDvorák’s so-called Slavonic period- Urtext edition incorporating every known source- Foreword (Eng/Cz/Ger) and Critical Commentary (Eng) by the editor- Full score & parts (BA10401) available for sale
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Antonín Dvo?ák: Symphony No. 7 D Minor Op. 70: Orchestra: Score
Orchestra
Barenreiter
Dvorák?s Symphony No. 7 was commissioned by the ?Royal Philharmonic Society? in...
(+)
Dvorák?s Symphony No. 7 was commissioned by the ?Royal Philharmonic Society? in August 1883 and received its premiere on 22 April 1885 in London conducted by the composer himself. The following June the second movement was shortened by some 40 bars and the work was published in this form in 1885 by Simrock.The editor of this new scholarly-critical edition is Jonathan Del Mar who has gained an international reputation for his edition of Dvorák?s cello concerto in B minor (BA 9045) not to mention his editions of works by Beethoven and Elgar. Del Mar has drawn on all the available sources including letters. The original version of the second movement appears in theappendix as well as in the performing material.This new Bärenreiter edition sets the highest scholarly standards whilst also taking the needs of modern performers into account. First Urtext edition of this important workContains the original London version of the second movementIncludes a foreword (Cz/Eng/Ger) and a critical commentary (Eng)
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Antonín Dvo?ák: Symphony No. 7 D Minor Op. 70: Orchestra: Parts
Orchestra
Barenreiter
Dvorák?s Symphony No. 7 was commissioned by the ?Royal Philharmonic Society? in...
(+)
Dvorák?s Symphony No. 7 was commissioned by the ?Royal Philharmonic Society? in August 1883 and received its premiere on 22 April 1885 in London conducted by the composer himself. The following June the second movement was shortened by some 40 bars and the work was published in this form in 1885 by Simrock.The editor of this new scholarly-critical edition is Jonathan Del Mar who has gained an international reputation for his edition of Dvorák?s cello concerto in B minor (BA 9045) not to mention his editions of works by Beethoven and Elgar. Del Mar has drawn on all the available sources including letters. The original version of the second movement appears in theappendix as well as in the performing material.This new Bärenreiter edition sets the highest scholarly standards whilst also taking the needs of modern performers into account. First Urtext edition of this important workContains the original London version of the second movementIncludes a foreword (Cz/Eng/Ger) and a critical commentary (Eng)
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Antonín Dvo?ák: Slavonic Rhapsody No.1 in D major Op.45 (Violin I): Orchestra:
Orchestra
[Part]
Barenreiter
Violin 1-Dvorák’s “Slavonic Rhapsodies” Op.45 were composed i...
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Violin 1-Dvorák’s “Slavonic Rhapsodies” Op.45 were composed in 1878 and issued by the publisher Simrock Berlin the following year. These three independent orchestral works (in D major G minor and A-flat major) were published with the same opus number and mark the beginning of his so-called Slavonic period.The “Slavonic Rhapsody” Op.45/1 in D major now appears in an Urtext edition. The editor Robert Simon has made use of the first edition authorised by the composer as the principal source of his new scholarly-critical edition.- A work marking the beginning ofDvorák’s so-called Slavonic period- Urtext edition incorporating every known source- Foreword (Eng/Cz/Ger) and Critical Commentary (Eng) by the editor- Full score & parts (BA10401) available for sale
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Antonín Dvo?ák: Symphony No. 7 D Minor Op. 70: Orchestra: Parts
Orchestra
Barenreiter
Dvorák?s Symphony No. 7 was commissioned by the ?Royal Philharmonic Society? in...
(+)
Dvorák?s Symphony No. 7 was commissioned by the ?Royal Philharmonic Society? in August 1883 and received its premiere on 22 April 1885 in London conducted by the composer himself. The following June the second movement was shortened by some 40 bars and the work was published in this form in 1885 by Simrock.The editor of this new scholarly-critical edition is Jonathan Del Mar who has gained an international reputation for his edition of Dvorák?s cello concerto in B minor (BA 9045) not to mention his editions of works by Beethoven and Elgar. Del Mar has drawn on all the available sources including letters. The original version of the second movement appears in theappendix as well as in the performing material.This new Bärenreiter edition sets the highest scholarly standards whilst also taking the needs of modern performers into account. First Urtext edition of this important workContains the original London version of the second movementIncludes a foreword (Cz/Eng/Ger) and a critical commentary (Eng)
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Antonín Dvo?ák: Symphony No. 7 D Minor Op. 70: Orchestra: Parts
Orchestra
Barenreiter
Dvorák?s Symphony No. 7 was commissioned by the ?Royal Philharmonic Society? in...
(+)
Dvorák?s Symphony No. 7 was commissioned by the ?Royal Philharmonic Society? in August 1883 and received its premiere on 22 April 1885 in London conducted by the composer himself. The following June the second movement was shortened by some 40 bars and the work was published in this form in 1885 by Simrock.The editor of this new scholarly-critical edition is Jonathan Del Mar who has gained an international reputation for his edition of Dvorák?s cello concerto in B minor (BA 9045) not to mention his editions of works by Beethoven and Elgar. Del Mar has drawn on all the available sources including letters. The original version of the second movement appears in theappendix as well as in the performing material.This new Bärenreiter edition sets the highest scholarly standards whilst also taking the needs of modern performers into account. First Urtext edition of this important workContains the original London version of the second movementIncludes a foreword (Cz/Eng/Ger) and a critical commentary (Eng)
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Antonín Dvo?ák: Slavonic Rhapsody No.1 in D major Op.45 (Wind Set): Orchestra:
Orchestra
[Set of Parts]
Barenreiter
Wind Instruments-Dvorák’s “Slavonic Rhapsodies” Op.45 were co...
(+)
Wind Instruments-Dvorák’s “Slavonic Rhapsodies” Op.45 were composed in 1878 and issued by the publisher Simrock Berlin the following year. These three independent orchestral works (in D major G minor and A-flat major) were published with the same opus number and mark the beginning of his so-called Slavonic period.The “Slavonic Rhapsody” Op.45/1 in D major now appears in an Urtext edition. The editor Robert Simon has made use of the first edition authorised by the composer as the principal source of his new scholarly-critical edition.- A work marking the beginning ofDvorák’s so-called Slavonic period- Urtext edition incorporating every known source- Foreword (Eng/Cz/Ger) and Critical Commentary (Eng) by the editor- Full score & parts (BA10401) available for sale
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Antonín Dvo?ák: Slavonic Rhapsody in D maj op. 45/1: Orchestra: Part
Orchestra
[Part]
Barenreiter
Violin 2-Dvorák’s “Slavonic Rhapsodies” Op.45 were composed i...
(+)
Violin 2-Dvorák’s “Slavonic Rhapsodies” Op.45 were composed in 1878 and issued by the publisher Simrock Berlin the following year. These three independent orchestral works (in D major G minor and A-flat major) were published with the same opus number and mark the beginning of his so-called Slavonic period.The “Slavonic Rhapsody” Op.45/1 in D major now appears in an Urtext edition. The editor Robert Simon has made use of the first edition authorised by the composer as the principal source of his new scholarly-critical edition.- A work marking the beginning ofDvorák’s so-called Slavonic period- Urtext edition incorporating every known source- Foreword (Eng/Cz/Ger) and Critical Commentary (Eng) by the editor- Full score & parts (BA10401) available for sale
10.50 GBP - Sold by Musicroom UK
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Antonín Dvo?ák: Symphony No. 7 D Minor Op. 70: Orchestra: Parts
Orchestra
Barenreiter
Dvorák?s Symphony No. 7 was commissioned by the ?Royal Philharmonic Society? in...
(+)
Dvorák?s Symphony No. 7 was commissioned by the ?Royal Philharmonic Society? in August 1883 and received its premiere on 22 April 1885 in London conducted by the composer himself. The following June the second movement was shortened by some 40 bars and the work was published in this form in 1885 by Simrock.The editor of this new scholarly-critical edition is Jonathan Del Mar who has gained an international reputation for his edition of Dvorák?s cello concerto in B minor (BA 9045) not to mention his editions of works by Beethoven and Elgar. Del Mar has drawn on all the available sources including letters. The original version of the second movement appears in theappendix as well as in the performing material.This new Bärenreiter edition sets the highest scholarly standards whilst also taking the needs of modern performers into account. First Urtext edition of this important workContains the original London version of the second movementIncludes a foreword (Cz/Eng/Ger) and a critical commentary (Eng)
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Antonín Dvo?ák: Symphony No.8 In G Op.88 (Cello): Orchestra: Part
Orchestra
Barenreiter
In G Major-The performance material available up till now for Dvorák?s sun-fill...
(+)
In G Major-The performance material available up till now for Dvorák?s sun-filled cheerful Symphony No.8 has been notorious for its myriad mistakes. The challenge of correcting it has now been taken over by the editor Jonathan Del Mar. He has taken into account the engraver?s copy which was actually discovered in a rubbish bin at Novello?s in 1964. Its title page bears the words ?Copied from my original manuscript? in Dvorák?s hand. This source proves that many of the readings contained in the first edition and faithfully adopted in all subsequent editions were simply slips of the copyist?s pen.This new edition with score and orchestral parts in an enlarged format is accompanied bya detailed Critical Commentary on the sources and alternative readings. It also contains important facsimile pages to clarify problematical readings.Score and orchestral parts in an enlarged formatInformative Foreword (Eng/Cz/Ger) and Critical Commentary (Eng) on sources and alternative readingsWith facsimile pages
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Antonín Dvo?ák: Slavonic Rhapsody in D maj op. 45/1: Orchestra: Score
Orchestra
Barenreiter
Dvorák’s “Slavonic Rhapsodies” Op.45 were composed in 1878 an...
(+)
Dvorák’s “Slavonic Rhapsodies” Op.45 were composed in 1878 and issued by the publisher Simrock Berlin the following year. These three independent orchestral works (in D major G minor and A-flat major) were published with the same opus number and mark the beginning of his so-called Slavonic period.The “Slavonic Rhapsody” Op.45/1 in D major now appears in an Urtext edition. The editor Robert Simon has made use of the first edition authorised by the composer as the principal source of his new scholarly-critical edition.- A work marking the beginning ofDvorák’s so-called Slavonic period- Urtext edition incorporating every known source- Foreword (Eng/Cz/Ger) and Critical Commentary (Eng) by the editor- Full score & parts (BA10401) available for sale
34.50 GBP - Sold by Musicroom UK
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Antonín Dvo?ák: Slavonic Rhapsody No.1 in D major Op.45 (Bass): Orchestra: Part
Orchestra
[Part]
Barenreiter
Double Bass-Dvorák’s “Slavonic Rhapsodies” Op.45 were compose...
(+)
Double Bass-Dvorák’s “Slavonic Rhapsodies” Op.45 were composed in 1878 and issued by the publisher Simrock Berlin the following year. These three independent orchestral works (in D major G minor and A-flat major) were published with the same opus number and mark the beginning of his so-called Slavonic period.The “Slavonic Rhapsody” Op.45/1 in D major now appears in an Urtext edition. The editor Robert Simon has made use of the first edition authorised by the composer as the principal source of his new scholarly-critical edition.- A work marking the beginning ofDvorák’s so-called Slavonic period- Urtext edition incorporating every known source- Foreword (Eng/Cz/Ger) and Critical Commentary (Eng) by the editor- Full score & parts (BA10401) available for sale
3.50 GBP - Sold by Musicroom UK
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Antonín Dvo?ák: Symphony No.8 In G Op.88 (Full Score): Orchestra: Score
Orchestra
[Score]
Barenreiter
In G Major-The performance material available up till now for Dvorák?s sun-fill...
(+)
In G Major-The performance material available up till now for Dvorák?s sun-filled cheerful Symphony No.8 has been notorious for its myriad mistakes. The challenge of correcting it has now been taken over by the editor Jonathan Del Mar. He has taken into account the engraver?s copy which was actually discovered in a rubbish bin at Novello?s in 1964. Its title page bears the words ?Copied from my original manuscript? in Dvorák?s hand. This source proves that many of the readings contained in the first edition and faithfully adopted in all subsequent editions were simply slips of the copyist?s pen.This new edition with score and orchestral parts in an enlarged format is accompanied bya detailed Critical Commentary on the sources and alternative readings. It also contains important facsimile pages to clarify problematical readings.Score and orchestral parts in an enlarged formatInformative Foreword (Eng/Cz/Ger) and Critical Commentary (Eng) on sources and alternative readingsWith facsimile pages
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Antonín Dvo?ák: Symphony No. 7 In D Minor Op. 70: Orchestra: Reference
Orchestra
Barenreiter
Symphony-Critical Commentary of Dvorák's Symphony No.7 in D minor Op.70 for Orc...
(+)
Symphony-Critical Commentary of Dvorák's Symphony No.7 in D minor Op.70 for Orchestra.
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Maja S.K. Ratkje: Paragraf 112: Orchestra: Score
Orchestra
Wilhelm Hansen
Maja S. K. Ratkje's Paragraf 112 for Orchestra. Full score. Commissioned for the...
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Maja S. K. Ratkje's Paragraf 112 for Orchestra. Full score. Commissioned for the 200 year anniversary for the Norwegian constitution by the symphonic orchestras of Norway. Released on the record Variations over Variations in 2017.
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Béla Bartók: Concerto For Orchestra: Piano: Instrumental Work
Orchestra
[Facsimile]
Boosey and Hawkes
Klavierauszug des Komponisten mit Faksimiledruck-Bartók?s Concerto for Orchestr...
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Klavierauszug des Komponisten mit Faksimiledruck-Bartók?s Concerto for Orchestra one of the most performed 20th century works can now be explored at the keyboard. The composer's own piano reduction edited by György Sándor is available here in one volume together with a facsimile of the composer's manuscript of the piano score.
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Antonín Dvo?ák: Slavonic Dance No.4: Orchestra: Score and Parts
Orchestra
Alfred Publishing
This new arrangement from Richard Meyer is fairly challenging but very gratifyin...
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This new arrangement from Richard Meyer is fairly challenging but very gratifying. All the textures and concepts of Dvorák's original have been carefully maintained while making the work more accessible to school groups. Scored for strings woodwinds brass in pairs and percussion this transcription is full of charm and style and will make an excellent addition to your full orchestra library. (Grade 3).
64.95 GBP - Sold by Musicroom UK
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Jonas Kaufmann. Tenor (VOIGT THOMAS)
Orchestra
[Book]
Barenreiter
Par VOIGT THOMAS. „Der begehrteste Tenor der Welt', „the greatest tenor of t...
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Par VOIGT THOMAS. „Der begehrteste Tenor der Welt', „the greatest tenor of today', „der neue König der Tenöre' - unter den Topstars der Opernwelt nimmt Jonas Kaufmann seit Jahren eine Sonderstellung ein. 2010, zu seinem Bayreuther Debüt in Hans Neuenfels' legendärer „Lohengrin'-Inszenierung, erschien erstmals sein Buch-Porträt, in dem er ausführlich über die Licht- und Schattenseiten seines Berufes sprach und das von Kritik und Fans gleichermaßen gefeiert wurde. In der erweiterten Neuausgabe reflektiert der Sänger nun auch die letzten Jahre seiner künstlerischen Entwicklung. Nicht nur seine jüngsten Erfahrungen auf der Opernbühne und im Konzertsaal, sondern auch seine Begegnungen mit anderen großen Künstlern, sein Verhältnis zu Verdi und Wagner und seine Beschäftigung mit Tenor-Hits der Tonfilm-Ära kommen hier zur Sprache. Die neue Ausgabe enthält u.a. Beiträge von Plácido Domingo und Jürgen Kesting sowie attraktive, teils bisher unveröffentlichte Fotos. - Eine der meist verkauften Sängerbiografien der letzten Jahre - Aktualisiert und um wichtige Beiträge und attraktive Fotos ergänzt Der Autor Thomas Voigt ist freier Autor, Journalist und Filmemacher. Als renommierter Opern- und Sängerexperte ist er meist für Rundfunk und Fernsehen tätig- seine publizistische Tätigkeit wurde mit der „Gottlob-Frick-Medaille in Gold' ausgezeichnet. / Livre / Livre
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Wolfgang Amadeus Mozart: Bassoon Concerto B Flat Major K 191: Orchestra:
Orchestra
Eulenburg
Bassoon Concerto B Flat Major K 191
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