[Orgelsonaten Opus 65] / Classique / Editeur : Hubert Meister / Doigtés : Wolfgang Stoc / Partition / Broché / Edition Urtext

Deux sonates pour le Forte-Piano - oeuvres Ier - Paris, Ignace Pleyel, Naderman, s.d. (=1810).Présentation de Jeanne Roudet : Notice biographique - Eléments d'interprétation (accentuation, articulation). / Piano Ou Pianoforte / 52 pages / niveau : 1 / Fac-Similés - Format: 24 X 33

Par GRAY ALAN. The four organ sonatas of Alan Gray (1855-1935) stand as one of the largest contributions to the sonata repertoire by an English composer. Published around 1890, they also mark an advancement in the repertoire of potential concert works. Gray had not studied abroad and his sonatas demonstrate a compelling emergence of a distinctly English style of organ sonata after almost half a century of continental influence. All four sonatas show a strong command of not only writing for the instrument but also the art of registration. Gray?s indications are clear, logical, and practical. He writes for a symphonic organ of at least three manuals but many of the pieces could be played on an instrument of only two manuals. The use of contrasting manual colours between phrases and the incorporation of solo stops is notable for conveying Gray?s views on interpretation and his strong understanding of the instrument. / Date parution : 2022-05-31/ Recueil / Orgue

Description The eight sonatas of Guilmant may well lay claim to classical rank. Originally conceived for the French organs of Cavaille-Col, they are sufficiently broad in conception as to lose little, if anything, in their interpretation on English and American instruments. At the time of their composition (1874-1909) they brought to the organ a new sense which had been too little cultivated by organists. Edited by A. Eaglefield Hull. Songlist Fifth Sonata In C Minor, Op.80 Fourth Sonata In D Minor, Op.61 Second Sonata In D Major, Op.50 Symphony In D Minor, Op.42 Third Sonata In C Minor, Op.56

Par GUILMANT ALEXANDER. The eight sonatas of Guilmant may well lay claim to classical rank. Originally conceived for the French organs of Cavaille-Col, they are sufficiently broad in conception as to lose little, if anything, in their interpretation on English and American instruments. At the time of their composition (1874-1909) they brought to the Organ a new sense which had been too little cultivated by organists. This volume is edited by A. Eaglefield Hull and contains the First Sonata in D Minor Op. 42, Second Sonata In D Major Op. 50, Third Sonata In C Minor Op. 56, Fourth Sonata In D Minor Op. 61 and the Fifth Sonata In C Minor Op. 80./ Répertoire / Orgue

Par SUZUKI SHINICHI. The first classical Organ method for children, the Suzuki Organ School is based on Dr. Shinichi Suzuki's Mother Tongue Method. The Suzuki Method® of Talent Education is based on Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Organ School . The student listens to the recordings and work with their Suzuki organ teacher to develop their potential as a musician and as a person. This Suzuki Book and CD is essential for Suzuki Organ lessons. In certain pieces, the authors have placed small phonetic signs above the notes to indicate differentiated non legato playing. In order to develop pedal technique, pedal melodies are included between every manual piece. The included performance CD for Volume 1 is a great tool for Suzuki Organ lessons, encouraging practice while featuring recordings by Lars Hagström. Titles: 'A Little Fairytale' (Rönnberg), 'Allegretto' (Czerny), 'Amaryllis' (Ghys), 'Chant Arabe' (Anonymous), 'Cuckoo' (German Folk Song), 'Go Tell Aunt Rhody' (Folk Song), 'Gossip Tune' (German Folk Song), 'Herdsman's Song' (Danish Folk Song), 'Hippopotamus' (Rönnberg), 'Hot Dog' (English Folk Song), 'Lightly Row' (German Folk Song), 'Little Playmates' (Chwatal), 'Little Snail' (Traditional), 'London Bridge' (English Folk Song), 'Lullaby' (German Folk Song), 'Mary Had a Little Lamb' (Folk Song), 'My School Day' (Folk Song), 'Paris' (French Folk Song), 'Piglet' (G. Rönnberg, 'Song of the Wind' (Folk Song), 'Spain' (Traditional), 'The Fly' (Traditional), 'The Musical Box' (Rönnberg), 'Twinkle, Twinkle, Little Star Theme and Variations' (Suzuki). 'Allegretto,' 'Go Tell Aunt Rhody,' and 'Lullaby' are National Federation of Music Clubs Festivals Bulletin 2016--2020 selections. The first classical Organ method for children, the Suzuki Organ School is based on Dr. Shinichi Suzuki's Mother Tongue Method. The Suzuki Method® of Talent Education is based on Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Organ School . The student listens to the recordings and work with their Suzuki organ teacher to develop their potential as a musician and as a person. This Suzuki Book and CD is essential for Suzuki Organ lessons. In certain pieces, the authors have placed small phonetic signs above the notes to indicate differentiated non legato playing. In order to develop pedal technique, pedal melodies are included between every manual piece. The included performance CD for Volume 1 is a great tool for Suzuki Organ lessons, encouraging practice while featuring recordings by Lars Hagström. / Méthode / Méthode / Orgue

Par SCHUMANN CAMILLO. Within the extensive ?uvre for organ left behind by Camillo Schumann, his 6 Organ Sonatas form an independent corpus. Although living and composing at a time when the music of Webern and Schönberg had long since abandoned the traditional paths of music, Camillo Schumann pursues in an astonishingly consistent manner in the tradition of the great Romantics, in particular that of Brahms and Mendelssohn. For the first time, the present anthology brings together all 6 Organ Sonatas in a modern Urtext edition, with editor Antje Wissemann combining philological source findings with the demands of performance practice. / Date parution : 2021-11-25/ Recueil / Orgue

Tonalité : C-Moll - Op.: 27 -. Par RHEINBERGER JOSEF GABRIEL. Even if the first Organ Sonata op. 27 reveals its debt to tradition, with its unmistakable reminiscences of Bach, Rheinberger’s own personal handwriting is already evident, such as in the use of full harmonies and chords for the organist to play./ Répertoire / Orgue

Par RHEINBERGER JOSEF GABRIEL. Joseph Gabriel Rheinberger 's 20. Orgelsonate F-Dur Op. 196./ Répertoire / Orgue

Arrangeur : Schmeding, Martin / Arranged after the Piano Sonata by Martin Schmeding / organ

Cette sonate de Mozart a été savamment arrangée par Bryan Hesford pour orgue. / Orgue / niveau : Elémentaire / Recueil

Ces 3 poèmes musicaux forment une sonate en trois mouvements, écrite à l'intention de Pierre Lacroix, et donc pour l'orgue de Saint-Bertrand-de-Comminges, si cher à mon coeur. Ces trois pièces ont été composées des années après les Mystères douloureux et dans une perspective artistique un peu différente. / Orgue

C-Dur. Par BACH JOHANN SEBASTIAN. adaptation of the Sonata for Solo Violin/ Répertoire / Orgue