Par RHEINBERGER JOSEF GABRIEL. Collection with 20 shorter organ works. Rheinberger did not write organ music for the worship service. This edition compiles trios, fughettas, passacaglias and character pieces from Rheinberger's extensive oeuvre for the organ. Due to their duration and degree of difficulty they are suitable for the liturgical organ playing, where they can be played as preludes, intermezzi and postludes. The collection therefore aims to help establish Rheinberger's organ music for liturgical use./ Répertoire / Orgue

Orgue / Die Ausgabe enthält festliche, stille oder meditative Orgelkompositionen, vor allem aber beliebte, für Orgel bearbeitete Vokal- und Instrumentalwerke Vorwort / Popular Organ music for weddings in easy arrangements for organ with and without pedalboard

Par RINCK JOHANN CHRISTIAN HEINRICH. Rinck’s organ works were oriented toward the needs of the church music of this time, when short and relatively simple pieces were required. This genre of music is exemplified by the Chorale Preludes op. 105, most of which occupy only one printed page, and which are reminiscent of Bach’s Orgelbüchlein. With his imaginative pieces Rinck successfully created a transitional style between baroque linear organ artistry and the sensibility of classicism and early romanticism./ Répertoire / Orgue

Partition parue en mars 2012, cet ouvrage référencé sous le code GB8706 intitulé Jacques Castérède: Regard sur la Genèse et écrit par Castérède Jacques est destiné à un public pratiquant Orgue . / Orgue / 16 pages / Partition

Par BACH JOHANN SEBASTIAN. Révisé par Capdeville / classique / Répertoire / Orgue

arr. Schlenker. Par BACH JOHANN SEBASTIAN. choralgebundene Orgelmusik - Verwendung / Anlässe: Konfirmation, Firmung - Verwendung / Kirchenjahr: Advent, Epiphanias, Fastenzeit und Passion, Ostern und nachösterliche Freudenzeit, Wei cor achten -/ Répertoire / Orgue

Par MUFFAT GOTTLIEB. Die 11 kurzen Orgelsätze waren vermutlich als Nachspiele zu Ämtern und Vespern geplant./ Répertoire / Orgue

Aus Der Kunst Der Fuge. Par BACH JOHANN SEBASTIAN. In 1991 an astonishing discovery was published by Zoltán Göncz answering the question with fairly great certainty how Bach planned the appearance of the fourth subject, the main subject of the cycle: One of the striking features of Contrapunctus 14 is that in this movement Bach applied the stretto of whole expositions. In the exposition of the first three subjects he “programmed” the later permutational stretti, then applied the expositions as “programs”, “algorithms”. However paradoxical, it follows from the logic of composing a quadruple fugue that the combinations joining all four subjects and rendered the latest when performing the work were already completed in the very firststage of composition because the possibility of overlapping the four subjects [1+2+3+4] is the sine qua non of writing a quadruple fugue. The discovery of the permutational matrix was one of the most essential conditions to achieve that the reconstruction of Contrapunctus XIV could come near to the original form planned by Bach./ Répertoire / Orgue

Par OLEY JOHANN CHRISTOPH. Gattungen: choralgebundene Orgelmusik -/ Répertoire / Orgue