Violin Cello & Voices Version-These are the Violin and Cello Parts for the Violin Cello and Voices version of Tarik O'Regan's Death Is Gonna Lay His Cold Icy Hands On Me for Double SATB Choir Violin and Cello. The Vocal Score is available to purchase separately.

Judith Weir's Night is a work for Violin and Cello. Commissioned by Enterprise Music Scotland Night was written for High Heels and Horse Hair - comprised of Alice Rickards (Violin) andSonia Cromarty (Cello) who gave the first performance on 3rd November 2015 at Cottiers Theatre in Glasgow. Please note this item comes with two scores - one for the violinist and another for thecellist. Night was written for a late evening concert which aimed to use lighting design to explore aspects of life in the dark in three distinct but interrelated parts - NightMenagerie Night Anxiety and Late Night Radio.

Maurice Ravel's 1922 composition Sonate In Four Parts for Violin and Cello was dedicated to the memory of Claude Debussy.

Sonata for Violin and Violoncello-Following the intoxicating sounds of La Valse the smaller scoring and modern musical language of Sonata For Violin And Violoncello were a shock. Yet this pioneering work has now become a permanent fixture onthe concert stage.To help the players two performance scores are provided in which the other instrument’s part is also given. Both parts are included in a marked and an unmarked version.Sonata For Violin AndVioloncello was composed by Maurice Ravel between between 1920 and 1922.

In 1920 Maurice Ravel was asked by his publisher Durand to contribute to an issue of La Revue Musicale dedicated to Claude Debussy. A supplement included the first movement of Ravel?s Sonata as well as works contributed by Debussy?s friends Stravinsky Satie Dukas Bartok and de Falla to name only a few. This 1st movement of Ravel?s Sonata of which the autograph is lost then developed into a large scale four movement chamber music work utilizing a more modern music vocabulary than found in almost any other Ravel composition. Bärenreiter?s scholarly-critical edition the first ever of this masterpiece presents the work in two performing scores. It contains anintroduction on the history of the work reflecting Ravel?s work and rehearsals with violinist Hélène Jourdan-Morhange and cellist Maurice Maréchal. Sources for this new edition include the engraved copy the personal autograph scores (with earlier versions of some passages) which were used to rehearse the work and the first edition scores with emendations by Jourdan-Morhange and Maréchal. Included in the appendix are the original fingerings by the performers which are not found in the first edition. They reflect how Ravel must have heard the work in rehearsals and as such are a document of early 20th century performance practice. First Urtext edition of this workTwo performing scores (format 25 5 x 32 5 cm)The violoncello part does not allow for page turns in the first movement; therefore the edition includes an additional violoncello part in small print presenting the entire first movement on a double page without a page turnInformative introduction to the genesis of the work (Ger/Eng/Fr)Critical commentary with facsimiles and appendices

Opus 52 duo pour violon et violoncelle (écrit lorsque j'ai eu 52 ans !!) est une parenthèse dans ma production. C'est une fantaisie qui débute par l'utilisation de la tessiture commune aux deux instruments (4ème corde du violon 1ère corde du violoncelle) traitée chromatiquement par 'frottements' sonores.S'ensuivent des séries d'harmoniques naturels (sons éthérés obtenus en effleurant les cordes à des endroits précis) et d'arpèges serrés interrompus à deux reprises par des réminiscences de musiques populaires évoquant ces 'violoneux' jadisjuchés sur un tonneau pour faire danser la foule.' Renaud Gagneux Opus 52 a été enregistré par Nathanaëlle Marie et Christophe Beau sur le CD 'Renaud Gagneux oeuvres pour cordes'