SKU: HL.360036
ISBN 9781705122822. UPC: 840126947168. 9.0x12.0 inches.
This glorious collection provides hours of repertoire for instrumentalists. Includes: Amazing Grace (My Chains Are Gone) â?¢ As the Deer â?¢ The Blessing â?¢ Build My Life â?¢ Do It Again â?¢ Draw Me Close â?¢ Everlasting God â?¢ Goodness of God â?¢ Great Are You Lord â?¢ Here I Am to Worship (Light of the World) â?¢ How Great Is Our God â?¢ In Christ Alone â?¢ Living Hope â?¢ Mighty to Save â?¢ Oceans (Where Feet May Fail) â?¢ Open the Eyes of My Heart â?¢ Shout to the Lord â?¢ 10,000 Reasons (Bless the Lord) â?¢ This Is Amazing Grace â?¢ Way Maker â?¢ Yet Not I but Through Christ in Me â?¢ Your Name â?¢ and many more!
SKU: HL.48024477
ISBN 9781540037992. UPC: 888680885397. 9.0x12.0x0.061 inches.
Written in 2010 for violinists Todd Reynolds, and the sky was still there tells the story of an old friend, Amber Ferenz, and the epiphany that led her to embrace her true self, confront the US Army, and accept a dishonorable discharge under the Army's Don't Ask Don't Tell policy. Amber tells her own story in this work, while the violin plays along, providing a sometimes-somber, sometimes-whimsical sub-text. Amber's story, though unique, represents a struggle we all face on some level, whether to confrom to cultural expectations, or defy them in pursuit of greater truths. -- David T. Little.
SKU: HL.844286
ISBN 9780793533008. UPC: 073999442861. 9x12 inches.
60 of McCartney and Lennon's greatest, including: All My Loving* Eleanor Rigby* Help!* I Want To Hold Your Hand* Yesterday* more. Includes discography.
SKU: HL.367910
ISBN 9781705140451. UPC: 840126966787. 11.0x17.0x0.456 inches.
Premiere Slovak Radio Orchestra, June 30, 1992, Bratislava, Slovakia, Robert Black, conductor; Lydia Forbes, violin. Henry V is an overture, but with a violin protagonist. This is a concerto, but the density of interaction between soloist and orchestra is far more intense than in any previous work, whether classical or modern. Its form is somewhat analogous to sonata, but it middle sectionbreaks away completely from what has come before into an exhilarating 5-8 ostinato. There is a joy in dissonance here, an embracing of pain, and all the sorrow of existence, as part a Gita-like vision of the horrible, terrifying beauty of men throwing themselves into the slaughter, straining their utmost in a joyous ‘dance’of mud and death. As such, the energy of the piece is compact, and onfirst listen, potentially overwhelming. Metaphors of the individual coming out of a society, being influenced by and then interacting with that society, and then finally leading it are strongly evoked by this work in a non-specific, archetypal way. Winner of Marin Symphony (CA) Composers Symposium Competition (1993).
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