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Christmas Strings (MILLER DONALD)
Violin and Piano
-
Beginner
Mel Bay
With Piano Accompaniment. Par MILLER DONALD. These books are arranged to be perf...
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With Piano Accompaniment. Par MILLER DONALD. These books are arranged to be performed with various combinations of instruments. This volume presents some of the most beloved repertoire for the Christmas season. Some works are well known, others will sound fresh and new to most players. The pieces may be performed as a solo for each instrument (Violin 1, Violin 2, Viola or Cello) with piano accompaniment, or as duets or trios, as well as full orchestra. If performed with full orchestra, the piano accompaniment is not necessary. The string ensemble series meets all standards for ASTA (American String Teachers Association) and Suzuki Association of the Americas, Inc. If performed with full orchestra, no solo parts should be played except the 1st violin part. Note also, if you wish to perform these works with full orchestra and you are short certain instruments, you still have some flexibility with the score. For example, if there are not enough violas for balance, the viola (harmony part) and 3rd violin part are identical. The part may be played with all 3rd violins or equally divided between 3rd violins and violas. / Niveau : Débutant / Christmas - Ensemble / Recueil / Violon 1 et 2 et Accompagnement Piano
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Concertino G Major, Op. 11
Violin and Piano
Schott
Ferdinand Küchler is regarded as one of the great violin teachers of the 20th c...
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Ferdinand Küchler is regarded as one of the great violin teachers of the 20th century, due, in large part, to his popular violin method. His Concertino remains a popular entry-level piece for students to this day.The piece is characterized by simplicity, clarity and beauty. The themes and melodies are easily identifiable by children, yet never trite and plain. They are catchy and perfectly reflect Küchler's educational ideology - 'to always separate the difficulties and never demand that the pupil overcome two difficulties at once?. The work is also available in an arrangement for solo violin with string quartet accompaniment (with double-bass ad lib.)(Schott, SE 1002). The viola part can be replaced by a third violin if necessary. By using the parts for multiple players, this can also be performed by a beginner string orchestra.This edition is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons:In print or electronic formatAvailable as printed editions or PDF downloadPractising - efficiently and with pleasure:Accompanying tracks of the pieces available as downloads / Violon Et Piano
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Concerto For Violin And Orchestra E Minor Op. 64 (MENDELSSOHN-BARTHOLDY FELIX)
Violin and Piano
[Sheet music]
Barenreiter
Piano Reduction Of The Well-Known Late 1845 Version. Par MENDELSSOHN-BARTHOLDY F...
(+)
Piano Reduction Of The Well-Known Late 1845 Version. Par MENDELSSOHN-BARTHOLDY FELIX. (replaces BA 9050-90) Mendelssohn' s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première- the 'child prodigy' Joseph Joachim- and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David- now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn' s approval. That the young violinist made a positive impression on the composer is confirmed in the latter' s correspondence following their joint performance. Mendelssohn is full of praise for Léonard' s playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)/ Répertoire / Violon et Piano
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Concerto For Violin And Orchestra E Minor Op. 64 (MENDELSSOHN-BARTHOLDY FELIX)
Violin and Piano
[Sheet music]
Barenreiter
Piano Reduction Of The Early 1844 Version. Par MENDELSSOHN-BARTHOLDY FELIX. Mend...
(+)
Piano Reduction Of The Early 1844 Version. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn' s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première- the 'child prodigy' Joseph Joachim- and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David- now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn' s approval. That the young violinist made a positive impression on the composer is confirmed in the latter' s correspondence following their joint performance. Mendelssohn is full of praise for Léonard' s playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)/ Répertoire / Violon et Piano
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Pop And Rock Hits Instrumental Solos For Strings
Violin and Piano
[Sheet music + CD]
Alfred Publishing
Ce livre fait partie d\'une série instrumentale arrangé pour violon, alto et v...
(+)
Ce livre fait partie d\'une série instrumentale arrangé pour violon, alto et violoncelle. Les arrangements sont entièrement compatibles entre eux et peuvent être jouées ensemble ou solos. Chaque livre contient une partie soigneusement édité qui est approprié pour le Niveau 2-3 joueur, ainsi que d\'un accompagnement orchestré CD entièrement. Le CD comprend une piste DEMO de chaque chanson, qui propose un concert instrumental live, suivi d\'un play-along piste. / Violon Et Piano
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Romance Op. 11 (Arrangement For Violin And Piano)
Violin and Piano
Barenreiter
First ever publication based on the autographOriginally written for violin and o...
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First ever publication based on the autographOriginally written for violin and orchestra between 1873 and 1877, Dvorák's 'Romance? immediately followed his String Quartet in F minor (1873) and draws on the theme from its slow movement. He probably wrote the 'Romance? for his friend, the violin virtuoso Franti?ek Ondrícek, who later premiered Dvorák's Violin Concerto in 1883.Our edition is the first to avail itself of the recently rediscovered autograph of Dvorák's own version for violin and piano. Compared to the well-known piano reductions, it differs from the orchestral version in several important respects and is also one bar shorter.Our new edition, containing the composer's more authentic version, can nevertheless also serve as a piano reduction to the orchestral version.- First edition of the piano version based on Dvorák's autograph- Foreword by David R. Beveridge (Cz/Eng/Ger)- Critical Commentary (Eng) by the editor / Violon Et Piano
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Fun-tasto: Reflection and Exhilaration
Violin and Piano
[Sheet music]
EMB (Edition Musica Budapest)
for violin and piano. Par THOMAS KORNEL. Kornel Thomas (*1986) studied compositi...
(+)
for violin and piano. Par THOMAS KORNEL. Kornel Thomas (*1986) studied composition with László Draskóczy in Budapest, and conducting with Mark Stringer in Vienna. His works were awarded, among others, at the 2023 5th Zodiac International Music Competition, and the 2020 MUPA Composers Competition. As a conductor, he made his debut with the Hungarian State Opera in 2021. 2017-2020 he was assistant conductor of Savaria Symphony Orchestra. By incorporating a diverse range of musical genres, his aim is to connect with a wide spectrum of music enthusiasts. Many of his works delve into the intricate realm of mental health. Reflection and Exhilaration were awarded the second prize at the 2022 Béla Bartók World Competition and was chosen as obligatory piece of the 2023 Béla Bartók World Competition for violin. The two movements represent opposite moods, but they have in common the simplicity and effectiveness of the melodic invention, as well as the rhythmic sophistication, which also refers to the Bulgarian rhythms known from Bartók. / Date parution : 2023-07-31/ Répertoire / Violon et Piano
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Best Of Grade 1 Violin, The (Book/Cd)
Violin and Piano
[Sheet music + CD]
-
Easy
Faber Music Limited
Jessica O'Leary (Editor). Over the years, many examination pieces have captured ...
(+)
Jessica O'Leary (Editor). Over the years, many examination pieces have captured the imagination of teachers and students, but the stars of past syllabuses are often forgotten. This collection brings together best-loved grade 1 Violin pieces, including Land of the Silver Birch , Dvorák's Largo from the New World Symphony and Gershwin's Oh, Lady, Be Good . Containing fresh editions of folk and classical masterpieces alongside contemporary favourites, all pieces have been rigorously researched by violin expert Jessica O'Leary. A CD of performance and accompaniment tracks is included, as are useful practice tips. This book includes pieces from current and past Trinity and ABRSM syllabuses. Jessica O'Leary has a successful career as a teacher, professional violinist, ABRSM examiner and seminar presenter. She has toured and recorded extensively as a member of the Academy of St Martin in the Fields, and has performed with Madonna, Led Zeppelin, the London Symphony Orchestra and the Royal Opera House. She teaches violin and viola and directs string ensembles at St Paul's Girls' School, Eltham College and Junior Guildhall London. / Niveau : Facile / Recueil / Violon
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Best Of Grade 5 Violin, The (Book/Cd)
Violin and Piano
[Sheet music + CD]
-
Easy
Faber Music Limited
Jessica O'Leary (Editor). Over the years, many examination pieces have captured ...
(+)
Jessica O'Leary (Editor). Over the years, many examination pieces have captured the imagination of teachers and students, but the stars of past syllabuses are often forgotten. This collection brings together best-loved grade 5 pieces, including Pleyel's Sonatina in B flat , Fauré's Sicilienne and Wedgwood's Survivor . Containing fresh editions of folk and classical masterpieces alongside contemporary favourites, all pieces have been rigorously researched by violin expert Jessica O'Leary. A CD of performance and accompaniment tracks is included, as are useful practice tips. This book includes pieces from current and past Trinity and ABRSM syllabuses. Jessica O'Leary has a successful career as a teacher, professional violinist, ABRSM examiner and seminar presenter. She has toured and recorded extensively as a member of the Academy of St Martin in the Fields, and has performed with Madonna, Led Zeppelin, the London Symphony Orchestra and the Royal Opera House. She teaches violin and viola and directs string ensembles at St Paul's Girls' School, Eltham College and Junior Guildhall London. / Niveau : Assez Facile / Recueil / Violon
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Après un silence (CASKEN JOHN)
Violin and Piano
Schott
for violin and piano. Par CASKEN JOHN. 'Après un silence' was originally writte...
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for violin and piano. Par CASKEN JOHN. 'Après un silence' was originally written as a work for violin and piano. The piano part was subsequently orchestrated in such a way that the work may be performed with a chamber orchestra or with an ensemble of the same forces using strings. 'The violin's opening interval of a rising sixth is the gem from which everything is developed into one extended movement.' This will become a regular presence in the violin and piano repertoire./ Répertoire / Violon et Piano
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Polish Dance (SEVERN EDMUND)
Violin and Piano
-
Easy
Barenreiter
Par SEVERN EDMUND. Edmund Severn (1862–1942) was an American composer and viol...
(+)
Par SEVERN EDMUND. Edmund Severn (1862–1942) was an American composer and violinist. Born in England, he studied in various cities including Berlin and composed works for unaccompanied violin, orchestra and string quartet. “Polish Dance” is his best-known work. Written in the style of a mazurka, it is an invitation to this dance form with its distinctive local colour. Many ritardandos and rubatos add rhythmic spice: wide leaps, double stops and three-note chords ensure delightful melodic and harmonic turns. Expressive dynamics provide the necessary vim to this “Polish Dance”! / Niveau : 2 / Date parution : 2018-01-05/ Répertoire / Violon et Piano
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Concertino For Violin And String Orchestra. Arranged For Violin And Piano By The Author. Piano Score And Part
Violin and Piano
[Sheet music]
Kompozitor
/ Violon Et Piano / 28 pages / Partition
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String Ensembles. Vol.II. Dedication. Two Movements From Symphoniette For String Orchestra And Piano
Violin and Piano
[Sheet music]
Kompozitor
/ Violon Et Piano / 23 pages / Partition
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Jazz For The Beginning Orchestra Members. For School String Orchestra And Piano. Score And Parts
Violin and Piano
[Sheet music]
Kompozitor
/ Violon Et Piano / 39 pages / Partition
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