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Variations On A Rococo Theme For Cello And Orchestra Op. 33 (TCHAIKOVSKI PIOTR ILITCH)
Cello, Orchestra
[Set of Parts]
Eulenburg
Original Version. Par TCHAIKOVSKI PIOTR ILITCH. Un hommage de Tchaïkovski à l'...
(+)
Original Version. Par TCHAIKOVSKI PIOTR ILITCH. Un hommage de Tchaïkovski à l'excellent exemple admiré de Mozart et un défi pour le violoncelliste solo: ' Rokoko-variations ' dont le thème suit de près le style de musique du XVIIIe siècle exige un maximum d'accomplir et brillance technique de la violoncelliste solo. Les variations sont connectées musicalement par orchestrales ritournelles qui, en matière de musique et de la substance, presque forment une deuxième séquence de variations./ Répertoire / Violoncelle et Orchestre
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Variations On A Rococo Theme For Cello And Orchestra Op. 33 (TCHAIKOVSKI PIOTR ILITCH)
Cello, Orchestra
Eulenburg
Original Version. Par TCHAIKOVSKI PIOTR ILITCH. Cet hommage de Tchaïkovski à l...
(+)
Original Version. Par TCHAIKOVSKI PIOTR ILITCH. Cet hommage de Tchaïkovski à l'excellent exemple admiré de Mozart et un défi pour le violoncelliste solo: ' Rokoko-variations ', dont le thème suit de près le style de musique du XVIIIe siècle, exige un maximum d'accomplir et brillance technique de la violoncelliste solo. Les variations sont connectées musicalement par orchestrales ritournelles qui, en matière de musique et de la substance, presque forment une deuxième séquence de variations./ Répertoire / Violoncelle et Orchestre
36.30 EUR - Sold by LMI-partitions
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Variations On A Rococo Theme For Cello And Orchestra Op. 33
Cello, Orchestra
Eulenburg
Un hommage de Tchaïkovski à l'excellent exemple admiré de Mozart et un défi ...
(+)
Un hommage de Tchaïkovski à l'excellent exemple admiré de Mozart et un défi pour le violoncelliste solo: ' Rokoko-variations ' dont le thème suit de près le style de musique du XVIIIe siècle exige un maximum d'accomplir et brillance technique de la violoncelliste solo. Les variations sont connectées musicalement par orchestrales ritournelles qui, en matière de musique et de la substance, presque forment une deuxième séquence de variations. / Violoncelle Et Orchestre
60.50 EUR - Sold by LMI-partitions
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Philip Glass: Concerto For Cello And Orchestra: Cello: Score
Cello, Orchestra
[Sheet music]
-
Intermediate/advanced
Dunvagen Music Publishers
Remarkably for a work by Philip Glass the Cello Concerto No 1 or Concerto For ...
(+)
Remarkably for a work by Philip Glass the Cello Concerto No 1 or Concerto For Cello And Orchestra conforms broadly to the three-movement form of classic concerti with fast-slow-fast tempi.This concerto is designated as part ofThe Concerto Project recording series started by Glass in the year 2000 currently in four volumes and including eight concerti.American composer Philip Glass is widely known as one of the most celebrated influential and prolificof the modern composers. He is frequently referred to as a minimalist though he prefers to call himself a composer of ‘music with repetitive structures.’ His operas among them the renowned Einstein On The Beach are performedacross the globe and he has created work for small and large ensembles film and experimental theatre and founded his own performing group The Philip Glass Ensemble.
69.99 GBP - Sold by Musicroom UK
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Antonín Dvo?ák: Concerto For Cello & Orchestra In B Flat Minor: Cello: Study
Cello, Orchestra
Breitkopf & Härtel
Concerto For Cello & Orchestra In B Flat Minor
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Bohuslav Martinu: Concerto No.2 For Cello And Orchestra: Cello and Accomp.:
Cello, Orchestra
Hal Leonard
This is one of the best Cello concertos of the twentieth century and readily co...
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This is one of the best Cello concertos of the twentieth century and readily communicates the Bohuslav Martinu strong feelings for his homeland. Written over the Christmas and New year period of 1944-45 in New York it is full ofhis reactions to that last dramatic winter of the war and the desire to go home. It is an expansive work over 35 minutes in length in the standard three movements. Typically for Martinu the first movement is inModerato tempo. The opening gesture is highly characteristic: A pulsing rhythm establishes itself in the orchestra and a striving rising theme with a contradictory rhythm contends with it. The second movement Andante pocomoderato has a general pulse that is not much slower than that of the first. It is episodic with a faster central section and then a truly magical and heartfelt treatment of the main subject in which Martinu expresses hislonging for home. The final movement Allegro is a driving energetic conclusion with a solo cadenza that breaks the ongoing rhythm and provides a touching moment of contemplation before the joyous conclusion. This editioncontains a Piano reduction of the Orchestral part for rehearsal purposes.
29.99 GBP - Sold by Musicroom UK
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Herbert Howells: Fantasia For Cello & Full Orchestra (Full Score): Cello: Score
Cello, Orchestra
[Sheet music]
Novello & Co Ltd.
Fantasia For Cello & Full Orchestra (Full Score)
39.99 GBP - Sold by Musicroom UK
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Sergei Prokofiev: Concertino Op.132 (Miniature Score). Sheet Music for Cello Orchestra
Français
Cello, Orchestra
[Study Score / Miniature]
Chant du Monde
Sergei Prokofiev's Concertino Op.132 for Cello and Orchestra.
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Alfred Schnittke: Concerto No. 1. Sheet Music for Cello Orchestra
Français
Cello, Orchestra
[Score]
Chant du Monde
Alfred Schnittke's Concerto No. 1 for Solo Cello and Orchestra.
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John McCabe: Cello Concerto (Songline): Orchestra: Score
Cello, Orchestra
Novello & Co Ltd.
For Solo Cello And Orchestra
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Samuel Barber: Concerto For Violoncello And Orchestra: Cello and Accomp.:
Cello, Orchestra
[Sheet music]
Schirmer
Piano reduction of the Concerto for Cello and Orchestra. Includes Score and Par...
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Piano reduction of the Concerto for Cello and Orchestra. Includes Score and Part.
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Witold Lutoslawski: Concerto For Cello And Orchestra: Cello: Score
Cello, Orchestra
[Sheet music]
Chester
First performed in 1970 by Mstislav Rostropovich to whom the work is dedicated ...
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First performed in 1970 by Mstislav Rostropovich to whom the work is dedicated with the Bournemouth Symphony Orchestra conducted by Edward Downes.
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Per Nørgård: Cantica Concertante: Orchestra: Score
Cello, Orchestra
Wilhelm Hansen
Per Nørgård's Cantica Concertante for Violoncello Solo and Chamber Orchestra (...
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Per Nørgård's Cantica Concertante for Violoncello Solo and Chamber Orchestra (2012). Based on CANTICA for cello and piano (1977). The present orchestral version was edited by Steve Ferrein in collaboration with the composer. Parts are available on hire: hire@ewh.dk
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Concerto Per Violoncello E Orchestra In Re
Cello, Orchestra
[Sheet music]
Ricordi
L'oeuvre musicale qui a pour support une Partition a pour titre CONCERTO PER VIO...
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L'oeuvre musicale qui a pour support une Partition a pour titre CONCERTO PER VIOLONCELLO E ORCHESTRA IN RE. C'est une partition musicale composée par Boccherini Luigi et qui est destinée aux joueurs de Violoncelle. Le détail de l'instrumentation Violoncelle Et Orchestre vous permettra de savoir si cette partition correspond bien à ce que vous cherchez. Son style Classique vous permettra de découvrir ô combien la musique Classique est belle et enrichissante. / Violoncelle Et Orchestre / Partition
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Concerto N. 2 In Re Maggiore (G. 479) Per Violoncello E Orchestra D'Archi
Cello, Orchestra
[Sheet music]
Ricordi
Seule partition au monde à porter le numéro ISBN 9790520011976 cette partition...
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Seule partition au monde à porter le numéro ISBN 9790520011976 cette partition dont le titre est CONCERTO N. 2 IN RE MAGGIORE (G. 479) PER VIOLONCELLO E ORCHESTRA D'ARCHI comporte des morceaux regroupés et composés par le compositeur Boccherini Luigi.Son instrumentation exacte est Violoncelle Et Orchestre A Cordes. Amateur ou passionné de Classique vous trouverez inévitablement votre bonheur dans la version papier de cette oeuvre. / Violoncelle Et Orchestre A Cordes / Partition
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Cello Concerto (BRYARS GAVIN)
Cello, Orchestra
[Study Score / Miniature]
Schott
Farewell to philosophy. Par BRYARS GAVIN. I have a great fondness for the lower ...
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Farewell to philosophy. Par BRYARS GAVIN. I have a great fondness for the lower string instruments: I am a bass player, my mother is a cellist, as are both my daughters; my own ensemble includes two violas, a cello and a bass, and for the instrumentation of my opera Medea I omit the entire violin section from the orchestra. As I have written a number of works for solo instrument or voice with orchestra I welcomed the opportunity to write a concerto for cello and orchestra and especially one which focuses particularly on the instrument’s lyrical qualities. Although the piece is in one continuous movement, and the soloist is playing almost without a break, it nevertheless falls into distinct sections which are recognisable by a shift of tempo as well as by a change in the music’s character. One of the early ideas Julian Lloyd Webber and I discussed was that it might form a companion piece to one of the Haydn concertos. Given my friendship with some members of the English Chamber Orchestra and my awareness of their repertoire, this suggested a number of particular musical references. The subtitle to the work, for example, combines the subtitles of two idiosyncratic Haydn symphonies and I allude to them in different ways but chiefly through orchestration: for The Philosopher by including a section in the concerto where the orchestration resembles that of the symphony’s first movement (pairs of English and French horns, muted violins and unmuted lower strings); for The Farewell, by the progressive reduction in the orchestration towards the end. Indeed, apart from the orchestral tutti in the last few bars, the last pages of the score are virtually for string quartet. The subtitle also refers to my own background as a philosophy graduate... The piece was commissioned by Philips Classics for Julian Lloyd Webber and is dedicated to him. The first performance was given by Julian Lloyd Webber and the English Chamber Orchestra conducted by James Judd, 21 November 1995, Barbican Hall, London. Gavin Bryars/ Répertoire / Violoncelle et Orchestre
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Per Nørgård: Between - Cello Concerto No. 1: Cello: Score
Cello, Orchestra
[Sheet music]
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Intermediate/advanced
Wilhelm Hansen
Between - Cello Concerto No. 1 - 3 movements for Violoncello and Orchestra comp...
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Between - Cello Concerto No. 1 - 3 movements for Violoncello and Orchestra composed by Per Nørgård in 1984-85. Premiered by Frances-Marie Uitti and the Danish Radio Symphony Orchestra conducted by Michael Schönwandt August 30th 1985. Programme note: 1. In Between 2. Turning point 3. Among The title of each movement suggests one aspect of the relationship between soloist and orchestra. In the first movement the solist is caught up in a conflict between the expression of inner feelings (solo) and influences from external sources (orchestra) the latter of which the soloist in a simple accompanyingrole but after a turning point in the middle of the movement the soloist assumes a dominating role. In the final movement a balance is finally achieved with the soloist at last being on equal terms with the orchestra. Per Nørgård
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Alfred Schnittke: Cello Concerto No.1: Cello: Study Score
Cello, Orchestra
Sikorski
für Violoncello und Orchester-Schnittke?s first cello concerto was written duri...
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für Violoncello und Orchester-Schnittke?s first cello concerto was written during a near fatal time in his life after having suffered a severe stroke in 1985 during which his heart stopped three times. Upon recovery he completed the concerto the music becoming more dissonant and discordant with the melodies more contorted.The first cello concerto was a monumental endeavor for large orchestra and approximately 40 minutes in duration. The work was written for Schnittke?s close friend Russian cellist Natalia Gutman. The solo part is most feverish and virtuosic exhausting the performer both technically and emotionally. The last fourth movement creates an unusual structuralprogression ending in what feels like a celestial hymn-like prayer. Schnittke himself said: Suddenly I was given this finale from somewhere and I?ve just written it down.Available here is the study score for Schnittke?s emotionally and technically demanding Cello Concerto No.1. This Sikorski edition study score is well presented and provides an excellent resource for study or perusal use.
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