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MARIMBA
Cello, Orchestra
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Robert Schumann: Concerto for Cello and Orchestra (Concertstück): Cello and
Cello, Orchestra
Peters
Original Version. Schumann?s Cello Concerto Rediscovered In her first Urtext edi...
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Original Version. Schumann?s Cello Concerto Rediscovered In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann?s original version of his Cello Concerto in A minor Op. 129 ? a piece he actually called a ?Concertstück? ? removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer?s manuscript held in the Biblioteka Jagiello?ska in Kraków. This Full Score matches the separately available edition for Cello and Piano (EP 73488). Matching orchestral material is also available from the publisher. Only modern Urtext edition based on Schumann?s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Cello and piano edition available separately from Edition Peters: orchestral parts available for rental Recording of the Concertstück featuring Josephine Knight available from Dutton Robert Schumann?s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann?s original conception of the work ? not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann?s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists. Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiello?ska in Kraków, to reveal Schumann?s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann?s original conception of the work as a Concertstück and restores Schumann?s musical text, free of posthumous interventions. ?My ultimate wish,? says the editor, ?is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character ? one that is lighter and happier, even ?cheerful?, as Schumann himself described the work.'
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Philip Glass: Concerto For Cello And Orchestra: Cello: Score
Cello, Orchestra
[Sheet music]
-
Intermediate/advanced
Dunvagen Music Publishers
Remarkably for a work by Philip Glass the Cello Concerto No 1 or Concerto For ...
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Remarkably for a work by Philip Glass the Cello Concerto No 1 or Concerto For Cello And Orchestra conforms broadly to the three-movement form of classic concerti with fast-slow-fast tempi.This concerto is designated as part ofThe Concerto Project recording series started by Glass in the year 2000 currently in four volumes and including eight concerti.American composer Philip Glass is widely known as one of the most celebrated influential and prolificof the modern composers. He is frequently referred to as a minimalist though he prefers to call himself a composer of ‘music with repetitive structures.’ His operas among them the renowned Einstein On The Beach are performedacross the globe and he has created work for small and large ensembles film and experimental theatre and founded his own performing group The Philip Glass Ensemble.
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Bohuslav Martinu: Concerto No.2 For Cello And Orchestra: Cello and Accomp.:
Cello, Orchestra
Hal Leonard
This is one of the best Cello concertos of the twentieth century and readily co...
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This is one of the best Cello concertos of the twentieth century and readily communicates the Bohuslav Martinu strong feelings for his homeland. Written over the Christmas and New year period of 1944-45 in New York it is full ofhis reactions to that last dramatic winter of the war and the desire to go home. It is an expansive work over 35 minutes in length in the standard three movements. Typically for Martinu the first movement is inModerato tempo. The opening gesture is highly characteristic: A pulsing rhythm establishes itself in the orchestra and a striving rising theme with a contradictory rhythm contends with it. The second movement Andante pocomoderato has a general pulse that is not much slower than that of the first. It is episodic with a faster central section and then a truly magical and heartfelt treatment of the main subject in which Martinu expresses hislonging for home. The final movement Allegro is a driving energetic conclusion with a solo cadenza that breaks the ongoing rhythm and provides a touching moment of contemplation before the joyous conclusion. This editioncontains a Piano reduction of the Orchestral part for rehearsal purposes.
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Variations On A Rococo Theme For Cello And Orchestra Op. 33 (TCHAIKOVSKI PIOTR ILITCH)
Cello, Orchestra
[Set of Parts]
Eulenburg
Original Version. Par TCHAIKOVSKI PIOTR ILITCH. Un hommage de Tchaïkovski à l'...
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Original Version. Par TCHAIKOVSKI PIOTR ILITCH. Un hommage de Tchaïkovski à l'excellent exemple admiré de Mozart et un défi pour le violoncelliste solo: ' Rokoko-variations ' dont le thème suit de près le style de musique du XVIIIe siècle exige un maximum d'accomplir et brillance technique de la violoncelliste solo. Les variations sont connectées musicalement par orchestrales ritournelles qui, en matière de musique et de la substance, presque forment une deuxième séquence de variations./ Répertoire / Violoncelle et Orchestre
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Variations On A Rococo Theme For Cello And Orchestra Op. 33 (TCHAIKOVSKI PIOTR ILITCH)
Cello, Orchestra
Eulenburg
Original Version. Par TCHAIKOVSKI PIOTR ILITCH. Cet hommage de Tchaïkovski à l...
(+)
Original Version. Par TCHAIKOVSKI PIOTR ILITCH. Cet hommage de Tchaïkovski à l'excellent exemple admiré de Mozart et un défi pour le violoncelliste solo: ' Rokoko-variations ', dont le thème suit de près le style de musique du XVIIIe siècle, exige un maximum d'accomplir et brillance technique de la violoncelliste solo. Les variations sont connectées musicalement par orchestrales ritournelles qui, en matière de musique et de la substance, presque forment une deuxième séquence de variations./ Répertoire / Violoncelle et Orchestre
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Variations On A Rococo Theme For Cello And Orchestra Op. 33
Cello, Orchestra
Eulenburg
Un hommage de Tchaïkovski à l'excellent exemple admiré de Mozart et un défi ...
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Un hommage de Tchaïkovski à l'excellent exemple admiré de Mozart et un défi pour le violoncelliste solo: ' Rokoko-variations ' dont le thème suit de près le style de musique du XVIIIe siècle exige un maximum d'accomplir et brillance technique de la violoncelliste solo. Les variations sont connectées musicalement par orchestrales ritournelles qui, en matière de musique et de la substance, presque forment une deuxième séquence de variations. / Violoncelle Et Orchestre
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Fanfares
Cello, Orchestra
Barenreiter
This study score is based on the score and complete performance material of Dvor...
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This study score is based on the score and complete performance material of Dvorák's famous B minor Cello Concerto (BA 9045) edited by Jonathan Del Mar and published in 2011. In addition the study score contains a Foreword by Dvorák scholar Jan Smaczny.Like every other major 19th-century cello concerto, Dvorák's concerto resulted from a collaboration between the composer and a virtuoso musician. Several passages in Dvorák's autograph were written by the cellist Hanus Wihan but Bärenreiter's edition now reveals that some details in the orchestral parts are also in his writing, showing just how closely the two musicians were working together.The editor Jonathan Del Mar has conscientiously examined every available source, including two that have hitherto been either ignored or crucially undervalued. His research has led to a benchmark edition that reconstructs, for the first time since its initial publication in 1896, Dvorák's definitive version of the solo part. It differs from previous editions in practically every measure and hundreds of corrections have also been made to the orchestral parts. - Includes Dvorák's final and definitive version of the solo cello part - Incorporates new discoveries regarding the collaboration between Dvorák and Wihan - With Feuermann's and Casals's alternative versions of a passage in the first movement - Detailed Foreword (Eng/Cz/Ger) / Violoncelle Et Orchestre
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Witold Lutoslawski: Concerto For Cello And Orchestra: Cello: Score
Cello, Orchestra
[Sheet music]
Chester
First performed in 1970 by Mstislav Rostropovich to whom the work is dedicated ...
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First performed in 1970 by Mstislav Rostropovich to whom the work is dedicated with the Bournemouth Symphony Orchestra conducted by Edward Downes.
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William Walton: Cello Concerto: Cello: Study Score
Cello, Orchestra
Oxford University Press
William Walton Edition-This edition of William Walton's Cello Concerto has been ...
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William Walton Edition-This edition of William Walton's Cello Concerto has been off-printed from the William Walton Edition full score and combines the scholarship of the Edition (including an introduction by the editor) with the practical benefits of a study score format.Dating from 1956 the work was commissioned by Gregor Piatigorsky and premiered by him the following year. Walton regarded this work as the best of his three solo concertos.
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Antonín Dvo?ák: Concerto For Cello & Orchestra In B Flat Minor: Cello: Study
Cello, Orchestra
Breitkopf & Härtel
Concerto For Cello & Orchestra In B Flat Minor
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Herbert Howells: Fantasia For Cello & Full Orchestra (Full Score): Cello: Score
Cello, Orchestra
[Sheet music]
Novello & Co Ltd.
Fantasia For Cello & Full Orchestra (Full Score)
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Sergei Prokofiev: Concertino Op.132 (Miniature Score). Sheet Music for Cello Orchestra
Français
Cello, Orchestra
[Study Score / Miniature]
Chant du Monde
Sergei Prokofiev's Concertino Op.132 for Cello and Orchestra.
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Alfred Schnittke: Concerto No. 1. Sheet Music for Cello Orchestra
Français
Cello, Orchestra
[Score]
Chant du Monde
Alfred Schnittke's Concerto No. 1 for Solo Cello and Orchestra.
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Samuel Barber: Concerto For Violoncello And Orchestra: Cello and Accomp.:
Cello, Orchestra
[Sheet music]
Schirmer
Piano reduction of the Concerto for Cello and Orchestra. Includes Score and Par...
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Piano reduction of the Concerto for Cello and Orchestra. Includes Score and Part.
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Carl Vine: Concerto for Cello: Cello: Score
Cello, Orchestra
Faber Music Limited
Composed for Steven Isserlis in 2004 Carl Vine’s Cello Concerto is an ex...
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Composed for Steven Isserlis in 2004 Carl Vine’s Cello Concerto is an exhilarating 20-minute work that traverses a vast emotional palette. The Concerto begins arrestingly with soloist pitted against orchestra though as it develops the two factions move towards union. A slow chorale led by the cellist frames the central section whilst relentless motor rhythms drive the work to its close.
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Arthur Bliss: Concerto For Cello: Cello: Score
Cello, Orchestra
[Study Score / Miniature]
Novello & Co Ltd.
Study Score edition of the Concerto For Cello and Orchestra. Duration 26 minute...
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Study Score edition of the Concerto For Cello and Orchestra. Duration 26 minutes.
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Concerto For Cello And Orchestra #3 C Major Ben 105
Cello, Orchestra
Simrock
Sans raison valable, cinq concertos violoncelles du Pleyel sont éclipsées par ...
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Sans raison valable, cinq concertos violoncelles du Pleyel sont éclipsées par les concertos de ses contemporains, notamment par celles de Joseph Haydn. Contributions de Pleyel très originales au genre, cependant, qui sont parmi ses oeuvres les plus intéressantes, captivate une fois de plus l'auditeur par le biais du compositeur inventivité et charmant noblesse musical. Le violoncelliste hongrois Peter Szabó, qui a présenté le célèbre premier enregistrement des concertos de cinq tous sur l'étiquette de Hungaroton en 2003, a édité les concertos de l'édition originale de Simrock, fournissant des éditions critiques avec ses propres cadences. Les scores et le matériel de performance sont disponibles à la location. / Violoncelle Et Orchestre
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Georg Goltermann: Concerto No. 4 for Cello und Orchestra: Cello: Instrumental
Cello, Orchestra
Dowani
Op. 65 in G Major-This concerto by Georg Goltermann is one of the easiest of the...
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Op. 65 in G Major-This concerto by Georg Goltermann is one of the easiest of the eight solo concerts he wrote for this instrument. Drawing closely on famous predecessors such as Robert Schumann's A minor Concerto his piece captivates the listener with a rich vein of melody an expansive and elegiac slow movement and a wittily amusing Allegro presto as a finale. The publication is a revised and updated edition in which the existing Dowani recording has been augmented with a new piano reduction and the solo part has been supplied with fingering marks.
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