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Cello, Piano
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Take Your Bow: Cello: Instrumental Album
Cello, Piano
[Sheet music + Audio access]
-
Beginner
Trinity College London
Take Your Bow is a collection of 20 concert pieces for beginner string players w...
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Take Your Bow is a collection of 20 concert pieces for beginner string players written by Celia Cobb and Naomi Yandell. Years of string teaching have given them the inspiration to produce pieces which will both delight and engage. Their imaginative writing strengthens rhythmic and stylistic concepts whilst employing a variety of adventurous playing techniques that students will find to be a fun and achievable challenge. Each piece is compatible with any of the other instruments in the series in any combination making it an excellent resource for individual or group teaching. Take Your Bow is available in 4individual editions — for violin viola cello and double bass each with piano accompaniment — and as a separate full score.
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Bohuslav Martinu: Suite Miniature H192: Cello: Instrumental Work
Cello, Piano
Leduc, Alphonse
Composed by the Czech composer Bohuslav Martinü in 1930 Suite Miniature is a...
(+)
Composed by the Czech composer Bohuslav Martinü in 1930 Suite Miniature is a chamber work for Cello and Piano that lasts 10 minutes and 30 seconds. The difficulty for Cello is considered as medium and for the Piano easy to medium. Suite Miniature is divided in seven sections: I. Moderato II. Poco andante III. Poco moderato IV. Andante V. Poco allegro VI. Allegretto VII. Moderato Good for recitals this piece is really melodic and cheerful with some parts quiet and others quite energetic. BohuslavMartinü(1890-1959) also wrote 13 other ballets 15 operas and 6 symphonies and some orchestral and chamber music.
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Cello Recital Album Volume 2: Cello: Instrumental Album
Cello, Piano
-
Easy
Barenreiter
12 Recital Pieces in First Position for Cello and Piano or Two Celli-Charming co...
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12 Recital Pieces in First Position for Cello and Piano or Two Celli-Charming collections of easy pieces in first position. Each Cello part is supported by a Piano accompaniment for student performances. Alternately a second Cello part allows duo playing with the teacher during lessons. This early introduction to chamber music brings joy and satisfaction to the young cellist and teaches the student to hear the music as a whole. The two volumes are designed as companion publications to the Early Start on the Cello method. However they work equally well as a supplement to any other Cello method. A variety of rarely published works by well-known cellists and pedagogues such as Wilhelm Fitzenhagen HugoSchlemüller and August Nölck make these publications attractive to teachers and students. The Cello Recital Album Volume 1 can be used as a supplement to the Early Start on the Cello method Volumes 1 and 2 (BA 8996 and BA 8997). The 18 pieces in Volume 1 are structured to follow the same progression of finger patterns introduced in the Early Start method. This systematic progression helps the student to solidify the hand position and improve intonation. The basic bowing techniques do not require changes in bow speed or sounding point. The young performer can focus on a straight and beautifully placed bow that produces a pleasing and clear sound. The Cello Recital Album Volume 2 can be used as a supplement to the Early Start on the Cello method Volumes 2 and 3 (BA 8997 and BA 8998). The 12 pieces in Volume 2 are structured to follow the same progression of finger patterns introduced in the Early Start method Volumes 2 and 3. The later repertoire in this volume includes a careful introduction of downward and upward extensions.
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Cello Recital Album Volume 1: Cello: Instrumental Album
Cello, Piano
-
Easy
Barenreiter
18 Recital Pieces in First Position for Cello and Piano or Two Celli-Charming co...
(+)
18 Recital Pieces in First Position for Cello and Piano or Two Celli-Charming collections of easy pieces in first position. Each Cello part is supported by a Piano accompaniment for student performances. Alternately a second Cello part allows duo playing with the teacher during lessons. This early introduction to chamber music brings joy and satisfaction to the young cellist and teaches the student to hear the music as a whole. The two volumes are designed as companion publications to the Early Start on the Cello method. However they work equally well as a supplement to any other Cello method. A variety of rarely published works by well-known cellists and pedagogues such as Wilhelm Fitzenhagen HugoSchlemüller and August Nölck make these publications attractive to teachers and students. The Cello Recital Album Volume 1 can be used as a supplement to the Early Start on the Cello method Volumes 1 and 2 (BA 8996 and BA 8997). The 18 pieces in Volume 1 are structured to follow the same progression of finger patterns introduced in the Early Start method. This systematic progression helps the student to solidify the hand position and improve intonation. The basic bowing techniques do not require changes in bow speed or sounding point. The young performer can focus on a straight and beautifully placed bow that produces a pleasing and clear sound. The Cello Recital Album Volume 2 can be used as a supplement to the Early Start on the Cello method Volumes 2 and 3 (BA 8997 and BA 8998). The 12 pieces in Volume 2 are structured to follow the same progression of finger patterns introduced in the Early Start method Volumes 2 and 3. The later repertoire in this volume includes a careful introduction of downward and upward extensions.
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Edward Gregson: A Song For Chris: Cello: Instrumental Work
Cello, Piano
[Sheet music]
-
Advanced
Novello & Co Ltd.
In memory of Christopher Rowland. Originally a concerto for Cello and chamber or...
(+)
In memory of Christopher Rowland. Originally a concerto for Cello and chamber orchestra now for Cello with a Piano reduction of the orchestral part.The concerto is in four movements which are played without a break: Meditation Intermezzo Toccata-Scherzo and Song. The work lasts for some 18 minutes and was scored for two oboes two horns timpani (doubling tubular bells) and strings(found here in a Cello/Piano form). It is organised in one large arch-shaped structure with two fast inner movements flanked by two outer slow ones. The solo cello opens the work reflectively and introduces core melodic material which is continuously developed throughout theconcerto. Gradually the strings enter then wind and timpani and build a pyramid twelve-note chord at the peak of which there is a dramatic climax. The music then subsides (solo cello again) but links to the two faster middle movements. The second movement Intermezzo has an ABA structure and in its middle section quotes the opening of Shostakovich's Third String Quartet (written in the same year as Christopher Rowland was born!). Indeed the ghost of Shostakovich looms large throughout the concerto in more ways than one. The Toccata-Scherzo is energetic and rhythmically-charged again using an ABA structure. Here the writing for solo cello is quite virtuosic but not I hope in a shallow sense. The music builds inexorably towards a powerful climax underpinned by the opening twelve-note chord's re-appearance together with a violent outburst from the timpani at which point a tonal resolution (on G) arrives through a pianissimo held chord on strings which leads directly to the final movement - Song. And so the music arrives at its emotional heart through a simple melody (present in other forms throughout the work) announced by solo cello at the very top of its register against a quiet backdrop of horns and strings. A solo oboe enters with cello in canonic reply and all the time the music builds in texture and
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Edward Mollenhauer: The Infant Paganini: Cello: Instrumental Work
Cello, Piano
-
Easy
Barenreiter
Fantasia transcribed for violoncello and piano by Christoph Sassmannshaus-Born i...
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Fantasia transcribed for violoncello and piano by Christoph Sassmannshaus-Born in Erfurt the composer Edward Mollenhauer (1827 1914) achieved success in America as a soloist and teacher. His best-known pieces for young violinists are The Infant Paganini and The Boy Paganini. Both appear here in their original version for Violin and Piano and for the first time in a transcription for Cello and Piano by Christoph Sassmannshaus.The Mollenhauer fantasia The Infant Paganini is a charming introduction to early virtuoso techniques. It calls for bowing techniques such as detaché legato spiccato and arpeggios over three strings. Players are also expected to play harmonics andpizzicato.It (BA 10693) can be mastered by young Cello students who are working with volume 4 of the Sassmannshaus Early Start on the Cello and can manage first to fourth position.The Boy Paganini is an impressive concert piece which is more demanding. Its two movements call for changes of metre harmonics and pizzicato. Other challenges include chords on all four strings and simple passages in octaves. On the Cello (BA 10694) the student must be able to play in first to fourth position.Both violinists and cellists should have completed volume 4 of Early Start on the Violin and Early Start on the Cello respectively in order to master this work.- Popular recital pieces for young violinists and cellists.- Both works form an ideal continuation of the Sassmannshaus Early Start methods.- Pieces originally scored for Violin now also available for the first time for Cello.Violin editions:The Infant Paganini BA10691The Boy Paganini BA10692
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Edward Mollenhauer: The Boy Paganini: Cello: Instrumental Work
Cello, Piano
[Sheet music]
-
Intermediate
Barenreiter
Fantasia transcribed for violoncello and piano by Christoph Sassmannshaus-Born i...
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Fantasia transcribed for violoncello and piano by Christoph Sassmannshaus-Born in Erfurt the composer Edward Mollenhauer (1827 1914) achieved success in America as a soloist and teacher. His best-known pieces for young violinists are The Infant Paganini and The Boy Paganini. Both appear here in their original version for Violin and Piano and for the first time in a transcription for Cello and Piano by Christoph Sassmannshaus.The Mollenhauer fantasia The Infant Paganini is a charming introduction to early virtuoso techniques. It calls for bowing techniques such as detaché legato spiccato and arpeggios over three strings. Players are also expected to play harmonics andpizzicato.It (BA 10693) can be mastered by young Cello students who are working with volume 4 of the Sassmannshaus Early Start on the Cello and can manage first to fourth position.The Boy Paganini is an impressive concert piece which is more demanding. Its two movements call for changes of metre harmonics and pizzicato. Other challenges include chords on all four strings and simple passages in octaves. On the Cello (BA 10694) the student must be able to play in first to fourth position.Both violinists and cellists should have completed volume 4 of Early Start on the Violin and Early Start on the Cello respectively in order to master this work.- Popular recital pieces for young violinists and cellists.- Both works form an ideal continuation of the Sassmannshaus Early Start methods.- Pieces originally scored for Violin now also available for the first time for Cello.Violin editions:The Infant Paganini BA10691The Boy Paganini BA10692
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Sonata E Minor, Op. 38/1
Cello, Piano
Schott
Bernhard Romberg (1767-1841) probably was the greatest cello virtuoso of his tim...
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Bernhard Romberg (1767-1841) probably was the greatest cello virtuoso of his time and compared to Paganini in his lifetime. He gave cello lessons at the famous Conservatoire de Paris among others.Romberg's popular Trio in E minor originally was the first part of the Trois Trios d'une Difficulté Progressive pour le Violoncelle Viola et Violoncelle Op. 38. The solo violoncello was accompanied by a viola and a second violoncello. The two other trios are much more difficult, with a lot of passage work, thumb position, tenor and violin clef.The Trio in E minor Op. 38/1 was arranged many times and scored for various combinations of instruments. This edition refers to the popular arrangement for violoncello and piano by Friedrich Gustav Jansen (1837-1910) which is ideal for music lessons and concerts.Also available is another arrangement of the Trio Op. 38/1 for three violoncellos (SE 1008). The easy bass part can be played by another student.This edition is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons:In print or electronic formatAvailable as printed editions or PDF downloadPractising - efficiently and with pleasureAccompanying tracks of the pieces available as downloads / Violoncelle Et Piano
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Sonata E Minor, Op. 38/1
Cello, Piano
Schott
Bernhard Romberg (1767-1841) probably was the greatest cello virtuoso of his tim...
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Bernhard Romberg (1767-1841) probably was the greatest cello virtuoso of his time and compared to Paganini in his lifetime. He gave cello lessons at the famous Conservatoire de Paris among others.Romberg's popular Trio in E minor originally was the first part of the Trois Trios d'une Difficulté Progressive pour le Violoncelle Viola et Violoncelle Op. 38. The solo violoncello was accompanied by a viola and a second violoncello. The two other trios are much more difficult, with a lot of passage work, thumb position, tenor and violin clef.The Trio in E minor Op. 38/1 was arranged many times and scored for various combinations of instruments. This edition refers to the popular arrangement for violoncello and piano by Friedrich Gustav Jansen (1837-1910) which is ideal for music lessons and concerts.Also available is another arrangement of the Trio Op. 38/1 for three violoncellos (SE 1008). The easy bass part can be played by another student.This edition is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons:In print or electronic formatAvailable as printed editions or PDF downloadPractising - efficiently and with pleasureAccompanying tracks of the pieces available as downloads / Violoncelle Et Piano
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Auguste Franchomme: Selected Works For Cello And Piano: Cello: Instrumental
Cello, Piano
Dover Publications
The most celebrated cellist of his era French composer Auguste Franchomme (1808...
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The most celebrated cellist of his era French composer Auguste Franchomme (1808-84) created more than 50 works for the instrument in addition to numerous other pieces with Piano Orchestral or Chamber accompaniment. Suitable for intermediate to advanced players this unique first edition of rare Cello and Piano works features a separate Cello part.
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Butt-Chen: Cellowise: Cello: Instrumental Album
Cello, Piano
[Score and Parts + CD]
Spartan Press
CELLOWISE is an exciting new collection of arrangements from the popular classic...
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CELLOWISE is an exciting new collection of arrangements from the popular classics. The standard is from Grade 3 upwards and included are Bach Badinerie Handel Sarabande Haydn Gipsy Rondo Gossec Gavotte and Tambourin Brahms Hungarian Dance and other favourites with attached CD of top quality performances making a pleasant and varied recital programme both to listen to and of course to play. Cellowise is featured on the 2014 Bauhinia Cup String Competition in Hong Kong and is on the current syllabuses of Trinity College London the Musik-PrüfungsKommission in Vienna and the Royal Irish Academy of Music in Dublin 2015-2018.FOOTNOTE TO CONTENTSOriginally a folk-dance from Medieval Spain the Sarabande became the spiritual centre-point of the 18th. Century dance suite and well-known to cellists through the Bach Suites.The Badinerie is a musical haiku stunning in its precision and economy of means and like a poem condenses much meaning and expression into few words.Sir Yehudi Menuhin once called the 'Erbarme Dich' solo the most beautiful piece of music ever written for the violin. This poignant duet for voice and obligato is about remorse betrayal and the universal theme of suffering. It is one of the centre-pieces of the St. Matthew Passion and is sung after Peter has denied Christ betraying him to the authorities and to his Crucifixion.Gavotte and Tambourin. These two Dances reflect the political opposites of the French Revolution - one a popular dance for partying and celebration the other more courtly and considered a favourite of Marie Antoinette.Rondo all'Ongarese and Hungarian Dance.Hungarian Folk music is fiery and impassioned with virtuoso techniques of embellishment and improvisation. Haydn and Brahms incorporated these elements into Classical forms.Like other Romantic and early-Romantic composers (Mendelssohn and Schubert) Brahms was attracted to Scotland as a wild and beautiful country of myth and
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B Kelly: Sonatina: Cello: Instrumental Work
Cello, Piano
[Sheet music]
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Advanced
Spartan Press
'Apart from the piano the cello is my favourite instrument. I taught myself how...
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'Apart from the piano the cello is my favourite instrument. I taught myself how to play it while still at school then took lessons with John Snowdon when I was a student at the R.C.M.. I had to give the cello up to concentrate on other things but my love for the instrument lingered on and in the past few years I have written works for two four and eight cellos so it seemed logical to write something for one hence this Sonatina! The dedication is to Naomi Butterworth who has championed my cello music and given many performances of it.'Bryan Kelly
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Camille Saint-Saëns: Allegro Appassionato In B Minor Op.43: Cello: Instrumental
Cello, Piano
[Score and Parts]
Barenreiter
Since its premiere in 1873 this work has held an important place in the Violonce...
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Since its premiere in 1873 this work has held an important place in the Violoncello repertoire. It is on the one hand a short charming composition; on the other hand equally important is its use in instruction during the first few years of playing. Central here are the articulation of the opening theme and its various repetitions juxtaposed with lyrical passages calling for legato playing.Christine Baur's new scholarly-critical edition is based on a thorough examination of all the sources including Saint-Saëns' later orchestral version. The edition incorporates many articulation alternatives for the soloist which are marked 'ossia' above the solo Cello line in thisversion for Cello and Piano. This important new publication offers cellists not only an Urtext part but also one with bowing and fingering; both parts have a fold-out page so that no page turns are necessary.The first Urtext edition of this important workFold-out page in the solo cello part so no page turns are neededIncludes articulation alternatives as 'ossias'
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George Gershwin: Play Gershwin For Cello and Piano: Cello: Instrumental Album
Cello, Piano
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Intermediate
Faber Music Limited
A collection of pieces that pay tribute to Gershwin's unique melodic genius whi...
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A collection of pieces that pay tribute to Gershwin's unique melodic genius which gave us such gems as Embraceable You Summertime I Got Rhythm 'S Wonderful and Lady Be Good. These and other favourites are arranged here as impressive Cello solos with Piano accompaniment. This book includes a separate Cello part.
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Edvard Grieg: Sonate A-Moll Op 36 Und Andere Werke: Cello: Instrumental Album
Cello, Piano
[Sheet music]
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Intermediate/advanced
G. Henle
This Henle Urtext Edition contains Edvard Grieg's Sonata in A Minor Op.36 and a ...
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This Henle Urtext Edition contains Edvard Grieg's Sonata in A Minor Op.36 and a selection of other works all for Cello and Piano.
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Star Wars : Episodes I II And III Instrumental Solos For Strings
Cello, Piano
Alfred Publishing
This book is part of a String series arranged for Violin, Viola, and Cello. The ...
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This book is part of a String series arranged for Violin, Viola, and Cello. The arrangements are completely compatible with each other and can be played together or as solos. Each book features a specially designed piano accompaniment that can be easily played by a teacher or intermediate piano student, and a carefully crafted removable part, complete with bowings, articulations, and keys well suited for the Level 2-3 player. A fully orchestrated accompaniment CD is also provided. Each song on the CD includes a DEMO track, which features a live string performance, followed by the PLAY-ALONG track by itself. / Violoncelle Et Piano
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Béla Bartók: Romanian Folk Dances For Cello: Cello: Instrumental Work
Cello, Piano
[Sheet music]
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Intermediate/advanced
Universal Edition
The Romanian Folk Dances undoubtedly rank amongst Bartok's most popular composit...
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The Romanian Folk Dances undoubtedly rank amongst Bartok's most popular compositions. The earliest version is scored for Piano (1915) and was published by Universal Edition is 1918. The composer himself orchestrated this version in 1917. Several other chamber music arrangements (for example Zoltan Szekely's version for Violin and Piano) were not by Bartok although he authorised them. The musical material derives from Bartok's collections of folk music which date right back to 1904 when he wrote down a melody sung by a Hungarian peasant girl. In the course of extensive travels throughout Eastern Europe Bartokcompiled an enormous collection of folk tunes (by 1918 his collection comprised no fewer than 2700 Hungarian 3500 Romanian and 3000 Slovak dances and songs) which would in all probability have been lost had Bartok not written them down. As it was some of them found their way into his compositions. In 1908 Bartok jotted down tunes in Transylvania. They are the source of Romanian Folk Dances.
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Edouard Lalo: Violoncellokonzert D Moll: Cello: Instrumental Work
Cello, Piano
G. Henle
Originally Édouard Lalo was meant to follow an officer's career but his mus...
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Originally Édouard Lalo was meant to follow an officer's career but his musical talent soon became apparent and so he decided to become a musician. Every cellist is familiar with his Cello Concerto in d minor whichis just as spirited as his 'Symphonie espagnole'.Many renowned virtuosi from Julius Klengel to Leonard Rose have published their own editions of the concerto. Henle's Urtext edition distances itself from all of theadditions made by other editors but it offers both an unmarked part and one with fingerings and bowings by the famous cellist Heinrich Schiff.
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Bohuslav Martinu: Nocturnes For Cello And Piano H189: Cello: Instrumental Work
Cello, Piano
[Sheet music]
Leduc, Alphonse
Nocturnes is a set of four studies for Cello and Piano by Bohuslav Martinu. Thes...
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Nocturnes is a set of four studies for Cello and Piano by Bohuslav Martinu. These four pieces can be played for a recital or a contest separately or following one another by upper-intermediate players and above. This volume features: I. Andantino moderato – two first parts starting with a solo of Piano including many accidentals some trills and some pizzicatos II. Lento– starts by an exchange of sets of chords between the Piano and the Cello which is played a second time at the end of the piece III. Moderato –starts by the Piano on its own which is the joined by the Cello IV. Allegretto moderato – swapping from pizzicato to bow few times in the suite
Bohuslav Martinu (1890-1959) is a Czech composer and a violinist. Even though he was interested in different genres (including Romanticism Jazz and Expressionism) he wrote mainly neo-classical pieces including 16 symphonies 14 ballets and 15 operas.
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Henri Dutilleux: Henri Dutilleux: Tout Un Monde Lontain: Cello: Instrumental
Cello, Piano
Heugel
Composed between 1967 and 1970 Tout Un Monde Lontain for Cello and Orchestra ...
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Composed between 1967 and 1970 Tout Un Monde Lontain for Cello and Orchestra byHenri Dutilleux is one of the most important additions to the Cello repertoire in the 20th century. Lasting nearly half an hour each of the five movements are inspired by a poem of Charles Baudelaire: 1. Énigme / Enigma 2. Regard / Gaze 3. Houles / Surges 4. Miroirs / Mirrors 5. Hymne / Hymn The main theme initially introduced in the first part Énigme / Enigma is often replayed through the piece. The third part Houles / Surges is the most difficult to interpret with aScherzo part that's quite challenging and no break between the movements. Henri Dutilleux was internationally acclaimed for his work winning prizes such as the Gold Medal of the Royal Philharmonic Society and the UNESCO's International Rostrum of Composers among many others. His work also includes a Piano sonata two symphonies the Violin concerto 'L'arbre des songes' (The tree of dreams) and the String quartet 'Ainsi la nuit' (Thus the night).
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Gabriel Fauré: Papillon Op 77 Cello/Piano: Cello: Instrumental Work
Cello, Piano
G. Henle
for Violoncello and Piano-After the great success of his Élégie (HN 563) Faur...
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for Violoncello and Piano-After the great success of his Élégie (HN 563) Fauré?s publisher Hamelle urged him to write another similarly effective piece for cello and piano. Papillon was probably already composed in 1884 though it was only published in1898. Whereas Fauré just wanted to call it ?Piece for violoncello? his publisher insisted on a more evocative title and ultimately succeeded in giving it its present name (meaning ?butterfly?). But Fauré is said to have beenindignant remarking: ?Butterfly or dung fly use whatever you want?. The success of the work proved Hamelle right Papillon is today just as popular with cellists as the Élegie and is now available as a Henle Urtext edition.
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Butt-Chen: Cellowise 2: Cello: Instrumental Album
Cello, Piano
[Sheet music + CD]
Spartan Press
Another volume in this highly acclaimed series premiering sensational new arrang...
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Another volume in this highly acclaimed series premiering sensational new arrangements for cello. CELLOWISE 2 includes Lacrimosa by Mozart Paganini's La Campanella Prokofiev Romeo and Juliet Brahms Waltzes Op. 39 and Bach's Gavotte en Rondeau from Violin Partita in E made famous by Segovia.With the drama and spectacle of Prokofiev's Romeo and Juliet acrobatic leaps and fun of the Fair in Moussorgsky's Gopak reflective chiaroscuro of the Brahms Waltzes the fireworks of Paganini's La Campanella mystical Lacrimosa of Mozart's Requiem or Bach's colourful variations in the Gavotte en Rondeau this selection explores vivid and dramatic themes fromthe great Classics. It is idiomatic to the cello clear and accessible in technical format and makes a practical and versatile concert handbook for cellists of all ages.ContentsBach * 3. Polonaise (from Suite No. 2 BWV 1067) * 4. Gavotte en Rondeau (from Partita No. 3 in E major BWV 1006)Brahms * 7. Waltz op. 39 No. 9 * 8. Waltz op. 39 No. 15Handel * 1. Hornpipe (from the Water Music) * 2. Air (from the Water Music)Mozart * 5. Lacrimosa (from the Requiem K626)Mussorgsky (Moussorgsky) * 9. Gopak (from Sorochintsky Fair)Paganini * 6. La CampanellaProkofiev * 10. Montagues and Capulets (from Romeo and Juliet)
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Ludwig van Beethoven: 5 Sonatas: Cello and Accomp.: Instrumental Work
Cello, Piano
Schirmer
Beethoven's composition of sonatas for Cello and Piano was unprecedented; he had...
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Beethoven's composition of sonatas for Cello and Piano was unprecedented; he had no models in the works of Haydn or Mozart. Only recently had the instrument begun to liberate itself from its role in the traditional basso continuo. The first two Sonatas in this book comprising Op. 5 were composed in 1796 while Beethoven was in Berlin. He would not embark on another such project until 1807 when he composed the Sonata in A (Op. 69). Eight years later he would return to the idiom to write the two last Sonatas (Op. 102). This is a Great Performers Edition edited by cellist Janos Starker.
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Sonata C Major, Op. 40/1
Cello, Piano
Schott
It is impossible to imagine today's cello lessons without the works by Jean-Bapt...
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It is impossible to imagine today's cello lessons without the works by Jean-Baptiste Bréval (1753-1823).This sonata is the first of the Six Sonates non difficiles pour le violoncelle Op. 40 (1795). To this day it remains popular among cello teachers and pupils alike. Because of its comfortable tonality and technical simplicity, it is an interesting classical sonata for cello students who are experienced in playing in first position and do not shy away from occasional excursions into other positions.As a performance piece, the sonata can be accompanied either by a second cello, as in Bréval's original version, by piano, or even by both instruments. The sonata is particularly suitable for music lessons and concertos in the popular version for violoncello and piano by Joachim Stutschewsky, which was revised for the Schott Student Edition by Rainer Mohrs and edited and prefaced by Beverly Ellis.The new Schott Student Edition series offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons:In print or electronic formatAvailable as printed editions or PDF downloadPractising - efficiently and with pleasureAccompanying tracks of the pieces available as downloads / Violoncelle Et Piano
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Hungarian Rondo (Cello And Piano)
Cello, Piano
EMB (Editio Musica Budapest)
Hungarian Rondo was composed by Zoltán Kodály in December 1917, drawing on mat...
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Hungarian Rondo was composed by Zoltán Kodály in December 1917, drawing on material from the incidental music he had written for Zsigmond Móriczs play Pacsirtaszó (Skylarking). The rondo form is shaped out of four new-style Hungarian folk songs and an instrumental dance melody. Kodály prepared the piece in two somewhat different versions, one for two clarinets, two bassoons and string orchestra, and the other for cello and piano. The orchestral version received its first performance in Vienna on 12 January 1918 at a 'historical concert' organized by the War Ministry of the Austro-Hungarian Monarchy. The cello version was premi?red by Miklós Zsámboky and Ottó Herz at the Budapest Academy of Music on 4 November 1927. Neither version appeared in print in the composers lifetime. The version for string orchestra was edited in 1976 by Ferenc Farkas and István Máriássy (and is distributed as a hire material under the order number K-1). The cello version appears here in print for the first time. The publication is based on the composers surviving manuscript and a contemporary manuscript copy of this. The fingerings are by the editor. / Violoncelle Et Piano
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Barry John - James Bond Collection + Cd - Cello And Piano
Cello, Piano
[Sheet music + CD]
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Intermediate
Alfred Publishing
Category: String Series Format: Book & CD Instrument: Cello Instrumentation: Cel...
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Category: String Series Format: Book & CD Instrument: Cello Instrumentation: Cello (with Piano Acc.) Level: Level 2-3 The arrangements in this new series were written especially for violin, viola, and cello, taking into account the specific needs of each instrument. All the arrangements are completely compatible with each other and can be played in small ensembles or as solos. Each book features a specially designed piano accompaniment that can be easily played by a teacher or intermediate piano student, and a carefully crafted removable part, complete with bowings, articulations, and keys well suited for the Level 2-3 player. Each song on the fully orchestrated accompaniment CD includes a demo track, which features a live string performance, followed by the play-along track by itself. Titles are: Diamonds Are Forever * For Your Eyes Only * From Russia with Love * Goldfinger * The James Bond Theme * Live and Let Die * Nobody Does It Better * On Her Majesty's Secret Service * Thunderball * Tomorrow Never Dies * The World Is Not Enough * You Only Live Twice.
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Francis Poulenc: Souvenirs: Cello: Score and Parts
Cello, Piano
[Sheet music]
Salabert
extrait de la musique de scène pour « Le Voyageur sans bagages »-A prev...
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extrait de la musique de scène pour « Le Voyageur sans bagages »-A previously unreleased piece by Francis Poulenc published with permission from the Bibliothèque Historique de la Ville de Paris and Benoît Seringe secretary of the Association des amis de Francis Poulenc [Association of the Friends of Francis Poulenc]. Le Voyageur sans bagage [The Traveller Without Luggage] which had been premiered in 1937 with music by Darius Milhaud was reprised on 1 April 1944 at the Théâtre de la Michodière; Francis Poulenc was asked to compose new stage music. The entire unpublished score lay undiscovered until Bérengère del’Épine a librarian at the Bibliothèque Historique de la Ville de Paris announced the existence of a manuscript in the Association de la Régie Théâtrale collection. Poulenc finalised the score between 19 and 21 March 1944. It contains nine songs all written for a small instrumental ensemble including Oboe Clarinet Cello and Piano. However at the end of the manuscript the composer echoes the second song – Lent [Slow] – and creates another version for Cello and Piano; curiously the original version of the song has not been erased in the manuscript. Poulenc seems to suggest that we consider the piece for Cello and Piano that we have published here as a different piece of music. It was premiered on Wednesday 23 January 2013 by Marc Coppey accompanied by Jean-François Heisser in the organ auditorium of the Conservatoire National Supérieur de Musique et Danse de Paris (CNSMDP) during the symposium for the fiftieth anniversary of Poulenc’s death. Given in a dramatic context some elements allow us to get an idea of the character of the piece which Benoît Seringe Poulenc’s beneficiary judiciously chose to name Souvenirs. The main character of Anouilh’s play Gaston is suffering from amnesia at the end of World
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Intermezzo and Other Favourites for Cello: Cello: Instrumental Collection
Cello, Piano
Kevin Mayhew
Some of the most popular classical melodies arranged for cello and piano by a re...
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Some of the most popular classical melodies arranged for cello and piano by a renowned arranger.
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