Six Songs and Arias-This volume contains a selection of music intended to show off the beautiful cantabile qualities of the Cello. The works chosen were all originally written for voice. The six pieces are carefully chosen from the various sources and will provide the cellist with some different and enjoyable melodic music. The pieces in the book are: Flotow 'M'Appari' from Marta Schubert 'To Music' Tchaikovsky 'A Legend' Mozart 'Serenade' Paisello 'Nel Cor Piu Non Mi Sento' Verdi 'Ai Nostri Monti'.

Für 2 Violoncelli. Par MOZART WOLFGANG AMADEUS / EDER C.. The Bavarian virtuoso cellist Carl Caspar Eder published these arrangements in 1817 and it is our good fortune that the one remaining complete copy, located in Moscow, has been made available to the editor./ Répertoire / Violoncelle

All 5 sonatas for cello and piano, and 3 sets of variations on themes by Mozart and Handel. Basic works of the cello repertoire carefully reproduced from the authoritative complete-works edition published by Breitkopf & Härtel. Inexpensive source for studying 8 major works of the chamber music repertoire. Cello Sonata No. 1 in F Major, Op. 5, No. 1 (dedicated to King Friedrich Wilhelm II) I: Adagio sostenuto-Allegro II: Allegro vivace Cello Sonata No. 2 in G Minor, Op. 5, No. 2 (dedicated to King Friedrich Wilhelm II) I: Adagio sostenuto ed espressivo-Allegro molto più tosto presto II: Rondo Cello Sonata No. 3 in A Major, Op. 69 (dedicated to Baron Ignaz von Gleichenstein) I: Allegro, ma non tanto II: Scherzo III: Adagio cantabile-Allegro vivace Cello Sonata No. 4 in C Major, Op. 102, No. 1 (dedicated to Countess Marie von Erdödy) I: Andante-Allegro vivace II: Adagio-Tempo d'Andante-Allegro vivace Cello Sonata No. 5 in D Major, Op. 102, No. 2 (dedicated to Countess Marie von Erdödy) I: Allegro con brio II: Adagio con molto sentimento d'affetto-Allegro-Allegro fugato Twelve Variations on See, the Conqu'ring Hero Comes, from Handel's Judas Maccabaeus, WoO 45 (dedicated to Princess Christiane von Lichnowsky) Twelve Variations on Ein Mädchen oder Weibchen, from Mozart's Die Zauberflöte, Op. 66 Seven Variations on Bei Männern, welche Liebe fühlen, from Mozart's Die Zauberflöte, WoO 46 (dedicated to Count Johann Georg von Browne)

Bags of Classics for Cello is filled with favourite melodies from famous works of classical music arranged for the grade 3-4 player who is developing position work and perhaps trying vibrato.Selected and arranged by leading string pedagogue Mary Cohen to lie well under the hand it introduces a wide variety of styles and sound worlds from Vivaldi and Purcell to Saint-Saens and Holst. A great selection for consolidation work sight-reading practice or just for sheer musical enjoymentContents: Allegro from Brandenburg Concerto No.3 (Bach) Dance Of The Comedians (Smetana) Dance Macabre (Saint-Saens) Dido’s Lament (Purcell) Dragons (Bizet) Farandole (Bizet) In The Hall Of The Mountain King (Grieg) Jupiter from The Planets (Holst) Minuet (Gluck) Musette from Anna Magdalene’s Notebook (Anon) Papageno’s Song (Mozart) Pavane (Fauré) Ritornello from Brandenburg Concerto No.5 (Bach) Rondo from Eine Kleine Nachtmusik (Mozart) Sleigh Ride (L. Mozart) Winter from The Four Seasons (Vivaldi) The Elephant from Carnival Of The Animals (Saint-Saens) Theme from String Quartet in A minor (Schubert) Theme from ‘The Bird’ String Quartet (Haydn) Theme from Caprice No.24 (Paganini) Fur Elise (Beethoven) Theme from The Italian Symphony (Mendelssohn) Theme from Serenade (Mozart) Theme from Symphopny No.40 (Mozart) Theme from Trumpet Concerto (Haydn) Theme from William Tell Overture (Rossini)

Well known pieces from the notebooks by Johann Sebastian Bach for Anna Magdalena Bach; and by Leopold Mozart for Wolfgang Amadeus Mozart. Arranged for beginners on the cello in the first position. All of the pieces have been selected and arranged by Alfred H. Bartles. The flexible arrangements allow all of the pieces to be played either as Cello solo Cello duet or Cello with Piano accompaniment.

This huge collection offers instrumentalists the chance to play 101 of the most popular classical themes including Ave Maria (Bach/Gounod & Schubert) • Bist du bei mir (You Are with Me) (Stözel) • Canon in D (Pachelbel) • Clair de Lune (Debussy) • Dance of the Sugar Plum Fairy (Txhaikovsky) • 1812 Overture (Tchaikovsky) • Eine Kleine Nachtmusik (“Serenade”) First Movement Excerpt (Mozart) • The Flight of the Bumble Bee (Rimsky-Korsakov) • Funeral March of a Marionette (Gounod) • Für Elise (Beethoven) • Gymnopedie No. 1 (Satie) • Jesu Joy of Man's Desiring (Bach) • Lullaby (Brahms)• Minuet in G (Bach) • Ode to Joy (Beethoven) • Piano Sonata in C (Mozart) • Pie Jesu (Fauré) • Rondeau (Mouret) • Swan Lake (Tchaikovsky) • Wedding March (Mendelssohn) • William Tell Overture (Rossini) and many more.

Boccherini's style spread throughout Europe and his Cello Concerto in D G.479 became the model for W.A. Mozart's Violin Concerto in D K.218 (1775).Boccherini's Concerto In D For Cello And String Orchestra is a beautiful piece and this is an arrangement for Cello with Piano Reduction. The solo cello part is also included on a separate insert.

Cello Play-Along Volume 6-The Cello Play-Along series will help you to play your favourite songs quickly and easily on the Cello. This volume features all 11 pieces from The Piano Guys' album Uncharted - simply follow the printed sheet music and then play along using the original backing tracks. The Piano Guys' sixth studio album Uncharted reached number 1 in the US classical charts following its release in 2016. The album contains Themes from Pirates Of The Caribbean Can't Stop The Feeling from the DreamWorks Animation film Trolls and an inspired blend of Adele's Hello and Mozart'sLacrimosa amongst eight other beautiful melodies. Available online for download or streaming the backing tracks included with this book feature audio recorded by The Piano Guys. Watch the official music video for The Piano Guys' Hello/Lacrimosa:

This text presents beginning cello technique and basic music reading fundamentals. There is an emphasis on using melodies and classical pieces to instruct each new concept. The 28 lessons include basic technique and readingskills scales in the keys of D G C and F and bowing techniques such as dynamic contrast slurs accents and staccato bowing. There are 47 melodies presented including works by Bach Beethoven Brahms Handel Mozart and otherclassical composers.The book includes access to online audio containing all of the exercises and pieces recorded with solo cello and piano accompaniment. It is useful as a teaching and practice tool as well as a performanceaccompaniment track.

Klangbeispiele wichtiger Passagen aus der Opern- und Konzertliteratur-Excerpts from the operatic and concert repertoire Tuttistellen: L.v. Beethoven: Sinfonie Nr. 5 c-Moll op. 67 2. SatzL.v. Beethoven: Sinfonie Nr. 8 F-Dur op. 93 3. Satz (Trio)L.v. Beethoven: Sinfonie Nr. 9 d-Moll op. 125 4. SatzL.v. Beethoven: Coriolan op. 62 OuvertüreL.v. Beethoven: Egmont op. 84 OuvertüreG. Bizet: Carmen 1. Akt FinaleJ. Brahms: Sinfonie Nr. 2 D-Dur op. 73 1. SatzA. Bruckner: Sinfonie Nr. 7 E-Dur 1. SatzP. Hindemith: Sinfonie 'Mathis der Maler' 3. Satz: Versuchung des heiligen AntoniusP. Hindemith: Sinfonische Metamorphosen nach Weber 2. Satz: Turandot ScherzoG. Mahler:Sinfonie Nr. 4 G-Dur 1. SatzW.A. Mozart: Die Hochzeit des Figaro OuvertüreB. Smetana: Die verkaufte Braut OuvertüreR. Strauss: Don Juan op. 20I. Strawinsky: Symphonie en Ut 1. SatzP.I. Tschaikowsky: Eugen Onegin 1. Akt Nr. 8P.I. Tschaikowsky: Sinfonie Nr. 4 f-Moll op. 36 1. und 2. SatzP.I. Tschaikowsky: Sinfonie Nr. 6 h-Moll op. 74 2. und 3. SatzG. Verdi: Rigoletto 1. Akt Nr. 2G. Verdi: La Traviata 1. Akt Nr. 2 (Chor) und 2. Akt Nr. 4G. Verdi: Die Macht des Schicksals OuvertüreG. Verdi: Aida 3. und 4. Akt (Nr. 7)G. Verdi: Missa da Requiem Nr. 3 (Offertorium)R. Wagner: Tannhäuser Ouvertüre; 2. Akt 4. Szene; 3. Akt Einleitung und 1. Szene (Gebet der Elisabeth)R. Wagner: Lohengrin 3. Akt 3. SzeneR. Wagner: Das Rheingold 1. und 2. SzeneR. Wagner: Die Walküre 2. Akt 4. SzeneR. Wagner: Tristan und Isolde 1. Akt Einleitung und 2. Akt 2. SzeneSOLOSTELLEN: L.v. Beethoven: Die Geschöpfe des Prometheus op. 43 Nr. 5 Adagio Andante quasi AllegrettoJ. Brahms: Konzert Nr. 2 für Klavier und Orchester B-Dur op. 83 3. SatzE. Humperdinck: Hänsel und Gretel 3. Bild 3. SzeneA. Lortzing: Zar und Zimmermann 3. AktW.A. Mozart: Die Entführung aus dem Serail

Par DIVERS AUTEURS / KOEPPEN GABRIEL (ARR.). This collection is for classical Cellists and presents a broad selection of well-known pieces from the repertoire of classical music, opera, musicals, jazz and tunes from all over the world for all occasions, from solemn ceremonies to happy celebrations. This includes performances as part of public or private ceremonies to mark birthdays, weddings, funerals, anniversaries and jubilee celebrations as well as concerts in schools. The selection ranges from popular classical works such as Bach's 'Air', Mozart's 'Little Night Music' or Schumann's 'Reverie' and well-known operatic melodies through to medleys featuring waltzes, Dixieland or folk songs through to tangos and a few jazz standards. As the second cello part includes symbols for harmonies, it can also be played at will on keyboard, guitar and/or bass. Enjoy your gig!/ Recueil / Violoncelle

Par JOUBERT CLAUDE-HENRY. Le premier volume de cette méthode s'adressait aux élèves débutants - ce deuxième volume est destiné aux élèves à partir du milieu du 1er cycle. Il est divisé en 14 'grandes leçons'. Chaque leçon peut faire l'objet d'un travail d'au moins deux semaines... La leçon 13 (variations de Mozart) peut être utilisée comme une sorte de recueil d'études. Les grandes difficultés solfégiques qu'elle présente ne sont pas fortuites. Il semble indispensable que la découverte de nouveaux rythmes et de nouvelles écritures (les ornements par exemple) s'effectue au sein de la classe d'instrument, découverte portée par des textes de la plus grande qualité (Mozart...). Cette remarque s'applique également à la Siciliana de Haendel ou au Concerto per flautino de Vivaldi. L'objectif de cet ouvrage est d'enseigner à chaque élève une méthode de travail. Les quatre pages qui composent chaque leçon obéissent à une construction logique que l'auteur a cherché à rendre perceptible. Tous les doigtés ne sont pas indiqués - apprendre à trouver de bons doigtés est une formation indispensable dès le début des études instrumentales. L'invention est un fil conducteur important de cette méthode. Redisons-le : il ne s'agit pas de récréation, mais d'un élément fort et fondateur de l'éducation musicale et technique d'un violoncelliste. Ainsi chaque leçon propose : - un prélude, dont il faut inventer tout ou partie, - un exercice d'invention. On trouvera quelques conseils destinés aux élèves, sur les coups d'archet, les doigtés, les démanchés, etc. - ils ne peuvent en aucun cas remplacer ceux du professeur... On a préféré commencer par l'extension arrière du premier doigt, plus aisée, peut-être, que l'extension avant pour laquelle toute la main est sollicitée. Mais le professeur pourrait inverser les leçons 2 et 3... Un grand merci à Sébastien Robert qui enseigne le violoncelle au Conservatoire du Pays de Montbéliard et dirige l'Académie musicale de Lunéville. Il a relu ces pages, exprimé d'utiles appréciations, proposé de bons doigtés, et donné à l'auteur de très précieux conseils. / méthode - études / Méthode / Violoncelle

Introduction To Thumb Positions is a collection of short pieces arranged to introduce the learner cellist to thumb positioning. The pieces range from well known composers such as Mozart and Beethoven to traditional country songs.