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Joseph Haydn
MARIMBA
Chamber Orchestra
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Kraus: Kammermusik I. Musikalische Werke, Bd. Vi/1 (KRAUS JOSEPH MARTIN)
Chamber Orchestra
[Sheet music]
Carus Verlag
Par KRAUS JOSEPH MARTIN. The first volume of the new scholarly edition contains ...
(+)
Par KRAUS JOSEPH MARTIN. The first volume of the new scholarly edition contains the complete chamber music without a keyboard instrument. The most important group of works comprises the string quartets, 10 of which have survived. They were composed during the 1770s, whenHaydn was developing this class of music. The differing balance between such contrasting musical elements as entries in imitation, courtly melody, swift changes of tempo and unexpected modulations gives each of the quartets its special charm. Thefact that six of them were published in 1784 as Krauss 'Opus 1' by the publisher J. J. Hummel shows that the composer himself was convinced by his quartets. With the Flute quintet this volume alsocontains another key work in Kraus’s chamber music. Composed in Vienna about 1783 and also issued in manuscript copies, this work was printed by Ignaz Pleyel in Paris in 1799./ Répertoire / Ensemble de Chambre
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Trio In F-Moll (PLEYEL IGNAZ)
Chamber Orchestra
Doblinger
F. Violine, Violoncello Und Klavier. Par PLEYEL IGNAZ. Dann sind dermalen Quarte...
(+)
F. Violine, Violoncello Und Klavier. Par PLEYEL IGNAZ. Dann sind dermalen Quartetten heraus von einem gewissen Pleyel dieser ist ein Scholar von Joseph Haydn. Wenn Sie selbige noch nicht kennen, so suchen Sie sie zu bekommen, es ist der Mühe werth. Sie werden auch gleich seinen Meister herauskennen. Gut und glücklich für die Musik, wenn Pleyel seiner Zeit im Stande ist, uns Haydn zu remplacieren! So schrieb Wolfgang Amadeus Mozart am 24. April 1784 an seinen Vater, um ihn vom neuesten Stand der Wiener Musikszene zu unterrichten. Ein ungewöhnlich klarer Einsatz für einen Kollegen aus der Feder eines Musikers, der sich mit Lob sonst eher zurückhielt und auch keine Scheu kannte, sich kritisch über Kollegen zu äußern. (…)/ Répertoire / Musique de Chambre
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Trio In C-Dur (B.441)
Chamber Orchestra
Doblinger
F. Violine, Violoncello Und Klavier. Par PLEYEL IGNAZ. Dann sind dermalen Quarte...
(+)
F. Violine, Violoncello Und Klavier. Par PLEYEL IGNAZ. Dann sind dermalen Quartetten heraus von einem gewissen Pleyel dieser ist ein Scholar von Joseph Haydn. Wenn Sie selbige noch nicht kennen, so suchen Sie sie zu bekommen, es ist der Mühe werth. Sie werden auch gleich seinen Meister herauskennen. Gut und glücklich für die Musik, wenn Pleyel seiner Zeit im Stande ist, uns Haydn zu remplacieren! So schrieb Wolfgang Amadeus Mozart am 24. April 1784 an seinen Vater, um ihn vom neuesten Stand der Wiener Musikszene zu unterrichten. Ein ungewöhnlich klarer Einsatz für einen Kollegen aus der Feder eines Musikers, der sich mit Lob sonst eher zurückhielt und auch keine Scheu kannte, sich kritisch über Kollegen zu äußern. (…)/ Répertoire / Musique de Chambre
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Quarteto In Dis Op. 3/1 (ZIMMERMANN ANTON)
Chamber Orchestra
Doblinger
Für 2 Violinen, Viola, Violoncello. Par ZIMMERMANN ANTON. Der gebürtige Schles...
(+)
Für 2 Violinen, Viola, Violoncello. Par ZIMMERMANN ANTON. Der gebürtige Schlesier wirkte den Großteil seines Lebens in Pressburg (Bratislava) und hinterließ ein umfangreiches kompositorisches oeuvre. Zwar ist in seinem kammermusikalischen Schaffen die Nähe zu Joseph Haydn unverkennbar, doch gelangt er durch die Verwendung orchestraler Stilmerkmale die Bildung zu durchaus eigenwilligen Schöpfungen, die sich vom gängigen galanten Kammerstil seiner Zeit abheben./ Répertoire / Musique de Chambre
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Trio In B-Dur
Chamber Orchestra
Doblinger
/ Musique De Chambre
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Quarteto In Dis Op. 3/1
Chamber Orchestra
Doblinger
2Vl Va Vc / Musique De Chambre
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