Instrumental Solos for Clarinet-Thirteen songs from the musical including 'Bring Him Home' 'I Dreamed A Dream' and 'On My Own'.

Spanish clarinettist composer and teacher Antonio Romero y Andia was born in 1815 in Madrid. He made his debut at 14 and later became solo clarinettist and music director of the Royal Court Orchestra. He is now remembered primarily for the Clarinet key system that bears his name as his compositional works though high quality were few in number. From 1849-1876 Romero was the Clarinet Professor at the Madrid Conservatory where he wrote several his Complete Clarinet Method. Over 150 years later it is still in popular use by schools and conservatories all over the world.

Un index indique l'armure et la page de chaque gamme.- L'aigu est écrit en petites notes permettant d'adapter facilement chaque gamme à des niveaux différents.- Chaque gamme ...- Un index indique l'armure et la page de chaque gamme.- L'aigu est écrit en petites notes permettant d'adapter facilement chaque gamme à des niveaux différents.- Chaque gamme figure sur deux pages conjointes.- Les gammes sont classées par ordre croissant d'altérations en alternant dièses et bémols jusqu'à six altérations.- Les formules de chaque gamme (secondes, tierces, quartes, etc) sont strictement placées au même endroit pour toutes les gammes.- Le professeur peut choisir librement les articulations de chaque gamme. / Clarinette

Jouer avec un partenaire oblige à écouter, à réagir et à répondre à d'autres sons. Avec Les Duos 1 & 2, vous aurez à votre disposition, de nombreuses compositions simples et originales classées dans l'ordre croissant de difficulté. Les Duos sont idéaux pour faire du jeu à deux un véritable plaisir musical. / Clarinette / niveau : Facile / Partition

Born in southern France Auguste Périer (1883-1947) studied at the Ecole Nationale de Musique in Montpellier before entering the Paris Conservatoire. Whilst studying he won the 1904 first prize for Clarinet proving his significant ability on the instrument. Therefore his Complete Study of the Clarinet is very well-informed. The ninth volume of the series 22 Modern Studies is suitable for clarinetists of grades seven and eight standard. Whilst addressing modern tonality and rhythmic elements 22 Modern Studies also addresses features including articulation dynamics scales arpeggios accidentals ornamentation performance directions tempo markings phrasing key and time signatures and complex rhythms among other aspects. Périer's Complete Study of the Clarinet (22 Modern Studies) is essential to advanced clarinetists seeking to improve their technique for performances of modern repertoire to a high standard.

The clarinet method op. 63 by Carl Baermann from 1867 is still a standard work in classical clarinet education today. The thoroughly revised new edition aims at reviewing the educational concept, which is still valid today, for modern lessons, adjusting the music and texts, and sensibly complementing the teaching contents.The editor who draws on many years of experience as a clarinettist in an orchestra and university lecturer of clarinet has succeeded in adapting the valuable teaching material to the requirements of today while maintaining the basic methodology. The result is a total of 7 volumes:Clarinet Method Vol. 1 and Vol. 2 (ED 21761, ED 21762)Clarinet Method Vol. 1 and Vol. 2, with 2 CDs each (ED 21761-50, ED 21762-50): The CDs contain the piano accompaniment for the performance pieces, with and without clarinetTune Book 1 and 2 (ED 21763, ED 21764): piano score of the method's performance pieces, with additional inserted clarinet partDaily Exercises (ED 21765): systematic scale, interval and chord exercises in all keys, complemented and published separately from the original methodDue to trilingual nature of all editions (German, English, French), they can be used universally.About the revision:The musical text is based on the first edition of the method. Only a few differences concerning the articulation as well as some misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. The content of the text and the performance directions of the original were linguistically modernized and occasionally extended by further ideas from the teaching practice, such as concepts for warming up, breathing exercises, literature suggestions or tips for daily practising. Further additions of scale and triad studies in all major and minor keys make this method a comprehensive and thorough work of study which not only serves as teaching material for young and adult beginners, but is also a valuable compendium of scale exercises and studies for advanced musicians and is ideal for training velocity and dexterity.The Clarinet Method Vols. 1 and 2 contain not only scales and technical fingering exercises but also Baermann's popular performance pieces, like Romanze (No. 14), which are ideal as performance pieces, yet at the same time train both technique and musical expressiveness. The systematic scale, interval and chord exercises in all keys, however, were removed and are published separately in the volume Daily Exercises (ED 21765) for reasons of clarity.The two textbooks are available with or without CDs. The editions with CDs contain two audio CDs each which were recorded live by the editor and which contain a classic audio version of each performance piece as well as a pure piano version for playing along. / Clarinette

Paul Harris’s Clarinet Basics series is widely regarded as the leading method for beginner clarinet players and their teachers.Clarinet Basics (with CD) offers a fresh design clear technical drawings fun illustrations new activities pull-out fingering chart and ogreat tunes. Starting at absolute beginner level and progressing to about Grade 2 it contains:- a wide range of repertoire including original pieces and well-loved favourites from every genre - warm ups and fun original exercises - invaluable fact files quizzes and technical advice covering notation general musicianship and care of the instrument - helpful fingering diagrams and rhythm boxes - duets throughout – ideal for group teaching - pull-out fingering chart to pin on your wall - CD containing piano and clarinet accompaniments to play along with. French Language Version.

Spanish clarinetist composer and teacher Antonio Romero y Andia was born in 1815 in Madrid.  This new edition has been carefully reviewed and updated. It includes a brief historical introduction to the Clarinet and a small text of the Clarinet Romero System. The edition is accompanied by a download card featuring recordings of the 30 duets minus one.

for Clarinet and Piano-Performed by Anton Hollich clarinet Accompaniment: Harriet Wingreen piano Here is a spectacular collection of classic pieces arranged for clarinet with piano accompaniment penned by the greatest composers of all time. Symphonic excerpts concert-pieces and themes from famous concerti combine to create an album filled with material for the advancing clarinetist. Drawn almost entirely from the golden age of classical and romantic German repertoire you will find thrilling music by Carl Maria von Weber Mozart Mendelssohn Beethoven Schumann and many more. These classic pieces have been assembled for early-intermediate and higher-level players to help develop a wide range ofinterpretational and technical skills. Listen to virtuoso clarinetist Anton Hollich perform these masterpieces then you step front-and-center with the illustrious Harriet Wingreen as your accompanist. Bravo! Includes a newly engraved authoritative printed solo part and two compact discs containing a complete version with soloist in digitally recorded stereo; then a digital stereo version of the accompaniment minus the soloist.

Romero's output as a composer appears to have been small. He wrote this 'Fantas a para clarinete sobre motivos de Lucrecia Borgia' for clarinet and piano in 1839 and it was published in Madrid in 1875.

Born in southern France Auguste Périer (1883-1947) studied at the Ecole Nationale de Musique in Montpellier before entering the Paris Conservatoire. Whilst studying he won the 1904 first prize for Clarinet proving his significant ability on the instrument. Therefore his Complete Study of the Clarinet is very well-informed. The eighth volume of the series 20 Virtuosic Studies is suitable for clarinetists of grades seven and eight standard. It addresses features including articulation dynamics scales arpeggios accidentals ornamentation performance directions tempo markings phrasing key and timesignatures and complex rhythms among other aspects. Périer's Complete Study of the Clarinet (20 Virtuosic Studies) is essential to advanced clarinetists seeking to improve their technique to a high standard.

A musical tour for young players. Par RAE JAMES. Although written for beginners (Grade 0-2), James Rae's 'City Snapshots”, for clarinet(s) and piano manages, even at this level, to capture the essence of music from around the world. Amongst the twelve pieces, we find a waltz in Viennese style that could have been written by Johann Strauss himself, a dreamy blues from Manhattan, a Cossack Dance from Kiev and a lively Irish Jig to finish the world tour in Dublin. To accommodate beginner clarinetists, all the pieces are written in the low register, in comfortable keys. Nor will teachers have any problems with the piano accompaniments, which also include chord symbols. An entertaining adventure for children - whether alone or in duet. / Niveau : Très Facile à Facile / Recueil / Clarinette et Piano

Philippe Gaubert (1879-1941) was a distinguished performer on the Flute. It comes as no surprise therefore that his compositions for woodwind are at the forefront of the musical family's repertoire Fantasy for Clarinet being no exception. After a prominent career as a flautist with the Paris Opéra Gaubert was appointed as professor of Flute at the Paris Conservatoire as well as principal conductor of leading orchestras. It was during this time that Gaubert composed including his Fantasy for Clarinet which he wrote towards the beginning of his career. Addressing many technicalfeatures including flourishing semiquaver passages a wide range lyrical melodies intervals chromaticism and complex rhythms Fantasy is a challenging yet riveting and stirring piece for aspiring advanced clarinetists.