L?effet magique que la musique de Mozart exerce sur nous demeure intact plus de deux siècles après sa mort. Les sons fascinent un univers se dessine. Mozart?s Greatest Hits ! développe de façon vive et colorée cinq célèbres mélodies du génie de Salzbourg. Une charmante mosaïque mozartienne qui s?accorde avec bonheur à tout programme de concert.

En associant son talent de compositeur à sa grande créativité André Waignein a créé Remember Mozart (?En souvenir de Mozart?) une œuvre délicate et fluide en hommage à l?un des plus grands compositeurs de l?histoire de la musique Wolfgang Amadeus Mozart. L?œuvre développe une mélodie unique empreinte d?une grande sérénité que seules quelques mesures du passage central viennent perturber. Mais le thème principal revient et progressant avec une fluidité naturelle conduit l?œuvre vers un passage modulatoire ; transition vers le finale d?une œuvre aux saveurs mozartiennes brillamment mises en valeur par un compositeur admiratif du génie de Salzbourg.

Avec Amazing Amadeus Michael Friedmann célèbre l?inégalable Mozart dont l?écriture pourtant si accessible et claire reste quelquefois difficile à manoeuvrer. Amazing Amadeus rassemble 7 airs célèbres. Une charmante mosaïque mozartienne qui s?accorde avec bonheur à tout programme de concert.

Excerpts from Movement 4. Par MOZART WOLFGANG AMADEUS. Developing an intimate understanding of the world’s greatest musical accomplishments is an important part of a music education. Every musician should have the joy of playing the music of Mozart, and the G-minor Symphony (Number 40) is one of Mozart’s signature works, and one of the greatest musical achievements of all time. Stephen Bulla has carefully and effectively brought the themes of the G-minor Symphony finale to the concert band stage with this delightful transcription/arrangement. Your band won’t be playing a “band arrangement”- they’ll be playing MOZART! Don’t forget the opportunity for a music history lesson built into this piece. Masterful! / Niveau : 4 / Classique / Répertoire / Concert Band

Overture. Par MOZART WOLFGANG AMADEUS. In 1786 Mozart composed his wonderful opera Le Nozze di Figaro (KV 492). The Italian libretto, based on the play Le mariage de Figaro by Beaumarchais, was written by Lorenzo da Ponte who also made the libretti of Mozart’s opera’s Don Giovanni and Così fan tutte. In the opera Le Nozze di Figaro, Count Almaviva tries to seduce the fiancée of Figaro, his valet. Eventually, through four acts full of complicated intrigue, he is outwitted. In his music, Mozart at times in a humorous way reflects the numerous social and erotic intrigues with both empathy and insight. The brilliant overture is just as vivacious and witty as the opera itself. Mozart delightfullyanticipates the passion and playful love that is to come. The skillful transcription for concert band by Tohru Takahashi certainly does justice to this appealing music. / Niveau : 5 / Transcription / Répertoire / Concert Band

Any list of Mozart's greatest works should include this overture. Loved by millions Mozart's Magic Flute is remarkable for so many reasons and worthy of study by every musician! Why should we deny young band students the joy of playing Mozart just because they don't happen to use a bow on their instruments? Mozart belongs to Everyone! Skillfully brought to the concert band stage by an arranger who works with young bands daily this somewhat shortened version of the enigmatic Overture is accessible to young bands but retains a great deal of authenticity. There is added versatility built into this arrangement. A nice performance is possible by using a completeWoodwind section and a Timpanist only. Inspiring!>/I>

Excerpts from Movement 4-Developing an intimate understanding of the world?s greatest musical accomplishments is an important part of a music education. Every musician should have the joy of playing the music of Mozart and the G-minor Symphony (Number 40) is one of Mozart?s signature works and one of the greatest musical achievements of all time. Stephen Bulla has carefully and effectively brought the themes of the G-minor Symphony finale to the concert band stage with this delightful transcription/arrangement. Your band won?t be playing a ?band arrangement?- they?ll be playing MOZART! Don?t forget the opportunity for a music history lesson built into this piece.Masterful!

Arr. Timothy Johnson. Par MOZART WOLFGANG AMADEUS. 'Melody is the very essence of music. ' -W. A. Mozart (1786)Mozart confirmed this view on melody by writing the Ave Verum Corpus near theend of his short life. Originally written for chorus, strings, and organ, this work standsamong the most beautiful musical expressions of all time. Timothy Johnson has skillfullymade Mozart's wondrous achievement available to concert bands. It's perfect forworship services and the sostenuto style, with careful attention to dynamics, makesit a great choice for that 'middle' spot at festival or for the more serious moment atany performance. Given the opportunity, young bands LOVE to play truly greatmusic, and it just doesn't getmuch better than the mastery of Mozart. / Niveau : 2 / Répertoire / Concert Band

It has been said that the magic of Mozart?s music lies in its ability to truly and purely express the inner self. This delightful Grade 21/2 adaptation of a well-known theme from The Magic Flute will help your young musicians gain a deeper understanding of Mozart and the amazing gift that made him the incomparable master of flawless composition. In addition your musicians will discover that Mozart is FUN! Douglas Court uses creative variations to skillfully bring this delightful music to your concert band stage with remarkable authenticity. A great one to program for ?the Mozart year!?

Overture-In 1786 Mozart composed his wonderful opera Le Nozze di Figaro (KV 492). The Italian libretto based on the play Le mariage de Figaro by Beaumarchais was written by Lorenzo da Ponte—who also made the libretti of Mozart?s opera?s Don Giovanni and Così fan tutte. In the opera Le Nozze di Figaro Count Almaviva tries to seduce the fiancée of Figaro his valet. Eventually through four acts full of complicated intrigue he is outwitted. In his music Mozart—at times in a humorous way—reflects the numerous social and erotic intrigues with both empathy and insight. The brilliant overture is just as vivacious and witty as the opera itself. Mozart delightfullyanticipates the passion and playful love that is to come. The skillful transcription for concert band by Tohru Takahashi certainly does justice to this appealing music.

Die Entführung aus dem Serail. Par MOZART WOLFGANG AMADEUS. “Wonderful! But, aren’t there too many notes?” asked the emperor Joseph II. “No, all notes are necessary. This is new music, ” replied Mozart. This is a famous anecdote about the premiere of the opera Die Entführung aus dem Serail (The Abduction from the Seraglio), which took place on July 16, 1782 at the Burgtheater Wien (Vienna). It illustrates Mozart’s ambition and self-confidence. Throughout Mozart’s lifetime, Die Entführung aus dem Serail was his most successful work outside of Vienna. It is still a much-performed opera. Tohru Takahashi has made a lively arrangement of the overture in its original key, C major. It will sound even better if your band has Turkish percussioninstruments at its disposal. / Niveau : 5 / Répertoire / Concert Band

Overture-In 1786 Wolfgang Amadeus Mozart composed his wonderful opera Le Nozzi di Figaro. In the opera Count Almaviva tries to seduce the fiancée of Figaro his valet. Eventually through four acts full of complicated intrigue he is outwitted. In his music Mozart at times in a humorous way reflects the numerous social and erotic intrigues with both empathy and insight. The brilliant overture is just as vivacious and witty as the opera itself. Mozart delightfully anticipates the passion and playful love that is to come. The skillful transcription for concert band by the Japanese composer Tohru Takahashi certainly does justice to this enchanting music.