This album offers a varied selection of solos from the Baroque period. Robert van Beringen has made a careful selection of the main repertoire from this period of composers including works by Purcell Handel Bach Hasse Rameau Tartini Lully and especially George Philipp Telemann. This publication comes with a play-along CD featuring complete performances together with organ accompaniments.

Les classiques de la Flûte n° 39 (transcr. Philippe Gaubert)-From 'Cosi fan Tutte'.

Although these two sonatas composed by the young Carl Philipp Emanuel Bach clearly reflect the influence of his famous father they also herald the unconventional and strikingly expressive preclassical composer. Besides ?character? variations Bach also wrote variations with large intervallic leaps in his minuets thus offering flutists a chance to enjoy a delightfully iridescent play of tone colours.Sonate G-DurSonate e-Moll

Les Classiques De la Flûte N° 33 (Arr. Philippe Gaubert)-From 'Les Ballets du Roi'.

Anne Fuzeau Classique vous propose tous les textes théoriques, méthodes, traités, articles, partitions de musique classique concernant la flûte traversière.Ces méthodes anciennes sont reproduites en fac-similé et regroupés en - sept volumes.Volume 1 (Réf. 5951) : HOLTZAPPFEL - - Antoine HUGOT et Johann Georg WUNDERLICH - - V. MICHEL - - PERAULT - - H. TREZYVolume 2 (Réf. 5952) : Benoit Tranquille BERBIGUIER - - E.M.M. MIROIR - Antoine REICHA - - Johann Georg WUNDERLICH.Volume 3 - (Réf. 5953) : P. BIGOT - - Victor Jean Baptiste COCHE (1) - - Louis DROUET - - Jacques Hippolyte Aristide FARRENC - - François Joseph FETIS - - Jean Georges KASTNER (1-2) - - Pierre VAILLANT - - Eugène WALCKIERS. - Volume 4 - (Réf. 5954) : Paul Hippolyte - CAMUS - Victor Jean-Baptiste COCHEVolume 5 (Réf. 5955) : Hector BERLIOZ - - V. BRETONNIERE - - Jean Georg KASTNER (3) - - L. NADAUDVolume 6 (Réf. 5956) : Louis DORUS - - Henri SOUSSMAN - - Jean-Louis TULOUVolume 7 - (Réf. 5957) : N. BOUSQUET - - Victor CORNETTE - - Philippe GATTERMANN (1-2)Table des matières : Volume 1 : Perault : Méthode pour la flûte - c.1800Michel V. : Nouvelle méthode de flûte - 1802Trezy H. : Doigter de la flûte - c.1802Hugot Antoine et Wunderlich Johann Georg : Méthode de flûte du conservatoire - 1804Holtzappfel : Par brevet d'invention - c.1810Volume - 2 :Wunderlich Johann Georg : Principes élémentaires - c.1812Reicha Antoine : Cours de composition - 1816Miroir E.M.M : La clef de l'orchestre - 1818Berbiguier Benoît Tranquille : Nouvelle méthode pour la flûte - c.1818Volume - 3 :Vaillant Pierre : Nouvelle méthode de flûte - c.1826Douët Louis : Méthode pour la flûte - c.1827Walckiers Eugène : Méthode de flûte - c.1829Bigot P. : Solfège pour la flûte - après 1832Fetis François Joseph : Exposition des produits de l'industrie - 1834Kastner Jean Georges : Traité Général - 1836Kastner Jean Georges : Supplément Traité Général - c.1837Coche Victor Jean Baptiste : Examen critique - 1838Farreng Jacques Hippolyte Aristide : Flûte Boehm - 1838Volume - 4 :Camus Paul Hippolyte : Méthode pour la nouvelle flûte - 1839Coche Victor Jean Baptiste : Méthode pour servir - 1839Volume - 5 :Bretonnière V. : Méthode complète théorique et pratique - 1840Nadaud L. : Méthode de flûte - 1841Kastner Jean Georges : Méthode élémentaire - 1844Berlioz Hector : Grand traité d'instrumentation - 1844Volume - 6 :Dorus Vincent Joseph Van Steerkiste : L'étude de la nouvelle flûte - 1845Soussman Henri : Ecole pratique de la flûte - 1850Tulou Jean Louis : Méthode de flûte - 1851Volume - 7 :Gattermann Philippe : Méthode de flûte - c.1851Cornette Victor : Méthode de flûte - 1855Bousquet N. : Méthode de flûte - 1858Gattermann Philippe : Méthode précédée des principes - c.1861Téléchargez le catalogue Anne Fuzeau Classique / Flûte Traversière / 2264 pages / niveau : 1 / Fac-Similés - Format: 24 X 33

Giornalieri Di Meccanismo Per Flauto. Par TAFFANEL P. / GAUBERT PHILIPPE. / Etudes et exercices / Etude / Flûte Traversière

Six original melodic pieces-This is an original set of pieces consisting of six atmospheric sketches which seek to capture the quicksilver character of the flute in all its moods from wistfulness to serenity to mischievousness and so on. The melodic impulse is maintained throughout affording maximum pleasure to players and listeners alike.

60 Progressive Duets for Flutes-The early stages of learning any instrument are undoubtedly the most important. A good teacher is of course essential but it is also vital to have stimulating pieces to play which complement your choice of teaching method and are carefully tailored to introduce learning and playing skills in a structured manner. As in the book of Starter Studies the duets in Starter Duets introduce new musical elements in a logical order to facilitate the speedy growth of the ?complete musician? with the obvious benefit of allowing teacher and student (or two students) to play together and therefore experience the benefits of ensemble playing in the learning process.

for two Flutes without Bass-Though recovered as part of the long lost Sing-Akademie Berlin archives in 1999 these sonatas were first examined in 2002. Knowledge of their existence or at least their presumed existence is due to their partial use by Johann Joachim Quantz in his solfeggi for the Flute.The sonatas possibly composed sometime after 1730 are presented in a performing score format. As with Telemann’s other Flute music the Nine Sonatas are equally suited for performance and teaching. The expressive melodic qualities of these sonatas combined with their modest technical requirements will make these sonatas classics in both lessons and the concerthall.- First Edition.- Performing score with facsimiles.- A must-have edition from a master composer of Flute music.

Written in 1747 while C P E Bach was in Berlin probably for his then employer Frederick the Great or for Frederick's teacher J J Quantz this work was not printed until 1763. Like his father J S Bach C P E Bach chose the key of A minor for his only compositon for solo Flute but it's structure is quite different to that of Bach senior. Like J. S. Bach's Partita in A minor (BWV 1013) the sonata edited here is considered one of the most important works for solo Flute of the eighteenth century. In contrast to J. S. Bach's composition which still represents the traditional polyphonic and figurative style the work of the youngBach displays great sensitivity and occasionally an almost romantic expressiveness. This new edition of C. P. E. Bach's Sonata in A minor is based on a copy in the anthology 'Musikalisches Mancherley'; the editor owes his thanks to the Zurrich Central Library.

Music Minus One Flute-This Telemann concerto is a jewel in the best Baroque way and the Correte sonata is also a treasure for any flutist. Includes a high-quality printed music score and a compact disc containing a complete performance with soloist then a second version with the accompaniment minus the soloist. Performed by Rameau Trio: Jean Antrim flute Accompaniment: Fortunato Arico viola da gamba Jocelyn Chaparro harpsichord

Pieces by nine baroque composers including John Stanley Telemann and C.P.E Bach. Edited for the ABRSM by Richard Jones. Continuo part provided.