10 Original And Traditional Pieces. Par DIVERS AUTEURS / RAE JAMES (ARR.). Un recueil de dix pièces arrangées dans un styles variés, mais toujours dans esprit très irlandais! Ce volume propose des airs traditionnels et plusieurs compositions originales. La partie de flûte, d'une difficulté intermédiaire, bénéficie d'un accompagnement de piano offrant un bon soutien stylistique (James Rae - Juillet 2019)/ Recueil / Flûte Traversière et Piano

With this collection of easy-to-play hymns for the Flute you can practice your favourite hymns with an accompanist at home at a service or in the studio. Hymns For Flute And Piano Made Easy is acollection of fifteen traditional hymns arranged for solo Flute with Piano accompaniment. This collection includes the hymns: A Mighty Fortress is Our God All Glory Laud and Honor Amazing Grace Christ the Lord is RisenToday and more. The Flute score includes both the hymn tune and an easy descant part that will add variety to the performance setting. The online recording contains two accompaniment tracks for each hymn; the first isplayed on Piano and the second on Pipe Organ. The collection is perfect for the flutist who wishes to play familiar hymns in the church setting.

Flute Basics is a landmark method by one of the leading figures in flute education. It starts at absolute beginner level and progresses to about Grade 2 level.There are 22 stages and each section includes a wonderful variety of concert pieces from the great composers traditional tunes and fun original exercises such as finger gyms and warm ups to help establish a sound technique factfiles and quizzes to teach notation and general musicianship. It also contains helpful clear fingering charts and rhythm boxes and great illustration. This teacher's book offers tips on how to approach new techniques and motivate young players alongsideduet parts and simple piano acommpaniment. This book would be particularly helpful for teachers who are not Flute specialists. The CD that accompanies this book is available separately.

Grade 3-Janet Way's Grade By Grade series draws on the rich and varied Boosey & Hawkes catalogue of classical contemporary and educational repertoire highlighting composers including Serge Prokofieff Dmitri Shostakovich Karl Jenkins Carol Barratt and Christopher Norton alongside arrangements of traditional music from around the world by Peter Wastall Vera Gray and others.This practical anthology of carefully selected pieces provides the complete repertoire resource for the aspiring Grade 3 flautist and creates the perfect package for teaching exam preparation and performance.Each volume contains:19 pieces & shortstudies each complemented by a useful practice and performance tip.Grade-appropriate scales and arpeggios linked to the repertoire through bespoke text and exercises.Brand new sight-reading activitiesNewly-commissioned aural awareness tasks.A Piano accompaniment booklet. This book for Grade 3 Flute players includes the pieces Picnic by Steve Pogson Hornpipe by George Frideric Handel Magnetic Rag by Scott Joplin and more.Janet Way: Grade By Grade Flute (Grade 3) comes complete with a CD of full performance demonstrations Piano backing tracks and grade-appropriate aural awareness resources.

Composed by Makoto Shinohara Kassouga is a piece for advanced Flute players accompanied by a Piano. This work lasts 6 minutes and is dedicated to Hirohiko Kato. Very difficult the first section of the piece slowly but expressively and includes a Cadenza by the Flute solo. The second part is then introduced fast energetic and rhythmic before another Cadenza by the Solo Flute leading to the end of the work finishing really harmoniously. It is a melodious work that is relatively challenging and could be played in recitals or for contests. Makoto Shinohara is a Japanese composer from Osaka. He studied in France withOlivier Messiaen and Tony Aubin and in Germany with Bernd Alois Zimmermann and Gottfried Koenig. He wrote some Orchestral pieces some chamber music some electronic music and some works for traditional Japanese instruments.

Flute teaching material-Arrangements of Traditional Baroque and Classical pieces edited with regard to current concepts of performance practice. Some additional editorial suggestions have been made to assist performers students and examination candidates in developing their own interpretations. Four of the pieces are unaccompanied.This is a delightful collection of pieces for Flute with Piano Accompaniment.The solo flute part is also included on a separate insert.

French composer and conductor Henri Tomasi (1901-1971) published Concertino for Flute in 1946. As with his other wind compositions Concertino was well-received by audiences. Tomasi was born in Marseille but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured into musical studies by his parents Tomasi dreamed of becoming a sailor and during the summer he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However in 1921 he began his studies at the Paris Conservatoire and went on to become a high profile composer and conductor.Tomasi did not forget his Corsican routes often incorporating themes of the songs he had learnt during the summers with his Grandmother into his compositions. Concertino for Flute and Piano Reduction is a highly unusual and modern work in three movements; 1) Cadence and Allegretto 2) Largo and 3) Finale. This Tomasi piece is suitable to advanced flautists providing an exciting alternative addition to the instrument's repertoire.

Flute teaching material-Woodwind World: Flute Book 2 comprises arrangements of Traditional Baroque and Classical pieces edited with regard to current concepts of performance practice. Some additional editorial suggestions have been made to assist performers students and examination candidates in developing their own interpretations. Four of these pieces are unaccompanied.The solo flute part is also included on a separate insert.

French composer and conductor Henri Tomasi (1901-1971) composed Le Petit Chevrier Corse in 1952. As with his other woodwind compositions  Le Petit Chevrier Corse was well-received by audiences. Tomasi was born in Marseille but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured in to musical studies by his parents Tomasi dreamed of becoming a sailor and during the summer he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However in 1921 he began his studies at the Paris Conservatoireand went on to become a high profile composer and conductor. Tomasi did not forget his Corsican routes often incorporating themes of the songs he had learnt during the summers with his Grandmother. This is apparent in Le Petit Chevrier Corse for Flute and Piano or Harp accompaniment. This Tomasi piece is suitable to intermediate level flautists and its popularity has been proven by its inclusion in the ABRSM grade 5 syllabus since 2005.

In this timeless new collection Hywel Davies presents eight fresh interpretations of traditional British folk tunes together with seven complementary folk-inspired original compositions for developing flautists to learn enjoy and perform.Ideally suited for students of grade 1-3 standard these progressive albums also contain helpful notes describing the lyrical character content and inspiration behind each piece equipping players to give informed authentic and stylish performances.A superb CD of performances backing tracks and slowed-down backing tracks for practice is included.Hywell Davies is an award-winning composer arranger and creative artist. His works have beenperformed on five continents and broadcast on three.

The Mazurka is a traditional Polish dance in triple time featuring a dotted rhythm and a certain accentuation on the second beat. Originating in Mazovia near Warsaw the Mazurka's popularity was established by Chopin who wrote fifty or so for piano from 1830-49. These examples show his wide-ranging orginality in this most elegant and aristocratic of dance forms. 'These lively and fun short dances are of intermediate difficulty and are ideal for introducing the budding young artist to a virtuosic approach to interpretation. Good value for money.' Music Teacher Magazine.Grade: 5-6

Per Flauto E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Répertoire / Flûte Traversière et Piano