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MARIMBA
High voice, Piano
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Bass guitar (14)
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Opera (14)
Organ and Brass Quartet (13)
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Clavecin (11)
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Orgue Et Instruments Divers (11)
2 Cellos (duet) (10)
Mezzo-Soprano voice, Piano (10)
Organ, Strings (10)
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Paroisse, Choeur SATB, 2 Tromp… (10)
Orgue, 2 Violons, 2 Altos, 2 V… (10)
Tenor Saxophone (10)
French Horn and Piano (9)
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Trompette ou Cornet et Tuba (8)
Flute and Guitar (8)
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Organ, Percussion (8)
Quintette à Cordes (8)
Solistes SATTBarB, Choeur SATB… (8)
Petit Orchestre: Récitant, So… (8)
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CD (6)
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Organ, Mixed Choir and Orchest… (5)
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High voice, Organ (5)
Chant et Orgue (5)
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ORG/TBN::Organ, Trombone (3)
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Musical dictation (2)
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Orgue ou Clavecin (2)
12 Parties de Choeur a Cappell… (2)
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Solostimme und Basso continuo… (2)
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Flûte Et Orgue (2)
Opéra (2)
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SCORE/ORCH::Partitions/Orchest… (1)
HARM/EGTR/BGTR/HND/ACDN::Harmo… (1)
Guitare Et Clavecin (1)
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Xylophone (ou marimba) (1)
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2 Barytons, SATB, Orgue Acc (D… (1)
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Percussion Quartet (1)
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Saxophone Ténor ou Soprano et… (1)
Conducteur Et Choeur (Orgue) (1)
4 Voix Mixtes Sans Accompagnem… (1)
1 ou 2 Voix (Soprano), Basse … (1)
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BOOSEY and HAWKES COPLAND AARON - ART SONGS AND ARIAS - HIGH VOICE
High voice, Piano
Boosey and Hawkes
21 art songs, plus 4 arias in the High Voice volume, or 3 arias in the Medium/Lo...
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21 art songs, plus 4 arias in the High Voice volume, or 3 arias in the Medium/Low Voice volume. Art song contents for both High and Medium/Low Voice: Dirge in Woods ? Old Poel ? Pastorale ? Poet\'s Song ? Vocalise ? Four Early Songs; Night ? A Summer Vacation ? My Heart Is in the East ? Alone ? Twelve Poems of Emily Dickinson (complete; original keys retained for both High and Medium/Low). Arias in the High Voice edition: Laurie\'s Song (The Tender Land) ? Martin\'s Song (The Tender Land) ? The sun is coming up (The Tender Land) ? Queenie\'s Song (The Second Hurricane) ? Arias in the Medium/Low edition: Ma\'s Song (The Tender Land) ? Fat\'s Song (The Second Hurricane) ? Gyp\'s Song (The Second Hurricane).
A Summer Vacation
Alone
Dear March, come in!
Dirge in Woods
Going to Heaven!
Heart, we will forget him
I felt a funeral in my brain
I\'ve heard an organ talk sometimes
Laurie\'s Song from The Tender Land
Martin\'s Song from The Tender Land
My Heart Is in the East
Nature, the gentlest mother
Night
Old Poem
Pastorale
Poet\'s Song
Queenie\'s Song from The Second Hurricane
Sleep is supposed to be
The Chariot
The sun is coming up from The Tender Land
The world feels dusty
There came a wind like a bugle
Vocalise
When they come back
Why do they shut me out of Heaven?
/ Partitions classique / Vocale - chorale / Voix solo - piano / BOOSEY
22.70 EUR - Sold by Woodbrass
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César Franck: Panis Angelicus - Voice/Piano: Voice: Vocal Work
High voice, Piano
[Sheet music]
-
Easy
Peters
Includes versions for High Medium or Low Voice (G F or E flat) with Piano acco...
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Includes versions for High Medium or Low Voice (G F or E flat) with Piano accompaniment. Performance note by Gordon Stewart.Preface:The words for Panis Angelicus are from a longer hymn text Sacris Solemnis written by St Thomas Aquinas in the thirteenth century for the newly established Feast of Corpus Christi and would originally have been sung to a plainchant. César Franck set this verse of seven lines in 1872. His deep religious feelings fashioned a memorable melody one which is within the scope of all singers - its range is only a seventh and if you follow the word patterns the breathing sits comfortably. It is in its way simple and direct but with the chance to use the voice to its full. The Latin words are not hard to sing but if you prefer to perform it in English the translation conveys the essential meaning. Franck originally wrote Panis Angelicus for Tenor Cello Harp Organ and Double Bass but it slips easily into the Keyboard arrangement. The colours of the original scoring are evident the Organ's sustained chords the semi-staccato notes for the Harp and the Cello's countermelody beginning in bar 38 (which could be transferred to another melodic instrument if that suits the occasion). Some discreet repetition of the long tied notes and doubling of the bass at the octave can give the Piano more resonance. The accompaniment probably works best with a minimum pedalling and an Organist's style of fingering. The dynamics ask for a triumphant final statement of the words 'pauper servus' in bar 53. It makes complete musical sense to make a diminuendo for the word 'humilis' in bar 56 leading to a thoughtful postlude.
9.95 GBP - Sold by Musicroom UK
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Albert Hay Malotte: Sing The Lord's Prayer with Orchestra - High Voice: High
High voice, Piano
[Sheet music + CD]
-
Intermediate
Schirmer
High Voice in E-flat Major-Arranged for high voice in E flat. Malotte's choral w...
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High Voice in E-flat Major-Arranged for high voice in E flat. Malotte's choral work The Lord's Prayer is presented here with a freshly engraved score and a companion CD. The score contains two versions of the song in the designated key: voice withpiano accompaniment and voice with organ accompaniment. The CD features the orchestral accompaniment as well as a full performance with a professional singer. Also included is the history of Malotte's song and its publication.
9.99 GBP - Sold by Musicroom UK
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Franz Schubert: Ave Maria: Vocal: Vocal Work
High voice, Piano
Santorella Publications
Masterpiece Edition-Franz Schubert was born in Vienna in 1797. He was involved ...
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Masterpiece Edition-Franz Schubert was born in Vienna in 1797. He was involved in music at an early age learning music theory and many different instruments including piano violin organ and voice. During his brief but prolific life he wrote a wide variety of music. His compositions included symphonies piano sonatas piano duets operas masses chamber works and several hundred songs. Among the hundreds of songs the most loved and revered is Ave Maria. Ave Maria was first published in 1826 under the German title Ellen's Gesang 111: Hymne and die Jungfrau (Ellen's Song 111: Hymn to the Virgin). The text used was taken from a novel written by Sir Walter Scott entitled 'Lady of the Lake'. It was then translated into German as it appeared in Schubert's song. After Schubert's death in 1828 the Latin text began being used and eventually surpassed either the use of the German or English text. 'Antiphon of the Blessed Virgin' is a text which has been used in religious contexts since the beginning of Christianity. This vocal classic was originally envisioned as a devotional piece but over time the magnificent beauty of both music and text has made this song equally popular for secular performances. Schubert's Ave Maria arranged for High Voice is recommended for Soprano or Tenor ranges. We have included a separate vocal line with lyrics written in Latin just above the piano accompaniment stave(s). The English translation is also included to explain this fabled story. This Minstrel Press Edition of Schubert's Ave Maria for High Voice is exclusively distributed by Santorella Publications.
2.80 GBP - Sold by Musicroom UK
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Joseph Phibbs: In excelsis gloria: Upper Voices: Vocal Score
High voice, Piano
Boosey and Hawkes
This simple carol for two-part upper voices was commissioned by Jenni Wake-Walke...
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This simple carol for two-part upper voices was commissioned by Jenni Wake-Walker in 2008 and is a setting of an anonymous 15th century text celebrating the Nativity. It was written specifically for children of primary school age and with this in mind may be transposed up or down a semitone depending on the vocal ranges available. The accompaniment a gently undulating ostinato which remains constant throughout is intended for a piano harp or organ and might also be played by a child.
2.25 GBP - Sold by Musicroom UK
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Richard Allain: How far is it to Bethlehem?: Mixed Choir: Vocal Score
High voice, Piano
Novello & Co Ltd.
A setting of Francis Chestertonâ??s poem for upper voices and piano or organ ac...
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A setting of Francis Chestertonâ??s poem for upper voices and piano or organ accompaniment.
2.75 GBP - Sold by Musicroom UK
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James Burton: The Lost Words: Upper Voices and Piano/Organ: Vocal Score
High voice, Piano
Peters
for Upper Voices and Orchestra. The Lost Words by composer James Burton takes it...
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for Upper Voices and Orchestra. The Lost Words by composer James Burton takes its inspiration and text from the award-winning ?cultural phenomenon? and book of the same name by Robert Macfarlane and Jackie Morris: a book that was, in turn, a creative response to the removal of everyday nature words like acorn, newt and otter from a new edition of a widely used children?s dictionary. Both the book and Burton?s 32-minute work, which is written in 12 short movements for upper-voice choir in up to 3 voice parts (with either orchestral or piano accompaniment), celebrates each lost word with a beautiful poem or ?spell?, magically brought to life in Burton?s music. At its heart, the work delivers a powerful message about the need to close the gap between childhood and the natural world. Burton?s piece was co-commissioned by the Hallé Concerts Society for the Hallé Children?s Choir and the Boston Symphony Orchestra. The piano accompaniment version was premiered at the Tanglewood Festival in 2019 by the Boston Symphony Children?s Choir, of which Burton is founder and director. The Hallé Children?s Choir will premiere the orchestral version of the full work in Manchester, UK, post-pandemic.
8.95 GBP - Sold by Musicroom UK
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Haendel, Georg Friedrich : Aria Album - Female Roles For High Voice from Haendel's Operas
High voice, Piano
[Sheet music]
Barenreiter
Classique / Partition / Cartonné / Plats de carton /
29.50 EUR - Sold by Note4Piano
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3-10 days - In Stock Supplier
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