This edition is more oriented to practical performance than the New Complete Critical Edition. From the range designations of the Lieder, one can see that, despite the transpositions, not all fifteen Lieder of a volume are suited to one and the same voice. The alternative pitches and easier passages written by Mahler often for only one of the voice ranges of a Lied (and not necessarily always for the original voice range) are here provided for both voices. The Notes (pp.165-170) show for which voice these were originally conceived and whether this has to do with a purely vocal facilitation or a musical variant. Unlike the Kindertotenlieder , the fifteen Wunderhorn Lieder do not form a cycle and do not even suggest a unified collection of songs such as the Rückert Lieder. They can only be organized according to their sequence of composition, which should, however, have no influence on the choice or order of a performance. As Mahler himself urged upon his singers: I ask at the very least that you determine the sequence of the Lieder yourself. (Letter to the baritone Johannes Messchaert, 1906)Langue : German / Ténor - piano / Universal Edition

This Urtext edition of W. A. Mozart's Concert Arias For Bass Voice And Piano features a clear and legible layout of the musical text with all aria texts translated into German and English and printed separately. This edition contains straightforward Piano reductions to the individual arias with additional notes and suggestions on performance practice in the accompanying booklet. There is also a choice of suggestions for the performance of cadenzas and lead-ins as well as for the ornamentation of dal segno parts which are often found in the early Mozart arias.

A variety of songs for different types of weddings including standards in special arrangements for singer and Piano accompaniment. Ideal for all singers who perform at weddings with or without an accompanist.

Par THOMAS. 'Spectre infernal, image veneree. . . '/ Répertoire / Basse et Piano

With diction lessons recorded by Irene Spiegelman German diction coach at the Metropolitan Opera and piano accompaniments recorded by Laura Ward this collection of the most often taught Brahms songs is an excellent introduction to lieder. The diction for each song is recorded twice: first recited as an actor would speak it showing flow of the language and mood followed by a slow deliberate lesson allowing time for the student to repeat each line. This experienced language coach adapts the ?R? in German in the slow versions as recommended for classical singers. She is also very sensitive to liaisons between word sounds in the musical settings.

per canto e pianoforte - for voice and piano - voce grave - low voice. The 15 Composizioni vocali da camera by Vincenzo Bellini are presented here, in versions for low voice, in a new edition based on the most authoritative musical sources available.