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Musical dictation (25)
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Musique de chambre (24)
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Guitar Tab, Voice, Bass, Drum (24)
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Conga (24)
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Solo A, Choeur SATB/SATB, 2 Or… (23)
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Lute (23)
Livres (23)
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Chamber Music (23)
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Quatuor Variable (22)
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Violon, Ensembles de Cordes et… (21)
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Handbells (20)
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Etudes (19)
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Travaux Pour Choeurs (19)
Harpsichord and Strings (19)
Choeur Mixte a Cappella (19)
Orgue Et Orchestre (19)
Timpani (19)
Violoncello, Basso continuo (19)
Ensemble (19)
Children choir, Instruments (18)
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Solistes SATB, Choeur SATB, 2 … (18)
Solistes (SATB), Choeur Mixte … (18)
Lyrics only (18)
Saxophone Baryton (18)
Saxophone and Orchestra (18)
2 Flutes, Piano (18)
Saxophone Ténor et Piano (18)
Piccolo, Piano (18)
Viola da Gamba (18)
Quintette avec Piano (17)
Clavier Electronique et Ligne … (17)
Medium Voice (17)
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Ensemble Instrumental (17)
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Quatuor à vent (16)
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Soli (SATB), Choeur Mixte (SAT… (16)
Cor en Fa (16)
Flûte à Bec F1, Hautbois et … (16)
Baritone Saxophone (16)
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Instruments A Vent (16)
2 Violins and Basso (16)
Percussion, Piano (duet) (16)
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Electric bass, Drums (15)
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Solistes ATB, Choeur SATB, Fl… (14)
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3 Violons, Instruments à Cord… (14)
Solistes ATB, Choeur SATB, (Ct… (14)
Flûte A Bec, Chant Et Percuss… (14)
Flûte Traversière, Violon, I… (14)
Choeur SSATB et Basse Continue… (14)
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Accordion - Piano, Voice, Guit… (14)
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Voix Et Instruments Divers (14)
Soprano, Piano (14)
Organ, Piano (duet) (14)
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SATB, 4 Parties Mixtes, 2 Viol… (14)
Solistes SATB, Choeur SATB, 2 … (14)
Brass Quartet: 4 trombones (14)
String Quintet: 2 violins, vio… (14)
Horn and Orchestra (14)
Violin, Horn and Piano (14)
2 Violins, Piano (14)
Viola and orchestra (14)
English horn, Piano (14)
Clavier ou Orgue Electronique (13)
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Livre Musical (13)
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Solistes SATB, Choeur SATB, 2 … (13)
Trompette et Concert Band ou H… (13)
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Libretto (13)
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Flûte à Bec F1, Violon et Ba… (12)
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2 Flûtes A Bec Alto, 2 Hautbo… (12)
Chorale (12)
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Cello Ensemble (12)
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3 Violons et Basse Continue ou… (12)
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Violon 2 (12)
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Solistes ATB, Choeur SATB, Fl… (11)
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Solistes SATB, Choeur SATB, Ha… (11)
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Voix Mixtes SAB et Piano (11)
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Quatuor A Vent (11)
Vocal duet (11)
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Sextuor A Cordes (11)
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Violon II (11)
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Guitare Fingerpicking (11)
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Flûte A Bec Soprano, Cordes E… (10)
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Petit Choeur SMsB, 2 Violons, … (10)
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4 Clavecins Et Cordes (10)
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2 French horns (duet) (10)
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2 Flûtes A Bec Soprano Et Pia… (10)
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2 Harps (duet) (10)
Tout Instrument (10)
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Choeur De Jeunes (Mez/SMezA) A… (9)
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Baryton ou Tuba Basse Continue… (9)
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Soprano voice, Organ (9)
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Trompette, Cordes Et Basse Con… (9)
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Solistes SATB, Choeur SATB, Fl… (9)
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Clavecin, Flûte Traversière,… (9)
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Voice and Big Band (9)
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Soli (SAB), Choeur Mixte (SATB… (9)
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Tuba en Do et Piano (9)
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Choeur d'Enfants à 2 Parties … (9)
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Choeur De Chapelle, Choeur Mix… (9)
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Tenor Banjo (9)
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Fake Book (9)
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Mozart W.a. - La Flute Enchantee Kv 520 - Fac-simile
Orchestra
[Score]
Barenreiter
Mozart, Wolfgang Amadeus The Magic Flute K. 620 Facsimile of Mozart's autograp...
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Mozart, Wolfgang Amadeus The Magic Flute K. 620 Facsimile of Mozart's autograph score The Seven Great Operas in Facsimile Editions of Mozart?s Autograph Scores ?Idomeneo?, ?Die Entführung aus dem Serail?, ?Le nozze di Figaro?, ?Don Giovanni?, ? Così fan tutte ?, ?Die Zauberflöte ?, ?La clemenza di Tito? ? Mozart?s seven great operas, his brilliant contribution to music theatre and world culture, are unequalled in their depth of human characterisation and musical expression. Through happy coincidence, all seven opera scores have survived almost complete in Mozart?s manuscript. The Packard Humanities Institute (PHI, Los Altos , California ) has now embarked on producing a facsimile edition of the seven autograph scores. Mozart scholars, libraries and of course all lovers of Mozart?s stage works now have the opportunity of acquiring these priceless manuscripts in flawless reproductions. At the same time, all risks about preserving Mozart?s legacy for the world of music are taken care of. The Packard Humanities Institute (PHI) charitable foundation, known for its philanthropic programmes in the arts and sciences, has forged an ideal cooperation for the Mozart project. Under the scholarly direction of an editorial board (Ulrich Konrad , David Packard, Wolfgang Rehm , Christoph Wolff; General editor Dietrich Berke) the International Mozarteum Foundation Salzburg and the libraries where Mozart?s manuscripts are held are working together with the Packard Humanities Institute. The production of the volumes is exquisite, for the digitalization of the manuscripts has been undertaken using the latest technology, which allows for an astounding level of authenticity and precision in detail. The printing follows the uncompromisingly high standards demanded by the edition. All seven volumes include essays on the history of literature and ideas by Hendrik Birus , Hans Joachim Kreutzer and Robert Miller as well as musicological introductions by leading Mozart scholars in German and English. The facsimile edition will be distributed by Bärenreiter- Verlag . - consolidation of Mozart manuscripts held in different places - highest level of precision in reproduction and authenticity of colour through use of the latest technology - unique offer thanks to project sponsorship by the Packard Humanities Institute (Los Altos, California) Precision in reproduction thanks to cutting edge technology In preparing the manuscripts for reproduction, equipment was used in line with the highest technical standards currently available. Mozart?s original manuscripts of the seven operas are held by several libraries. For five of the operas, the different acts have even ended up in different libraries following World War II. Thus, the autograph of Act I of ? Così fan tutte ? is in the Jagiellonian Library in Kraków and the second act in the Staatsbibliothek zu Berlin ? Preußischer Kulturbesitz . In order to achieve a uniformly high level of precision in reproduction and authenticity of colour both within a work and for all seven editions, the use of the same technical equipment in all the different places was a prerequisite. Specialist from the Salzburg firm ? Kirchberger Photography? were employed, were provided with the latest equipment by the Packard Humanities Institute and also given special additional training in the modern technology by specialists in the USA. Proofs of each edition were compared with the original in each location and improved until the likeness could not be bettered in all details. Mozart?s music and text notation is reproduced extremely clearly, and even those places where Mozart corrected or had rubbed out marks he had already made, appear in these editions in a previously unmatched transparency.
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Poul Ruders: Listening Earth - A Symphonic Drama for Orchestra: Orchestra: Score
Orchestra
[Sheet music]
Wilhelm Hansen
Premiered at the festival 'Magma Berlin 2002' by the Berlin Philharmonic Orchest...
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Premiered at the festival 'Magma Berlin 2002' by the Berlin Philharmonic Orchestra conducted by David Robertson 29th November 2002.3 Flutes 1st and 2nd also Alto Flutes in G 3rd also Piccolo3 Oboes 3rd also Cor Anglais in F3 Clarinets in Bb 3rd also Bass Clarinet in Bb3 Bassoons 3rd also Contra Bassoon4 Horn in F3 Trumpets in Bb3 Trombones1 TubaTimpani4 Percussion four playersPlayer 1 - Vibraphone Glockenspiel Water Chime Bell Tree Japanese Wood Blocks Cymbal (Suspended) TamTam (Medium)Player 2 - Triangle Tubular Bells Crotales Marimba Chinese CymbalPlayer 3 - TamTam (Large) Java Gong(Large very low) Bell Lyra (Handheld) Sizzle CymbalPlayer 4 - Bass Drum Glockenspiel Xylophone1 Harp1 Piano also CelestaStrings - 16/14/12/10/8All transposing instruments are notated in their relevant transpositions.Any accidental apply only to the note that it immediately precedes except tied notes.Naturals appear occasionally 'for safety'.'LISTENING EARTH' is a symphonic drama a one- movement composition in four parts based on the work by two writers Joseph Addison (1672-1719) and W.H.Auden (1907-1973). Joseph Addison is not particularly well known; he was English a classical scholar essayist poet and politician but one of his hymns was used by Benjamin Britten. in his setting of a Thomas Tallis canon.The hymn is singularly beautiful and being a composer always inspired by extramusical stimuli such as poems nature paintings I was immediately convinced when I carne across the Addison hymn that here was exactly what I wanted to use as my major source of inspiration for this piece commissioned by and written for The Berlin Philharmonic. I don't refer to the hymn in its entirety but have chosen the following 3 excerpts all acting as mottos for the first three sections of the piece thus turning the piece into a straightforward tonepoem in the classical
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John Adams: Shaker Loops (revised): Orchestra: Score
Orchestra
Hal Leonard
Score-Although in its own way an example of 'continuous' music Shaker Loops dif...
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Score-Although in its own way an example of 'continuous' music Shaker Loops differs from most other works of its kind because it sees so much change within a relatively short amount of time. Also it avoids the formal and temporalpurity of much 'minimal' music by not adhering to a single unbending tempo throughout allowing for a freer movement from one level of energy to another.The 'loops' are melodic material assigned to the seven instruments each of a different length and which when heard together result in a constantly shifting play amongst the parts. The four sections although they meld together evenly are really quite distinct each being characterised by aparticular style of string playing. The outside movements are devoted to 'shaking' - fast tightly rhythmicised motion of the bow across the strings. The 'slews' of Part 2 are slow languid glissandi heard floating within analmost motionless pool of stationary sound whereas Part 3 is essentially melodic with cellos playing long lyrical lines (also loops) against a background of muted violins.
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Chamber Music I
Orchestra
Schott
La renommée de Carl Maria von Weber repose principalement sur , Der Freischütz...
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La renommée de Carl Maria von Weber repose principalement sur , Der Freischütz '. Le succès sans précédent de cet opéra a éclipsé tous ses autres travaux et a contribué à leur chute croissante dans l'oubli. Certaines oeuvres telles que , Preciosa ' , Oberon ', et , Euryanthe ', les ouvertures , concertos en solo et sonates pour piano , des lieder et Chamber Works jouissait d'une grande popularité et ont été largement connu en Allemagne et à l'étranger aussi tard que la deuxième moitié de la 19e siècle . Cependant, toute chance d'une renaissance de Weber influents etoeuvre considérable a été gaspillé dans les années 1920 , quand une édition complète - commencé par Hans Joachim Moser et avec les contributeurs potentiels, dont Wilhelm Kempff , Hans Pfitzner , Max von Schillings, Fritz Stein et Richard Strauss - a échoué après le troisième volume.Depuis , il ya eu de nombreuses tentatives pour relancer une édition complète des oeuvres de Weber , mais comme ce genre de projet , il aurait fallu la collaboration de chercheurs des deux côtés de la frontière inter -allemande, la situation politique après 1945 n'était pas propice à une telle entreprise . Négociations approfondies ont conduit aux premières étapes tangibles dans les années 1980. L'intention , dès le début , était de placer l'oeuvre de Weber dans son contexte, et de ne pas séparer sa production musicale de son travail influent comme un écrivain , critique et organisateur dans le domaine musical , mais de publier ses compositions avec ses lettres, journaux intimes et autre production littéraire comme le meilleur moyen de documenter la fertilisation croisée entre ses activités musicales , littéraires et pratique. / Score
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Robert Xavier RodrÝguez: A Colorful Symphony: Orchestra: Score
Orchestra
Schirmer
Score-'A Colorful Symphony' is based on a chapter from Norton Juster's popular b...
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Score-'A Colorful Symphony' is based on a chapter from Norton Juster's popular book for children 'The Phantom Tollbooth' in which a little boy enters a magic land where an orchestra and its conductor play the colours into the worldeach day. Rodriguez's setting for Narrator and Orchestra has become a musical classic in its own right and is regularly performed by major Orchestras.
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Poul Ruders: Manhattan Abstraction: Orchestra: Score
Orchestra
[Sheet music]
Wilhelm Hansen
New York is the city which fascinates and inspires Ruders. Time and again he goe...
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New York is the city which fascinates and inspires Ruders. Time and again he goes back there to work. 'Manhattan Abstraction' (1982) subtitles - a symphonic skyline for large orchestra - was conceived there. Ruders’ Brittish colleague Oliver Knussen defines the piece as: - a performance of an extraordinary Morden-Times-like construction. It is a sort of symphonic sculpture which in the composer’s own words words propels forth from one particular inspiration: the New York profile as seen from Liberty Island one icy cold January day with it’s open clear sky and dazzling sun light. 'Manhatten Abstraction' appears as an amalgam of some of the compositorical habits foundin present pieces. For instance are present here compositorical ideas and melodic loans from 'Capriccio Pian’e Forte' 2nd String Quartet(1979) 'Four Compositions' (1980) and 2nd Piano Sonata(1982). The question at hand is mainly concerned with the enhanced elaboration of Ruders’ use of the classic English change-ringing system: a permuting method pre-determining the order of tone-appearances and /or tone groups; a serial technique in other words. In spite of the rigidly fixed material Ruders somehow manages to chisel out a personal expression by way of emphasising contrasting elements already existing within the material itself. The spiky repetitive sections form a counterpart to a more human violin-solo. This dialectical tension is - as hinted by the title - a symphonic abstraction of a fascinating metropolis; the most beautiful and the ugliest. The subtitle: a symphonic skyline reflects the musical erection of the Manhattan profile which under the clear sky materializes into the most powerful and compelling man-made sculpture on earth. Thus 'Manhattan Abstraction' is a homage to as well as a vision of this giant contraption of concrete glass and chrome.
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Overtures (SCHUBERT FRANZ)
Orchestra
[Sheet music]
Barenreiter
New Edition of the Complete Works V/5. Par SCHUBERT FRANZ. In addition to his sy...
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New Edition of the Complete Works V/5. Par SCHUBERT FRANZ. In addition to his symphonies, Franz Schubert also wrote and handed down to posterity a total of eight finished concert overtures (two of them in two versions) between ca. 1811 and 1819. With the exception of the “Overture in D” (D 4) to the comedy “Der Teufel als Hydraulicus” (“The Devil as Engineer”) and the “Overture in D” (D 26), whose original title was cut out of the manuscript, they are all compositions which are associated neither with a drama nor a programme. They thus embody the type of the pure concert overture at an astonishingly early point in the history of music and are also in keeping with this terminologically by virtue of explicitly not having any other appellations whatsoever in the title: the epithet common for two works “in the Italian style” was only added posthumously. Our volume sees publication for the first time of the “Italian Overture in C” (D 591) in its two authentic versions, this being in contrast to the performance tradition based on a potpourri of the sources. The widely handed-down but corrupted musical course of the “Overture in D” (D 590) has likewise been rectified for the first time. Overshadowed by his symphonies, Schubert’s overtures have hitherto been largely undervalued both in their reception and in musical practice – including the “Overture in E minor” (D 648), which sees Schubert venturing into radically new spheres of expression to a greater extent than in virtually any other of his works./ Recueil / Orchestre
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John Leavitt: What Sweeter Music: Mixed Choir and Ensemble: Score & Parts
Orchestra
Hal Leonard
A Cantata for Christmas-From John Leavitt comes this elegant cantata for Christm...
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A Cantata for Christmas-From John Leavitt comes this elegant cantata for Christmas set up in the form of a classic Lessons and Carols service. A colorful tapestry of beautiful sounds this major work has great variety in its scope and style. Whether presented with piano or John's chamber orchestration the sensitive writing will showcase the artful approach of a master arranger making this compilation of carols and readings a thoughtful choice for churches universities and community choruses. Highly recommended! Songs include: Veni Veni Emmanuel: People Look East: The Angel Gabriel: He Is Born the Divine Christ Child: Resonet in laudibus: What Sweeter Music: Tomorrow Shall Be My Dancing Day: WeThree Kings of Orient Are: Sing Noel Alleluia! Score and Parts (fl 1-2/pic ob cl 1-2 bn perc 1-3 timp hp vn 1-2 va vc db) available as a Printed Edition and as a digital download.
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Symphonie 07 (HENZE HANS WERNER)
Orchestra
[Score]
Schott
Par HENZE HANS WERNER. In this work, I had wanted completely to submit to the tr...
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Par HENZE HANS WERNER. In this work, I had wanted completely to submit to the traditional rules of the classical symphony so as to mould my musical expression as if in a furnace and enable it to reach the listener as directly and clearly as possible. The first movement is a kind of German dance, an Allemande, so to speak; the second one a Lied. The third, in strict scherzo-form, is a representation of the sufferings of the German poet Friedrich Hölderlin, in Dr. Autenriedth's mental institution in Tübingen. The last movement is a setting of Hölderlin's poem 'Half of Live'. - Hans Werner Henze/ Répertoire / Orchestre
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Boden: Shadows Changing Land: Orchestra: Score
Orchestra
[Sheet music]
Cadenza Music
Mark David Boden's Shadows of a Changing Land for Orchestra.Shadows of a Changin...
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Mark David Boden's Shadows of a Changing Land for Orchestra.Shadows of a Changing Land takes inspiration from a book of photography by Peter Freeman depicting the Lake District National Park. I was particularly drawn to Freeman s use of n
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Richard Rodgers: A Salute to Richard Rodgers: Orchestra: Score & Parts
Orchestra
[Score and Parts]
Hal Leonard
Best-known for his innovations in musical theater celebrated American composer ...
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Best-known for his innovations in musical theater celebrated American composer Richard Rodgers would have been 100 years old in the year 2002. This adventurous work includes a varied cross-section of his compositions from thecollaborations with Lorenz Hart and Oscar Hammerstein II to his Emmy award-winning film score Victory At Sea. Includes: Song of the High Seas Oklahoma The Sound of Music Bewitched The Carousel Waltz and Climb Ev'ry Mountain. Amarvelous tribute to one of the masters of melody.
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Symphony #4 Op. 36 In F Minor
Orchestra
[Study Score / Miniature]
Dover Publications
En production symphonique de Tchaïkovski, la Symphonie n o 4 était une oeuvre ...
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En production symphonique de Tchaïkovski, la Symphonie n o 4 était une oeuvre charnière. Il a annoncé le compositeur comme un symphoniste majeur de son temps, éclipsant ses précédents, moins-que-remarquables efforts dans ce formulaire, et ouvert la voie à ses derniers grands travaux: la hantise Cinquième Symphonie et le sixième biographique, la profonde 'Pathétique. 'Quatrième Symphonie de Tchaïkovski - écrite en 1877 à l'âge de 37 - se présente comme une déclaration très personnelle. De façon spectaculaire en forme et brillamment orchestrée, il saisit une qualité théâtrale et de la couleur orchestrale qui ont façonné le compositeur symphonique fantaisie Francesca da Rimini, écrit un an plus tôt. Le quatrième ouvre sans équivoque avec la poussée d'un fanfare de cuivres - le 'sort' motif qui est de réapparaître dans le dernier mouvement - s'écoule alors de la qualité qui caractérise effort de Tchaïkovski grands généreusement mélodieux partitions de ballet. Le second mouvement s'attarde sur l'une des mélodies les plus poignants du compositeur, et le troisième - le Scherzo - offre une fantaisie délicieuse de cette orchestrateur maître: la charmante Pizzicato ostinato, un moment unique dans toute la littérature orchestrale.La symphonie est reproduit ici de la foi Breitkopf and Härtel édition, avec des mouvements bar-numérotés et les marges larges en bas de chaque page de score pour les notes et les analyses. Idéal pour l'étude en classe, à la maison, ou dans la salle de concert, ce à prix abordable, de haute qualité, le volume de taille conventionnelle sera l'édition de choix pour les étudiants en musique et amateurs de musique.Réimpression de l'édition Breitkopf and Härtel. / Orchestre
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Gloria Shayne Noel Regney: Do You Hear What I Hear?: Orchestra: Parts
Orchestra
Shawnee Press
Orchestration-Here is one of the most recorded octavos of all time. This beloved...
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Orchestration-Here is one of the most recorded octavos of all time. This beloved standard is now available with a brilliant orchestration by Brant Adams. Every choir needs to rediscover the timeless beauty of a modern carol that has become partof the Christmas vocabulary of millions around the world. A true classic brought to you by Shawnee Press! Available separately: SATB (opt. snare drums and finger cymbals); SSA (opt. snare drums and finger cymbals); TTBB (opt.snare drums and finger cymbals); SAB (opt. snare drums and finger cymbals); SA (opt. snare drums and finger cymbals); Brass and Timpani parts; Orchestration Score and Parts; StudioTrax CD.
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Robert Schumann: Concerto In A Minor Op.54: Orchestra: Miniature Score
Orchestra
Eulenburg
Schumann’s Concerto for Piano and Orchestra in A Minor Op. 54 is fine ex...
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Schumann’s Concerto for Piano and Orchestra in A Minor Op. 54 is fine example of Romanticism and has a dynamic mood like much of his work. There is a sober atmosphere though dignified melody runs throughout but overall a unified and structured piece that broke away from the trend for virtuosic displays. Completed in 1845 when he appended two movements to the revised Fantasie; it is one of a handful of larger works by Schumann. The finished concerto premiered on New Year's Day of 1846 by the composer's wife and pianist Clara Wieck Schumann. Eulenberg's celebrated and highly authoritative miniature score is the definitive reference source for study performancepreparation or simply for those with a love of the great orchestral works.
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Joseph M. Martin: Thankful for Our Every Blessing: Orchestra: Parts
Orchestra
Shawnee Press
From the best-selling cantata Testament of Praise this anthem of thanksgiving i...
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From the best-selling cantata Testament of Praise this anthem of thanksgiving is a beautiful reminder for us to have a grateful heart. This lesser-known Charles Wesley text was originally a table blessing and his gentlepoetic imagery combined with flowing melodic music help create a choral prayer of exquisite beauty. This selection is perfect for following the pastoral prayer on Thanksgiving or anytime.
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Michael Nyman: Symphony No. 2: Orchestra: Score
Orchestra
Chester
Full Score-Symphony No. 2 began its life as Pozcatek a 'Michael Nyman Band' 'so...
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Full Score-Symphony No. 2 began its life as Pozcatek a 'Michael Nyman Band' 'soundtrack' that was written for the Michael Nyman Band to accompany a selection of sequences from post-war Polish films thatNyman selected and edited in 2009. That work has already been networked a Pozcatek for piano trio (recorded by the Fidelio Trio for MN Records) and a song cycle 'Ex Votos Songs' with texts transcribed from Mexican ExVotos hence the possibly subtitle for this symphony: Ex Photos. The symphony which was completed in 2013 consists of four interconnected movements and is Arranged for orchestra. Duration of approximately: 28 minutes.
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Mark Hayes: Te Deum: Orchestra: Parts
Orchestra
[Set of Parts]
Shawnee Press
Full Orchestration-Here is a serious major work from legendary composer Mark Hay...
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Full Orchestration-Here is a serious major work from legendary composer Mark Hayes. This auspicious composition is destined to become a standard setting of this text and fans of this composer's oeuvre will be thrilled to discover the tremendousscope of this remarkable work. Scored for organ and voices the composer provides both full and chamber orchestration options. Includes solos for mezzo-soprano and baritone. Available separately; SSAATTBB Mezzo sorprano baritonesolo organ; Listening CD; Full Orchestration; Chamber Orchestration; SSAATTBB Book/Listening CD combo.
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Brant Adams Joseph M. Martin Pamela Martin: Harvest of Sorrows: Orchestra: Parts
Orchestra
Shawnee Press
From the creators of Song of the Shadows comes a work of great depth and power. ...
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From the creators of Song of the Shadows comes a work of great depth and power. Through music and symbols worshippers are invited to a season of contemplation as the mystery and power of Christ's passion are presented.Using new music and beloved hymnody Joseph Martin provides a work of greatly expressive beauty. Pamela Martin and Brant Adams reprise their respective roles as librettist and orchestrator in this creative and moving offering forHoly Week. Highly recommended!Includes: Testament of Tears; Winds Through the Olive Trees; In Love Christ Came Amongst Us; and more.
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Joseph M. Martin: A Celebration of Carols: Orchestra: Parts
Orchestra
Shawnee Press
Uses: Advent ChristmasScripture: Luke 2From the composer of Tapestry of Light a...
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Uses: Advent ChristmasScripture: Luke 2From the composer of Tapestry of Light and The Winter Rose comes a new major work that is based on the traditional “Lesson and Carols”service. Filled to overflowing with beloved carols and original seasonal songs this cantata tells the story of Christ's birth adorned with beautiful arrangements and meaningful Scriptures. The work includes optional moments forcongregational participation handbell ringers and children's choir if desired. Stunning orchestrations and a full line of support products are available to support your presentation. Titles include: A Christmas Overture; OCome All Ye Faithful; A Prayer for Advent; People of Promise Arise!; Song of Hope and Joy; O Little Town of Bethlehem; My Soul Doth Magnify the Lord; Lullabies of Bethlehem; Angels We Have Heard on High; Carols for Seekers; LetChristmas Begin; A Christmas Trilogy. Available separately: SATB SAB iPrint Orch CD-rom Printed Orchestration (Score & parts for Flute 1&2 Oboe Clarinet 1&2 Bassoon Horn 1&2 Trumpet 1 2&3 Trombone 1&2 BassTrombone/Tuba Timpani Perc 1&2 Harp Piano Violin 1&2 Viola Cello Double Bass) iPrint Consort CD-rom iPrint Handbells CD-rom StudioTrax CD Listening CD 10-Pack Listening CDs Preview Pack RehearsalTrax CDs DigitalResource Kit. Duration: ca. 59:21 (full performance) ca. 48:37 (w/o opt. congregational anthems).
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Chamber Music II
Orchestra
Schott
Arnold Schönberg est la figure centrale dans le monde musical de ce siècle. Sa...
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Arnold Schönberg est la figure centrale dans le monde musical de ce siècle. Sa signification musicale était déjà apparente au cours de sa durée de vie, mais son influence posthume a beaucoup augmenté. Son travail a ouvert la voie à des changements révolutionnaires dans la perception musicale. Cette édition complète aspire à être tout aussi indispensable à la recherche ainsi que pour la performance. L'édition est publiée en deux séries: la série A en format folio contient tous les travaux terminés, tous les scores de piano préparés par le compositeur lui-même et toutes les oeuvres inachevées leur permettant d'assumer, aussi des fragments (de grandes partitions) qui sont mieux adaptés à imprimer dans une telle format. Série B, au format in-quarto, contient les premières versions, des croquis, des idées et des fragments ainsi que la genèse et un commentaire critique. / Orchestre
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Orchanics 3: Orchestra: Score and Parts
Orchestra
Goodmusic Publishing
Eight Varied Pieces For Orchestra-Three new collections of varied pieces for orc...
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Eight Varied Pieces For Orchestra-Three new collections of varied pieces for orchestra for players from beginner to grade 3 standard.This collection of three books each containing eight varied pieces has been compiled to capture the imagination of young players and to introduce them to a wide range of musical styles.Special effects appropriate to each instrument provide additional learning points and great entertainment both in rehearsal and performance. There are glissandos for strings and trombone flutter tonguing for flute and trumpets (for those able to) and a range of vocal sounds for all!The scoring allows these pieces to be played by variouscombinations of instruments. Ideally your orchestra should have some instruments from each section but if not (for example no brass) then the supplementary piano part (available separately) can be used to fill the gaps. It can also be used to provide extra support in rehearsals.As well as the normal percussion parts some of the pieces make use of a drum kit. For orchestras without a drum kit player a drum kit and bass backing track is available to download free of charge either as MP3 or WAV files.OrchestrationDescant recorder Treble recorder Flute 1 Flute 2 or Oboe Clarinet 1 Clarinet 2 Alto Sax Bassoon Horn in F Horn in Eb Trumpet 1 Trumpet 2 Trombone (Bass clef) Trombone (Treble clef) Timpani Drum Kit Percussion 1 Percuission 2 Percussion 3.Strings (Violin 1 Violin 2 Violin 3 Viola Cello Bass)Orchanics 3 contains:-Hallelujah + Ode to joy (Handel/Beethoven); Mairi's Wedding (Roberton); Ragtime Roundup (Richard Ling); Samborina (Richard Ling); Spring from Four Seasons (Vivaldi); Danserie (Susato); Yellow Bird (arr Ling); Silent Night.
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James Michael Stevens Joseph M. Martin: Without Love... We Have Nothing:
Orchestra
Shawnee Press
Words based on 1 Corinthians 13Here is the international sensation that has beco...
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Words based on 1 Corinthians 13Here is the international sensation that has become a standard in Korea and throughout Europe. James Stevens and Joseph Martin's confident affirmation of love has become an evergreen forAsian weddings and now it is available to choirs everywhere. Beautifully delivering the words of Paul this piece will soon be a standard for your group as well. The absolutely stunning melody is orchestrated by Brant Adams and isavailable in two versions on the accompaniment track to capture the exact vernacular of your worship style.
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Eric Whitacre: A Boy and a Girl: Orchestra: Score and Parts
Orchestra
Hal Leonard
A Boy and a Girl. A note from the composer: A Boy and a Girl is such a tender, d...
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A Boy and a Girl. A note from the composer: A Boy and a Girl is such a tender, delicate, exquisite poem. I simply tried to quiet myself and find the music hidden within the words. I'm often asked which of my compositions is my favorite. I don't really have one that I love more than the others, but I do feel that the four measures that musically paint the text never kissing may be the truest notes I've ever written. -Eric Whitacre
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Johan Halvorsen: Suite Ancienne Op. 31: Orchestra: Score
Orchestra
[Sheet music]
Wilhelm Hansen
As the conductor of the National Theatre Orchestra in Olso Johan Halvorsen was ...
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As the conductor of the National Theatre Orchestra in Olso Johan Halvorsen was primarily a composer of incidental and stage music. The Suite Ancienne Op.31 was arranged by the composer in 1911 from his music for the Holberg Play The Lying-In Room as a full concert work.
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Mark David Boden: Shadows of a Changing Land: Orchestra: Score
Orchestra
[Sheet music]
Cadenza Music
Shadows of a Changing Land
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Hans Werner Henze: Scorribanda Sinfonica: Orchestra: Score
Orchestra
[Sheet music]
-
Intermediate/advanced
Chester
Composer's Notes:This piece written during the winter months of 2000-2001 cons...
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Composer's Notes:This piece written during the winter months of 2000-2001 consists of one movement Allegro con fuoco in which an old score is revisited raided and ravished by its composer. The earlier music hadbeen written in the mid-fifties for a stage work Maratona di Danza and for its maker the director Luchino Visconti.Elements from the older piece reappear on and off like shadows under the surface of new ones like more orless vague memories images of young people suffering pain and despair in their struggle for survival in a barbaric pitiless modern world.My new composition is a kind of concerto for very large symphony orchestra an étude onconstant and often rapid musical changes of mood and colours built on a variety of rhythmic figures incessantly and brutally pushing the music ahead. Sometimes it is as though voices are weeping sometimes crying out loud withpain with anxiety under the cold hearted pressure of an overwhelming violence. Hans Werner Henze Commissioned on the occasion of the 50th anniversary of das neue werk Hamburg. Premiered on 29th June 2001. Duration 15minutes.
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Hans Abrahamsen: Marchenbilder: Orchestra: Score
Orchestra
Wilhelm Hansen
The title Marchenbilder or Fairy-tale Pictures borrowed from Schumann awakens...
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The title Marchenbilder or Fairy-tale Pictures borrowed from Schumann awakens notions of music which in itself has a pictorial quality. In all the score comprises six Fairytale Pictures the first three of which form the first movement the next two the second whilst the sixth forms the last movement which is linked with the second without a break. The first two pictures have the same duration - one minute each - whilst the remainder hesitantly inerease in length until the final picture is almost five minutes long.For 14 instruments.
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Johan Halvorsen: Der Konig 'Kongen 1': Orchestra: Score
Orchestra
[Sheet music]
Wilhelm Hansen
Kongen 1 is a work for Orchestra from celebrated Norwegian composer Johan Halvor...
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Kongen 1 is a work for Orchestra from celebrated Norwegian composer Johan Halvorsen.
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Don Hanna Michael Allen: Daily Warm-Ups for Full Orchestra: Orchestra: Score &
Orchestra
Hal Leonard
Based on the success of his best-selling warm-ups for strings Michael Allen has...
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Based on the success of his best-selling warm-ups for strings Michael Allen has teamed up with respected conductor and teacher Don Hanna to bring us this invaluable resource for full orchestra. Similarly this daily regiment isdesigned to prepare the orchestra for rehearsal or performance through a carefully paced set of short examples. Focus on tuning ensemble playing technique phrasing and special needs for strings winds and percussion are alladdressed.
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Hark! The Herald Angels Sing: Orchestra: Score & Parts
Orchestra
[Score and Parts]
Hal Leonard
A time-honored favorite carol is given a fresh creative treatment with this new...
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A time-honored favorite carol is given a fresh creative treatment with this new arrangement by Ted Ricketts. With its brass fanfares contemporary harmony and sparkling orchestration it can be a part of any orchestra's holidayprogram and a library staple for years to come.
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