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Organ
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Singel Excelsis (AUVINEN ANTTI)
Organ
[Sheet music]
Fennica Gehrman
Par AUVINEN ANTTI. Antti Auvinen (b. 1974) composed Singel Excelsis in 2012 usin...
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Par AUVINEN ANTTI. Antti Auvinen (b. 1974) composed Singel Excelsis in 2012 using material from an earlier work for three organs. He finds fascinating the rhythmic characteristics of the organ: 'Many of the vibrations and rhythmic fluctuations derived from the overtone series are extremely interesting. Also the natural virtuosity of the instrument is utterly fascinating. In fast passages the rhythmic accuracy needs very quick attack. A slower attack on the other hand makes it possible to turn the attention to gestures and figures, while details get more blurred. Different ?attack features? of the organ stops allow shaping of very diverse rhythmic figures in time and space.' Duration: c. 12' Spiral bound, size B4. / Date parution : 2022-05-31/ Répertoire / Organ
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Peter Bruun: Vuggesang / Cradle Song: Organ: Instrumental Work
Organ
[Sheet music]
-
Intermediate/advanced
Wilhelm Hansen
Cradle Song-Vuggesang / Cradle Song for Organ solo by Peter Bruun (2016). The p...
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Cradle Song-Vuggesang / Cradle Song for Organ solo by Peter Bruun (2016). The piece is based on Martin Luther's hymn 'Vom Himmel Hoch'. Dedicated to Vibeke Vanggaard. 'Peter Bruun's cradle song Vuggesang is an inventive and refreshingly unconventional set of variations on 'Vom Himmel Hoch'. There are some fascinating textures here and the whole thing is a far cry from a dutiful neo-classical perusal of stock partita motifs - the crystalline final variation which disappears into nothing in the final bars is especially striking. Numerous rhythmic complexities throughout the score will need thought but the piece will reward thediligent.' - Stephen Farr Choir & Organ Magazine 'Organ music makes up only a small part of Danish composer Peter Bruun’s (b. 1968) varied output. Nonetheless Vuggesang (‘Cradle Song’) from 2016 is idiomatically and sympathetically written for the organ: a series of five variations on Luther’s hymn Vom Himmel hoch that affords variety of texture colour and mood. A clear head is needed to negotiate some of the rhythmic complexities but this is a fine work for the Christmas season that will reward performer and listener.' - Sunday by Sunday
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Johann Sebastian Bach: Complete Organ Works - Volume 3: Organ: Instrumental Work
Organ
Breitkopf & Härtel
Fantasien und Fugen/Einzelwerke - mit CD-ROM-Although the “fantasia”...
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Fantasien und Fugen/Einzelwerke - mit CD-ROM-Although the “fantasia” was already considered as old-fashioned around 1700 this genre exerted a particular fascination on the very young Bach – he had since relocated to Köthen – and the experienced composer as well.Volume 3 the latest installment in the Complete Organ Works gathers together all transmitted organ fantasias by Bach the fragments of the fugues belonging to them and all individual fugues as well. They include for instance the Fantasia in C BWV 570 undoubtedly the master’s oldest free organ work.The most notable works in this edition are the celebrated Fantasia in g minor BWV 542/1 and the Fuga in g BWV 542/2. DidBach actually intend a combination of the two pieces as a joint composition? This and other intriguing questions concerning versions sources and genre history are examined by editor Pieter Dirksen in the introduction and comments which contain a synopsis and a wealth of transposed and ornamented versions of the works which supplement the edition on the enclosed CD-ROM.
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COMPLETE ORGAN WORKS - VOLUME 3 (BACH JOHANN SEBASTIAN)
Organ
[Sheet music + CD-ROM]
Breitkopf & Härtel
Par BACH JOHANN SEBASTIAN. Although the ?fantasia? was already considered as old...
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Par BACH JOHANN SEBASTIAN. Although the ?fantasia? was already considered as old-fashioned around 1700, this genre exerted a particular fascination on the very young Bach ? he had since relocated to Köthen ? and theexperienced composer as well.Volume 3, the latest installment in the Complete Organ Works, gathers together all transmitted organ fantasias by Bach, the fragments of the fugues belonging to them and all individual fugues as well.They include, for instance, the Fantasia in C BWV 570, undoubtedly the master?s oldest free organ work.The most notable works in this edition are the celebrated Fantasia in g minor BWV 542/1 and the Fuga in g BWV 542/2.DidBach actually intend a combination of the two pieces as a joint composition? This and other intriguing questions concerning versions, sources and genre history are examined by editor Pieter Dirksen in the introduction andcomments, which contain a synopsis and a wealth of transposed and ornamented versions of the works which supplement the edition on the enclosed CD-ROM. / Date parution : 2021-11-25/ Recueil / Orgue
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Iain Farrington: Bluesday: Organ: Instrumental Work
Organ
Novello & Co Ltd.
Iain Farrington's Bluesday for solo Organ. Composed in 2010. Dedicated to Robert...
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Iain Farrington's Bluesday for solo Organ. Composed in 2010. Dedicated to Robert Houssart. 'Judging by this bunch of new publications the year 2010 was a busy one for British composers of organ music though quite why it has taken six or seven years for almost all of this music to appear remains unexplained. And if one were asked to guess the most recent work in terms of 'modem language' it would be this study from Iain Farrington. Dedicated to Robert Houssart this short piece combines - as one might infer from the title - certain phraseology from musical worlds not often encountered on a concert organ whether in a church or civicbuilding but it is not merely the thematic line (such as it is) that snakes in an uncertain manner but also the impacted sense of occasional harmony that speaks in a more modem musical language. None the less this intriguing composition would work best on a small instrument and is a fascinating piece to study at home.' - James Palmer
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John Marson: The Book of the Harp: Organ: Instrumental Reference
Organ
Kevin Mayhew
With more enthusiasts than ever since its heyday the Harp is an instrument whic...
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With more enthusiasts than ever since its heyday the Harp is an instrument which has successfully demonstrated its staying power and its important role both in music and beyond! John Marson’s Book of the Harp is a uniqueand definitive work distilled from a wealth of experience: a lifetime's study and research and an outstanding professional career. He traces the development of the harp from its earliest origins thousands of years B.C. to theinvention of the pedal harp in the eighteenth century and the harps of the twenty first century. He examines the writings of many forgotten exponents of the harp including inventors players and composers and provides a fullycomprehensive view of every model make and modification to the present day!The Book of the Harp is a rich source of information entertainment and anecdote on everything from strings tuning principles offingering and tone production historical influences designs techniques and methods to the harp's literary associations and those with the theatre and cinema its Celtic and religious symbolism virtuoso players and itsappearance in the poetry of Milton and novels of Jane Austen. Both historical and practical The Book of the Harp is an authoritative source of entertainment and a fascinating study for student professionalmusician and interested reader alike. John Marson has enjoyed a glittering career during which he has been principal harpist of the London Symphony Orchestra the BBC Symphony Orchestra Professor of Harp at the Royal College ofMusic and soloist and freelance.
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Complete Works For Organ
Organ
Schott
La musique d'orgue de Buxtehude fasciné JS Bach et des générations d'organist...
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La musique d'orgue de Buxtehude fasciné JS Bach et des générations d'organistes depuis. Notre nouvelle édition du Tournoi des Maîtres de l'école d'orgue allemand du Nord 'de la série renommée est basée sur la version originale tout en prenant les dernières découvertes de la recherche Buxtehude en compte. Vol. 1 contient 18 Préludes (pedaliter), Vol. 2 trois Toccatas, 1, 2 preambulum ciacones, 9 Canzonas et 3 fugues. / Orgue
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Complete Organ Works (PRAETORIUS MICHAEL)
Organ
Schott
3 Chorale Fantasias, Chorale Variation, 6 Hymn Settings. Par PRAETORIUS MICHAEL....
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3 Chorale Fantasias, Chorale Variation, 6 Hymn Settings. Par PRAETORIUS MICHAEL. Michael Praetorius (1571-1621) a seulement atteint l'âge de 50 ans, mais a laissé une remarquable richesse des compositions et des traités. D'un point de vue musicologique, il prend une fonction centrale comme médiateur entre la tradition allemande bien établie de la musique d'église protestante et le nouveau monodique, style concertante de composition italienne au début du XVIIe siècle. Après sa formation musicale apparemment self-instructed, il a conclu son premier emploi comme organiste à St. Mary à Francfort/Oder en 1587 et plus tard à la Cour de l'évêque amoureux de la musique de prince Henry Jules de Brunswick-Wolfenbüttel. Après la mort de ce dernier suivi instables et énergie-sapement ans. Musique d'orgue des Praetorius couvre exclusivement cantus firmus : trois fantaisies choral qui fascinent par leur variété de style, une paire de variations avec une technique de figuration riche et les modalités de leur composition novatrice hymn six. Vis-à-vis du style, son oeuvre est enracinée dans le traditionnel allemand org.../ Répertoire / Orgue
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Fantaisie Médiévale Sur Le Cantique Marial Chez Nous Soyez Reine Pour Orgue
Français
Organ
Delatour France
Qui n'a pas frissonné devant l'arrivée triomphale de Cléopâtre à Rome int...
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Qui n'a pas frissonné devant l'arrivée triomphale de Cléopâtre à Rome interprétée, sur les écrans, par Lyse Taylor ? Et combien d'orchestrations de péplums jalonnent-elles nos souvenirs d'enfance, générant, à chaque écoute, des sentiments identiques de fascination ?C'est un peu dans les pas de ces mises en scène ' pharaoniques ' qu'a été composée cette Fantaisie médiévale mais en suivant, ici, le fil du cantique populaire Chez nous soyez reine du chanoine Huet, entonné par des générations de voix ferventes en dévotion à la reine du ciel,Cette oeuvre est un hommage à Notre-Dame de Bayonne pour laquelle j'éprouve une véritable affection filiale et dont l'imposant vaisseau gothique constitue, pour moi, l'antichambre des cieux, / Orgue
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Lajoinie Vincent - L'ivre D'orgue
Français
Organ
Van de Velde
Partition pour orgueNombre de pages : 350Louis Marchand, probablement le musicie...
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Partition pour orgueNombre de pages : 350Louis Marchand, probablement le musicien le plus brillant, le plus novateur et le plus expérimental du Grand Siècle, en reste toujours le plus méconnu, peut-être en partie du fait de la destination quasi exclusive de son œuvre au grand orgue. Secret, irritable et fantasque, il savait certes moins bien que son rival François Couperin s'attirer les faveurs de la cour, mais public et critiques le tenaient à l'époque en bien plus haute estime, malgré ses frasques légendaires. Divorcer, offenser publiquement Louis XIV et affronter Bach en concours singulier, il faut bien avouer que cela faisait beaucoup pour un seul homme autour de 1700, soit plus d'un demi siècle avant celui que l'on a traditionnellement coutume de tenir pour le premier musicien libre et affranchi: Mozart. La forme du roman, de préférence à l'essai ou à la simple biographie, s'est donc tout naturellement imposée d'emblée comme seule capable de rendre justice à l'imagination, la verve et le douce folie du personnage, incontestablement un musicien brillant, hors norme et fascinant, à découvrir de toute urgence.
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Franz Josef Stoiber: Fascination Organ Improvisation: Organ: Instrumental Tutor
Organ
[Sheet music]
Barenreiter
A Study and Practice Book-Franz Josef Stoiber organ professor and organist at R...
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A Study and Practice Book-Franz Josef Stoiber organ professor and organist at Regensburg Cathedral has decided not to present a conventional improvisation tutor here. Instead he offers a multi-faceted reader and workbook containing useful methodical and pedagogical reflections e.g. on cultivating a feeling for sound and training responsiveness. It also features a wide range of practical exercises for improvising in various styles all reflecting his years of experience as a teacher and performer.This guide to organ improvisation has the potential of becoming a standard work in the training of today’s organists.- A new approach to organ improvisation- Includes many practicalexercises and music samples- German/English text- Spacious attractive layout
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