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MARIMBA
Violin and Piano
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Descant (Soprano) Recorder, Ba… (20)
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Balalaika (20)
Balalaïka Et Piano (20)
Solistes SATB, Choeur SATB, 2 … (20)
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Ensemble A 4 Parties (20)
Cello, Guitar (duet) (20)
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4 Bassoons (20)
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2 Violins and Basso (19)
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Bass Clarinet, Piano (19)
Trompette, Cordes Et Basse Con… (19)
2 Cellos, Piano (19)
Voice, Organ (19)
Guitare Tablatures Electrique (19)
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Choeur de Femmes (19)
Ukulélé Soprano (19)
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Tenor (16)
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SB, 4 Parties Mixtes et Orches… (14)
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Flûte Traversière, Violon, I… (14)
Choeur d'Enfants et Ensemble (14)
3 Violons, Basse Viol et Basse… (14)
Clarinette, Violon et Piano (14)
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Piano Quartet: piano, 2 violin… (14)
2 Recorders, Piano (14)
Flute, Violoncello (14)
Saxophone en Mib et Piano (14)
Accordion - Piano, Voice, Guit… (14)
Chorale d'Enfants et Piano ou … (14)
OPERA::Op‚ra (14)
SATB, 4 Parties Mixtes, 2 Viol… (14)
Violon 2 (14)
Clarinette, Violoncelle et Pia… (14)
Trompette Et Orchestre (14)
Trompette en Sib (14)
Xylophone, Piano (14)
Bassoon, Orchestra (14)
Choral Soprano solo, SATB, Key… (14)
Ensemble D'Altos (13)
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2 Trompettes ou Cornets et Tub… (13)
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Clarinette, Basson, Cor, 2 Vio… (13)
2 Violons, 2 Altos et 2 Violon… (13)
Flute, Violin and Violoncello (13)
Solistes, Choeur d'Enfants, 3 … (13)
Basse (13)
Flute, Violin, Piano (13)
2 Saxophones Alto et Piano ou … (13)
Drums-Marching band (13)
Choral SSATBB (13)
Instruments A Vent (13)
Cornet et Brass Band (13)
5 Part Ensemble (Clavier, Guit… (13)
Instruments Acoustiques (13)
Guitare Tablatures Classique e… (13)
Choeur D'Enfants (SMezA) Avec … (13)
Concert Band ou Harmonie et 3 … (13)
Quatuor Variable (13)
Solo instrument and Organ (13)
Harmonium (13)
Choeur (Unisson), Voix Hautes … (13)
Clarinet and Accordion (13)
Mezzo-Soprano et Orchestre (13)
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Base Musicale (12)
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Pop music (12)
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Ensemble De Contrebasse (11)
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Jones: Viennese Fiddler: Violin: Instrumental Album
Violin and Piano
[Score and Parts]
Boosey and Hawkes
Viennese music has become almost synonymous with Johann Strauss II and his great...
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Viennese music has become almost synonymous with Johann Strauss II and his great waltzes. But of course there were other luminaries: his father Johann Strauss I his talented brothers Josef and Eduard as well as their colleagues friends and rivals. This collection includes music by some of these; and apart from waltzes we have polkas (slow and fast) a couple of melodies from operettas and a march. The selection ranges from shorter eminently playable miniatures to a handful of more extended and challenging arrangements. The waltz kings were first and foremost fiddlers. They led their orchestras from the front instrument and bow in hand. As a young man JohannStrauss II used to practise his Violin in a full-length mirror so he would look every inch the part. They knew how to write for the Violin how to make it sing and dance and this helps to make the repertoire a perfect foil to the other volumes in this series. The arrangements in this collection can be performed as solos duets or trios or by larger ensembles. In fact here are all the resources to recreate a Viennese café orchestra! The full range of traditional fiddle repertoire is now at your fingertips! Using these generous collections you can create your own ceilidh barn dance jazz club Sarajevo street-café or Gypsy gathering. Some of this music is familiar some more exotic but all of it is absolutely authentic faithfully arranged and above all hugely enjoyable. Each title in the series is available in two formats: the Violin edition (with an optional easy Violin part and Guitar chords); or the complete edition which also includes both Keyboard and Violin accompaniments. Either format is hugely flexible which means the music can be played as solos duets or trios as well as with larger ensembles. Edward Huws Jones has travelled extensively researching fiddle-playing traditions. In each book he explains the background of the particular musical style giving his own suggestions for a lively performance. And to help recreate the spirit of the music every book in the series is beautifully illustrated.
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In The Zoo 2 (IGUDESMAN ALEKSEY)
Violin and Piano
[Sheet music]
-
Easy
Universal Edition
10 Easy Pieces. Par IGUDESMAN ALEKSEY. 'In the Zoo 2” is a further collection ...
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10 Easy Pieces. Par IGUDESMAN ALEKSEY. 'In the Zoo 2” is a further collection of intermediate pieces for violin and piano by Aleksey Igudesman, depicting many of a child's favourite animals. Spanning from UK Grade 2 to 4, they will inspire young violinists to interpret the sounds and actions of the animals as notated by the composer and help them understand how abstract music can depict something very real. But what makes these compositions ingenious as teaching pieces is that, hidden within, are very useful technical studies. For example, in 'The Turtle”, steady bowing is needed to make a good tone in the long notes depicting this slow-moving creature. In 'The Crocodile”, short, staccato double stops (easy ones!) depict the snapping jaws and are contrasted with legato, sinuous passages as the animal creeps up on its prey! A clever piano part allows the teacher to support his or her young student and perhaps make a captivating concert piece for the end of term presentation. / Niveau : Facile / Recueil / Violon et Piano
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Kathy Blackwell David Blackwell: Solo Time For Violin Book 2: Violin:
Violin and Piano
[Sheet music + CD]
Oxford University Press
16 Concert Pieces For Violin And Piano-Solo Time For Violin is a three-volume se...
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16 Concert Pieces For Violin And Piano-Solo Time For Violin is a three-volume series of concert pieces for the intermediate to the more advanced level violinist. Featuring arrangements or original pieces by these award-winning authors each volume introduces styles and techniques from the Baroque to the modern age. They cover keys and technical challenges suited to the level while providing sophisticated repertoire for the developing performer.A graded series of pieces ranging from intermediate to more advanced levels.16 pieces in each book displaying an exciting variety of styles and techniques and drawn from the Baroque to the modern era. Carefully selected and arrangedby the award-winning authors of the Fiddle Time series. Helpful fingering and bowing suggestions plus informative notes on the pieces and performance techniques. Idiomatic Piano part and CD backing tracks with each book. A selection of full performances available online.
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Violin Lullabies
Violin and Piano
Carl Fischer
Following the birth of her first child, violinist Rachel Barton Pine went lookin...
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Following the birth of her first child, violinist Rachel Barton Pine went looking for a collection of lullabies written for violin and piano. After finding nothing in existence, she set about gathering sheet music and recording her own versions with pianist Matthew Hagle. This new collection celebrates the beauty of new life and parenthood with familiar tunes and new discoveries by composers such as Brahms, Ravel, Fauré, and Gershwin. Meticulously edited, these are short and elegant while remaining compositionally sophisticated, perfect for intermediate or advanced violinists. As an additional resource, the collection contains downloadable piano accompaniments and tracks performed by Matthew Hagle. / Violon Et Piano
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The Young Symphonist Volume 1: Violin: Instrumental Album
Violin and Piano
-
Easy
Spartan Press
The symphony is often regarded as the pinnacle of orchestral composition and un...
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The symphony is often regarded as the pinnacle of orchestral composition and undoubtedly it is a musical form used by composers to write some of their most famous and best-loved melodies. This three-volumed Young Symphonist was created in order to introduce the budding violin student to these wonderful tunes.The music has been carefully selected arranged and adapted and incorporates relevant finger patterns position changes and bowing techniques in order to meet the technical challenges of specific exam levels. The piano accompaniments have been kept quite simple and idiomatic.The symphonic themes are presented in chronological order and eachcollection includes examples from the 18ths 19th and 20th centuries. There is an opportunity to become familiar with the works of the great masters - Mozart Haydn Beethoven Brahms Mahler Schubert Elgar - and also experience the music of some less familiar composers such as Myslivicek Vanhal and Salieri.
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Wolfgang Amadeus Mozart: Violin Sonatas Volume 2: Violin: Instrumental Album
Violin and Piano
[Sheet music]
Peters
This complete edition of the Mozart sonatas for violin and keyboard has been res...
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This complete edition of the Mozart sonatas for violin and keyboard has been researched and prepared by Cliff Eisen one of the most distinguished Mozart scholars of our time. Professor Eisen recognizes that many of the apparent inconsistencies and idiosynchrasies of Mozart's notation are perfectly deliberate and that the attempts in many other editions to impose uniformity upon similar phrases or musical paragraphs can bemisguided. As he writes in the preface '...the notion that the classical style represents a model of symmetry balance and clarity is for the most part an 19th-century fiction...it has little to do with Mozart's actual practice which is basedprimarily on variety of both content and articulation.' So in this new edition alternative readings found in parallel passages are preserved rather than being sterilized by a spurious quest for conformity. Naturally all such instances are noted within the Critical Commentary. The highly individual beaming within Mozart's autographs is also respected in the new edition as this often contributes to our aural perceptions of phrase structure and accent. Professor Eisenis is conscious that there is no single 'Urtext' for this music. On the contrary he believes that 'there is compelling evidence that Mozart's later performances of his works were characterized by changes--sometimes substantial changes--in the musical text.' It is the achievement of this edition to indicate how far this freedom of musical expression can extend and as such it is likely to take pride of place in the collections of all those involved in the study and performance of these masterpieces.Contents: Sonatas K296 K376-K380; Andante and Fugue K402 (completed by Stadler); Sonata K403 (completed by Stadler).
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Step It Up! (with CD) (CHAMBERLAIN LOUISE)
Violin and Piano
[Sheet music + CD]
Alfred Publishing
Par CHAMBERLAIN LOUISE. Step It Up! is the fun way to move your playing onwards ...
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Par CHAMBERLAIN LOUISE. Step It Up! is the fun way to move your playing onwards and upwards. Packed full of original jazzy pieces by Louise Chamberlain - with imaginative arrangements of well-known tunes, unaccompanied pieces and duets too - this carefully graded volume for violin also includes a CD of groovy backing tracks. So whether practising at home or performing to your friends, take your playing to another level with Step It Up! - and prepare to step up a grade at the same time! Pamela Wedgwood writes as Louise Chamberlain for the Step It Up! series. She is recognised around the world as one of the UK's most prolific and successful composers of popular repertoire for young instrumentalists. **ABRSM selected piece (Violin 2008-2011): Be thou my vision (Anon.) / Instrumental Music / Etude / Violon et Piano
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Meditative Moments (With Cd)
Violin and Piano
[Sheet music + CD]
Alfred Publishing
Meditative Moments features 14 beautiful and melodic pieces for solo violin and ...
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Meditative Moments features 14 beautiful and melodic pieces for solo violin and piano that will inspire peaceful meditation and are perfect for many occasions, this album is a must-have for every professional violinist. Selected for solemn and thoughtful times such as religious ceremonies, funerals, and weddings, the pieces range from Bach, Handel, and Tartini, to Mozart, Mendelssohn, Franck, Grieg, and Faure, as well as 'Amazing Grace.' Though perfect for professionals---especially for those last-minute calls---each piece has been carefully arranged so that intermediate level players will find them very accessible. The included CD can serve as a model to assist learning. Recording artists are Jeanne Preucil Rose---a first violinist with the Cleveland Orchestra, and Kathryn Brown---head of the Piano Department at the Cleveland Institute of Music. The arrangements are by Doris Preucil is a well-respected teacher and arranger of the Suzuki Viola School. / Violon Et Piano
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Romanesca Op. 13/1
Violin and Piano
Schott
Any violinist who hears the name Sitt nowadays will probably just think of the a...
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Any violinist who hears the name Sitt nowadays will probably just think of the author of studies and exercises that have long been a familiar feature in instrumental lessons. Of course the Prague violinist, music teacher and composer Hans Sitt (1850-1922) made a significant impact on methods of violin teaching, but he also wrote a whole series of other works worth listening to: concertos for violin, viola and cello and chamber music for various combinations of instruments. Sitt studied the violin in Prague and was then appointed first as leader of the orchestra and then as musical director in Breslau (now called Wroc?aw).After posts as director of music in Prague, Chemnitz - where he championed the work of Smetana - and Nice, he was eventually appointed professor of violin, orchestral playing and score reading at the Leipzig Conservatoire from 1884-1921. Besides this he also played viola in the Brodsky Quartet, organised concerts and was conductor of the Bach Society. The composers Franco Alfano - who completed Puccini's unfinished opera Turandot- and Frederick Delius studied with Sitt, as did the conductor Václav Talich. Three Album Leaves op. 13 were also composed during his time in Leipzig, published by Bosworth and Co in 1894. Romanesca, #1 in that collection, is a pretty, slightly melancholy piece of music with romantic appeal that draws out lyrical and expressive playing and is thus eminently suitable for tuition purposes and concert performances. / Violon Et Piano
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Johannes Brahms: Sonata Movement in C minor from the FAE-Sonata: Violin:
Violin and Piano
Barenreiter
Sonata WoO postum for Violin and Piano-Edited by Clive Brown and Neal Peres Da C...
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Sonata WoO postum for Violin and Piano-Edited by Clive Brown and Neal Peres Da Costa with an Urtext solo part as well as a second part with performance markings.Johannes Brahms The Works for one Instrument and Piano:Johannes Brahms? compositions for one instrument and Piano have been standards in chamber music literature ever since their inception. These works were written with specific performers in mind and Brahms worked closely with them when refining the final texts. Nevertheless we rarely approach the music taking into consideration the possibilities of the instruments for which Brahms wrote or the performing practices of the individual playerswho first performed these compositions including Brahms himself.The New Urtext Editions:Bärenreiter?s pioneering new scholarly-critical editions of Brahms? works for one instrument and Piano are edited by a team of musicologists who are also performers. They offer today?s musicians not just a reliable musical text based on all known sources but also a comprehensive approach to the works which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers.In addition to the musical text these editions offer an informative Introduction laying out the genesis publication history and reception of the works. At the same time there is a complete list of the sources an explanation of the editorial procedures and a Critical Commentary. Also each volume contains a detailed discussion of specific performing practice issues raised by individual works.An integral part of Bärenreiter?s Brahms publication complex is a text booklet which approaches general performance practice issues of the 19th century with regard to e.g. tempo rubato rhythmic flexibility and articulation. Furthermore musicians will find valuable information concerning vibrato portamento and bowing. Last but not least characteristics of Brahms? own Piano playing as well as that of his circle and contemporaries are discussed.The Violin and Viola sonata editions come not only with an Urtext part freed from all editorial emendations but also with an
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Nigel Goldberg: Concertinio No1 In A Minor: Violin: Instrumental Work
Violin and Piano
[Sheet music]
-
Easy
Spartan Press
The violin pupil can be accompanied either by the violin teacher (as a violin du...
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The violin pupil can be accompanied either by the violin teacher (as a violin duet) or with piano. The optional alternative piano accompaniments are by Heidi Rolfe.'I can still remember the thrill I felt as a child of 8 when my violin teacher introduced me to my first concertino. Learning playing and eventually mastering the famous Küchler Concertino in D major made me feel privileged and grown-up as if I were joining a very special club.That was a long time ago yet for me concertinos still hold a distinctive place in the teaching repertoire. Having now taught the violin for the last thirty years and seen how happily my pupils respond to learningduets - that distinctive sense of enjoyment at playing with an adult the improvement of intonation and tone production the liveliness of the lesson - I have composed three new concertinos inspired by the duet form.Taking three great keys for the violin - G D and A minor I have endeavoured to combine emotionally engaging and technically educational music in the 'Olden Style'. Uniquely I have written a second violin part for the teacher to play alongside their pupil's part and there is also a piano accompaniment for use alternatively in concert settings.I very much hope that these concertinos prove as popular and as helpful as the series of duets in my previously published books Sounds of a Rainbow and that they ignite that sense of wonderment and purpose I experienced while playing the Kuchler all those years ago.'Nigel Goldberg
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Edward Mollenhauer: The Infant Paganini for Violin and Piano: Violin:
Violin and Piano
-
Easy
Barenreiter
Fantasia for Violin and Piano-Born in Erfurt the composer Edward Mollenhauer (1...
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Fantasia for Violin and Piano-Born in Erfurt the composer Edward Mollenhauer (1827 1914) achieved success in America as a soloist and teacher. His best-known pieces for young violinists are The Infant Paganini and The Boy Paganini.The Mollenhauer fantasia The Infant Paganini is a charming introduction to early virtuoso techniques. It calls for bowing techniques such as detaché legato spiccato and arpeggios over three strings. Players are also expected to play harmonics and pizzicato.This showpiece (BA 10691) can be accomplished by young violinists who can play in first to third position and who are nearing completion of theSassmannshaus Early Start on the Violin volume 4.The Boy Paganini is an impressive concert piece which is more demanding. Its two movements call for changes of metre harmonics and pizzicato. Other challenges include chords on all four strings and simple passages in octaves.On the Violin (BA 10692) the technical requirements call for first to fifth position. Violinists should have completed volume 4 of Early Start on the Violin in order to master this work.- Popular recital pieces for young violinists and cellists.- Both works form an ideal continuation of the Sassmannshaus Early Start methods.
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In My Garden 1 (IGUDESMAN ALEKSEY)
Violin and Piano
Universal Edition
Take A Walk Through Aleksey Igudesman'S Imaginary Garden!. Par IGUDESMAN ALEKSEY...
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Take A Walk Through Aleksey Igudesman'S Imaginary Garden!. Par IGUDESMAN ALEKSEY. Aleksey Igudesman might reasonably be described as a modern day Victor Borge. With his cabaret partner, Hyung-ki Joo, he has toured concert halls all over the world, wringing all that is humorous out of classical music with just the basic tools of violin and piano. 'In my Garden 1” shows Igudesman in another light, that of a violin teacher, providing excellent material for younger violin students. Each piece depicts a fruit or vegetable to be found growing in the garden and includes a short poem (in English, French and German) and pictures to inspire the pupil and help them to interpret the music. But these are not just fun to play - they conceal useful study material to improve technique like staccato or lyrical smooth bowing. Clever use of double stops (one note always an open string) will help the student make a more rewarding sound and inspire confidence. Grade 1 students can enjoy some of the pieces and still be dipping into it a year or two later. A piano part is included to make these pieces ideal for an end-of-term concert and, for more ideas, Igudesman has also depicted animals in similar fashion in his two volumes 'In the Zoo”./ Recueil / Violon et Piano
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Edward Mollenhauer: The Boy Paganini: Violin: Instrumental Work
Violin and Piano
-
Easy
Barenreiter
Fantasia for Violin and Piano-Born in Erfurt the composer Edward Mollenhauer (1...
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Fantasia for Violin and Piano-Born in Erfurt the composer Edward Mollenhauer (1827 1914) achieved success in America as a soloist and teacher. His best-known pieces for young violinists are The Infant Paganini and The Boy Paganini.The Mollenhauer fantasia The Infant Paganini is a charming introduction to early virtuoso techniques. It calls for bowing techniques such as detaché legato spiccato and arpeggios over three strings. Players are also expected to play harmonics and pizzicato.This showpiece (BA 10691) can be accomplished by young violinists who can play in first to third position and who are nearing completion of theSassmannshaus Early Start on the Violin volume 4.The Boy Paganini is an impressive concert piece which is more demanding. Its two movements call for changes of metre harmonics and pizzicato. Other challenges include chords on all four strings and simple passages in octaves.On the Violin (BA 10692) the technical requirements call for first to fifth position. Violinists should have completed volume 4 of Early Start on the Violin in order to master this work.- Popular recital pieces for young violinists and cellists.- Both works form an ideal continuation of the Sassmannshaus Early Start methods.
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Johannes Brahms: Sonatas In F Minor And E-Flat For Violin: Violin: Instrumental
Violin and Piano
Barenreiter
for Violin and Piano-Brahms had already announced his ?retirement? from composit...
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for Violin and Piano-Brahms had already announced his ?retirement? from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter apparently renewed his enthusiasm for Mühlfeld?s much admired playing and inspired him to write two Clarinet sonatas in the summer of the same year.Brahms conceived an alternate version of the works for Viola from the beginning and already before the publication of these two versions he intended to do another one for Violin a version which was to require changes and was to result in an independent edition. While the Clarinet and Viola versions havedeveloped a rich performance tradition the Violin version is almost unknown. Yet for the Violin version the composer revised the original Clarinet part much more extensively than he did for the Viola version and also rewrote the Piano part to achieve a thoroughly convincing Violin and Piano idiom. This Bärenreiter edition aims to bring the neglected Violin Sonatas Op. 120 back into players? hands.An important part of this edition is the extensive preface. Firstly it informs about the sonatas? origins their compositional process pre-publication performances their publication history as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors start from the premise that already a few decades after Brahms' death a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners treatises and essays early instructive editions and historical recordings the editors deal with key issues in understanding Brahms' notation. By a section-by-section analysis of rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation string instrument fingering string instrument harmonics and vibrato the editors provide an indispensable assistance for a historically informed interpretation of the works.At the same time the edition offers an exciting and
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Judith Blezzard: Borrowings In English Church Music 1550-1950
Violin and Piano
Stainer and Bell
Judith BlezzardThis book looks at English church music from a new standpoint. It...
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Judith BlezzardThis book looks at English church music from a new standpoint. It examines the relationship between English church music and the various types of other music that have influenced its development revealing a vigorous tradition of interplay with extraneous musical material that is seldom apparent from the ways in which music is presented for church use. The borrowing of music from churches outside England is explored and a large section is devoted to the often surprisingly ingenious ways in which secular music has since the beginnings of the English church been appropriated as music for worship - often with controversial results. From madrigal tomusic-hall from plainsong to popular styles: these and many other kinds of music have lent both styles and material to sacred music with English texts. By examining these musical transformations this book demonstrates that English church music is far from being an exclusively insular and retrospective repertory as is often presumed to be the case. Although the book with its use of musical examples is designed primarily for the general musical reader - both amateur and professional its broadly historical approach will appeal to those interested in English cultural heritage the church and its worship.ISBN 0 85249 784 9
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Theme et Variations: Violin: Instrumental Work
Violin and Piano
[Sheet music]
Leduc, Alphonse
As a passionate composer organist and ornithologist many of Olivier Messiaen's...
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As a passionate composer organist and ornithologist many of Olivier Messiaen's works incorporate these three elements. However he took a different stance for his Thème et Variations for Violin and Piano composing it as a wedding present for his first wife Claire Delbos in 1932. The couple gave its first performance during the same year. Admitted to the Paris Conservatoire at the mere age of eleven Olivier Messiaen (1908-1992) was an outstanding pupil winning many prizes. Thème et Variations was composed shortly after his appointment as titular organist at the Sainte Trinité church inParis and is often considered to be characteristic of his famous Quatour pour la fin du temps. Made up of a theme and five variations it begins simplistically before entering the complex variations. The theme is composed in common time and at a moderate tempo. Each variation varies in dynamics time signature tempo tonality and rhythm among other elements; however Messiaen cleverly retains suggestions of the theme all throughout. Challenging as it is Thème et Variations is an exciting varied and compelling performance piece for all advanced violinists.
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Nigel Goldberg: Sounds Of A Rainbow Vol.3: Violin: Instrumental Album
Violin and Piano
[Score and Parts]
Spartan Press
Grade 3-4-A series available as violin duets or violin & piano.Whether a student...
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Grade 3-4-A series available as violin duets or violin & piano.Whether a student or a great artist the desire to make a beautiful sound is a constant in the life of any musician. Sound is the musician's voice the means of communicating an artistic vision to the audience and it should be the aim for children of any age or standard to be engaged in good tone production.The inspiration for writing these pieces came to me from the wish to give the young children I teach music which would develop their ear for both good intonation and beautiful tone production. All the pieces have a strongly implied harmonic structure allowing them to be played without accompaniment. Thepurpose of the second violin part is therefore to enable the teacher to underline the harmony as well as to influence the student's tone production and intonation through his own sound as much can be taught by good example. This music is also available for violin and piano with piano accompaniments written by Heidi Rolfe.Finally I think that children enjoy the challenge of expressing different moods and emotions musically and I hope that the range of ideas implied by the keys and the titles of these pieces will fire their imagination.Nigel Goldberg.
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Stephen Albert: Tribute: Violin: Vocal Score
Violin and Piano
[Sheet music]
Schirmer
Stephen Albert's Tribute for Violin and Piano. Score and part. Duration: approx....
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Stephen Albert's Tribute for Violin and Piano. Score and part. Duration: approx. 9 minutes.'Tribute revolves on a dual axis comprised of two lyrical themes that generate theother musical ideas appearing throughout this one movement work. The first theme is given to the Piano in the opening and the second theme is announced by the Violin on the heels of the opening Piano section. Both themes aredeveloped and elaborated on woven in and around one another until they are at length transformed into new themes that are more dramatic and rhythmic than their lyrical forebears. The end of the work is announced when ahymn-like section commences in the Piano after a genuinely loud climatic section.' - Stephen AlbertTribute was commissioned by the McKim fund for the Library of Congress 1988.The premiere performance took place on October 28 1988 Edna Mitchell Violin Frank Glazer Piano The Library of Congress Washington D. C.
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Nigel Goldberg: Sounds Of A Rainbow Vol.2: Violin: Instrumental Album
Violin and Piano
[Sheet music]
-
Easy
Spartan Press
Grades 2-Whether a student or a great artist the desire to make a beautiful sou...
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Grades 2-Whether a student or a great artist the desire to make a beautiful sound is a constant in the life of any musician. Sound is the musician's voice the means of communicating an artistic vision to the audience and it should be the aim for children of any age or standard to be engaged in good tone production.The inspiration for writing these pieces came from the wish to give young students music which would develop their ear for both good intonation and beautiful tone production. All the pieces have a strongly implied harmonic structure allowing them to be played without accompaniment. The purpose of the accompanuments is therefore to enable the teacher to underline theharmony as well as to influence the student's tone production and intonation through his own sound as much can be taught by good example.Finally it is the author's belief that children enjoy the challenge of expressing different moods and emotions musically and it is hoped that the range of ideas implied by the keys and the titles of these pieces will fire their imagination.Contents:Almost Alone D MinorAlong the Sunny Path F MajorDance of the Gnomes D MinorEnglish Folk Song A MajorFisherman's Tale Bb MajorFull Moon F MajorHappy Song G MajorIntermezzo Bb MajorLana's Song A MinorLändler A MajorMountain Climb G MajorOff to School C MajorOverture G MajorQuick March ! A MajorRustic Dance D MajorSad Song G MinorSicilienne G MinorSicilienne Variation G MinorSpring Song C MajorSunshine and Flowers C MajorVirtuoso Variations G Major
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Wolfgang Amadeus Mozart: Violin Concerto No.3 In G K.216: Violin: Instrumental
Violin and Piano
[Sheet music]
-
Easy
Barenreiter
Mozart composed the majority of his works for solo String Instruments and Orches...
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Mozart composed the majority of his works for solo String Instruments and Orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775 which witnessed the creation of the five concertos for Violin and Orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity in this domain lie partly in the fact that Mozart who still occupied the post of concertmaster to the Prince-Archbishop was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimenting withall the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.The Piano reduction of Mozart?s G Major Violin Concerto is easier to play uncluttered and practical with page turns where you need them and where necessary fold-out pages.The solo part gives players the critical Urtext of the New Mozart Edition. The tutti passages are all presented in normal size print for players wanting to perform these sections with the first Violins. An ossia has been included in small print for the last four measures before the first solo passage to allow for the transition to the solo section.A prepared performance part is also included with bowings fingerings and performance practice comments. An additional brochure is included with todays most performed cadenzas ?Eingänge? and fermata embellishments by Eugène Ysaÿe Leopold Auer Sam Franko and Martin Wulfhorst.This collection offers players a spectrum of styles available in no other publication.Urtext of the New Mozart EditionFull score and parts (BA4865) Violin and Piano reduction (BA4865-90) and study score format 22.5 x 16.5cm (TP272) available for sale.
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Take The Lead - Movie Hits + Cd - Violin And Piano
Violin and Piano
[Sheet music + CD]
Faber Music Limited
Take the lead is an integrated series for alto saxophone, clarinet, flute, piano...
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Take the lead is an integrated series for alto saxophone, clarinet, flute, piano, tenor saxophone, trumpet and violin. In each edition all of the songs are in the same key at concert pitch, allowing the different instruments to play together. Chord symbols are included at concert pitch for use by piano or guitar. 'Take the Lead Movie Hits' features idiomatic arrangements of classic film themes offering fun repertoire that young instrumentalists will love to play. Students have a choice of playing along with CD, Piano or Guitar and all pieces are fully integrated with arrangements for other instruments in the series, making this the ideal resource for school bands and small ensembles. Used as a solo book these pieces will encourage technical progression and confidence in playing. Ideal pieces for performance, or just for fun. Contents: You Can Leave Your Hat On; The Wind Beneath My Wings; Blue Monday; Star Wars (Main Title); Because You Loved Me; I Will Always Love You; (Everything I Do) I Do It For You; I Don't Want To Miss A Thing
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In My Garden 2 (IGUDESMAN ALEKSEY)
Violin and Piano
Universal Edition
Spaziere Ein Zweites Mal Durch Aleksey Igudesmans Fantastischen Garten!. Par IGU...
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Spaziere Ein Zweites Mal Durch Aleksey Igudesmans Fantastischen Garten!. Par IGUDESMAN ALEKSEY. Once again, Aleksey Igudesman invites all violin students into his imaginary garden to get to know a wide variety of fruits and vegetables. Ten imaginative pieces are waiting to be discovered. Furthermore, there are again coloring pictures and short and funny poems in three languages (English, German and French). While they are fun to play, Igudesman manages to convey technical aspects as well. All the pieces have thus an educational value and are equally suitable as teaching and performance material. For those who cannot get enough of Aleksey Igudesman's funny creations we recommend 'In the Zoo' (Volume 1, Volume 2). In these two albums, the author takes us on a visit to the zoo and introduces us to the animals living there./ Recueil / Violon et Piano
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