| Magnificat a 4 Choral SATB satb (soli), SATB (choir), Orchestra Carus Verlag
Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc SKU: CA.3810211 Composed b...(+)
Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc SKU: CA.3810211 Composed by Johann Christian Bach. Edited by Gunter Graulich. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music. Part. Warb E 22. Duration 12 minutes. Carus Verlag #CV 38.102/11. Published by Carus Verlag (CA.3810211). ISBN M-007-25258-8. Latin. At less than 20 years of age, the youngest son of the Leipzig cantor of St. Thomas, Johann Sebastian Bach, withdrew from the Lutheran musical tradition of his family: Johann Christian Bach went to Italy, converted to Catholicism there and composed mainly Latin church music between 1757 and 1760. His great successes with operas for Turin, Milan and Naples from 1761 onwards led him all the way to London. Bach's church music comprises a number of vespers compositions, some of them large-scale, including this Magnificat a 4 (1760) for soloists, choir and orchestra. The very diversified work gets its additional attraction from distinctively led oboes and horns. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Magnificat a 4 Choral SATB satb (soli), SATB (choir), Orchestra Carus Verlag
Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc SKU: CA.3810209 Composed b...(+)
Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc SKU: CA.3810209 Composed by Johann Christian Bach. Edited by Gunter Graulich. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music. Set of Orchestra Parts. Warb E 22. Duration 12 minutes. Carus Verlag #CV 38.102/09. Published by Carus Verlag (CA.3810209). ISBN M-007-25257-1. Latin. At less than 20 years of age, the youngest son of the Leipzig cantor of St. Thomas, Johann Sebastian Bach, withdrew from the Lutheran musical tradition of his family: Johann Christian Bach went to Italy, converted to Catholicism there and composed mainly Latin church music between 1757 and 1760. His great successes with operas for Turin, Milan and Naples from 1761 onwards led him all the way to London. Bach's church music comprises a number of vespers compositions, some of them large-scale, including this Magnificat a 4 (1760) for soloists, choir and orchestra. The very diversified work gets its additional attraction from distinctively led oboes and horns. $19.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Domine ad adjuvandum me Choral SATB Carus Verlag
SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo SK...(+)
SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo SKU: CA.3810419 Responsorium. Composed by Johann Christian Bach. Edited by Guido Erdmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Domine Ad Adiuvandum Me Festina E14. Sacred vocal music, Psalms, Latin. Set of Orchestra Parts. Warb E 14. Duration 5 minutes. Carus Verlag #CV 38.104/19. Published by Carus Verlag (CA.3810419). ISBN 9790007215118. Language: Latin. At the age of just 20, Johann Christian Bach, the youngest son of Johann Sebastian Bach, the Kantor of St. Thomas's, left behind the Lutheran musical tradition of his family: he went to Italy, converted to Catholicism there and successfully composed operas for Turin, Milan and Naples. Frequently overlooked are the Catholic Bach's exquisite church music works, almost all written in the years 1757-1760, and which had a significant influence on his time in Italy. These include large-scale Vesper settings with impressive, symphonic-style instrumental introductions, sometimes anticipating Mozartian idioms. Bach's Domine ad adjuvandum me, an immediately captivating work, was written for the opening of Vespers; it seems to be carried along by a sense of euphoric purpose and a dynamic lightheartedness which positively radiates southern European temperament. The work is published in the authoritative Stuttgart Urtext edition, based on the rediscovered Hamburg autograph manuscript. Score and parts available separately - see item CA.3810400. $76.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Magnificat a 4 Organ Carus Verlag
Organ SKU: CA.3810249 Organ part. Composed by Johann Christian Bac...(+)
Organ SKU: CA.3810249 Organ part. Composed by Johann Christian Bach. Edited by Gunter Graulich. Stuttgart Urtext Edition: Bach vocal. German title: Magnificat A 4 E 22 - for Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc. Sacred vocal music. Individual Part. Warb E 22. 8 pages. Duration 12 minutes. Carus Verlag #CV 38.102/49. Published by Carus Verlag (CA.3810249). ISBN M-007-21504-0. Latin. At less than 20 years of age, the youngest son of the Leipzig cantor of St. Thomas, Johann Sebastian Bach, withdrew from the Lutheran musical tradition of his family: Johann Christian Bach went to Italy, converted to Catholicism there and composed mainly Latin church music between 1757 and 1760. His great successes with operas for Turin, Milan and Naples from 1761 onwards led him all the way to London. Bach's church music comprises a number of vespers compositions, some of them large-scale, including this Magnificat a 4 (1760) for soloists, choir and orchestra. The very diversified work gets its additional attraction from distinctively led oboes and horns. $7.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Magnificat a 4 Choral SATB satb (soli), SATB (choir), Orchestra Carus Verlag
Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc SKU: CA.3810212 Composed b...(+)
Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc SKU: CA.3810212 Composed by Johann Christian Bach. Edited by Gunter Graulich. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music. Part. Warb E 22. Duration 12 minutes. Carus Verlag #CV 38.102/12. Published by Carus Verlag (CA.3810212). ISBN M-007-25259-5. Latin. At less than 20 years of age, the youngest son of the Leipzig cantor of St. Thomas, Johann Sebastian Bach, withdrew from the Lutheran musical tradition of his family: Johann Christian Bach went to Italy, converted to Catholicism there and composed mainly Latin church music between 1757 and 1760. His great successes with operas for Turin, Milan and Naples from 1761 onwards led him all the way to London. Bach's church music comprises a number of vespers compositions, some of them large-scale, including this Magnificat a 4 (1760) for soloists, choir and orchestra. The very diversified work gets its additional attraction from distinctively led oboes and horns. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Magnificat a 4 Choral SATB satb (soli), SATB (choir), Orchestra Carus Verlag
Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc SKU: CA.3810213 Composed b...(+)
Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc SKU: CA.3810213 Composed by Johann Christian Bach. Edited by Gunter Graulich. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music. Part. Warb E 22. Duration 12 minutes. Carus Verlag #CV 38.102/13. Published by Carus Verlag (CA.3810213). ISBN M-007-25260-1. Latin. At less than 20 years of age, the youngest son of the Leipzig cantor of St. Thomas, Johann Sebastian Bach, withdrew from the Lutheran musical tradition of his family: Johann Christian Bach went to Italy, converted to Catholicism there and composed mainly Latin church music between 1757 and 1760. His great successes with operas for Turin, Milan and Naples from 1761 onwards led him all the way to London. Bach's church music comprises a number of vespers compositions, some of them large-scale, including this Magnificat a 4 (1760) for soloists, choir and orchestra. The very diversified work gets its additional attraction from distinctively led oboes and horns. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Domine ad adjuvandum me Choral SATB Carus Verlag
SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo SK...(+)
SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo SKU: CA.3810409 Responsorium. Composed by Johann Christian Bach. Edited by Guido Erdmann. This edition: urtext. 1x 38.104/21 oboe 1, 1x 38.104/22 oboe 2, 1x 38.104/31 horn 1, 1x 38.104/32 horn 2. Stuttgart Urtext Edition: Bach vocal. Domine Ad Adiuvandum Me Festina E14. Sacred vocal music, Psalms, Latin. Set of Orchestra Parts. Warb E 14. Duration 5 minutes. Carus Verlag #CV 38.104/09. Published by Carus Verlag (CA.3810409). ISBN 9790007215064. Language: Latin. At the age of just 20, Johann Christian Bach, the youngest son of Johann Sebastian Bach, the Kantor of St. Thomas's, left behind the Lutheran musical tradition of his family: he went to Italy, converted to Catholicism there and successfully composed operas for Turin, Milan and Naples. Frequently overlooked are the Catholic Bach's exquisite church music works, almost all written in the years 1757-1760, and which had a significant influence on his time in Italy. These include large-scale Vesper settings with impressive, symphonic-style instrumental introductions, sometimes anticipating Mozartian idioms. Bach's Domine ad adjuvandum me, an immediately captivating work, was written for the opening of Vespers; it seems to be carried along by a sense of euphoric purpose and a dynamic lightheartedness which positively radiates southern European temperament. The work is published in the authoritative Stuttgart Urtext edition, based on the rediscovered Hamburg autograph manuscript. Score and parts available separately - see item CA.3810400. $17.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Magnificat a 4 Choral SATB satb (soli), SATB (choir), Orchestra Carus Verlag
Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc SKU: CA.3810219 Composed b...(+)
Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc SKU: CA.3810219 Composed by Johann Christian Bach. Edited by Gunter Graulich. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music. Set of Orchestra Parts. Warb E 22. Duration 12 minutes. Carus Verlag #CV 38.102/19. Published by Carus Verlag (CA.3810219). ISBN M-007-24974-8. Latin. At less than 20 years of age, the youngest son of the Leipzig cantor of St. Thomas, Johann Sebastian Bach, withdrew from the Lutheran musical tradition of his family: Johann Christian Bach went to Italy, converted to Catholicism there and composed mainly Latin church music between 1757 and 1760. His great successes with operas for Turin, Milan and Naples from 1761 onwards led him all the way to London. Bach's church music comprises a number of vespers compositions, some of them large-scale, including this Magnificat a 4 (1760) for soloists, choir and orchestra. The very diversified work gets its additional attraction from distinctively led oboes and horns. $96.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Domine ad adjuvandum me Choral SATB Carus Verlag
SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo SK...(+)
SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo SKU: CA.3810411 Responsorium. Composed by Johann Christian Bach. Edited by Guido Erdmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Domine Ad Adiuvandum Me Festina E14. Sacred vocal music, Psalms, Latin. Single Part, Violin. Warb E 14. 4 pages. Duration 5 minutes. Carus Verlag #CV 38.104/11. Published by Carus Verlag (CA.3810411). ISBN 9790007215071. Language: Latin. At the age of just 20, Johann Christian Bach, the youngest son of Johann Sebastian Bach, the Kantor of St. Thomas's, left behind the Lutheran musical tradition of his family: he went to Italy, converted to Catholicism there and successfully composed operas for Turin, Milan and Naples. Frequently overlooked are the Catholic Bach's exquisite church music works, almost all written in the years 1757-1760, and which had a significant influence on his time in Italy. These include large-scale Vesper settings with impressive, symphonic-style instrumental introductions, sometimes anticipating Mozartian idioms. Bach's Domine ad adjuvandum me, an immediately captivating work, was written for the opening of Vespers; it seems to be carried along by a sense of euphoric purpose and a dynamic lightheartedness which positively radiates southern European temperament. The work is published in the authoritative Stuttgart Urtext edition, based on the rediscovered Hamburg autograph manuscript. Score and part available separately - see item CA.3810400. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Domine ad adjuvandum me Choral SATB Carus Verlag
SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo SK...(+)
SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo SKU: CA.3810449 Responsorium. Composed by Johann Christian Bach. Edited by Guido Erdmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Domine Ad Adiuvandum Me Festina E14. Sacred vocal music, Psalms, Latin. Single Part, Organ. Warb E 14. 4 pages. Duration 5 minutes. Carus Verlag #CV 38.104/49. Published by Carus Verlag (CA.3810449). ISBN 9790007215125. Language: Latin. At the age of just 20, Johann Christian Bach, the youngest son of Johann Sebastian Bach, the Kantor of St. Thomas's, left behind the Lutheran musical tradition of his family: he went to Italy, converted to Catholicism there and successfully composed operas for Turin, Milan and Naples. Frequently overlooked are the Catholic Bach's exquisite church music works, almost all written in the years 1757-1760, and which had a significant influence on his time in Italy. These include large-scale Vesper settings with impressive, symphonic-style instrumental introductions, sometimes anticipating Mozartian idioms. Bach's Domine ad adjuvandum me, an immediately captivating work, was written for the opening of Vespers; it seems to be carried along by a sense of euphoric purpose and a dynamic lightheartedness which positively radiates southern European temperament. The work is published in the authoritative Stuttgart Urtext edition, based on the rediscovered Hamburg autograph manuscript. Score and part available separately - see item CA.3810400. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Magnificat a 4 Choral SATB satb (soli), SATB (choir), Orchestra Carus Verlag
Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc SKU: CA.3810205 Composed b...(+)
Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc SKU: CA.3810205 Composed by Johann Christian Bach. Edited by Gunter Graulich. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music. Choral Score. Warb E 22. Duration 12 minutes. Carus Verlag #CV 38.102/05. Published by Carus Verlag (CA.3810205). ISBN M-007-25252-6. Latin. At less than 20 years of age, the youngest son of the Leipzig cantor of St. Thomas, Johann Sebastian Bach, withdrew from the Lutheran musical tradition of his family: Johann Christian Bach went to Italy, converted to Catholicism there and composed mainly Latin church music between 1757 and 1760. His great successes with operas for Turin, Milan and Naples from 1761 onwards led him all the way to London. Bach's church music comprises a number of vespers compositions, some of them large-scale, including this Magnificat a 4 (1760) for soloists, choir and orchestra. The very diversified work gets its additional attraction from distinctively led oboes and horns. $7.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Domine ad adjuvandum me Choral SATB Carus Verlag
SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo SK...(+)
SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo SKU: CA.3810413 Responsorium. Composed by Johann Christian Bach. Edited by Guido Erdmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Domine Ad Adiuvandum Me Festina E14. Sacred vocal music, Psalms, Latin. Single Part, Viola. Warb E 14. 4 pages. Duration 5 minutes. Carus Verlag #CV 38.104/13. Published by Carus Verlag (CA.3810413). ISBN 9790007215095. Language: Latin. At the age of just 20, Johann Christian Bach, the youngest son of Johann Sebastian Bach, the Kantor of St. Thomas's, left behind the Lutheran musical tradition of his family: he went to Italy, converted to Catholicism there and successfully composed operas for Turin, Milan and Naples. Frequently overlooked are the Catholic Bach's exquisite church music works, almost all written in the years 1757-1760, and which had a significant influence on his time in Italy. These include large-scale Vesper settings with impressive, symphonic-style instrumental introductions, sometimes anticipating Mozartian idioms. Bach's Domine ad adjuvandum me, an immediately captivating work, was written for the opening of Vespers; it seems to be carried along by a sense of euphoric purpose and a dynamic lightheartedness which positively radiates southern European temperament. The work is published in the authoritative Stuttgart Urtext edition, based on the rediscovered Hamburg autograph manuscript. Score and part available separately - see item CA.3810400. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Magnificat a 4 Choral SATB satb (soli), SATB (choir), Orchestra Carus Verlag
Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc SKU: CA.3810214 Composed b...(+)
Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc SKU: CA.3810214 Composed by Johann Christian Bach. Edited by Gunter Graulich. Stuttgart Urtext Edition: Bach vocal. Violoncello. Sacred vocal music. Single Part, Cello. Warb E 22. Duration 12 minutes. Carus Verlag #CV 38.102/14. Published by Carus Verlag (CA.3810214). ISBN M-007-25261-8. Latin. At less than 20 years of age, the youngest son of the Leipzig cantor of St. Thomas, Johann Sebastian Bach, withdrew from the Lutheran musical tradition of his family: Johann Christian Bach went to Italy, converted to Catholicism there and composed mainly Latin church music between 1757 and 1760. His great successes with operas for Turin, Milan and Naples from 1761 onwards led him all the way to London. Bach's church music comprises a number of vespers compositions, some of them large-scale, including this Magnificat a 4 (1760) for soloists, choir and orchestra. The very diversified work gets its additional attraction from distinctively led oboes and horns. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Domine ad adjuvandum me Choral SATB Carus Verlag
SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo SK...(+)
SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo SKU: CA.3810414 Responsorium. Composed by Johann Christian Bach. Edited by Guido Erdmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Domine Ad Adiuvandum Me Festina E14. Sacred vocal music, Psalms, Latin. Single Part, basso continuo. Warb E 14. 4 pages. Duration 5 minutes. Carus Verlag #CV 38.104/14. Published by Carus Verlag (CA.3810414). ISBN 9790007215101. Language: Latin. At the age of just 20, Johann Christian Bach, the youngest son of Johann Sebastian Bach, the Kantor of St. Thomas's, left behind the Lutheran musical tradition of his family: he went to Italy, converted to Catholicism there and successfully composed operas for Turin, Milan and Naples. Frequently overlooked are the Catholic Bach's exquisite church music works, almost all written in the years 1757-1760, and which had a significant influence on his time in Italy. These include large-scale Vesper settings with impressive, symphonic-style instrumental introductions, sometimes anticipating Mozartian idioms. Bach's Domine ad adjuvandum me, an immediately captivating work, was written for the opening of Vespers; it seems to be carried along by a sense of euphoric purpose and a dynamic lightheartedness which positively radiates southern European temperament. The work is published in the authoritative Stuttgart Urtext edition, based on the rediscovered Hamburg autograph manuscript. Score and part available separately - see item CA.3810400. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Magnificat a 4 Choral SATB satb (soli), SATB (choir), Orchestra Carus Verlag
Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc SKU: CA.3810200 Composed b...(+)
Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc SKU: CA.3810200 Composed by Johann Christian Bach. Edited by Gunter Graulich. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music. Full Score. Warb E 22. Duration 12 minutes. Carus Verlag #CV 38.102/00. Published by Carus Verlag (CA.3810200). ISBN M-007-25076-8. Latin. At less than 20 years of age, the youngest son of the Leipzig cantor of St. Thomas, Johann Sebastian Bach, withdrew from the Lutheran musical tradition of his family: Johann Christian Bach went to Italy, converted to Catholicism there and composed mainly Latin church music between 1757 and 1760. His great successes with operas for Turin, Milan and Naples from 1761 onwards led him all the way to London. Bach's church music comprises a number of vespers compositions, some of them large-scale, including this Magnificat a 4 (1760) for soloists, choir and orchestra. The very diversified work gets its additional attraction from distinctively led oboes and horns. $35.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Domine ad adjuvandum me Choral SATB Carus Verlag
SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo SK...(+)
SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo SKU: CA.3810403 Responsorium. Composed by Johann Christian Bach. Edited by Guido Erdmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Domine Ad Adiuvandum Me Festina E14. Sacred vocal music, Psalms, Latin. Vocal score. Warb E 14. Duration 5 minutes. Carus Verlag #CV 38.104/03. Published by Carus Verlag (CA.3810403). ISBN 9790007143978. Language: Latin. At the age of just 20, Johann Christian Bach, the youngest son of Johann Sebastian Bach, the Kantor of St. Thomas's, left behind the Lutheran musical tradition of his family: he went to Italy, converted to Catholicism there and successfully composed operas for Turin, Milan and Naples. Frequently overlooked are the Catholic Bach's exquisite church music works, almost all written in the years 1757-1760, and which had a significant influence on his time in Italy. These include large-scale Vesper settings with impressive, symphonic-style instrumental introductions, sometimes anticipating Mozartian idioms. Bach's Domine ad adjuvandum me, an immediately captivating work, was written for the opening of Vespers; it seems to be carried along by a sense of euphoric purpose and a dynamic lightheartedness which positively radiates southern European temperament. The work is published in the authoritative Stuttgart Urtext edition, based on the rediscovered Hamburg autograph manuscript. Score available separately - see item CA.3810400. $14.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Christmas Prophecy Deutscher Verlag für Musik
Voice(s) with various inst. SKU: BR.DV-9515-01 The people that walked ...(+)
Voice(s) with various inst. SKU: BR.DV-9515-01 The people that walked in darkness. Composed by Johann Georg Reichard. Edited by Wolfram Steude. Voice; stapled. Deutscher Verlag. Baroque period. Full Score. 24 pages. Deutscher Verlag fur Musik #DV 9515-01. Published by Deutscher Verlag fur Musik (BR.DV-9515-01). ISBN 9790200490596. 9 x 12 inches. German / English. In the latter half of the 18th and in the 19th century the Old Preface Testament Christmas prophecy (Isaiah 9, 1-6) formed the basis for numerous motetto- and cantata-like compositions originating from the Erzgebirge and the Vogtland of Saxony. From very early times, this text was included in Matins for Christmas day, hut until the period specified it was usually intoned on a reciting note. The present cantata is one of the few surviving testimonies to musical activity in the small Thuringian town of Schleiz. The prophecy Das Volk, so im Finstern wandelt was written - probably for performance at court services - in all likelihood by Johann Georg Reichard, a magistrate in the Grafschaft (County) of Reuss who later held higher judicial appointments. Reichard was born at Oels (Olefoica) in Silesia in 1710 and studied law at Leipzig from 1732. He then went to Schleiz and rose from the position of archivist to high legal office, at the same time succeeding Gottfried Siegmund Liebich (d. 1736) as director of the court chapel. He died in Schleiz on 2 June 1782. A few of his church cantatas and other pieces (serenades etc) written for the court at Schleiz once belonged to the Fursten- and Landesschule of St Augustine at Grimma whose music holdings are now preserved in Dresden. Some of Reichard's compositions are autograph, some in copies made by his son Heinrich Gottfried Reichard (1742-1801) who pursued an active career at Grimma both in music and ancient philology, first as cantor, finally as co-rector. The 'Prophecy' cantata survives anonymously in a score copied by Heinrich Gottfried Reichard who may well have sung it himself when he was fourteen, before bis voice broke - as the date Anno 17 56 suggests. He probably prepared the score in bis later years from the original parts, now no langer existent, as he did in the case of other works of his father's. Whether he revised the musical text, and to what extent, cannot now be established. This short and attractive work has all the lightness and exuberance of the rococo as well as genuine emotional depth. In addition, it is easy to perform and should prove very popular. Liturgically, it still occupies a place in Christmas matins or vespers. Permission for this publication was kindly given by Dr. Wolfgang Reich of the Sachsische Landesbibliothek Dresden, Musikabteilung. Wolfram Steude, Dresden, January 1972. $21.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| 1712 Overture Orchestra Theodore Presser Co.
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by ...(+)
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by PDQ Bach. Edited by Prof. Peter Schickele. Study Score. With Standard notation. Duration 11 minutes. Theodore Presser Company #416-41576. Published by Theodore Presser Company (PR.416415760). UPC: 680160636532. 9 x 12 inches. The 1712 Overture stands out in P.D.Q. Bach's oeuvre for two reasons, among others: it is by far the most programmatic instrumental piece among those by the minimeister of Wein-am-Rhein so far unearthed, and 2) its discovery has led to a revelation about the composer's father, Johann Sebastian Bach, that has exploded like a bombshell on the usually serene musicological landscape. The overture is based on an anecdote told to P.D.Q. Bach by a cousin, Peter Ulrich. Since P.U. Bach lived in Dudeldorf, only a few miles down the road from Wein-am-Rhein, he was P.D.Q.'s closest relative, and he was, in fact, one of the few members of the family who was on speaking terms with P.D.Q. The story, related to P.D.Q. (fortunately for us posterity types) in a letter, may be summarized thus: The town of Dudeldorf was founded by two brothers, Rudi and Dieter Dudel, early in the 18th century. Rudi remained mayor of the newborn burg for the rest of his long life, but Dieter had a dream of starting a musicians' colony, an entire city devoted to music, which dream, he finally decided, could be realized only in the New World. In 1712, he and several other bagpipers sailed to Boston, never to return to Germany. (Henceforth, Rudi became known as der deutscher Dudel and Dieter as the Yankee Dudel). Unfortunately, the head of the Boston Musicians' Guild had gotten wind of Dudel's plans, and Wilhelm Wiesel (pron. VEE-zle), known none too affectionately around town as Wiesel the Weasel, was not about to share what few gigs there were in colonial America with more foreigners and outside agitators. He and his cronies were on hand to meet Dudel's boat when it pulled into Boston Harbor; they intended to prevent the newcomers' disembarkation, but Dudel and his companions managed to escape to the other side of the bay in a dinghy, landing with just enough time to rent a carriage and horses before hearing the sound of The Weasel and his men, who had had to come around the long way. The Germans headed West, with the Bostonians in furious pursuit. soon the city had been left far behind, and by midnight so had the pursuers; Dieter Dudel decided that it was safe for him and his men to stop and sleep until daybreak. When they awoke, they found that they were in a beautiful landscape of low, forested mountains and pleasant fields, warmed by the brilliant morning sun and serenaded by an entrancing variety of birds. Here, Dudel thought, her is where I will build my colony. The immigrants continued down the road at a leisurely pace until they came upon a little church, all by itself in the countryside, from which there suddenly emanated the sounds of a pipe organ. At this point, the temptation to quote from P.U. Bach's letter to P.D.Q. cannot be resisted: They went inside and, after listening to the glorious music for a while, introduced themselves to the organist. And who do you think it was? Are you ready for this -- it was your old man! Hey, no kidding -- you know, I'm sure, that your father was the guy to get when it came to testing new organs, and whoever had that one in Massachusetts built offered old Sebastian a tidy sum to go over there and check it out. The unexpected meeting with J.S. Bach and his sponsors was interrupted by the sound of horse hooves, as the dreaded Wiesel and his men thundered on to the scene. They had been riding all night, however, and they were no spring chickens to start with, and as soon as they reached the church they all dropped, exhausted, to the ground. The elated Germans rang the church bells and offered to buy everyone a beer at the nearest tavern. There they were taught, and joined in singing, what might be called the national anthem of the New World. The melody of this pre-revolutionary patriotic song is still remembered (P.D.Q. Bach quotes it, in the bass instruments, near the end of the overture), but is words are now all but forgotten: Freedom, of thee we sing, Freedom e'er is our goal; Death to the English King, Long live Rock and Ross. The striking paucity of biographical references to Johann Sebastian Bah during the year 1712 can now be explained: he was abroad for a significant part of that year, testing organs in the British Colonies. That this revelation has not been accepted as fact by the musicological establishment is no surprise, since it means that a lot of books would have to be rewritten. The members of that establishment haven't even accepted the existence of P.D.Q. Bach, one of whose major works the 1712 Overture certainly is. It is also a work that shows Tchaikowsky up as the shameless plagiarizer that some of us have always known he was. The discovery of this awesome opus was made possible by a Boston Pops Centennial Research Commission; the first modern performance took place at the opening concert of the 100th anniversary season of that orchestra, under the exciting but authentic direction of John Williams. $39.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The merry chase, the hunt is my delight - Intermediate Carus Verlag
Soli SSTB, Chor SS(A)TB, 2 Blf, 2 Ob, Taille (Sinfonia: 3 Ob), Fg, 2 Cor, 2 Vl, ...(+)
Soli SSTB, Chor SS(A)TB, 2 Blf, 2 Ob, Taille (Sinfonia: 3 Ob), Fg, 2 Cor, 2 Vl, Va, Vne, Bc - Level 3 SKU: CA.3120805 Hunting Cantata. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Choral Score. Composed 1713. BWV 208. 8 pages. Duration 38 minutes. Carus Verlag #3120800. Published by Carus Verlag (CA.3120805). ISBN 9790007244552. German/English. Text: Franck, Salomo. A joyful dispute of the gods is how Johann Sebastian Bach's librettist Salomon Franck described the Birthday Cantata for the court of Saxony-Weissenfels, now generally known as the Hunting Cantata BWV 208. The work was probably first performed with the composer present on 23 February 1713, Duke Christian's 31st birthday. On that occasion the choir may have numbered just four soloists, but it can of course be larger. Bach also went on to perform this colorful and varied work, comprising 15 short movements, several times.
As the cantata begins with a recitative, there is an opportunity to precede it with an instrumental movement. A suitable piece is the opening movement of the 1st Brandenburg Concerto BWV 1046 with its hunting horn sounds, which Bach also used later in other works such as the church cantata BWV 52. The edition includes this movement from BWV 1046a (the oldest version) as a performance suggestion. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| 1712 Overture Orchestra Theodore Presser Co.
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by ...(+)
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by PDQ Bach. Edited by Peter Schickele. Large Score. With Standard notation. Duration 11 minutes. Theodore Presser Company #416-41576L. Published by Theodore Presser Company (PR.41641576L). UPC: 680160636549. 11 x 17 inches. The 1712 Overture stands out in P.D.Q. Bach's oeuvre for two reasons, among others: it is by far the most programmatic instrumental piece among those by the minimeister of Wein-am-Rhein so far unearthed, and 2) its discovery has led to a revelation about the composer's father, Johann Sebastian Bach, that has exploded like a bombshell on the usually serene musicological landscape. The overture is based on an anecdote told to P.D.Q. Bach by a cousin, Peter Ulrich. Since P.U. Bach lived in Dudeldorf, only a few miles down the road from Wein-am-Rhein, he was P.D.Q.'s closest relative, and he was, in fact, one of the few members of the family who was on speaking terms with P.D.Q. The story, related to P.D.Q. (fortunately for us posterity types) in a letter, may be summarized thus: The town of Dudeldorf was founded by two brothers, Rudi and Dieter Dudel, early in the 18th century. Rudi remained mayor of the newborn burg for the rest of his long life, but Dieter had a dream of starting a musicians' colony, an entire city devoted to music, which dream, he finally decided, could be realized only in the New World. In 1712, he and several other bagpipers sailed to Boston, never to return to Germany. (Henceforth, Rudi became known as der deutscher Dudel and Dieter as the Yankee Dudel). Unfortunately, the head of the Boston Musicians' Guild had gotten wind of Dudel's plans, and Wilhelm Wiesel (pron. VEE-zle), known none too affectionately around town as Wiesel the Weasel, was not about to share what few gigs there were in colonial America with more foreigners and outside agitators. He and his cronies were on hand to meet Dudel's boat when it pulled into Boston Harbor; they intended to prevent the newcomers' disembarkation, but Dudel and his companions managed to escape to the other side of the bay in a dinghy, landing with just enough time to rent a carriage and horses before hearing the sound of The Weasel and his men, who had had to come around the long way. The Germans headed West, with the Bostonians in furious pursuit. soon the city had been left far behind, and by midnight so had the pursuers; Dieter Dudel decided that it was safe for him and his men to stop and sleep until daybreak. When they awoke, they found that they were in a beautiful landscape of low, forested mountains and pleasant fields, warmed by the brilliant morning sun and serenaded by an entrancing variety of birds. Here, Dudel thought, her is where I will build my colony. The immigrants continued down the road at a leisurely pace until they came upon a little church, all by itself in the countryside, from which there suddenly emanated the sounds of a pipe organ. At this point, the temptation to quote from P.U. Bach's letter to P.D.Q. cannot be resisted: They went inside and, after listening to the glorious music for a while, introduced themselves to the organist. And who do you think it was? Are you ready for this -- it was your old man! Hey, no kidding -- you know, I'm sure, that your father was the guy to get when it came to testing new organs, and whoever had that one in Massachusetts built offered old Sebastian a tidy sum to go over there and check it out. The unexpected meeting with J.S. Bach and his sponsors was interrupted by the sound of horse hooves, as the dreaded Wiesel and his men thundered on to the scene. They had been riding all night, however, and they were no spring chickens to start with, and as soon as they reached the church they all dropped, exhausted, to the ground. The elated Germans rang the church bells and offered to buy everyone a beer at the nearest tavern. There they were taught, and joined in singing, what might be called the national anthem of the New World. The melody of this pre-revolutionary patriotic song is still remembered (P.D.Q. Bach quotes it, in the bass instruments, near the end of the overture), but is words are now all but forgotten: Freedom, of thee we sing, Freedom e'er is our goal; Death to the English King, Long live Rock and Ross. The striking paucity of biographical references to Johann Sebastian Bah during the year 1712 can now be explained: he was abroad for a significant part of that year, testing organs in the British Colonies. That this revelation has not been accepted as fact by the musicological establishment is no surprise, since it means that a lot of books would have to be rewritten. The members of that establishment haven't even accepted the existence of P.D.Q. Bach, one of whose major works the 1712 Overture certainly is. It is also a work that shows Tchaikowsky up as the shameless plagiarizer that some of us have always known he was. The discovery of this awesome opus was made possible by a Boston Pops Centennial Research Commission; the first modern performance took place at the opening concert of the 100th anniversary season of that orchestra, under the exciting but authentic direction of John Williams. $80.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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