for SATB Choir unaccompanied-To Sleep by Thea Musgrave for unaccompanied SATB choir. This 5 minute piece sets text by John Keats. This work originally entitled ‘Midnight’ was written in 1992 for Laura Lane and the Nova Singers for the American Choral Directors National Convention in San Antonio Texas March 4th 1993. It has now been completely revised and is retitled ‘To Sleep’. 'It is notably contrapuntal in texture with homophonic textures employed only for occasional emphasis demonstrating her assured and sensative word-setting and subtle handling of harmonic nuance'. Choir & Organ December2017

Thea Musgrave's O Caro M'e Il Sonno was first published in Musical Times supplement December 1978. Arranged for SATB chorus the piece has a duration of approximately 2 minutes.

On The Underground (or 'A Medieval Summer') is based upon texts from Poems On The Underground and was commissioned by the Ionian Singers with funds from The Holst Foundation. Written by Thea Musgrave for unaccompanied SATB chorus.

Commissioned by BBC Radio 3 for the BBC Proms. First performed by the BBC singers conducted by David Hill on 4th September 2010 at Cadogan Hall London.For SATB a cappella. Thea Musgrave - Ithaca by musicroom

Thea Musgrave's arrangement of the Anonymous 15th century text Adam Lay YBounden is scored for Children's Voices SATB Choir and Piano a performance of which lasts around 2 minutes.A review in the September 2016 issue of Organist's Review calls this 'a haunting setting...with a bell-like cascading descant' and that this 'characterful response to the words stands comparison with the well-known Ord and Ledger settings.'

This short choral work was written to celebrate the twenty-fifth season (2012/2013) of The New York Virtuoso Singers.

A work for SATB choir and organ setting an excerpt from Ode for Music on Saint Cecilia’s Day by Alexander Pope. It was first performed as part of the Festival of St Cecilia 2018 at St Paul’s Cathedral London on 21 November 2018 by the combined choirs of Westminster Abbey St Paul’s Cathedral and Westminster Cathedral.

Rorate Coeli for unaccompanied chorus was written in 1973 in response to a commission from the National Federation of Music Societies in Great Britain. It was first performed by the Thomas Tallis choir in Greenwich. It is a setting of two interleaved poems of the famous Scottish poet William Dunbar (written circa 1500). One poem is the Nativity poem of the title the other is the poem about the Resurrection: 'Done is a battle on the dragon black'. The work is framed by the rich chords of the opening line where full chorus is echoed by soloists. This setting of both poems simultaneously reminiscent of medieval polytextural techniques shows the future victory of theResurrection along with present joy of the Nativity. The chords of the opening return at the end combined with an exultant Gloria.