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EUPHONIUM
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John Tavener: The Protecting Veil: Orchestra: Score
String Orchestra
[Sheet music]
Chester
One of Tavener's most famous works The Protecting Veil for solo cello and strin...
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One of Tavener's most famous works The Protecting Veil for solo cello and string orchestra was commissioned by the BBC for the 1989 series of Henry Wood Promenade Concerts. The first performance was given in September 1989at the Royal Albert Hall London by Steven Isserlis and the BBC Symphony Orchestra conducted by Oliver Knussen.Study Score. Duration c. 42mins.
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Joaquín Rodrigo: Concierto Serenata Para Arpa Y Orquesta: Harp: Miniature Score
Español
Harp, Orchestra
[Sheet music]
Unión Musical Ediciones
(Miniature Score)-Joaqu n Rodrigo’s Concierto Serenata inhabits a world o...
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(Miniature Score)-Joaqu n Rodrigo’s Concierto Serenata inhabits a world of beauty and grace rarely found in the music of the 20th century. With its formal perfection numerous melodies and delicate but brilliant writing for soloist and orchestra the Concierto Serenata is a cornerstone of the modern Harp repertoire and one of its composer’s most attractive works. Orchestra score. Duration approximately 23 minutes.Joaqu n Rodrigo was a Spanish composer and a virtuoso pianist. Rodrigo's music is among the most popular music of the 20th century in particular his Concierto de Aranjuez is considered one of the pinnaclesof Spanish music and of the Guitar concerto repertoire. Although distinguished by having raised the Spanish Guitar to dignity as a universal concert instrument and best known for his Guitar music the blind composer never mastered the instrument himself.
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Domenico Dragonetti: The Famous Solo- für Kontrabass und Orchester: Double Bass:
Double bass, Orchestra
-
Advanced
G. Henle
Piano Reduction and Parts for Quintet-It is a bit of a paradox: one of Dragonett...
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Piano Reduction and Parts for Quintet-It is a bit of a paradox: one of Dragonetti?s favourite pieces and also his showpiece The Famous Solo originally for Double Bass and Orchestra is largely unknown today. This cannot be down to thevirtuoso work itself but is more likely due to the unclear source situation with its different versions.In this edition Tobias Glöckler presents Dragonetti?s autograph arrangement for Double Bass and StringQuartet for the first time. For those who would like to study the orchestral version there is also a Piano reduction based on a contemporary model. Using this edition The Famous Solo can be performed as neededin the solo and orchestral tuning Piano scores and quartet parts in e minor and f sharp minor are also included.
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Witold Lutoslawski: Double Concerto: Harp: Score
Orchestra
Chester
Commissioned by Paul Sacher who conducted the first performance in Lucerne 1980...
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Commissioned by Paul Sacher who conducted the first performance in Lucerne 1980. The parts are also available here are the item codes. CH55410-01(harp) CH55410-02 (oboe)
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STRAVINSKY HISTOIRE DU SOLDAT SCORES
Orchestra
[Partition]
-
Advanced
Chester
ans cette nouvelle édition de la pièce dramatique maîtresse ...
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ans cette nouvelle édition de la pièce dramatique maîtresse de Stravinsky, Histoire du soldat, les publicateurs ont cherchés à rationaliser tous les divers et parfois conflictuels amendements faits par le compositeur durant sa vie. Cette édition convient a ceux qui s'intéressent aux grandes pièces musicales du vingtième siècle. A être lue, jouée et dansée en deux parties. Écrite pour clarinette, Basson, Cor, Trombone, Violon, Contrebasse et Percussion. / [Igor Stravinsky: The Soldier's Tale] / Classique / Partition /
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Maitreya - Versuch Einer Integralen Musik / Klangspirale - Spiral Of Sounds
Orchestre, Bande Magnétique-Disque, Spiral Of Sounds (1977) Et 13 Instrumentalistes Ou 3 Groupes Orchestraux
[Sheet music]
Barenreiter
/ Orchestre, Bande Magnétique-Disque, Spiral Of Sounds (1977) Et 13 Instrument...
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/ Orchestre, Bande Magnétique-Disque, Spiral Of Sounds (1977) Et 13 Instrumentalistes Ou 3 Groupes Orchestraux / Partition
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Allegro for Double Orchestra (VIVALDI ANTONIO / SIEVING ROBERT (Arr)
Orchestra
Hal Leonard
FROM THE RESPONSORY DOMINE AD ADJUVANDUM ME FESTINA. Par VIVALDI ANTONIO / SIEVI...
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FROM THE RESPONSORY DOMINE AD ADJUVANDUM ME FESTINA. Par VIVALDI ANTONIO / SIEVING ROBERT (Arr.). Robert Sieving\'s arrangement of Allegro for Double String Orchestra by Antonio Vivaldi, RV593, originally a motet featuring the vocal setting of Psalm 69 for soprano, 2 oboes, 2 SATB choirs, and double string orchestra, provides the opportunity for two orchestras to perform in opposition and have a musical conversation through fugal writing. Sieving has maintained Vivaldi\'s writing and sound, as the two orchestras battle it out to be the reigning orchestra. Each orchestra and section have interesting parts, with string crossings, minimal shifting, stylistic Baroque bow use, and call and response sections or echo sections. Invite a neighboring orchestra to perform this wonderful double string piece or divide your orchestra in two groups. Such a wonderful addition to our Vivaldi repertoire by Robert Sieving at Level 3. / Date parution : 2022-07-30/ Répertoire / Orchestre
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Symphony No. 10: Peking Fantasy (PENG-PENG GONG)
Orchestra
[Score]
Hal Leonard
for Orchestra Full Score. Par PENG-PENG GONG. “In celebration of the 40th anni...
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for Orchestra Full Score. Par PENG-PENG GONG. “In celebration of the 40th anniversary of China-U.S. diplomatic relations and in hope to support the promotion of Chinese culture abroad, Peng-Peng Gong's (b. 1992) Tenth Symphony, subtitled 'Peking Fantasy' (Op. 55) was co-commissioned by the Philadelphia Orchestra and the Shanghai Philharmonic Orchestra in 2017. The world premiere of the 2018 original version was presented by the SPO in April of the same year in Shanghai, while the world premiere of the 2019 revised version was presented by the Philadelphia Orchestra in January at its home venue with the combined forces of both orchestras side-by-side. Inspired by the artistic power of Peking Opera ?the crowning heritage of Chinese traditional performing arts, the symphony strives to translate the emotional and philosophical experience of the art form for international audiences and to explore the Western orchestra's expressive abilities in capturing the Eastern spirit. The 2018 original version ran as long as 76 minutes, before the composer extensively revised the score down to 40 and presented it in a single movement without pause. The work is scored for a huge orchestra of over 100 players. Main materials that inspired the music are from the traditional Peking Opera repertory: The Drunken Beauty, Farewell My Concubine, In Pursuit of the General, and The Chancellor and the Advisor (lit. Cao Cao and Yang Xiu). 'Peking Fantasy' is in a sweet, direct musical language ...It's a work of highly original sounds presented in a series of vivid episodes.” -Peter Dobrin, The Philadelphia Inquirer Please note: this item will be printed at the time of ordering and will ship as soon as possible, usually within 2-3 weeks. / Date parution : 2022-01-18/ Répertoire / Orchestre
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Timbres Espaces Mouvements Ou 'La Nuit Etoilee' Partition Orchestre In 8 Ph307 (DUTILLEUX HENRI)
Orchestra
[Sheet music]
Heugel
Par DUTILLEUX HENRI. Composed in 1978 by Henri Dutilleux, Timbres, Espace, Mouve...
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Par DUTILLEUX HENRI. Composed in 1978 by Henri Dutilleux, Timbres, Espace, Mouvement Ou La Nuit Etoileé is a work for Orchestra, also named “The Starry Night” after the painting by Van Gogh. It was commissioned by Mstislav Rostropovich for the National Symphony Orchestraof Washington and is dedicated to Charles Münch. This work for Orchestra lasts approximately 20 minutes and depicts the content of the painting. It is scored for a full Orchestra without Violins or Violas. The Cellos serve to represent space, with swirling solos alongside calmer sections, while thelack of Violins and Violas epitomises for the quiet and motionless sections of the painting. The solo of the Wind instruments and Drums characterizes the clouds and the light of the moon and stars. It is divided into two parts: 1. Nébuleuse (Nebula) and 2. Constellations, which are divided by a Cello interlude. Composed in 1978 by Henri Dutilleux, Timbres, Espace, Mouvement Ou La Nuit Etoilee is a work for Orchestra, also named ; The Starry Night after the painting by Van Gogh. It was commissioned by Mstislav Rostropovich for the National Symphony Orchestra of Washington and is dedicated to Charles Munch. This work for Orchestra lasts approximately 20 minutes and depicts the content of the painting. It is scored for a full Orchestra without Violins or Violas. The Cellos serve to represent space, with swirling solos alongside calmer sections, while the lack of Violins and Violas epitomises for the quiet andmotionless sections of the painting. The solo of the Wind instruments and Drums characterizes the clouds and the light of the moon and stars. It is divided into two parts: 1. Nebuleuse (Nebula) and 2. Constellations, which are divided by a Cello interlude. Henri Dutilleux was internationally acclaimed for his work, winning prizes such as the Gold Medal of the Royal Philharmonic Society and the UNESCO's International Rostrum of Composers, among many others. His work also includes a Piano sonata, two symphonies, the Violin concerto 'L'Arbre Des Songes' (The Tree Of Dreams) and the Cello concerto 'Tout Un Monde Lointain' (A Whole Distant Word)./ Répertoire / Orchestre
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In The Shadow Of The Bat: Orchestra: Score
Orchestra
Wilhelm Hansen
In The Shadow Of The Bat - Concerto for Three Trombones and Orchestra by Niels M...
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In The Shadow Of The Bat - Concerto for Three Trombones and Orchestra by Niels Marthinsen (2009). Programme note: In the Shadow of the Bat is a triple concerto for three trombones and orchestra inspired by Batman and his enemies The Joker Two-Face and The Penguin. A central idea of modern versions of the Batman myth is that the batman is created by the fantastic villains that he fights and they are created by him - and that Batman is driven by revenge and hate barely held in check by an intense sense of justice. Batman represents 'the dark side' while the villains are hyper-imaginative colourful creative caracters who happen to be completely insane. The rivalry between soloists and orchestra is anything but friendly: The three soloists represent one villain each the orchestra 'is' the batman - and while the villains take centre stage during most of the concerto they are eventually overwhelmed by the sheer power of the orchestra and sent where they belong: The lunatic's asylum. The concerto begins with the creation of the batman: An eight year old boy persuades his parents to leave an opera performance before it is over; outside in an alley they are shot and killed by a criminal while the boy watches. And he decides that all criminals must be punished! Then follows the Villaineuos Fugue: a multi-part fugue-like exposition of villain motives and stylistic environments. It is the exposition of the joker (alto trombone) two-face (tenor trombone) and the penguin (bass trombone). And after a brief and very slow interlude where the three criminals form an alliance and make their plans the Toccata of Crime begins: Bright fast moving highly energetic expansive and colourful music still dominated by the soloists. But later the orchestra moves to centre stage with slow omnious swooping bat-music that climaxes as the soloists are defeated by the orchestra. In the Shadow of the Bat is commissioned
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Britta Byström: Walking in the Shade: Orchestra: Score
Orchestra
[Score]
Wilhelm Hansen
Part II of Carion Triptych-The second work from the Clarion Triptych for wind qu...
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Part II of Carion Triptych-The second work from the Clarion Triptych for wind quintet and orchestra. The work was premiered by the Carion Wind Quintet and the Latvian National Symphony Orchestra at the Latvian National Symphony Orchestra Summer Festival in August 2019. The second work from the Clarion Triptych for wind quintet and orchestra. The work was premiered by the Carion Wind Quintet and the Latvian National Symphony Orchestra at the Latvian National Symphony Orchestra Summer Festival in August 2019.
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Helen Grime: Everyone Sang: Orchestra: Score
Orchestra
[Partitions]
Chester
Everyone Sang was composed by Scottish composer Helen Grime in 2010. It was comm...
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Everyone Sang was composed by Scottish composer Helen Grime in 2010. It was commissioned by BBC Radio 3 for the 75th anniversary of the BBC Scottish Symphony Orchestra. It was first performed at CityHall Candleriggs Glasgow in December 2010 and is arranged for Orchestra. When composing this piece Grime states that she imagined the Orchestra as many individual voices that were capableof producing a unified melody but also breaking off into separate strands of song. Since it was composed as a commemoration for the BBC Scottish Symphony Orchestra Grime wished to emphasise the Orchestra as a grand unified whole as well as their individual sections and sounds. The piece unifies the orchestra with a sense of celebration and elation as well as a sense of melancholy making it apt that the pieceis named after a poem by Siegfried Sassoon.
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Reza Vali: Segah: Double Concerto: Orchestra and Solo: Score
Orchestra
Lauren Keiser Music Publishing
Full Score-The Persian traditional music (called the Dastgah Segah) is based on ...
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Full Score-The Persian traditional music (called the Dastgah Segah) is based on intervals made of three quarter-tones and natural whole-tones. Segah has no interval in common with the European/ Western equal-temperament tuning. This lack of common intervalsbetween the Segah mode and the equal-temperament tuning will lead to a cognitive dissonance if this mode is set against the equal-temperament system. My goal has been to elaborate on the innate tensions that exists between the two interval systemsand use it as a symbol for the existing political and cultural tensions between the Persian and the Western cultures. The piece consists of two Persian traditional instruments the Ney (Persian vertical bamboo flute) and the Kamanche (Persian spikefiddle) as the musical representatives of the Persian culture set against the Western orchestra as the musical representative of the Western culture. A small ensemble of Western instruments consisting of a harp and string quintet accompanies thePersian instruments. The harp is tuned to the Segah intervals and the string quintet plays in the Segah mode. The orchestra is performing inthe Western equal- temperament tuning. From the very first bars of the main section of the piece confusionsand misunderstandings arise. The orchestra being unable to play in Segah or understand the mode becomes more and more agitated. Musical tensions between the soloists and the orchestra lead to musical confrontations and finally to musicalviolence. The orchestra becomes extremely violent and militaristic and tries to suppress the soloists efforts to express their musical thoughts. In the midst of all these confusions and cultural misunderstandings musical connections and attractionsstart to take place. The orchestra and the soloists find themselves musically attracted to each other and start imitating each others musical phrases. Cognitive dissonances start to be gradually transformed to musical dialogues symbolizing thegradual replacement of the clash of civilizations with the dialogue of civilizations. Segah was written for Khosrow and Kian Soltani and premiered at the Segah Festival on January 15 2016.
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Mozart W.a. - Works For Violin And Orchestra Kv 2017, 211, 216, 218, 219, 261, 269 (261a), 373
Orchestra, Violin
Barenreiter
Mozart, Wolfgang Amadeus Works for Violin and Orchestra KV 2017, 211, 216, 218, ...
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Mozart, Wolfgang Amadeus Works for Violin and Orchestra KV 2017, 211, 216, 218, 219, 261, 269 (261a), 373 Based on the Urtext of the ?New Mozart Edition?, this new study score unites the five violin concertos and the 3 single movements for violin from the pen of Mozart in one thoroughly reliable study score. A new historical introduction by Gudula Schütz provides valuable additional information. Full scores, piano reductions and performance material to all works included in the study score are readily available. This new edition will replace the following study scores: Concerto for Violin and Orchestra no. 1 K. 207, TP 270 Concerto for Violin and Orchestra no. 2 K. 211, TP 271 These study scores will continue to be available: Concerto for Violin and Orchestra no. 3 K. 216, TP 272 Concerto for Violin and Orchestra no. 4 K. 218, TP 273 Concerto for Violin and Orchestra no. 5 K. 219, TP 20 Edition no.: TP 325 ISMN: 9790006205349 Editor: Mahling, Christoph-Hellmut Language(s) of text: German, English Product format: Study score, Anthology, Urtext edition Binding: Paperback Pages / Format: XXII, 303 S. - 22,5 x 16,5 cm
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Poul Ruders: Piano Concerto No.2: Piano: Score
Piano and Orchestra
[Score]
Wilhelm Hansen
Piano Concerto No. 2 for Piano and Orchestra (2009) by Poul Ruders.Commissioned ...
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Piano Concerto No. 2 for Piano and Orchestra (2009) by Poul Ruders.Commissioned by The Norwegian Radio Orchestra and Jerome Lowenthal. Solo Piano part: WH31129CProgramme Note In this day and age when faced with the challenge of writing a 'Piano Concerto' e.g. a piece for symphony orchestra and an all-dominating and virtuosic solo Piano part one has two options: either: DO or do NOT go for it wholesale exploiting and enjoying the conrnucopia of sonorous treasures offered by the combination of the orchestra and the 'Grand Piano'. I have opted to go for it. When writing forone of our great young international Piano stars it would be absurd and a waste to do anything less and only 'nibble at the goodies'.However the piece is not a big clunky 'machine'. Rather it is a transparently orchestrated neo-classic (for the lack of a better work) composition in three movements lastign approximately 25 minutes.The piece begins with a moderately paced opening in which the Piano gradually gathers momentum and strength beginning with the most gentle of motifs. In this movement the soloist and orchestra fo not always agree and the vigilant listener will observe the disparity between the two. Following a swift up-beat coda the movement stops almost in mid-breath on one of the gentle Piano chords taken from the very opening.The extreme simplicity of the second movement 'Semplice' (the opening Piano solo bears the marking: 'slightly hesitant - like a child practicing') is after having been joined by the Vibraphone Harp and solo Violin suddenly violated with unprecedented brutality by the rest of the orchestra which virtually 'lies in wait - panting to pounce'. But eventually calm and order is restored.The finale is a crazy rondo of sorts. The marking 'Avanti Risoluto' (Forward with Resolve) is a bit of an understatement. It is a full throttle no hold barred ride -
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Hans Abrahamsen: Left Alone: Piano: Score
Piano and Orchestra
[Sheet music]
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Intermediate/advanced
Wilhelm Hansen
Left Alone for Piano (left hand) and Orchestra was composed by Hans Abrahamsen ...
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Left Alone for Piano (left hand) and Orchestra was composed by Hans Abrahamsen in 2014-15. Commissioned by Westdeutscher Rundfunk and co-commissioned by City of Birmingham Symphony Orchestra Danish National Symphony Orchestra and Rotterdam Philharmonic Orchestra. Premiered by the WDR Sinfonieorchester and Alexandre Tharaud (piano) concducted by Ilan Volkov on January 29 2016 Cologne. Programme Note: I was born with a right hand that is not fully functional and though it never prevented me from loving playing the piano as well as I could with this physical limitation it hasobviously given me an alternative focus on the whole piano literature and has given me a close relationship with the works written for the left hand by Ravel and others. This repertoire has been with me since my youth. My very first public performance of one of my own works was in autumn 1969. The piece was called October and I played the piano with my left hand and the horn my principal instrument (the only instrument that can be played with only the left hand). Part of the piece requires the performer to play natural harmonics of the horn directly into the open strings of the grand piano to create resonance. The pedal was kept down by an assistant lying on the floor. Through decades the idea of writing a larger work for piano left hand has been in my mind. This new work is not written for a pianist with only one hand but rather by a composer who can only play with the left hand. The title Left alone contains all kinds of references not only to the obvious fact that the left hand is playing alone. Left alone is divided into two large parts each consisting of three smaller movements – in effect six in total. The work was commissioned by Westdeutscher Rundfunk and co-commissioned by City of Birmingham Symphony Orchestra Danish National Symphony Orchestra and Rotterdam Philharmonic and written for Alexandre Tharaud. Hans
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Charles E. Ives: Postlude In F Orchestra Sc&Ptcritical Edition: Orchestra: Score
Orchestra
[Sheet music]
Schirmer
Score and Parts-Charles Ives' Postlude In F for Orchestra. Score and parts.The P...
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Score and Parts-Charles Ives' Postlude In F for Orchestra. Score and parts.The Postlude in F composed in 1895 is Charles Ives' earliest known work for large Orchestra. It is based on anearlier Organ piece which Ives performed at the Baptist Church in Danbury Conneticut on May 11 1890 (at the age of fifteen; on the cover page of the full score Ives mistakenly gave 1892 for the year of the Organcomposition). The version for Orchestra was probably produced as an orchestration assignment for a class of Horatio Parker Ives' teacher at Yale College. Ives recalled that the 'New Haven Orchestra' - that is the New Haven Symphony Orchestra organised by Parker in 1895- read through the work in 1896. The Postlude in F which was also preperation for work on the First Symphony (its first movement also completed in1895) contains some suprisingly mature and beautiful writing especially in the magical closing pages. - Kenneth D. Singleton.
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Eulenburg Audio+Scores - Boxed Set
Orchestra
[Study Score / Miniature + CD]
Eulenburg
The 'Eulenburg Audio Score' series contains the orchestral world's greatest musi...
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The 'Eulenburg Audio Score' series contains the orchestral world's greatest musical treasures from the baroque, classical and romantic repertoire. Each volume is clearly-presented with authoritative scores, informative prefaces detailing the biographical and creative background- - CDs of great performances of each work in full length, from orchestras including the London Philharmonic Orchestra, the Royal Philharmonic Orchestra, and the Philharmonia Orchestra.NEW: This box-set of 25 masterpieces in a handy slipcase containing volumes 51-75 in the series is amazing value: almost 50% cheaper than buying each volume separately!This is the perfect gift for any music-lover. 'Eulenburg Audio Score' is the new way to hear, read and understand music. Eulenburg is the 130 year-old world-famous publishing brand, renowned for its top-quality, reliable study scores at reasonable prices. Focusing on the fields of opera, orchestral music, chamber music and vocal music, it is the favoured by conductors, orchestral musicians, soloists, students, teachers and music-lovers generally. The more you read, the more you hear! / Tout Instrument
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Mimosa Shower (NISHIMURA YUKIKO)
String Orchestra
[Score and Parts]
Hal Leonard
for String Orchestra Score and Parts. Par NISHIMURA YUKIKO. Mimosa Shower was wr...
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for String Orchestra Score and Parts. Par NISHIMURA YUKIKO. Mimosa Shower was written with a sense of anticipation for spring. The brightness of D Major is perfect for string orchestra, and the yellow color of the mimosa flower reminds me of this key. Mimosa Shower opens with a vivid impressionistic introduction, followed by a gently flowing theme. Every instrument plays the melody which flows side to side. Yukiko Nishimura creates a dialogue between the sections of the orchestra, asking each part to have awareness of the conversation and to respond musically. The orchestra creates harmonies which ebb and flow as the wind blows through the mimosas. This level 4 piece is expressive, legato, intricate, with minimal time signature changes, and a memorable expression of the expectancy of mimosa blossoms in spring. / Date parution : 2022-07-30/ Répertoire / Orchestre à Cordes
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Kaija Saariaho: True Fire: Orchestra: Score
Orchestra
Chester
For baritone and orchestra (2014)-Kaija Saariaho’s True Fire for Baritone ...
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For baritone and orchestra (2014)-Kaija Saariaho’s True Fire for Baritone Solo and Orchestra was commissioned by the Los Angeles Philharmonic Orchestra NDR Sinfonieorchester BBC Symphony Orchestra and Orchestre national deFrance. The world premiere took place on 14 May 2015 at the Walt Disney Concert Hall Los Angeles performed by Gerald Finley (Baritone) with the Los Angeles Philharmonic Orchestra conducted by Maestro GustavoDudamel.
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Cello Concerto (BRYARS GAVIN)
Cello, Orchestra
[Study Score / Miniature]
Schott
Farewell to philosophy. Par BRYARS GAVIN. I have a great fondness for the lower ...
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Farewell to philosophy. Par BRYARS GAVIN. I have a great fondness for the lower string instruments: I am a bass player, my mother is a cellist, as are both my daughters; my own ensemble includes two violas, a cello and a bass, and for the instrumentation of my opera Medea I omit the entire violin section from the orchestra. As I have written a number of works for solo instrument or voice with orchestra I welcomed the opportunity to write a concerto for cello and orchestra and especially one which focuses particularly on the instrument’s lyrical qualities. Although the piece is in one continuous movement, and the soloist is playing almost without a break, it nevertheless falls into distinct sections which are recognisable by a shift of tempo as well as by a change in the music’s character. One of the early ideas Julian Lloyd Webber and I discussed was that it might form a companion piece to one of the Haydn concertos. Given my friendship with some members of the English Chamber Orchestra and my awareness of their repertoire, this suggested a number of particular musical references. The subtitle to the work, for example, combines the subtitles of two idiosyncratic Haydn symphonies and I allude to them in different ways but chiefly through orchestration: for The Philosopher by including a section in the concerto where the orchestration resembles that of the symphony’s first movement (pairs of English and French horns, muted violins and unmuted lower strings); for The Farewell, by the progressive reduction in the orchestration towards the end. Indeed, apart from the orchestral tutti in the last few bars, the last pages of the score are virtually for string quartet. The subtitle also refers to my own background as a philosophy graduate... The piece was commissioned by Philips Classics for Julian Lloyd Webber and is dedicated to him. The first performance was given by Julian Lloyd Webber and the English Chamber Orchestra conducted by James Judd, 21 November 1995, Barbican Hall, London. Gavin Bryars/ Répertoire / Violoncelle et Orchestre
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Sleep
String Orchestra
[Score and Parts]
Hal Leonard
for String Orchestra. Par WHITACRE ERIC. A brand new orchestration of Eric Whita...
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for String Orchestra. Par WHITACRE ERIC. A brand new orchestration of Eric Whitacre's popular composition for concert band, Sleep for String Orchestra is a lush and achingly beautiful work. This haunting chorale begins softly and slowly then blossoms to a powerful climax. Can also be performed with optional SATB chorus, with original text by celebrated American poet Charles Anthony Silvestri. / Date parution : 2023-07-31/ Répertoire / Orchestre à Cordes
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Sleep
String Orchestra
[Score]
Hal Leonard
for String Orchestra. Par WHITACRE ERIC. A brand new orchestration of Eric Whita...
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for String Orchestra. Par WHITACRE ERIC. A brand new orchestration of Eric Whitacre's popular composition for concert band, Sleep for String Orchestra is a lush and achingly beautiful work. This haunting chorale begins softly and slowly then blossoms to a powerful climax. Can also be performed with optional SATB chorus, with original text by celebrated American poet Charles Anthony Silvestri. / Date parution : 2023-07-31/ Répertoire / Orchestre à Cordes
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