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Gene
EUPHONIUM
Cello, Piano
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Dolorosa (CHAPELIER Geneviève)
Français
Cello, Piano
[Sheet music]
-
Easy
Bayard-Nizet
Par CHAPELIER Geneviève. / Niveau : 2 / Partition / Violoncelle et Piano
11.61 EUR - Sold by LMI-partitions
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Berceuse (CHAPELIER Geneviève)
Français
Cello, Piano
[Sheet music]
-
Easy
Bayard-Nizet
Par CHAPELIER Geneviève. / Niveau : 2 / Partition / Violoncelle et Piano
8.44 EUR - Sold by LMI-partitions
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César Franck: Sonata / Mélancolie: Cello: Instrumental Work
Cello, Piano
-
Intermediate
Barenreiter
for Violoncello and Piano-Cesar Franck?s Sonata for Piano and Violin is one of t...
(+)
for Violoncello and Piano-Cesar Franck?s Sonata for Piano and Violin is one of the most treasured works in the Violin repertoire a masterpiece of cyclic form with a gracefulness and expressive force almost paradigmatic for the age of musical Romanticism. This work was composed in 1886 and was dedicated to the Belgian violinist and composer Eugène Ysaÿe.Franck?s friend the cellist Jules Desart was so impressed when he heard the Violin Sonata performed at the Société nationale de musique in Paris that he adapted the work for his instrument. This arrangement was first published in 1887 by inserting the Cello part into the Piano score of the original edition. For this purpose thePiano score had received a new cover and the publisher had expanded the title of the composition to ?Sonate pour Piano et Violon ou Violoncelle?. This version by the cellist Jules Delsart for Piano and Violoncello is the only arrangement of the work authorized by the composer and its first edition represents the main source for Bärenreiter?s new scholarly-critical publication.This Barenreiter edition also includes a separate movement ?Mélancolie? first published after Franck?s death in 1911 again for the same instrumentation Piano and Violin or Violoncello. This short piece is based on a solfège exercise and was written at the height of the composer?s creative powers at about the same time as his famous Violin sonata.The edition is rounded off by an informative text on the genesis and reception history of the two compositions (Ger/Fr/Eng) a complete list of sources editorial notes and a Critical Commentary (Eng).Pioneering new Urtext editionInformative text on the genesis and reception history of the two compositions (Ger/Fr/Eng)Detailed Critical Commentary (Eng)Also available:Sonata; Andantino quietoso Op.6; Mélancolie for Piano & Violin BA9425.Sonata arranged for Piano & Viola BA10918.Sonata in A major arranged for Piano & Flute BA8734
21.50 GBP - Sold by Musicroom UK
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Sonate F-Dur (STRAUSS RICHARD)
Cello, Piano
Schott
Arrangeur: Florence Eller. Par STRAUSS RICHARD. The Cello Sonata Op. 6 was compo...
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Arrangeur: Florence Eller. Par STRAUSS RICHARD. The Cello Sonata Op. 6 was composed over an apparently frequently interrupted period of three years, an extraordinarily long time for Strauss's early creative phase. The compositional process spawned two independent versions of the work, the first of which is published for the first time on the basis of the text in the Critical Edition of the Works of Richard Strauss in the current edition as a practical musical text. The genesis of the two versions and the reasons for revision can only be reconstructed in part: only one of the surviving autographs bears a date and the second version only survives in printed form. What is more, Strauss did not communicate in greater detail on this composition in correspondence with his family and friends. There are enormous differences between the two versions of the Sonata: Strauss deleted the entire second and third movements Larghetto and Allegro vivace, replacing them with a newly composed Andante and Finale. In the first movement, Allegro con brio, Strauss retained the thematic-motivic material and compositionally complex passages such as the three-voice fugue in the development section (from bar 241 in the first version and bar 275 in the second version) almost intact in the new version of the sonata, but also undertook extensive alterations, particularly in the structure of the piano part, the motivic-thematic development of the movement and its harmony which became far more ambitious.12 Particular attention should be drawn to the repetitive accompaniment of the con espressione theme beginning in bar 32 and the significantly shorter development in the first version. The current printed edition of the first version of Richard Strauss's Cello Sonata now makes it possible to follow Strauss's compositional development during this period. The significance of the differences between the versions also mean that two sonata compositions for violoncello and piano by Richard Strauss with fundamental disparities in their underlying character are now available for performance. (from the foreword by the editors)/ Répertoire / Violoncelle et Piano
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César Franck: Sonata In A Major: Cello Duet: Instrumental Work
Cello, Piano
[Sheet music]
IMC (International Music Co.)
The Sonata In A Major is one of Franck's best-known works. Originally for Violin...
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The Sonata In A Major is one of Franck's best-known works. Originally for Violin it was composed as a wedding present for the famous Belgian Violinist Eugene Ysaÿe who performed it at his matrimonial celebrations onSeptember 26 1886. It is set in this edition for Cello and Piano accompaniment and has been selected for the ABRSM Grade 8 Cello Syllabus.
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Sonata in F major for Violoncello and Piano op. 99: Cello: Instrumental Work
Cello, Piano
Barenreiter
Brahms completed his Cello Sonata Op.99 during the productive summer of 1886. Th...
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Brahms completed his Cello Sonata Op.99 during the productive summer of 1886. The first public performance took place in Vienna on 24 November of the same year. Robert Hausmann played the Cello part and the composer himself was his partner at the Piano. Even though the work was generally received positively it took some years until it was fully appreciated and gained its irrevocable place in the Cello repertoire.Of particular value to the editors were the two early performance editions of the Cello Sonata Op.99 by Hugo Becker and Carl Friedberg as well as by Julius Klengel. Both cellists Becker and Klengel had aconnection to Brahms who very much admired and trusted Becker's playing and who performed together with Klengel. This edition not only incorporates Becker's and Klengel's performance markings but also Hausmann's for whom the piece was written. As such the Barenreiter edition comes with a Cello part marked with fingering and bowing by the editors which are based on the practices of Brahms' contemporaries. We also provide an unmarked Urtext part.An important part of this edition is the extensive Preface. Firstly it informs about the work's origin early performances its publication as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms' death a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. In a very concrete and practical way the editors summarize some of the key issues in understanding Brahms' notation with regard to rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation String Instrument fingering String Instrument harmonics and vibrato. In this way the edition offers an exciting and often surprising insight into Romantic musical interpretation.- A pioneering Urtext edition.- With an unmarked Urtext part.- With a second part including fingering and bowing based on the practices of contemporaries of Brahms.- With
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Peter Maxwell Davies: Strathclyde Concerto No. 2: Cello: Instrumental Work
Cello, Piano
[Sheet music]
Chester
This work for cello and orchestra was commissioned by the Strathclyde Regional C...
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This work for cello and orchestra was commissioned by the Strathclyde Regional Council and the Scottish Chamber Orchestra. It is the second of ten concerti to be written for principal players of the Scottish Chamber Orchestra. Thefirst performance was given in February 1989 by William Conway and the Scottish Chamber Orchestra conducted by the composer.If Davies's Cello Concerto has already evoked comparisons with Elgar's that is perhaps an indicationnot only of its wealth of solo melody (there is hardly a page where the cello is not singing or if not that then dancing) and of its predominantly slow tempos but also of its musical stature. This second Strathclyde concertois a virtuoso piece for the entire ensemble which is used almost throughout as a clutch of soloists rather than as a tutti block. The general tone is one of passionate but interior dialogue especially in the opening Moderato andthe slow movement; and though the finale is more extrovert the work ends back in quietness and rumination.This book contains the solo cello part and a piano reduction of the orchestral score.
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Nuit Etoilee
Français
Cello, Piano
Billaudot
Création en 2001 à Rouen par David Louwerse (violoncelle) et Geneviève Girard...
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Création en 2001 à Rouen par David Louwerse (violoncelle) et Geneviève Girard (piano).Une page très sereine, pour violoncelle et piano, où le temps et l'espace semblent infinis. / Violoncelle Et Piano
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3 Pie`Ces De Concert
Cello, Piano
Bote and Bock
Die Trois Pièces de concert verströmen rundum französisches Flair. Simon Laks...
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Die Trois Pièces de concert verströmen rundum französisches Flair. Simon Laks komponierte sie in seinen frühen Pariser Jahren für den ehemaligen Solocellisten des Königlichen Concertgebouw Orchesters, Gérard Hekking, der seit 1927 am Conservatoire lehrte. Der erste Satz variiert ein raffiniert-schlichtes eigenes Thema und bleibt dabei, trotz aller virtuosen Capricen, immer nonchalant. Der langsame zweite Satz ist eine melancholische Romanze über Blues-Harmonien, und der dritte ein Perpetuum mobile - ein Satztypus, den zur selben Epoche etwa auch Maurice Ravel in seiner Kammermusik ähnlich verwandte.Laks schuf von seiner für Violoncello und Klavier vorgesehen Komposition auch eine Fassung für Violine und Klavier - lange verschollen, wurde sie vor wenigen Jahren für die CD-Einspielung bei eda records rekonstruiert / Violoncelle Et Piano
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2 Arias From Eugene Onegin (TCHAIKOVSKI PIOTR ILITCH)
Cello, Piano
[Sheet music]
Kunzelmann
Par TCHAIKOVSKI PIOTR ILITCH. Violoncelle - Piano/ Répertoire / Violoncelle et ...
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Par TCHAIKOVSKI PIOTR ILITCH. Violoncelle - Piano/ Répertoire / Violoncelle et Piano
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Alle Jahre Wieder
Cello, Piano
Schott
Noël est la période de la musique, le temps de jouer ensemble dans différents...
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Noël est la période de la musique, le temps de jouer ensemble dans différents ensembles. Le volume actuel contient l'allemand plus beaux et les plus connu et les chants de Noël internationale avec un accompagnement piano facilement jouable, pourtant joli. Un coffre au Trésor pour les leçons, de concerts et de musique-fabrication à la maison au cours de la période de Noël. / Violoncelle Et Piano
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Schubert Und Das Biedermeier
Cello, Piano
[Sheet music]
Barenreiter
Festschrift für Walther Dürr zum 70. Geburtstag. / Recueil / Livre
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