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EUPHONIUM
Cello, Piano
NARROW BY INSTRUMENTATION
NARROW BY INSTRUMENTATION
Piano, Vocal and Guitar (5025)
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Piano and Orchestra (109)
French horn (107)
High voice, Piano (104)
All Instruments (104)
Recorder (103)
Banjo (97)
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Musical course - Solfege (93)
Divers (93)
Choral SSAA (87)
Children choir (81)
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B Flat, E Flat, C and Bass cle… (75)
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Viola, Piano (63)
Low voice, Piano (63)
Opera (58)
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Voice, Guitar (54)
Double Bass (53)
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Harp (51)
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Piano Trio: piano, violin, cel… (49)
2 Violins (duet) (49)
School Ensemble (47)
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Flute and Guitar (46)
Tenor voice, Piano (45)
2 Flutes (duet) (44)
Chant (44)
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Soprano voice (35)
Guitare (35)
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Oboe, Piano (duet) (34)
Music Theory (34)
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Partition de Poche (33)
2 Clarinets (duet) (31)
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Dulcimer (28)
Tenor voice (28)
Percussion (28)
Piano, Voice, Guitar tablature… (28)
French Horn and Piano (28)
Flexible Instrumentation (27)
Saxophone and Piano (26)
2 Saxophones (duet) (26)
Trombone and Piano (26)
Baritone voice, Piano (24)
Mezzo-Soprano voice, Piano (24)
Solistes SATB, Choeur SATB, 2 … (24)
Pennywhistle (23)
Soli (SATB), Choeur Mixte (SAT… (23)
Band Scores (23)
Piano Accompaniment (22)
Musical Awakening (22)
Wind ensemble (22)
2 Recorders (duet) (21)
2 Trumpets (duet) (21)
B Flat, E Flat and C Instrumen… (20)
Big Note Piano (20)
ENS::Ensemble (20)
Flute, Orchestra (18)
Big Band (18)
Bass Clef Instruments (18)
Bassoon, Piano (duet) (18)
Bassoon (17)
Saxophone Quartet: 4 saxophone… (17)
Ensemble A Vent (17)
Piano Quintet: piano, 2 violin… (16)
Flute ensemble (16)
Guitare Electrique (16)
Oboe, Violin, Viola and Violon… (16)
Double bass, Piano (duet) (16)
Piano, Guitar (Chords) (16)
Conducteur (15)
Concert Band/Harmonie (15)
Violin, Cello (duet) (15)
Choral CD (15)
Choral SSATB (14)
SB, 4 Parties Mixtes et Orches… (14)
Low voice (14)
High voice (14)
Clarinet Quartet: 4 clarinets (14)
Harpsichord (14)
Biography (14)
Treble (Alto) Recorder (14)
2 Guitars (duet) (14)
Brass Quartet: 2 trumpets, hor… (13)
Autoharp (13)
Recorder Ensemble (13)
Tuba (13)
Mezzo-Soprano voice (13)
Snare drums (12)
String Trio: 2 violins, cello (12)
Violin, Viola (duet) (12)
Violin, Basso continuo (12)
2 Violas (duet) (11)
Solo A, Choeur SATB/SATB, 2 Or… (11)
Flute Trio: 3 flutes (11)
Clavier Electronique et Ligne … (11)
Saxophone (band part) (11)
String Quintet: 2 violins, 2 v… (11)
Solistes STBarB, Choeur SATB, … (10)
Solistes SATB, Choeur SATB, 2 … (10)
Cajon (10)
Choral, Orchestra (10)
2 Trombones (duet) (10)
Lyrics only (10)
CD (10)
String quintet (9)
SATB, 4 Parties Mixtes et Inst… (9)
Solistes SATB, Choeur SATB, Fl… (9)
Solistes SATB, Choeur SATB, 2 … (9)
Solistes SATB, Choeur SATB, 2 … (9)
Baritone voice (9)
Solistes SATB, Choeur SATB, 2 … (9)
Percussion Ensemble (9)
Solo S, 2 Hautbois ou 2 Flûte… (9)
Vocal duet, Piano (9)
Soli (T (Evangelist), B (Jesus… (9)
Tenor Saxophone and Piano (9)
DVD concert (9)
Cello, Orchestra (9)
Piano Quintet: piano, violin, … (9)
Flute Quartet: 4 flutes (9)
Viola, Organ (9)
Solistes SATB, Choeur SATB, Ba… (8)
Clavecin Et Instruments A Cord… (8)
Vibraphone (8)
Solistes ST, Choeur SSAATB, 2 … (8)
Flûte Traversière, Hautbois,… (8)
Solo A, Timbales, Percussions … (8)
Euphonium (8)
Violin, Guitar (duet) (8)
Clarinet, Orchestra (8)
Voix Mixtes (8)
Flute, Clarinet (duet) (8)
Solistes SSA, Choeur SATB, 2 F… (8)
Cello, String Bass (duet) (8)
Violon, Instruments à Cordes … (8)
Solistes SATTBarB, Choeur SATB… (8)
Quintette avec Piano (8)
Recorder, Piano (8)
Brass Quartet (8)
Voice and Orchestra (8)
Lute (8)
Educatif (8)
Ensemble à Cordes et Piano (7)
Solistes SSATB, Choeur SSATB, … (7)
Soli (ATB), Choeur Mixte (SATB… (7)
Solistes SATB, Choeur SATB, Or… (7)
2 Choeurs Mixtes (SATB Et SATB… (7)
Travaux Pour Choeurs (7)
Treble (Alto) Recorder, Piano (7)
Quintette à Cordes (7)
Dobro (7)
Saxophone Baryton (7)
Clavecin (7)
Voix et Orff-Instruments (7)
Fiddle (6)
Klavier und Orchester (6)
Orchester (6)
Trombone or Euphonium (6)
Solistes, Div. Instruments à … (6)
Solistes SATB, Choeur SATB, Pa… (6)
Organ, Piano (duet) (6)
Guitar Tab, Voice, Bass, Drum (6)
Solistes STB, Choeur SATB, (Ba… (6)
Solistes SATB, Choeur SATB, 4 … (6)
Baryton ou Tuba, Cor et Fanfar… (6)
Gemischter Chor (SATB/CantoATB… (6)
Fake Book (6)
Baritone Saxophone (6)
Trombone (band part) (6)
Violin, Viola and Orchestra (6)
Piccolo, 2 Flûtes Traversièr… (6)
3 Recorders (trio) (6)
Flute, Cello, Piano (trio) (6)
Chant et Guitare (6)
3 Clarinets (trio) (6)
Chamber Music (6)
Ocarina (6)
Voix Mixtes SAB et Piano (6)
Trombone 2 (6)
Choral SSAATTBB (6)
Violon 2 (6)
Concert band, Choral (5)
Cello Ensemble (5)
Flute, Violin, Violoncello and… (5)
Choeur Mixte (SATB), Orchestre… (5)
Piccolo, Piano (5)
Solistes SATB, Choeur SATB, 2 … (5)
Recorder Quartet (5)
Choeur SS (SA), 2 Violons et B… (5)
Violon, Viole Et Orchestre (5)
Piccolo (5)
Jazz Ensemble (5)
Voix, Flûte à Bec et Percuss… (5)
Soli (AB), Choeur Mixte (SATB)… (5)
Soprano, Piano (5)
Trombone 3 (5)
Clarinette Alto et Piano (5)
Clarinet Ensemble (5)
Guitar and Bass Tablatures, Ch… (5)
String trio (5)
Saxophone ensemble (5)
Choeur SATB, 2 Clarinettes (2 … (5)
2 Violins, Piano (5)
Stationery (5)
Lap Steel Guitar (5)
Xylophone (5)
Saxophone Alto 2 (5)
Accordion ensemble (5)
Ensemble (5)
Basse (5)
Descent (Soprano) Recorder, Pi… (5)
Timpani (5)
Soprano Saxophone (5)
Xylophone or Marimba or Vibrap… (4)
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Trio à Cordes (4)
Clarinette et Quatuor à Corde… (4)
Organ, Percussion (4)
Flûte et Mandoline (4)
English horn, Piano (4)
Clarinet Quintet: Clarinet, St… (4)
Violon, Alto, Violoncelle et C… (4)
Percussion et Violoncelle (4)
Voice, String Quartet (4)
Solistes STB, Choeur SATB, ou … (4)
Madrigaux (4)
Piano Quartet: piano, 2 violin… (4)
Clarinet (band part) (4)
Violoncelle, Contrebasse, Bass… (4)
Clarinet, Violin, Cello, Piano… (4)
SSSAA et Violon (4)
Viola and orchestra (4)
2 Pianos, 8 hands (4)
Choral, Organ (4)
Quatuor à Cordes et Enregistr… (4)
Trompette (pour Quintette De C… (4)
Flûte Traversière, Hautbois,… (4)
Violon, Violoncelle, Alto et C… (4)
2 Violons, Alto, Hautbois, Cor… (4)
Sextuor (4)
Trompette, Piano, Instruments … (4)
Guitar, String Quartet (4)
Double Quintette de Bois et Co… (4)
Soli [AT] et Orchestre (4)
Flûte Traversière, Violon, A… (4)
Trumpet and Guitar (4)
Flûte, Clarinette, Piano, Vio… (4)
Trumpet (band part) (4)
Ensemble Flexible (4)
Quatuor à Cordes (Piano ad li… (4)
Tuba and Piano (4)
:: (4)
Trumpet , Piano (4)
Woodwind Quintet (4)
Flûte Traversière, Alto et V… (4)
Vocal duet, Piano and Guitar c… (4)
Percussion, Piano (duet) (4)
Flute, Violin, Viola (4)
Flûte Traversière, Guitare, … (4)
Flûte Traversière, Hautbois,… (4)
Viola, Cello (duet) (4)
5 Instruments à Vent (4)
Flûte à Bec et Piano (4)
2 Violons Hautbois et Orchestr… (4)
Oboe, Flute (4)
Flûte à Bec Basse ou Flûte … (4)
Choeur Mixte (SSATB) Et Instru… (4)
Djembe (4)
Solo S, Choeur SATB, 2 Clarine… (4)
Choeur SATB et Orchestre (4)
Piano, Chant et Guitare Tablat… (4)
Mariachi (4)
Violin, Organ (4)
Accessoire (4)
Flute, Violoncello (4)
Viola da Gamba (4)
Harp, Flute (duet) (4)
Flûte Traversière Cordes et … (4)
Chorale (4)
4 Double Basses (4)
Concert Band ou Harmonie et 3 … (4)
Medium Voice (4)
Percussions (4)
Trompette 3 (4)
Melody line, Piano (4)
Voix Hautes (3)
Solo, Choeur SATB, 2 Trompette… (3)
Flute, Oboe, Piano (trio) (3)
Tuba or Euphonium or Saxhorn (3)
Choral SSAB, Piano (3)
Voice and Big Band (3)
Flute, Viola and harp (3)
Flute, Violin, Piano (3)
Voice, Clarinet, Piano (3)
Violon, Cordes et Basse Contin… (3)
Choeur Mixte (SSATB) et Instru… (3)
Vocal duet (3)
Choeur SSATTB et Basse Continu… (3)
Guitare Tablatures Classique (3)
Violin, Clarinet, Piano (trio)… (3)
Oboe, Clarinet, Bassoon (trio)… (3)
String Quartet : 4 violas (3)
Piano, Violon et Cor ou Alto o… (3)
Brass Quartet: 4 trombones (3)
Concert Band et Tuba (3)
Piano, Oboe and Bassoon (3)
1 Piano, 6 hands (3)
Symphonic Band (3)
Solistes ATB, Choeur SATB, Cor… (3)
Oboe and Orchestra (3)
Solo S (Garçon) T, HauptChoeu… (3)
Guitar and String Quintet (3)
2 Violins and Basso (3)
Cello, Guitar (duet) (3)
Clavier, Guitare Et Voix (3)
Organ and Brass Quartet (3)
Handbells (3)
Euphonium or Saxhorn and Piano… (3)
Scores (3)
Flute, Clarinet, Piano (trio) (3)
Saxophone en Mib et Piano (3)
2 Bassoons (duet) (3)
Guitare et Voix (3)
Flute, Oboe, Clarinet, Bassoon… (3)
Solistes SATB, Choeur SATB, 2 … (3)
Choeur (Unisson), Voix Hautes … (3)
Choeur De Femmes A 3 Voix (Cho… (3)
Violon II (3)
Saxhorn and Piano (3)
Ensemble de Tubas ou Euphonium… (3)
Harpsichord and Strings (3)
Matériel D'Orchestre (3)
3 Tubas (3)
Flute, Violin and Violoncello (3)
Concert Band ou Harmonie et Ba… (3)
Saxophone et Trio à vent (3)
Libretto (3)
Choeur Mixte, Piano et Orchest… (3)
Tuba et Hélicon (3)
Organ, Trumpet (duet) (3)
Choeur De Femmes (Ou D'Hommes)… (3)
Ensemble Divers (3)
Choeur et Orchestre (3)
Bass Clarinet (3)
Conga (3)
Violoncello, Basso continuo (3)
Saxophone Ténor et Piano (3)
Guitare Classique et Fingerpic… (3)
Bongos (3)
Choeur De Jeunes Et Piano (3)
Voix et Orchestre (3)
Trompette I (2)
4 Cellos (2)
Flute (band part) (2)
Choeur SATB/SATB et Basse Cont… (2)
Clavier et Clavier Electroniqu… (2)
Folk Ensemble (2)
ST (A) BarB et Piano (2)
Klavierauszug : Gemischter Cho… (2)
Choeur (SA), 2 Violons et Bass… (2)
Trombone 1 (2)
SOP/BAR/ENS::Soprano, Baritone… (2)
Soli, Gemischter Chor 1 & 2, … (2)
Concert Band ou Harmonie et Cl… (2)
Accordion, Flute (2)
Trumpet and String Quartet (2)
Violon 1 (2)
Voix Moyenne(s), 3 Clarinettes… (2)
Flute, Bassoon (duet) (2)
Quintette (2)
Cor (pour Quintette De Cuivres… (2)
3 Guitares Cubaines Tablatures… (2)
Clarinette, Basson, Trompette… (2)
Percussion (band part) (2)
Piano Quintet: mixed chamber i… (2)
Flûte à Bec Alto et Instrume… (2)
Flute, Basso continuo (2)
2-6 Flûtes à Bec [Aa/St/Stt/… (2)
12 Voix (2)
2 Clarinets, Piano (2)
2 Flutes, Piano (2)
Carillon (2)
Flute, Violin (2)
2 Parties Voix Aigues (SS) Et … (2)
CLT/ORCH::Clarinette, Orchestr… (2)
Brass Quartet: 2 trumpets, 2 t… (2)
VCE/VLN/VLC/DB::Voice, Violin,… (2)
Baryton ou Tuba. Cor et Brass … (2)
Piano (band part) (2)
4 Bassoons (2)
Tout Instrument (2)
Choeur Mixte Et Orgue (2)
BAR/STR QUARTET::Baryton, Quat… (2)
Solo Piano (2)
Horn and Orchestra (2)
Choeur D'Enfants (Ou De Femmes… (2)
Clavier Numérique (2)
Soprano, SATB et Orchestre (2)
Baryton ou Tuba et Brass Band (2)
Euphonium et Orchestre d'Harmo… (2)
Voix, Flûte à Bec et Orff-In… (2)
Base Musicale (2)
Flûte à Bec Soprano ou Flût… (2)
VCE/FLT/VLC/DB::Voice, Flute, … (2)
Electric bass, Drums (2)
2 Marimbas (2)
Trombone 4 (2)
Cahier (2)
Saxophone en Mib (2)
Brass Quartet (2 Trumpets, Ho… (2)
Soprano voice, Orchestra (2)
Electric Bass (band part) (2)
Violon I (2)
Brass Trio (2)
Tous instruments (2)
E Flat Instruments (2)
Opéra Full Score (2)
WIND 5TET::Quintette · Vent (2)
Saxophone, Guitare Electrique,… (2)
Tuba (pour Quintette De Cuivre… (2)
Chant et Basse Continue (2)
Clarinet, Guitar (duet) (2)
Tenor Banjo (2)
Saxophone and Organ (2)
Choeur D'Enfants (Ou De Jeunes… (2)
Voice, Organ (2)
3 Voix (2)
OPERA::Op‚ra (2)
Flûte Traversière et Piccolo… (2)
Chant et Réduction Piano (2)
Alto voice, Piano (2)
Voice (2)
Bass Clarinet, Piano (2)
Voix solo - piano (2)
Nursery rhyme (2)
Cor Français (2)
Trumpet, Trombone (duet) (2)
Alto Et Choeur Mixte (SATB) (2)
Clavier ou Piano (2)
Violin, Horn and Piano (2)
Solistes (ATB), Choeur Mixte (… (2)
Cornet and Piano (2)
Choeur et Piano (2)
SOP/PFA::Soprano, Accompagneme… (2)
SOP/CLT/STR QUARTET::Soprano, … (2)
Voice Mezzo-Soprano, Orchestra… (2)
4 Percussions (2)
Ensemble Flexible à 5 Parties… (2)
Livret (2)
Soprano, Choeur Mixte (SATB), … (2)
MAND::Mandolin (2)
Orchestre d'Harmonie 4 Voix et… (2)
Drum (band part) (2)
Ukulélé Soprano (2)
8 Bassoons (2)
Double bass, Orchestra (2)
Choeur SA Et Piano (2)
Basse Electrique (2)
Basse, Alto, Ténor et Piano (2)
REC/VLN/VLA/VLC::Fl–te … B… (2)
Baryton et 4 Voix D'Hommes (2)
Soprano ou Ténor ou Mezzo-Sop… (2)
Voix Haute (2)
Saxophone Soprano et Piano (2)
Musique de chambre (2)
Guitar (band part) (2)
Oboe, Cello and Piano (2)
Clarinette (2)
Violoncelle, Contrebasse Et Ba… (2)
2 Flutes and Guitar (2)
Voix Elevée(s)/Moyenne(s) Et … (2)
Mandoline et Violon (2)
Trompette04 (2)
Chœur Mixte SATB et Quatuor … (2)
Choeur De Femmes (SS) Et Piano… (2)
Carte Postale (2)
Piano, Guitar (duet) (2)
Solistes (AT) Et Choeur Mixte (2)
Lyrics & Chords (2)
Concert Band / Harmonie (2)
String Trio: 3 violins (2)
Trombone (pour Quintette De Cu… (2)
Male Voice (2)
2 Mandolines et Basse Continue… (2)
Choeur De Femmes (SSA) Et Pian… (2)
Partition D'Ensemble (2)
2 ou 3 Timbales et Piano (2)
SOP/CLT/VLA/VLC/DB::Soprano, C… (2)
Soprano Et Orchestre De Chambr… (2)
Voix et Instruments (2)
Bodhran (2)
Percussions et Concert Band ou… (2)
Chanson (2)
5 Recorders (2)
12 Parties de Choeur a Cappell… (2)
Baritone Ukulele (2)
French horn (band part) (2)
Solistes, Choeur Mixte (SATB) … (2)
2 French horns (duet) (2)
Choral Soprano solo, SATB, Key… (2)
Soprano Saxophone and Piano (2)
Opéra (2)
3 Trombones (trio) (2)
Instruments A Vent (2)
Oboe, Basso continuo (1)
BASS::Bass Voice (1)
TBN/TBA/PFA::Trombone, Tuba, A… (1)
ENS/ELEC::Ensemble d'cole, … (1)
Piano Trio: Violin, Viola, Pia… (1)
Melody Line, Lyrics & Chords (1)
CLT/TPT/EUPH/TSAX::Clarinet/Tr… (1)
ST (A) BarB et Orchestre (1)
Piano et Hautbois ou Instrumen… (1)
VCE/GTR::Voice, Guitar (1)
Paroles et accords (1)
Oboe / Violin / Recorder / Fl… (1)
Soli, Chor und Klavier (1)
Guitare Fingerpicking (1)
Choral SSATBB (1)
Voix Moyenne (1)
Voix Haute(s) (1)
Chœur Mixte [SATB] et Orchest… (1)
Bassoon / Cello (1)
5TET/STR ENS::Quintet, String … (1)
Quatuors de Flûtes à Bec et … (1)
SA(T)B (1)
Orgue Sans Pédale (1)
Petit Orchestre (1)
Violoncelle, Basse et Accompag… (1)
Baryton et Quatuor à Cordes (1)
Voix Moyenne ou Voix Basse et … (1)
Contrebasse (Partie séparée)… (1)
Choeur De Femmes (SA) (1)
Choeur Mixte (SA Hommes) Et Or… (1)
TEN/SATB::Tenor/SATB (1)
VLA/PF::Viola, Piano (1)
Instrument Cuivre En Mib (1)
Guitare (Résonateur) (1)
Solistes SATB, Choeur SATB, Ha… (1)
Instruments à Cordes et Orgue… (1)
Viola da Gamba, Basso continuo… (1)
Tenor Et 14 Instruments (1)
Voix Moyennes et Piano ou Clav… (1)
Soprano, Baryton et Piano (1)
Flute, Violin, Guitar (1)
20 Instruments Avec Choeur Mix… (1)
Saxophone Alto 1 (1)
Violin ensemble (1)
Tenor, Violon Et Piano (1)
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Broadway Songs for Classical Players-Cello/Piano: Cello and Accomp.:
Cello, Piano
[Sheet music + Audio access]
Hal Leonard
With online audio of piano accompaniments-Intermediate level arrangements for so...
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With online audio of piano accompaniments-Intermediate level arrangements for solo instruments and piano accompaniment in a range flattering to each instrument. The music has been edited with added dynamics articulations and phrasing making it appropriate for lessons or performances. The accompaniments have been recorded on an acoustic grand piano and are available online for download or streaming. Includes: All I Ask of You (from The Phantom of the Opera) · Bring Him Home (from Les Misérables) · Memory (from Cats) · Some Enchanted Evening (from South Pacific) · The Sound of Music · Till There Was You (from The Music Man) · Tonight (from West Side Story) · and more. Audio is accessed online using the uniquecode inside the book and can be streamed or downloaded. The audio files include PLAYBACK a multi-functional audio player that allows you to slow down audio without changing pitch set loop points change keys and pan left or right.
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Edward Gregson: A Song For Chris: Cello: Instrumental Work
Cello, Piano
[Sheet music]
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Advanced
Novello & Co Ltd.
In memory of Christopher Rowland. Originally a concerto for Cello and chamber or...
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In memory of Christopher Rowland. Originally a concerto for Cello and chamber orchestra now for Cello with a Piano reduction of the orchestral part.The concerto is in four movements which are played without a break: Meditation Intermezzo Toccata-Scherzo and Song. The work lasts for some 18 minutes and was scored for two oboes two horns timpani (doubling tubular bells) and strings(found here in a Cello/Piano form). It is organised in one large arch-shaped structure with two fast inner movements flanked by two outer slow ones. The solo cello opens the work reflectively and introduces core melodic material which is continuously developed throughout theconcerto. Gradually the strings enter then wind and timpani and build a pyramid twelve-note chord at the peak of which there is a dramatic climax. The music then subsides (solo cello again) but links to the two faster middle movements. The second movement Intermezzo has an ABA structure and in its middle section quotes the opening of Shostakovich's Third String Quartet (written in the same year as Christopher Rowland was born!). Indeed the ghost of Shostakovich looms large throughout the concerto in more ways than one. The Toccata-Scherzo is energetic and rhythmically-charged again using an ABA structure. Here the writing for solo cello is quite virtuosic but not I hope in a shallow sense. The music builds inexorably towards a powerful climax underpinned by the opening twelve-note chord's re-appearance together with a violent outburst from the timpani at which point a tonal resolution (on G) arrives through a pianissimo held chord on strings which leads directly to the final movement - Song. And so the music arrives at its emotional heart through a simple melody (present in other forms throughout the work) announced by solo cello at the very top of its register against a quiet backdrop of horns and strings. A solo oboe enters with cello in canonic reply and all the time the music builds in texture and
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Jacques Offenbach: Fantaisies faciles fur Violoncello und Klavier: Cello:
Cello, Piano
Bosworth
Among the many works Offenbach wrote for the Cello is a series of operatic fant...
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Among the many works Offenbach wrote for the Cello is a series of operatic fantasies. Of these there is a set of six under the title Fantaisies faciles Op.69-74 published in 1853. The new edition herewith confines itself to just three of the pieces based on operas which remain in the repertoire today. The original printed editions have been revised with misprints corrected passages where the Cello and Piano parts differ made to correspond and questions in the music text settled by recourse to the original opera score.
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Franz Joseph Haydn: Cello Concerto In C Hob.VIIb: Cello: Instrumental Work
Cello, Piano
G. Henle
Haydn’s Concerto for Violoncello and Orchestra in C major (Hob. VIIb:1) w...
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Haydn’s Concerto for Violoncello and Orchestra in C major (Hob. VIIb:1) was probably composed between 1762 and 1765 when he was already director of music to Prince Esterh zy. It may have been writtenfor the cellist in the court Orchestra Joseph Weigl (1740-1820) for whom Haydn most likely also wrote the solo Cello parts in his early symphonies. Weigl was a member of the Esterh zy ensemble from 1761 to 1769 andthereafter served as a principle cellist in various Viennese ensembles.The concerto was rediscovered by Oldrich Pulkert who in 1961 found an eighteenth-century manuscript copy (Prag National Museum Fonds Radenin) andpublished the concerto in 1962. Previously the existence of this piece was known only through Haydn’s entry in his private list of works (the so-called ‘Entwurf’ [‘draft’] catalogue).The Orchestral setting ismodest: besides the Strings (with a non-obligato Bassoon doubling the Bass part) there are two Oboes and two Horns which are reserved almost exclusively for the tutti passages.This Piano reduction is based on the text givenin the complete edition of Haydn’s works as edited by the Joseph Haydn Institute Cologne (Joseph Haydn Werke Series III Vol.2 with Preface and Critical Report published by G. Henle Verlag Munich 1981). The Cello partin the Piano reduction is identical to that of the complete edition and thus follows the Prague source as closely as possible even in the expression marks and in certain peculiarities of notation.
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Peter Maxwell Davies: Strathclyde Concerto No. 2: Cello: Instrumental Work
Cello, Piano
[Sheet music]
Chester
This work for cello and orchestra was commissioned by the Strathclyde Regional C...
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This work for cello and orchestra was commissioned by the Strathclyde Regional Council and the Scottish Chamber Orchestra. It is the second of ten concerti to be written for principal players of the Scottish Chamber Orchestra. Thefirst performance was given in February 1989 by William Conway and the Scottish Chamber Orchestra conducted by the composer.If Davies's Cello Concerto has already evoked comparisons with Elgar's that is perhaps an indicationnot only of its wealth of solo melody (there is hardly a page where the cello is not singing or if not that then dancing) and of its predominantly slow tempos but also of its musical stature. This second Strathclyde concertois a virtuoso piece for the entire ensemble which is used almost throughout as a clutch of soloists rather than as a tutti block. The general tone is one of passionate but interior dialogue especially in the opening Moderato andthe slow movement; and though the finale is more extrovert the work ends back in quietness and rumination.This book contains the solo cello part and a piano reduction of the orchestral score.
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Benedetto Marcello: Sonata in F Op.2 No.1: Cello: Instrumental Work
Cello, Piano
[Sheet music]
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Intermediate
Peters
Italian-born composer Benedetto Marcello (1686-1739) composed a diversity of mus...
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Italian-born composer Benedetto Marcello (1686-1739) composed a diversity of music from church music and oratorios to solo cantatas duets and sonatas. Benedetto was a younger contemporary of Antonio Vivaldi and his music can be easily recognised as having a ‘Vivaldian flavour’.Available here is one his first compositions for solo Cello and Continuo the Sonata in F Op.2 No.1 realised here with a Piano accompaniment. This edition has been edited by Walter Schulz and Eberhard Wenzel.
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Edward Mollenhauer: The Infant Paganini: Cello: Instrumental Work
Cello, Piano
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Easy
Barenreiter
Fantasia transcribed for violoncello and piano by Christoph Sassmannshaus-Born i...
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Fantasia transcribed for violoncello and piano by Christoph Sassmannshaus-Born in Erfurt the composer Edward Mollenhauer (1827 1914) achieved success in America as a soloist and teacher. His best-known pieces for young violinists are The Infant Paganini and The Boy Paganini. Both appear here in their original version for Violin and Piano and for the first time in a transcription for Cello and Piano by Christoph Sassmannshaus.The Mollenhauer fantasia The Infant Paganini is a charming introduction to early virtuoso techniques. It calls for bowing techniques such as detaché legato spiccato and arpeggios over three strings. Players are also expected to play harmonics andpizzicato.It (BA 10693) can be mastered by young Cello students who are working with volume 4 of the Sassmannshaus Early Start on the Cello and can manage first to fourth position.The Boy Paganini is an impressive concert piece which is more demanding. Its two movements call for changes of metre harmonics and pizzicato. Other challenges include chords on all four strings and simple passages in octaves. On the Cello (BA 10694) the student must be able to play in first to fourth position.Both violinists and cellists should have completed volume 4 of Early Start on the Violin and Early Start on the Cello respectively in order to master this work.- Popular recital pieces for young violinists and cellists.- Both works form an ideal continuation of the Sassmannshaus Early Start methods.- Pieces originally scored for Violin now also available for the first time for Cello.Violin editions:The Infant Paganini BA10691The Boy Paganini BA10692
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Edward Mollenhauer: The Boy Paganini: Cello: Instrumental Work
Cello, Piano
[Sheet music]
-
Intermediate
Barenreiter
Fantasia transcribed for violoncello and piano by Christoph Sassmannshaus-Born i...
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Fantasia transcribed for violoncello and piano by Christoph Sassmannshaus-Born in Erfurt the composer Edward Mollenhauer (1827 1914) achieved success in America as a soloist and teacher. His best-known pieces for young violinists are The Infant Paganini and The Boy Paganini. Both appear here in their original version for Violin and Piano and for the first time in a transcription for Cello and Piano by Christoph Sassmannshaus.The Mollenhauer fantasia The Infant Paganini is a charming introduction to early virtuoso techniques. It calls for bowing techniques such as detaché legato spiccato and arpeggios over three strings. Players are also expected to play harmonics andpizzicato.It (BA 10693) can be mastered by young Cello students who are working with volume 4 of the Sassmannshaus Early Start on the Cello and can manage first to fourth position.The Boy Paganini is an impressive concert piece which is more demanding. Its two movements call for changes of metre harmonics and pizzicato. Other challenges include chords on all four strings and simple passages in octaves. On the Cello (BA 10694) the student must be able to play in first to fourth position.Both violinists and cellists should have completed volume 4 of Early Start on the Violin and Early Start on the Cello respectively in order to master this work.- Popular recital pieces for young violinists and cellists.- Both works form an ideal continuation of the Sassmannshaus Early Start methods.- Pieces originally scored for Violin now also available for the first time for Cello.Violin editions:The Infant Paganini BA10691The Boy Paganini BA10692
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Judith Weir: Three Chorales: Cello: Instrumental Work
Cello, Piano
Chester
These three pieces for cello and piano are meditations – personal secular...
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These three pieces for cello and piano are meditations – personal secular and musical – on images from religious poetry. The title of No. 1 Angels bending near the earth comes from a carol which begins‘It came upon the midnight clear’ by the Massachusetts pastor and poet Edmund Sears. The full reference is to “angels bending near the earth/to touch their harps of gold” and this is the inspiration forthe music with piano arpeggios swooping down over the rich central band of sound produced by the cello. No. 2’s title In death’s dark vale is a brief paraphrase (from a Scottish hymnal) of Psalm 23; thefull quotation is “yea though I walk through the valley of the shadow of death I will fear no evil”. The image here is of human life lived against the prospect of impending death. The cello plays a hasty self-absorbed continuo whilst around it piano motifs and chords of different height and depth create an evolving backdrop. No. 3 O sapientia is the only movement which quotes a musical original; Hildegard ofBingen’s hymn O virtus sapientiae –“O strength of wisdom”. This is a calm elegaic set of variations for the cello on Hildegard’s melody accompanied by mostly bright optimistic refl ections from thepiano. Commissioned by cellist Jonathan Miller of Boston MA. First performance on 23 September 2016 at Hamilton Hall Salem MA by Jonathan Miller (cello) and Randall Hodgkinson (piano)
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Sonata in F major for Violoncello and Piano op. 99: Cello: Instrumental Work
Cello, Piano
Barenreiter
Brahms completed his Cello Sonata Op.99 during the productive summer of 1886. Th...
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Brahms completed his Cello Sonata Op.99 during the productive summer of 1886. The first public performance took place in Vienna on 24 November of the same year. Robert Hausmann played the Cello part and the composer himself was his partner at the Piano. Even though the work was generally received positively it took some years until it was fully appreciated and gained its irrevocable place in the Cello repertoire.Of particular value to the editors were the two early performance editions of the Cello Sonata Op.99 by Hugo Becker and Carl Friedberg as well as by Julius Klengel. Both cellists Becker and Klengel had aconnection to Brahms who very much admired and trusted Becker's playing and who performed together with Klengel. This edition not only incorporates Becker's and Klengel's performance markings but also Hausmann's for whom the piece was written. As such the Barenreiter edition comes with a Cello part marked with fingering and bowing by the editors which are based on the practices of Brahms' contemporaries. We also provide an unmarked Urtext part.An important part of this edition is the extensive Preface. Firstly it informs about the work's origin early performances its publication as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms' death a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. In a very concrete and practical way the editors summarize some of the key issues in understanding Brahms' notation with regard to rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation String Instrument fingering String Instrument harmonics and vibrato. In this way the edition offers an exciting and often surprising insight into Romantic musical interpretation.- A pioneering Urtext edition.- With an unmarked Urtext part.- With a second part including fingering and bowing based on the practices of contemporaries of Brahms.- With
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Studio Ghibli Songs for Cello and Piano (HISAISHI JOE)
Cello, Piano
[Sheet music]
Yamaha
Par HISAISHI JOE. If you are a Studio Ghibli fan and play an instrument, here it...
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Par HISAISHI JOE. If you are a Studio Ghibli fan and play an instrument, here it is! All time favorite Studio Ghibli songs are arranged for cello (solo) and piano (accompaniment). Includes 10 songs from Nausicaä of the Valley of the Wind, Castle in the Sky, My Neighbor Totoro, Kiki?s Delivery Service, Princess Mononoke, Spirited Away, Ponyo on the Cliff by the Sea, and Howl?s Moving Castle. The book of a 40-page cello and piano score includes a separate 16-page cello solo part score. Perfect for casual piano playing scenes as well as for online video live streaming, lessons, and recitals! Check out more Studio Ghibli books available in the same series. / Date parution : 2022-05-31/ Recueil / Violoncelle et Piano
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Francis Poulenc: Souvenirs: Cello: Score and Parts
Cello, Piano
[Sheet music]
Salabert
extrait de la musique de scène pour « Le Voyageur sans bagages »-A prev...
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extrait de la musique de scène pour « Le Voyageur sans bagages »-A previously unreleased piece by Francis Poulenc published with permission from the Bibliothèque Historique de la Ville de Paris and Benoît Seringe secretary of the Association des amis de Francis Poulenc [Association of the Friends of Francis Poulenc]. Le Voyageur sans bagage [The Traveller Without Luggage] which had been premiered in 1937 with music by Darius Milhaud was reprised on 1 April 1944 at the Théâtre de la Michodière; Francis Poulenc was asked to compose new stage music. The entire unpublished score lay undiscovered until Bérengère del’Épine a librarian at the Bibliothèque Historique de la Ville de Paris announced the existence of a manuscript in the Association de la Régie Théâtrale collection. Poulenc finalised the score between 19 and 21 March 1944. It contains nine songs all written for a small instrumental ensemble including Oboe Clarinet Cello and Piano. However at the end of the manuscript the composer echoes the second song – Lent [Slow] – and creates another version for Cello and Piano; curiously the original version of the song has not been erased in the manuscript. Poulenc seems to suggest that we consider the piece for Cello and Piano that we have published here as a different piece of music. It was premiered on Wednesday 23 January 2013 by Marc Coppey accompanied by Jean-François Heisser in the organ auditorium of the Conservatoire National Supérieur de Musique et Danse de Paris (CNSMDP) during the symposium for the fiftieth anniversary of Poulenc’s death. Given in a dramatic context some elements allow us to get an idea of the character of the piece which Benoît Seringe Poulenc’s beneficiary judiciously chose to name Souvenirs. The main character of Anouilh’s play Gaston is suffering from amnesia at the end of World
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Sonata in E minor for Violoncello and Piano op. 38: Cello: Instrumental Work
Cello, Piano
Barenreiter
The first three movements of Johannes Brahms? E Minor Cello Sonata were composed...
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The first three movements of Johannes Brahms? E Minor Cello Sonata were composed in 1862 the last movement was written in 1865. During the first years of its performance the work was received with mixed enthusiasm. By the end of Brahms? life however it was widely performed and by the first decades of the 20th century it was firmly embedded in the repertoire of many distinguished cellists. It was notably Robert Hausmann?s advocacy of the work which seems to have contributed greatly to its promotion.Of particular value to the editors were the three early performance editions of the Cello Sonata Op.38 by Cornelius van Vliet andEdwin Hughes Hugo Becker and Carl Friedberg as well as Julius Klengel. The cellists? van Vliet Becker and Klengel?s fingering and bowing allows for a better understanding of their performance practice. As such the Bärenreiter edition comes with a Cello part marked with fingering and bowing by the editors which are based on the practices of Brahms? contemporaries. We also provide an unmarked urtext part.An important part of this edition is the extensive preface. Firstly it informs about the works? origins early performances its publication as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms? death a widening gulf developed between the composer?s expectations and the performance practices of the early 20th century. In a very concrete and practical way the editors summarize some of the key issues in understanding Brahms? notation with regard to rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding piano arpeggiation and dislocation string instrument fingering string instrument harmonics and vibrato. In this way the edition offers an exciting and often surprising insight in Romantic musical interpretation.- A pioneering Urtext edition.- With an unmarked Urtext part.- With a second part including fingering and bowing based on the practices of contemporaries of Brahms.- With an extensive Performance Practice Commentary.-
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Hungarian Rondo (Cello And Piano)
Cello, Piano
EMB (Editio Musica Budapest)
Hungarian Rondo was composed by Zoltán Kodály in December 1917, drawing on mat...
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Hungarian Rondo was composed by Zoltán Kodály in December 1917, drawing on material from the incidental music he had written for Zsigmond Móriczs play Pacsirtaszó (Skylarking). The rondo form is shaped out of four new-style Hungarian folk songs and an instrumental dance melody. Kodály prepared the piece in two somewhat different versions, one for two clarinets, two bassoons and string orchestra, and the other for cello and piano. The orchestral version received its first performance in Vienna on 12 January 1918 at a 'historical concert' organized by the War Ministry of the Austro-Hungarian Monarchy. The cello version was premi?red by Miklós Zsámboky and Ottó Herz at the Budapest Academy of Music on 4 November 1927. Neither version appeared in print in the composers lifetime. The version for string orchestra was edited in 1976 by Ferenc Farkas and István Máriássy (and is distributed as a hire material under the order number K-1). The cello version appears here in print for the first time. The publication is based on the composers surviving manuscript and a contemporary manuscript copy of this. The fingerings are by the editor. / Violoncelle Et Piano
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F. Bridge: Four Pieces: Cello & Piano: Instrumental Album
Cello, Piano
[Sheet music]
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Intermediate
Faber Music Limited
These four pieces for Cello and Piano accompaniment were composed separately be...
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These four pieces for Cello and Piano accompaniment were composed separately between the years 1901 and 1910 and appeared in print in several different versions ranging from piano solo to full orchestra. They were all primarily written however for cello and piano so appear here in their original form. The editor - Julian Lloyd Webber - has been responsible for the addition of bowings and fingerings.
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Camille Saint-Saëns: Allegro Appassionato In B Minor Op.43: Cello: Instrumental
Cello, Piano
[Score and Parts]
Barenreiter
Since its premiere in 1873 this work has held an important place in the Violonce...
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Since its premiere in 1873 this work has held an important place in the Violoncello repertoire. It is on the one hand a short charming composition; on the other hand equally important is its use in instruction during the first few years of playing. Central here are the articulation of the opening theme and its various repetitions juxtaposed with lyrical passages calling for legato playing.Christine Baur's new scholarly-critical edition is based on a thorough examination of all the sources including Saint-Saëns' later orchestral version. The edition incorporates many articulation alternatives for the soloist which are marked 'ossia' above the solo Cello line in thisversion for Cello and Piano. This important new publication offers cellists not only an Urtext part but also one with bowing and fingering; both parts have a fold-out page so that no page turns are necessary.The first Urtext edition of this important workFold-out page in the solo cello part so no page turns are neededIncludes articulation alternatives as 'ossias'
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George Gershwin: Play Gershwin For Cello and Piano: Cello: Instrumental Album
Cello, Piano
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Intermediate
Faber Music Limited
A collection of pieces that pay tribute to Gershwin's unique melodic genius whi...
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A collection of pieces that pay tribute to Gershwin's unique melodic genius which gave us such gems as Embraceable You Summertime I Got Rhythm 'S Wonderful and Lady Be Good. These and other favourites are arranged here as impressive Cello solos with Piano accompaniment. This book includes a separate Cello part.
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Gabriel Fauré: Papillon Op 77 Cello/Piano: Cello: Instrumental Work
Cello, Piano
G. Henle
for Violoncello and Piano-After the great success of his Élégie (HN 563) Faur...
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for Violoncello and Piano-After the great success of his Élégie (HN 563) Fauré?s publisher Hamelle urged him to write another similarly effective piece for cello and piano. Papillon was probably already composed in 1884 though it was only published in1898. Whereas Fauré just wanted to call it ?Piece for violoncello? his publisher insisted on a more evocative title and ultimately succeeded in giving it its present name (meaning ?butterfly?). But Fauré is said to have beenindignant remarking: ?Butterfly or dung fly use whatever you want?. The success of the work proved Hamelle right Papillon is today just as popular with cellists as the Élegie and is now available as a Henle Urtext edition.
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Classical Highlights: Cello: Instrumental Album
Cello, Piano
[Sheet music]
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Intermediate/advanced
Schott
arranged for cello and piano-Classical Highlights presents the best-known and mo...
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arranged for cello and piano-Classical Highlights presents the best-known and most popular performance pieces of the classical repertoire in arrangements for cello and piano. Every cellist looking for a popular classic for teaching or performing purposes will make a find here.
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First Repertoire for Cello. Book 2: Cello: Instrumental Album
Cello, Piano
[Sheet music]
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Easy
Faber Music Limited
From Elgar to Blake and from show tunes to spirituals variety is the spice of l...
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From Elgar to Blake and from show tunes to spirituals variety is the spice of life and the essence of First Repertoire For Cello! Here in three books are over forty carefully graded elementary pieces which skilfully explore the cello's unique sonorities and provide a superb introductory literature for the young player. The book comes with piano accompaniment.
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Benedetto Marcello: Sonata in E minor Op.2 No.2: Cello: Instrumental Work
Cello, Piano
[Score and Parts]
Peters
This Sonata is a beautiful work for Cello arranged here with a realised Piano A...
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This Sonata is a beautiful work for Cello arranged here with a realised Piano Accompaniment composed by Benedetto Marcello (1686-1739).The solo cello part is also included on a separate insert.
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Ernest Bloch: Music For Cello And Piano: Cello: Instrumental Album
Cello, Piano
Carl Fischer
A collection of pieces by Ernest Bloch set here for Cello Solo with a Piano red...
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A collection of pieces by Ernest Bloch set here for Cello Solo with a Piano reduction accompaniment. Edited and arranged by Hans Kindler.
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Ola Gjeilo: Stone Rose: Three Pieces for Cello and Piano: Cello: Parts
Cello, Piano
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Intermediate/advanced
Peters
Three pieces for Cello and Piano from Ola Gjeilo's CD Stone Rose reflective an...
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Three pieces for Cello and Piano from Ola Gjeilo's CD Stone Rose reflective and lyrical music inspired by life in New York City. The three composed pieces are The Hudson Sidewalks and Madison. Listen to Ola Gjeilo's 'Madison' here:
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Herbert Howells: Cello Concerto Final Movement: Cello: Instrumental Work
Cello, Piano
[Sheet music]
Novello & Co Ltd.
The Final Movement of the Concerto For Violoncello And Orchestra by Herbert Howe...
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The Final Movement of the Concerto For Violoncello And Orchestra by Herbert Howells has been elaborated here by Jonathan Clinch arranged for Cello and Piano. A full performance lasts around 8 minutes.
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Johann Sebastian Bach: Sonatas For Cello And Keyboard: Cello and Accomp.:
Cello, Piano
[Sheet music]
-
Intermediate/advanced
Schirmer
Schirmer's Library of Musical Classics Vol. 2053-Bach's celebrated Sonatas ori...
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Schirmer's Library of Musical Classics Vol. 2053-Bach's celebrated Sonatas originally written for the Viola De Gamba are presented here in highly authoritative editions for Cello. Based upon Bernard Greenhouse's own performance editions and recordings this book represents aspecial opportunity to rediscover these wonderful Sonatas with the Cello. Contains Sonatas Bwv.1027 1028 and 1029.
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Claude Debussy: Nocturne et Scherzo: Cello
Cello, Piano
Faber Music Limited
This piece dates originally from May 1882 when Debussy made his first public ap...
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This piece dates originally from May 1882 when Debussy made his first public appearance as a composer at a musical soiree in Paris accompanying the violinist Maurice Thieberg. Among the work performed on that occasion was a Nocturne and Scherzo for Violin and Piano by the 19-year-old composer which has since disappeared. In June Debussy made a new version for Cello and Piano which survives in autograph manuscript and is published here - in this new edition by the musicologist and cellist Neil Heyde - for the first time.Although the title implies two separate pieces the Nocturne et Scherzo is a hybrid piece in which the opening Scherzo material surrounds a cantabileepisode of nocturnal character.
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