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EUPHONIUM
Choral SATB
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Chant et Guitare (72)
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A Cappella (65)
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Dobro (60)
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Musique de chambre (46)
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Marches militaires (44)
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String quintet (43)
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Medium Voice (41)
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Quintette avec Piano (39)
Petit Orchestre (39)
Piccolo (39)
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Cornet (38)
Cajon (38)
Saxophone Baryton (38)
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Choeur d'Enfants (37)
Voice, Organ (37)
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Ensembles de Cordes et Piano (36)
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Quatuor A Cordes Et Orchestre … (35)
Lyrics only (35)
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Conga (35)
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3 Voix Egales (35)
Soprano, Piano (35)
Balalaika (34)
Orchestre D'Instruments A Plec… (34)
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Djembe (34)
8 Voix (SATB Et SATB) Et Basse… (33)
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Autoharp (33)
Soprano Saxophone (33)
Clavier ou Orgue Electronique (33)
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Choeur SSATB, 2 Flûtes Traver… (32)
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Choeur en 8 Parties (SATB-SATB… (32)
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Concert Band ou Harmonie et Ba… (32)
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Orchestre D'Harmonie avec Soli… (32)
Pop music (32)
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String Quartet : 4 violas (32)
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Electric bass, Drums (31)
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Cor en Fa (31)
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Batterie-Fanfare (30)
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Trio (2 Soli Avec Réduction D… (30)
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Solistes SST, Choeur SSAATB, 2… (29)
2 Violons, Violoncelle et Bass… (29)
Drum set and Piano (29)
5 Recorders (29)
3 Trombones (trio) (29)
2 Saxophones, Piano (29)
Choeur de Femmes (SMezA) (29)
Flute Quartet: Flute, Violin, … (29)
Ocarina (29)
3 Trumpets (trio) (29)
Book (29)
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Flûte Traversièreou Piccolo,… (28)
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2 Violons, Violoncelle Et Orch… (28)
Opéra (28)
Bagpipe (28)
Vocal duet (28)
Baritone Saxophone (28)
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Clavier Electronique et Ligne … (28)
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Guitare Tablatures Flatpick et… (28)
Flûte à Bec, Guitare et Musi… (28)
Flûte Traversière Alto et Gu… (28)
Descant (Soprano) Recorder, Ba… (28)
Cello, Organ (28)
Trumpet, Trombone (duet) (28)
Livre Musical (28)
Xylophone (28)
Flûte Traversière, Hautbois,… (27)
2 Choeurs Mixtes (SATB Et SATB… (27)
Solistes STTBB, Choeur SATB, 2… (27)
Choeur SATB, 2 Trompettes, 2 T… (27)
2 Trompettes (duo) (27)
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Voix et Orff-Instruments (27)
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2 French horns, Piano (27)
Clarinette, Alto et Piano (27)
Guitare Flatpick et Plectre (27)
Choeur Mixte a Cappella (27)
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Concert Band ou Harmonie et Cl… (26)
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Petit Choeur SATB, Contrebasse… (26)
Baritone Ukulele (26)
String trio (26)
Solistes SATB, Choeur SATB, Tr… (26)
Solistes STBar, Choeur SATB, 2… (26)
SATB, (4 InstrumentS Basse et … (26)
Violin, Viola and Orchestra (26)
Musique Légère (26)
Mezzo-Soprano et Orchestre (26)
Saxophone Alto et Orchestre à… (26)
Solistes SBar, Choeur SSATB, 2… (25)
Solistes SATB, Choeur SATB/SAT… (25)
2 Hautbois Et Orchestre (25)
Choeur SATB/SATB, (8 Instrumen… (25)
Choeur Mixte (SATTB/SATTB), So… (25)
Tout Instrument (25)
Choeur SATB, 2 Violons, Alto e… (25)
2 Violins and Basso (25)
2 Pianos et Orchestre (25)
Soprano, Basse, Choeur Mixte e… (25)
Instruments à Vent (25)
Trompette, Cordes Et Basse Con… (25)
Choeur de Femmes (SSA) et Pian… (25)
Chorale d'Enfants et Piano (25)
Choeur Mixte (SSATBB) (25)
2 Clarinettes, 2 Violons, Orgu… (24)
Petit Choeur SATB, 2 ViolonSBa… (24)
Flûte Traversière Et Orchest… (24)
2 Hautbois, 2 Cors, 2 Clarinet… (24)
Clarinette et Quatuor à Corde… (24)
Quartette Pour Flûtes à Bec … (24)
Hautbois (Flûte), Violon, Alt… (24)
Quatuor à Cordes et Guitare (24)
Trompette, Instruments à Cord… (24)
Solistes SATBB, Choeur SATB, 2… (24)
Basson, 2 Violons, 2 Altos et … (24)
Solistes SATB, Choeur SATB, 2 … (24)
Quatuor à Cordes et Basse Con… (24)
Hautbois, Basson et Piano ou O… (24)
Flûte Traversière Violoncell… (24)
Flûte Traversière, Clarinett… (24)
Solistes SATTB, Choeur SSATTBB… (24)
String Trio: 2 violins, viola (24)
Bass Clarinet, Piano (24)
Marches de concert (24)
Soli (T (Evangelist), B (Jesus… (24)
Solistes ATB, Choeur SATB, Fl… (24)
Choeur SATB et Orchestre (24)
CD only (24)
Guitar Tab, Voice, Bass, Drum (24)
Guitar and Bass Tablatures, Ch… (24)
Instruments A Vent (24)
Orchestre Juniors (23)
Solistes SST, Choeur SATB/SATB… (23)
2 Violons, Basse et Basse Cont… (23)
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Flûte Traversière Hautbois, … (23)
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4 Voix Mixtes Sans Accompagnem… (23)
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Trio A Cordes (23)
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English horn, Piano (23)
Orgue et Orchestre à Vent (23)
Choral SATTB (23)
5 Solistes, Choeur(s) Et Orche… (23)
ENS::Ensemble d'cole (23)
Orchestre: Choeur TTBB, 2 Flû… (22)
Orchestre: Solistes SATB, Choe… (22)
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Grand Ensemble Contemporain et… (22)
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Affiche (22)
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Wir Glauben All An Einen Gott (MENDELSSOHN-BARTHOLDY FELIX / LUTHER MARTIN)
Choral SATB
SATB, Orchestra
[Sheet music]
Carus Verlag
Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX / LUTHER MARTIN. During Mendelsso...
(+)
Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX / LUTHER MARTIN. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. / Musique religieuse / Date parution : 1980-07-01/ Répertoire / Choeur SATB, 2 Hautbois, 2 Clarinettes, 2 Bassons,
2.90 EUR - Sold by LMI-partitions
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Wir Glauben All An Einen Gott (MENDELSSOHN-BARTHOLDY FELIX / LUTHER MARTIN)
Choral SATB
SATB, Orchestra
[Sheet music]
Carus Verlag
Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX / LUTHER MARTIN. During Mendelsso...
(+)
Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX / LUTHER MARTIN. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. / Date parution : 1998-03-01/ Répertoire / Choeur SATB, 2 Hautbois, 2 Clarinettes, 2 Bassons,
11.10 EUR - Sold by LMI-partitions
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Wir Glauben All An Einen Gott (MENDELSSOHN-BARTHOLDY FELIX / LUTHER MARTIN)
Choral SATB
SATB, Orchestra
[Sheet music]
Carus Verlag
Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX / LUTHER MARTIN. During Mendelsso...
(+)
Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX / LUTHER MARTIN. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. / Date parution : 1980-01-01/ Répertoire / Choeur SATB, 2 Hautbois, 2 Clarinettes, 2 Bassons,
17.70 EUR - Sold by LMI-partitions
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Wir Glauben All An Einen Gott (MENDELSSOHN-BARTHOLDY FELIX / LUTHER MARTIN)
Choral SATB
SATB, Orchestra
[Sheet music]
Carus Verlag
Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX / LUTHER MARTIN. During Mendelsso...
(+)
Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX / LUTHER MARTIN. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. / Date parution : 1980-02-01/ Répertoire / Choeur SATB, 2 Hautbois, 2 Clarinettes, 2 Bassons,
5.30 EUR - Sold by LMI-partitions
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John Tavener: Three Hymns Of George Herbert: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Chester
Vocal Score for John Tavener's Three Hymns Of George Herbert for SATB chorus pe...
(+)
Vocal Score for John Tavener's Three Hymns Of George Herbert for SATB chorus percussion and strings. Commissioned by the Legatum Institute [www.LI.com] as part of its ?British and American Notions of Liberty?programme in the year of the Diamond Jubilee of Her Majesty Queen Elizabeth II. First performance on 21st April 2013 in Washington National Cathedral by the City Choir of Washington conducted by Robert Shafer.'The ThreeHymns of George Herbert were written after a long illness and represent for me a Hymn of thanksgiving to God for a relative return to health. They are intended to be sung in a large resonant acoustic with the main choir andstring orchestra at one end of the building and an echo choir and string quartet at the other. The percussion (tubular bells gongs and tam-tams) should sound from a gallery or other raised position.The Hymns wereinspired by the transparent poetry of George Herbert and are dedicated in gratitude and love to the memory of Mother Thekla former Abbess of the Orthodox Monastery of the Assumption Normanby near Whitby who died in 2011.' -John Tavener
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Michael Nyman: Out Of The Ruins: SATB: Vocal Work
Choral SATB
SATB, Organ
[Sheet music]
Chester
Out of the Ruins touches on Gregorian chant and sacred music of the Baroque. Thi...
(+)
Out of the Ruins touches on Gregorian chant and sacred music of the Baroque. This is a slowly evolving requiem that draws on Armenian traditions with no hint of Nyman’s signature propulsive rhythms.Some of the music can be heard in different form in Nyman’s third Quartet and the soundtrack for Carrington. In 1988 Armenia suffered a devastating earthquake in which caused widespread destruction and killed more than25 000 people. BBC director Agnieszka Piotrowska asked Michael Nyman to write a work to accompany a documentary she was making for the first anniversary and offered text from 10th century poet Grigor Narekatsi’s Book ofLamentations. Nyman is a contemporary British composer of richly layered modular minimalist pieces often incorporating period instruments or instrumentation outside the normal Orchestral offerings. He isparticularly well known for his film scores including The Piano The Cook The Thief His Wife and Her Lover Prospero’s Books and The Claim among many others. His work is widely performed and recorded.
17.99 GBP - Sold by Musicroom UK
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Anthems Old And New Vol.1
Choral SATB
Kevin Mayhew
/ Choeur Mixte (SATB)
43.49 EUR - Sold by LMI-partitions
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Anne Boyd: Jesus Reassures His Mother: SATB: Vocal Score
Choral SATB
[Vocal Score]
University Of York Music Press
Jesus Reassures His Mother is a setting of medieval lyric poetry written anonymo...
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Jesus Reassures His Mother is a setting of medieval lyric poetry written anonymously in the 14th century. The poet recounts a vision of the young Mary rocking the infant Christ to sleep. The child requests hismother to sing a lullaby but alas knowing her child’s fate she is too sad to sing. Jesus tells her that all mothers worry about their children’s futures and insists that she should sing nevertheless. Mary recounts the visit ofGabriel and the events of Christ’s birth but reflects how sad it is to have delivered a child to such a fate. Jesus reassures his mother that he will be with his father in heaven where Mary will come to join Him at the end oftime there to live in eternal bliss. At this point Mary is persuaded by and echoes her child’s reassuring words and she is joined in this by the choir (now representing us all). The vision fades away in the voice of the narratorwhose loneliness and longing return. We learn that it is Christmas Day. This setting grows from the visionary mystical world inhabited by Julian of Norwich whose Revelations of Divine Love provided the inspiration for awork Anne Boyd composed in 1994. The medium has been expanded from the Song Company’s six solo voices used in the Revelations to the double motet choir of the Sydney Philharmonia who commissioned this work for their 75thanniversary. The parts of the infant Jesus Mary the Narrator and the angel Gabriel are taken by choir soloists: soprano alto tenor and bass. The work is situated in the context of Boyd’s personal musical aestheticwhich she describes as the intersection of Christian Love with Buddhist silence.
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John Tavener: The Fool (Chorus Part): Mixed Choir: Vocal Score
Choral SSATBB
[Sheet music]
Chester
Composer's notes:The Fool is a time-honoured Orthodox religious figure: a Saint ...
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Composer's notes:The Fool is a time-honoured Orthodox religious figure: a Saint the highest of all who discards everything for Christ's sake. He discards all convention all decency all wealth actual and spiritual and turns himself into a figure of fun - defying all acceptable behaviour - and all religious decency. He stands in the square and lets down his trousers - he stuffs himself with food on Good Friday - he gets drunk - he 'appears'to fornicate wildly. There is a faint possibility (in not the highest of 'Fools') of gaining worldly popularity by such flagrant denial of all moral behaviour. Can such behaviour be too interesting? The true fool however embraces all of this and also (unseen) shrinks before the face of his God. By his behaviour he plucks out all hypocrisy false piety and corruption. He is a figure much needed in our times!!! The way I have tried to tacklethis extraordinary subject is to show him in seven stages from an obscene huge fat traditional clown who is drunk fornicating etc. through a stumbling frail agonized figure to a sallow-faced gaunt business man in a formalsuit staring at an empty glass. Having first revered him then mocked him the 'people' while they get drunk and jabber away at 'Christmas' and at the Feast of Feasts 'Easter' are no longer aware of him. But the audience seeshim - a tiny ragged scrap of mortality lying in a corner and faintly so faintly the voice of the Fool the true Fool for Christ's sake sings above the ribald crowd. 'He has given His life'. The Gogmagogs are the 'people' 'priests' 'singers' etc. and one male singer who can 'create' or 'uncreate' this vast role (singing and acting miming etc.) John Tavener Arranged for SSATBB chorus. Date of composition 2000. Chorus part only.
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Blow The Wind Southerly: SATB: Vocal Work
Choral SATB
SSAATTBB A Cappella
[Sheet music]
-
Intermediate/advanced
Chester
Blow The Wind Southerly is a Northumbrian traditional early 19th century song p...
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Blow The Wind Southerly is a Northumbrian traditional early 19th century song possibly with words from a much older source a haunting tune that has been recorded over the decades by many singers among them famously Kathleen Ferrier in the middle of the 20th century as well as Nana Mouskouri Bryn Terfel Leslie Garrett Andreas Scholl and others. Cameron evokes the unending wind of the sea and the endless waiting of thesinger with programmatic ‘blow’ and ‘blow wind’ Vocal accompaniments to the melody line. He postpones full Choral statement of the melody until the final verse then lets the wind finish the work. Contemporary Englishcomposer and arranger John Cameron has earned an excellent reputation for his film television and theatre work including films Kes Driftwood The Ruling Class and theatrical productions Les Miserables Spend Spend Spend and for the Royal Shakespeare Company National Theatre and others.
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The Naxos Book Of Carols (with CD) (PITTS ANTONY)
Choral SATB
[Sheet music + CD]
Naxos
Par PITTS ANTONY. The Naxos Book of Carols is collection of both the very old an...
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Par PITTS ANTONY. The Naxos Book of Carols is collection of both the very old and the very new. Commissioned by the leading international classical music label, Naxos, these twenty-four arrangements of traditional and original carols tell the Christmas story - from the hope of Advent and the message of the Angels, to the humble birth of the baby in Bethlehem and the coming of the King of kings. This collaboration between Naxos and Faber Music has brought this volume, containing all 24 carols in four narrative sequences, in new arrangements for SATB choir with minimum divisi. There is a good mix of accompanied and a capella (even the latter have optional accompaniments) and there is practical guidance on how the carols may be used by congregations, as well as choirs with varied resources. The original CD, performed by the award-winning choir Tonus Peregrinus and directed by the composer Antony Pitts, is included within the book making it incredible value for money. / Choral Music / Recueil / Voix Mixtes
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Elizabeth Maconchy: Pied Beauty Heaven Haven: SATB: Vocal Score
Choral SATB
[Vocal Score]
-
Intermediate/advanced
Chester
These settings were written to a commission from the Southern Cathedrals Festiva...
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These settings were written to a commission from the Southern Cathedrals Festival and first performed in Salisbury Cathedral on 24 July 1976 by choirs of Salisbury Winchester and Chichester Cathedrals with the Phillip Jones BrassEnsemble conducted by Richard Seal.Pied BeautyThe rhythmic elasticity and freedom of the poem matches the vividness of its images and the freshness of the poetic language: it is like light playing on water. In thissetting for choir and brass phrases for trumpets and then voices- ‘Glory to be God’- Alternate with more meditative moments- ‘who knows how?’. The contrast of the poem- ‘swift slow sweet sour- a dazzle dim‘ quick changes fromsunshine to shadow- are mirrored in the music.Heaven HavenThe stillness and serenity of this poem one of Hopkins’ earliest is in direct contrast to the other. ‘Out of the swing of the sea’ to a gently rockingfigure runs as a sort of undercurrent through the piece. At the end this figure combines with a motive in thirds (heard quietly on the trumpets at the opening) and expands slowly with the choir in eight parts before dying awayinto silence.
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Opela : We Are Here To Sing - Conductor Edition
Choral SATB
Helbling Verlagsgesellschaft m.b.h
En Namibie, le chant est omniprésent partout où vous allez. On chante un peu p...
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En Namibie, le chant est omniprésent partout où vous allez. On chante un peu partout, au travail, lors des fêtes, comme un moyen d'exprimer la joie ou de la tristesse, ou comme un moyen de transmettre des histoires traditionnelles par le bouche à oreille. Il ya une répertoire adapté à chaque occasion.Les chansons de Opela, nous sommes là pour chanter sont merveilleusement approprié pour le chant partie sans accompagnement au piano, à la fois pour les chorales d'expériences et pour inexpérimentés '' pas-encore-chanteurs ''. Les mélodies colorées et les arrangements simples mais très animée peut être appris dans un délai très court, puis exécuté immédiatement, par exemple, comme une contribution créative à un service religieux. Dans le même temps, le matériau musical est si riche en contenu que les choeurs d'imagination peut-elle développer en morceaux entraînants de concert. Ils vont trouver le CD du Choeur UNAM une riche source d'idées. / Choeur Mixte (SATB)
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Opela : We Are Here To Sing - Choral Edition
Choral SATB
Helbling Verlagsgesellschaft m.b.h
En Namibie, le chant est omniprésent partout où vous allez. On chante un peu p...
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En Namibie, le chant est omniprésent partout où vous allez. On chante un peu partout, au travail, lors des fêtes, comme un moyen d'exprimer la joie ou de la tristesse, ou comme un moyen de transmettre des histoires traditionnelles par le bouche à oreille. Il ya une répertoire adapté à chaque occasion.Les chansons de Opela, nous sommes là pour chanter sont merveilleusement approprié pour le chant partie sans accompagnement au piano, à la fois pour les chorales d'expériences et pour inexpérimentés '' pas-encore-chanteurs ''. Les mélodies colorées et les arrangements simples mais très animée peut être appris dans un délai très court, puis exécuté immédiatement, par exemple, comme une contribution créative à un service religieux. Dans le même temps, le matériau musical est si riche en contenu que les choeurs d'imagination peut-elle développer en morceaux entraînants de concert. / Choeur Mixte (SATB)
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Der Erste Ton, Musik Zur Declamation (Wev B.2) - Hymne In Seiner Ordnung Schafft Der Herr (Wev B.8) Wev B.2 U. Wev B.8
Choral SATB
SATB, Orchestra
Schott
La renommée de Carl Maria von Weber repose principalement sur , Der Freischütz...
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La renommée de Carl Maria von Weber repose principalement sur , Der Freischütz '. Le succès sans précédent de cet opéra éclipsé tous ses autres travaux et a contribué à leur chute de plus en plus dans l'oubli . Certains travaux tels que , Preciosa ', , Oberon , et , Euryanthe ' , les ouvertures, concertos en solo et sonates pour piano , des lieder et chambre oeuvres jouissent d'une grande popularité et ont été largement connus en Allemagne et à l'étranger aussi tard que la deuxième moitié de la 19ème siècle . Cependant , toute chance d'une renaissance de Weber et influentoeuvre considérable a été perdu dans les années 1920 , quand une édition complète - commencé par Hans Joachim Moser et avec les contributeurs potentiels, y compris Wilhelm Kempff , Hans Pfitzner , Max von Schillings , Fritz Stein et Richard Strauss - a échoué après le troisième volume .Depuis , il ya eu de nombreuses tentatives pour relancer une édition complète des oeuvres de Weber , mais que ce genre de projet , il aurait fallu la collaboration de chercheurs des deux côtés de la frontière inter- allemande , la situation politique après 1945 n'était pas propice à une telle entreprise . Négociations approfondies ont conduit aux premières mesures concrètes dans les années 1980 . L'intention , dès le début , était de placer l'oeuvre de Weber dans son contexte, et ne pas se séparer de sa production musicale de son travail influent comme un écrivain , critique et organisateur dans le domaine musical , mais de publier ses compositions avec ses lettres, journaux et d'autres la production littéraire comme le meilleur moyen de documenter la fertilisation croisée entre ses activités musicales , littéraires et pratiques .Depuis la réunification des deux - groupes de travail allemands concernés - à la Staatsbibliothek zu Berlin , et au Séminaire Musikwissenschaftliches , Detmold / Paderborn - ont coopéré sur l'édition complète des oeuvres musicales ( c. 45 volumes de la série 10 : sacré musique - cantates , des odes et des autres travaux occasionnels- oeuvres scéniques , lieder et des oeuvres vocales - oeuvres orchestrales , musique de chambre , musique pour piano - réductions pour piano - Miscellanea , arrangements et orchestrations , des oeuvres d' attribution douteuse ) . Les journaux (6-8 vol.) Sont édités à Berlin et les lettres (8-10 vol.) Et d'autres écrits ( 2 vol. ) À Detmold .Cette édition complète vise à constituer une base fiable de débat scientifique , ainsi que pour la pratique de la performance authentique de la musique de Carl Maria von Weber . Conforme aux normes d'éditions historico-critiques récentes , le matériau textuel sera basé sur les sources authentiques disponibles , accompagnés par une documentation détaillée de la genèse et une liste de variantes pour chaque travail . L'importance musicologique des travaux sera évaluée en les plaçant dans leur contexte historique , la présentation de leur genèse , l'histoire et les commentaires critiques . Les lettres , les écrits et les journaux seront considérés comme interdépendants et pertinente à l'autre dans les commentaires , donc les lecteurs devraient bénéficier d'une foule de renseignements concis et renvois . / Choeur Mixte (SATB) Et Instruments Divers
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John Tavener: Two Hymns To The Mother Of God: SATB: Vocal Score
Choral SATB
[Vocal Score]
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Intermediate
Chester
Two hymns written for unaccompanied choir by Tavener. The first is for SAATBBSAA...
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Two hymns written for unaccompanied choir by Tavener. The first is for SAATBBSAATBB double choir and is a setting of a text from the Liturgy of St. Basil. The second is for SSATBBB choir and comes from the Vigil Service of theDormition (or falling asleep) of the Mother of God. She invites the apostles to gather together from the ends of the earth to bury her body in Gethsemane and asks her son to receive the spirit.Two hymns to the Mother ofGod were first performed in December 1985 by the Choir of Winchester Cathedral conducted by Martin Neary. Mother of God also features in the film Philomena starring Judi Dench andSteve Coogan and directed by Stephen Frears.
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John Tavener: Mother Of God Here I Stand: SATB: Vocal Score
Choral SATB
SATB, Organ
[Vocal Score]
Chester
Written for SATB choir and Organ.The Veil of the Temple was commissioned by the ...
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Written for SATB choir and Organ.The Veil of the Temple was commissioned by the Temple Music Trust. The world premiere took place on 27th June 2003 at the Temple Church London performed by the Choir ofthe Temple Church and the Holst Singers with Patricia Rozario (soprano) conducted by Stephen Layton as part of The City of London Festival 2003.The anthem Mother of God here I stand was sponsored by the ToulminFamily and it is dedicated to the Choir of the Temple Church its Director of Music Stephen Layton and the Master of the Temple the Rev. Robin Griffith-Jones. It was first performed on 13th May 2004 by the Choir of the TempleChurch conducted by Stephen Layton. Mother of God also features in the film Philomena starring Judi Dench and Steve Coogan and directed by Stephen Frears.
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The Negro Speaks Of Rivers
Choral SATB
Novello & Co Ltd.
Craig McLeish writes of The Negro Speaks of Rivers - Langston Hughes (1902-1967)...
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Craig McLeish writes of The Negro Speaks of Rivers - Langston Hughes (1902-1967) was the first black American to earn his living from writing. He was an innovator of jazz poetry, becoming part of the Harlem Renaissance in the 1920s and 1930s. He wrote plays, short stories, novels, and his poetry was widely read. He was also a journalist, columnist and lecturer. The Negro Speaks of Rivers was perhaps his earliest published work, written when only 17 and while travelling by train to Mexico to visit his father. As the train crossed the Mississippi he suddenly began thinking about how rivers had impacted on Negro history, particularly in the fight against slavery. The four rivers mentioned in the poem lent themselves to using musical influences from those particular regions. However, I have tried to keep these links fairly tenuous to avoid overt pastiche. A few years ago I was fortunate enough to work with Congolese musicians. These sessions led to the intricate rhythms in The Congo . The Mississippi mentions New Orleans, so a jazz fugue seemed the most appropriate compositional device to weave into the texture. The spirit of The Nile was gauged from many hours listening avidly to Egyptian music. Craig McLeish began his musical life as a chorister at St Paul's Cathedral. As a bass guitarist, conductor, musical arranger and composer, he has worked with a wide variety of groups in several genres, and scored a hit with the cult pop band 'Fat and Frantic'. He is musical director of Young Voices UK, and conducts several youth and community choirs in and around Milton Keynes. / Choeur SATB
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CHESTER BOOK OF MADRIGALS BK.2 LOVE & MARRIAGE
Choral SATB
SATB, Piano
[Partition]
Chester
The Chester Books Of Madrigals offer an exciting collection of secular European ...
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The Chester Books Of Madrigals offer an exciting collection of secular European madrigals, partsongs and rounds from the 16th and early 17th centuries, newly edited from early sources by Anthony G. Petti, who contributes copious historical notes to each volume. <br>The majority of the settings are for SATB and simplified keyboard reductions. Texts are in the original languages, with an English translation (for non-English texts) provided at the head of each piece. / Classique / Partition /
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Sing Pop A Cappella - Book Three - Book - Audio Download
Choral SATB
SATB A Cappella
[Sheet music + Audio access]
Novello & Co Ltd.
Sing Pop A Cappella is a collection of a cappella arrangements of fantastic pop ...
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Sing Pop A Cappella is a collection of a cappella arrangements of fantastic pop songs old and new, by renowned teacher, singer and director Gitika Partington. Her arrangements are used by choirs across the UK, and she emphasises that being able to read music is not necessary. Rewarding and enjoyable, Book Three continues her project to bring people together through the power of song.What's great about Gitika Partington's Sing Pop A Cappella series is how she understands that to make great music or to sing a great song, it's not necessary to be able to sight-read. It may be useful, but she has learned that there are other ways to communicate music, namely through ear training, repetition and gesture. Her arrangements, five of which appear in this book, have enabled youth and community choirs to spring up across the country, making singing truly and universally accessible. Included in this book are wonderfully rich a cappella arrangements of Ain't No Sunshine by Bill Withers, Black Is The Colour Of My True Love's Hair, Rick Astley's Never Gonna Give You Up, Adele's Rolling In The Deep and a huge favourite, Sway (Quien Sera). Vocal scores for these innovative and enjoyable arrangements are included in standard notation, although Partington recommends learning by ear as something equally beneficial. To aid with this, the accompanying download card includes five tracks of audio for each song. One features a full performance demonstration while the other four each focus on either soprano, alto, tenor or bass. The easy download of these tracks makes learning efficient and fun, as you are able to listen wherever you are.The great thing about a cappella singing is that it can be done anywhere, with limited resources, with members who don't necessarily have any musical training. Partington has created a book that can be used by a cappella choirs who love pop music that sounds great and will thrill audiences. Sing Pop A Cappella is not just a songbook, though, it also includes an extensive introduction by Partington, as well as performance tips for each song and information on voice care and learning the tunes. It's a personal book for Partington, who is passionate about the power of music to bring people together, and enthusiastic about getting people who wouldn't believe they had the confidence or ability, to sing pop!Sing Pop A Cappella is a brilliant book for choirs of any type or size who would enjoy singing five incredible pop tunes without accompaniment. The fantastic sound of a group of people singing a well-known song in a completely new and interesting way is something that Gitika Partington knows well, and something that she wants to impart to groups across the country. Songs like this were made to be sung, so pick up Book Three and Sing Pop A Cappella! / Choeur Mixte (SATB) Et Piano
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The Novello Book Of British Folksongs: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Novello & Co Ltd.
The Novello Book Of British Folksongs For Mixed-Voice Choirs is an enjoyable col...
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The Novello Book Of British Folksongs For Mixed-Voice Choirs is an enjoyable collection of diverse tunes that have descended from the folksongs across the British Isles. A variety of arrangements are included both old and new of well-loved tunes as well as some lesser-known pieces. All 34 tunes are arranged for SATB Chorus some with Piano accompaniment making this a brilliant way to enhance your choir's repertoire. This Book Of British Folksongs offers a grand selection of favourite folk tunes arranged by composers such as Ralph Vaughan Williams Gustav Holst Paul Mealor and George Dyson.Tunes like A-Hunting We Will Go Auld Lang Syne Bonny At Morn Come Lasses And Lads and Scarborough Fair suggest the sheer diversity on offer here. From sad tunes to happy songs the arrangements here are at once beautiful and touching coming truly to life when sung by a Mixed-Voice Choir. These thirty four folk songs will enrich a performance programme whether as one part or the entirety. Choirs of all types and abilities will be able to discover their favourite arrangements either the most beautiful the funniest or the most enjoyable to sing. With the country experiencing a revival in singing traditional folksongs this collection is a great way to experience the unabashed joy that performing these British tunes can bring. With a great number of favourite tunes as well as some lesser-known songs this collection includes songs like There Were Three Ravens Yarmouth Town My Love Is Like A Red Red Rose Dance To Your Daddy and The Rio Grande as well as an extensive and fascinating introduction by Jeremy Summerly. The wonderful thing about singing folksongs is they are like a window into our country's history. They are occasionally funny often dramatic but always enjoyable to sing and their diversity
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Noël! 3 - Carols And Anthems For Advent Christmas And Epiphany
Choral SATB
SATB, Organ
Novello & Co Ltd.
Noël! 3 is an exciting collection of Advent, Christmas and Epiphany music for m...
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Noël! 3 is an exciting collection of Advent, Christmas and Epiphany music for mixed-voice choirs, from the easy to learn to the more challenging and unconventional. The contents range from the Baroque to the present: familiar settings of traditional and lesser-known carols through the ages to Howells, Berkeley and Warlock, and works by today's composers including Richard Rodney Bennett, Paul Mealor, John Tavener, Francis Pott and Richard Allain. Mixed-voice choirs of all levels will enjoy these new arrangements of favourite carols as well as stimulating original works for the Christmas season. / Choeur SATB Et Orgue (Ou Piano)
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Alan Bullard: Oxford Book Of Flexible Carols: SATB: Vocal Score
Choral SATB
[Vocal Score]
Oxford University Press
The Oxford Book of Flexible Carols is the perfect resource for choirs of all typ...
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The Oxford Book of Flexible Carols is the perfect resource for choirs of all types and sizes. Each piece is presented with flexible scoring options clearly explained throughout enabling performance by various combinations of singers. With carols for Advent Christmas New Year and Epiphany and a fabulous range of accessible quality material this is a must-have collection for all choirs at Christmas. 56 flexibly scored carols Suitable for mixed choirs upper-voice choirs choirs with few men unison choirs small choirs and all other groups New flexible arrangements of traditional carols and modern favourites Brandnew carols written specially for the collection Variety of composers including Kerry Andrew Malcolm Archer Alan Bullard Bob Chilcott Stephen Cleobury Cecilia McDowall John Rutter Mack Wilberg and David Willcocks Wide range of material from Medieval to the present day and including wassails gallery carols world carols and spirituals Accessible keyboard accompaniments suitable for Organ (with or without pedals) or Piano
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John Tavener: Awed By The Beauty: SATB: Vocal Score
Choral SATB
SATB, Organ
[Vocal Score]
Chester
Work for unaccompanied SATB from Tavener's The Veil Of The Temple.The Veil of th...
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Work for unaccompanied SATB from Tavener's The Veil Of The Temple.The Veil of the Temple was commissioned by the Temple Music Trust. The world premiere took place on 27th June 2003 at the Temple Church London performed by the Choir of the Temple Church and the Holst Singers with Patricia Rozario (soprano) conducted by Stephen Layton as part of The City of London Festival 2003. The anthem Awed by the beauty was arranged in 2005.Byzantine text translated by Mother Thekla. ?Oh? should be sung as in the ?o? of ?log?. Breathe when necessary but not simultaneously. ?? and ???? represent microtones the characteristic ?breaks in the voice? of Eastern chant.
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Andrew Cusworth: There Is No Rose (Novello New Choral Series): SATB: Vocal Score
Choral SATB
SATB
[Vocal Score]
Novello & Co Ltd.
There is no rose may be considered as having three distinct but musically interl...
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There is no rose may be considered as having three distinct but musically interlinked phases. The first is reflective in nature a set of musings on the mysteries of Mary as the Mother of God the nature of God Creation and the Trinity; the music lends a sense of the rising expectation appropriate to the season of Advent. This increasing tension breaks out into the angelic chorus Gloria in excelsis Deo a brief glimpse of something other which is then echoed by the fading repetitions of Gaudeamus (we rejoice). Finally the poem moves on joining the procession towards Christmas; a new key the expanding range and Transeamus (we go/proceed/cross over) fading intothe distance serve to provide a musical metaphor for the journey.The Novello New Choral Series is an inspiring selection of new works from a range of contemporary composers offering pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yet accessible repertoire in an exciting variety of styles. This collection is perfect for choirs looking to broaden their repertoire and explore some of the best new music around.Andrew Cusworth (b.1984) read music at Magdalene College Cambridge where he was also an Organ Scholar. Recent compositions include Factum est silentium for double choir and organ which won the first New Music for St Paul’s Cathedral Composition Competition and Give ear O ye heavens which was shortlisted for the King James Bible Trust Composition Awards. 'This is a piece whose effect greatly exceeds its simple means and it would be welcome in any serious carol service.' - Jeremy Summerly Choir & Organ
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