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EUPHONIUM
Choral SATB
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Chant et Guitare (72)
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A Cappella (65)
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Dobro (60)
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Musique de chambre (46)
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Marches militaires (44)
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String quintet (43)
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Medium Voice (41)
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Quintette avec Piano (39)
Petit Orchestre (39)
Piccolo (39)
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Cornet (38)
Cajon (38)
Saxophone Baryton (38)
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Choeur d'Enfants (37)
Voice, Organ (37)
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Ensembles de Cordes et Piano (36)
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Quatuor A Cordes Et Orchestre … (35)
Lyrics only (35)
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Conga (35)
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3 Voix Egales (35)
Soprano, Piano (35)
Balalaika (34)
Orchestre D'Instruments A Plec… (34)
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Djembe (34)
8 Voix (SATB Et SATB) Et Basse… (33)
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Autoharp (33)
Soprano Saxophone (33)
Clavier ou Orgue Electronique (33)
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Choeur SSATB, 2 Flûtes Traver… (32)
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Choeur en 8 Parties (SATB-SATB… (32)
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Concert Band ou Harmonie et Ba… (32)
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Orchestre D'Harmonie avec Soli… (32)
Pop music (32)
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String Quartet : 4 violas (32)
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Electric bass, Drums (31)
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Cor en Fa (31)
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Batterie-Fanfare (30)
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Trio (2 Soli Avec Réduction D… (30)
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Solistes SST, Choeur SSAATB, 2… (29)
2 Violons, Violoncelle et Bass… (29)
Drum set and Piano (29)
5 Recorders (29)
3 Trombones (trio) (29)
2 Saxophones, Piano (29)
Choeur de Femmes (SMezA) (29)
Flute Quartet: Flute, Violin, … (29)
Ocarina (29)
3 Trumpets (trio) (29)
Book (29)
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Flûte Traversièreou Piccolo,… (28)
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2 Violons, Violoncelle Et Orch… (28)
Opéra (28)
Bagpipe (28)
Vocal duet (28)
Baritone Saxophone (28)
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Clavier Electronique et Ligne … (28)
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Guitare Tablatures Flatpick et… (28)
Flûte à Bec, Guitare et Musi… (28)
Flûte Traversière Alto et Gu… (28)
Descant (Soprano) Recorder, Ba… (28)
Cello, Organ (28)
Trumpet, Trombone (duet) (28)
Livre Musical (28)
Xylophone (28)
Flûte Traversière, Hautbois,… (27)
2 Choeurs Mixtes (SATB Et SATB… (27)
Solistes STTBB, Choeur SATB, 2… (27)
Choeur SATB, 2 Trompettes, 2 T… (27)
2 Trompettes (duo) (27)
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Voix et Orff-Instruments (27)
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2 French horns, Piano (27)
Clarinette, Alto et Piano (27)
Guitare Flatpick et Plectre (27)
Choeur Mixte a Cappella (27)
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Concert Band ou Harmonie et Cl… (26)
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Petit Choeur SATB, Contrebasse… (26)
Baritone Ukulele (26)
String trio (26)
Solistes SATB, Choeur SATB, Tr… (26)
Solistes STBar, Choeur SATB, 2… (26)
SATB, (4 InstrumentS Basse et … (26)
Violin, Viola and Orchestra (26)
Musique Légère (26)
Mezzo-Soprano et Orchestre (26)
Saxophone Alto et Orchestre à… (26)
Solistes SBar, Choeur SSATB, 2… (25)
Solistes SATB, Choeur SATB/SAT… (25)
2 Hautbois Et Orchestre (25)
Choeur SATB/SATB, (8 Instrumen… (25)
Choeur Mixte (SATTB/SATTB), So… (25)
Tout Instrument (25)
Choeur SATB, 2 Violons, Alto e… (25)
2 Violins and Basso (25)
2 Pianos et Orchestre (25)
Soprano, Basse, Choeur Mixte e… (25)
Instruments à Vent (25)
Trompette, Cordes Et Basse Con… (25)
Choeur de Femmes (SSA) et Pian… (25)
Chorale d'Enfants et Piano (25)
Choeur Mixte (SSATBB) (25)
2 Clarinettes, 2 Violons, Orgu… (24)
Petit Choeur SATB, 2 ViolonSBa… (24)
Flûte Traversière Et Orchest… (24)
2 Hautbois, 2 Cors, 2 Clarinet… (24)
Clarinette et Quatuor à Corde… (24)
Quartette Pour Flûtes à Bec … (24)
Hautbois (Flûte), Violon, Alt… (24)
Quatuor à Cordes et Guitare (24)
Trompette, Instruments à Cord… (24)
Solistes SATBB, Choeur SATB, 2… (24)
Basson, 2 Violons, 2 Altos et … (24)
Solistes SATB, Choeur SATB, 2 … (24)
Quatuor à Cordes et Basse Con… (24)
Hautbois, Basson et Piano ou O… (24)
Flûte Traversière Violoncell… (24)
Flûte Traversière, Clarinett… (24)
Solistes SATTB, Choeur SSATTBB… (24)
String Trio: 2 violins, viola (24)
Bass Clarinet, Piano (24)
Marches de concert (24)
Soli (T (Evangelist), B (Jesus… (24)
Solistes ATB, Choeur SATB, Fl… (24)
Choeur SATB et Orchestre (24)
CD only (24)
Guitar Tab, Voice, Bass, Drum (24)
Guitar and Bass Tablatures, Ch… (24)
Instruments A Vent (24)
Orchestre Juniors (23)
Solistes SST, Choeur SATB/SATB… (23)
2 Violons, Basse et Basse Cont… (23)
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Flûte Traversière Hautbois, … (23)
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4 Voix Mixtes Sans Accompagnem… (23)
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Trio A Cordes (23)
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English horn, Piano (23)
Orgue et Orchestre à Vent (23)
Choral SATTB (23)
5 Solistes, Choeur(s) Et Orche… (23)
ENS::Ensemble d'cole (23)
Orchestre: Choeur TTBB, 2 Flû… (22)
Orchestre: Solistes SATB, Choe… (22)
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Grand Ensemble Contemporain et… (22)
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Affiche (22)
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Andrew Cusworth: There Is No Rose (Novello New Choral Series): SATB: Vocal Score
Choral SATB
SATB
[Vocal Score]
Novello & Co Ltd.
There is no rose may be considered as having three distinct but musically interl...
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There is no rose may be considered as having three distinct but musically interlinked phases. The first is reflective in nature a set of musings on the mysteries of Mary as the Mother of God the nature of God Creation and the Trinity; the music lends a sense of the rising expectation appropriate to the season of Advent. This increasing tension breaks out into the angelic chorus Gloria in excelsis Deo a brief glimpse of something other which is then echoed by the fading repetitions of Gaudeamus (we rejoice). Finally the poem moves on joining the procession towards Christmas; a new key the expanding range and Transeamus (we go/proceed/cross over) fading intothe distance serve to provide a musical metaphor for the journey.The Novello New Choral Series is an inspiring selection of new works from a range of contemporary composers offering pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yet accessible repertoire in an exciting variety of styles. This collection is perfect for choirs looking to broaden their repertoire and explore some of the best new music around.Andrew Cusworth (b.1984) read music at Magdalene College Cambridge where he was also an Organ Scholar. Recent compositions include Factum est silentium for double choir and organ which won the first New Music for St Paul’s Cathedral Composition Competition and Give ear O ye heavens which was shortlisted for the King James Bible Trust Composition Awards. 'This is a piece whose effect greatly exceeds its simple means and it would be welcome in any serious carol service.' - Jeremy Summerly Choir & Organ
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Geoffrey Burgon: Hymn To St Thomas Of Hereford: SATB: Vocal Score
Choral SATB
SATB, Orchestra
[Vocal Score]
Chester
Composed in 1981 this work is a setting of a sequence from the Mass for the Fea...
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Composed in 1981 this work is a setting of a sequence from the Mass for the Feast of St Thomas found in the missal of the Hereford use.The text is a conventional hymn of praise but it is distinguished by a lively andattractive rhythm and as this rhythm would have been lost in translation I have set it in the original Latin.The work is in the form of theme and variations and is characterised by a gradual crescendo throughout. It beginsvery quietly with solo timpani and then the choir sing the theme in unison unaccompanied by flutes bells timpani and lower strings.
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John Tavener: The Lament Of The Mother Of God: Soprano & SATB: Vocal Score
Choral SSATB
SSATB, Piano
[Sheet music]
Chester
This work for soprano solo and SATB chorus was commissioned by the Norwich Festi...
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This work for soprano solo and SATB chorus was commissioned by the Norwich Festival of Contemporary Church Music.Tavener:'In the Orthodox Church the Lament of the Mother of God is normally sung on Holy and Great Friday. Inits full length it lasts about half and hour and it is intoned by the Priest or Bishop while the people venerate the Epitaphios (or Shroud of the Dead Christ) which is in the centre of the church and decorated withflowers.The Lament must be sung with an ikon-like stillness and great purity. It grows in intensity as it climbs in tessitura but without anything sudden or remotely melodramatic.For the Orthodox Church there is never thesense of absolute desolation felt by the Western Church on Good Friday. Hence the cry of the Mother of God 'Dost thou change my grief to gladness by thy Resurrection?' followed by the full forces: 'Rise O God and judge theearth.'Mother of God also features in the film Philomena starring Judi Dench and Steve Coogan and directed by Stephen Frears.
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James Whitbourn: The Seven Heavens: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Chester
The Life Of C.S. Lewis In The Planets Of The Middle Ages-The Seven Heavens - The...
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The Life Of C.S. Lewis In The Planets Of The Middle Ages-The Seven Heavens - The Life Of C.S. Lewis In The Planets Of The Middle Ages is a work by James Whitbourn for SATB Chorus and Orchestra. The piece was commissioned by the Belfast Philharmonic Society onthe occasion of their 140th Anniversary Season 2014-5 and first performed in the Ulster Hall on 30th May 2015 by Belfast Philharmonic Choir. The work lasts around 31 minutes and this is the VocalScore. This Vocal Score is compatible with both the Orchestral version and the Chamber Ensemble version. The libretto is a 'musical portrait of C.S. Lewis' viewed through thelens of the seven heavens of the pre-Copernican model of the solar system in which Lewis had a deep interest. The seven movements follow these seven planets which also correspond to the days of the week telling the story ofLewis's life. The text itself is drawn from a variety of sources including the Orphic hymns Psalms Shakespeare Shelley C.S. Lewis himself and others.
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John Tavener: Five Anthems From The Veil Of The Temple: SATB: Vocal Score
Choral SATB
SATB, Organ
[Vocal Score]
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Intermediate
Chester
The Veil of the Temple is a journey from darkness into light. Care and attenti...
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The Veil of the Temple is a journey from darkness into light. Care and attention has been given to the key chosen for each anthem and to the voicings so that these versions are attractive to the broadest possiblerange of amateur as well as professional singers. The breathtakingly simple Mother Of God here I stand and the quietly ecstatic Awed by the Beauty are for unaccompanied chorus. The remaining three anthems are scoredwith Organ accompaniment: the sonorous You mantle yourself in light; the contemplative What God is we do not know and the radiant O Mary Theotokos.
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Eric Whitacre: Water Night (Collection): SATB: Album Songbook
Choral SATB
SATB A Cappella
Chester
Eric Whitacre has become a musical sensation across the globe. His new chart-to...
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Eric Whitacre has become a musical sensation across the globe. His new chart-topping CD release Water Night comes hot on the heels of his Grammy award-winning album Light and Gold.Water Night is an inspiring collection showcasing a mixture of sacred and secular choral pieces. The album is here presented as perfectly engraved sheet music for the most discerning choral connoisseur andperformer. New works such as the beautiful Alleluia and the ethereal Oculi omnium rub shoulders with earlier Eric Whitacre classics including the epic When David Heard and theever-popular title track: Water Night in a perfect showcase of Whitacre???s powerful choral writing.
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Peter Maxwell Davies: Peter Maxwell Davies: SATB: Vocal Score
Choral SATB
SATB, Orchestra
[Vocal Score]
Chester
Job (Vocal Score)-A substantial work for four soli SATB chorus and orchestra u...
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Job (Vocal Score)-A substantial work for four soli SATB chorus and orchestra using text from the translation of Stephen Mitchell's The Book Of Job. Like Vaughan Williams in his Job: A Masque for Dancing Davies was inspired inpart by William Blake's 21 engravings for the Book of Job. His oratorio however is less dependent on find parallels for Blake's visual details given the direct poetry in David Lemon's adaptation of the Stephen Mitchelltranslation from the biblical original it is hardly surprising that the spotlight should be so much on Job's suffering litany. The baritone has the lion's share of the setting though the other soloists occasionally reinforce hisplea and chorale-like episodes universalize his predicament. Davies frames with work with two seminal plainsong-like passages; there is also plenty of dramatic contrast both within Job's monologues and in the vivid orchestralwriting for the smarmy Comforters the initially shrill God who finally appears out of a dazzling orchestral whirlwind and the animal life he uses to illustrate the wonders of creation to a humbled Job.Commissioned by theUniversity of British Colombia it was first performed in May 1997 by Valdine Anderson (soprano) Linda Maguire (mezzo soprano) Paul Moore (tenor) and Kevin McMillan (baritone) with the Vancouver Bach Choir and the CBC VancouverOrchestra conducted by the composer.Vocal score with piano reduction of the orchestral score. Duration c. 70mins.
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John Tavener: Requiem For Father Malachy: SATB: Score
Choral SATB
SATB, Orchestra
[Sheet music]
Chester
A revised SATB/orchestra version of Tavener's Requiem For Father Malachy. Full s...
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A revised SATB/orchestra version of Tavener's Requiem For Father Malachy. Full score. This is a special item which is made to order. Please e-mail our Mail Order Department for further information.
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Hector Berlioz: Lelio (Le retour a la vie): Mixed Choir: Score
Choral SATB
SATB, Orchestra
[Sheet music]
Barenreiter
Musikalisches Monodram-Lélio (The Return to Life) Hol.55: A Lyric Monodrama Lé...
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Musikalisches Monodram-Lélio (The Return to Life) Hol.55: A Lyric Monodrama Lélio was composed during Berlioz's stay in Italy in 1831. He conceived the idea of a semi-theatrical work that combined music and monologues to express the idea of returning to life after a profound traumatic experience. Originally entitled Le Retour a la Vie' it consists of six separate compositions interspersed with dramatic monologues. The monologues are to be recited by an actor in front of a curtain which conceals the Orchestra and they reflect Berlioz's most passionate concerns in 1831 especially friendship love Shakespeare and thehealing power of music. 'The work is to be played immediately after the 'Symphonie fantastique' to which it forms the conclusion and the complement. The orchestra chorus and soloists should be out of sight on the stage behind the curtain. The actor speaks and acts by himself on the forestage. After the last monologue he exits and the curtain rises to reveal all the performers for the finale thus a platform must be built over the orchestral pit. The part of Lélio demands a skilful non-singing actor. In addition a Tenor is required for the Ballad another Tenor for the Song of Bliss and a strong Baritone for the brigand-chief' - Hector Berlioz Urtext of the New Berlioz Edition Full score (BA5447) and vocal score (BA5447-90) on sale Performance material available (BA5447-72) available for hire
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CHESTER BOOK OF MADRIGALS BK.5 SINGING & DANCING
Choral SATB
SATB, Piano
[Partition]
Chester
The Chester Books Of Madrigals offer an exciting collection of secular European ...
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The Chester Books Of Madrigals offer an exciting collection of secular European madrigals, partsongs and rounds from the 16th and early 17th centuries, newly edited from early sources by Anthony G. Patti, who contributes copious historical notes to each volume. <br>The majority of the settings are for SATB and simplified keyboard reductions. Texts are in the original languages, with an English translation (for non-English texts) provided at the head of each piece. / Classique / Partition /
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Heather Sorenson Joseph M. Martin: Christmas Dreams (A Cantata): SATB: Vocal
Choral SATB
Shawnee Press
The Christmas story is told with fresh perspective in this collaborative cantata...
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The Christmas story is told with fresh perspective in this collaborative cantata from Joseph Martin and Heather Sorenson. Throughout time God has touched and motivated hearts through dreams and visions. Christmas Dreams visits these moments in scripture and connects the experiences of ancient times with our modern journey of faith pointing to Christ in whose birth the hopes yearnings and dreams of all the world are fulfilled. Using traditional carols newly composed seasonal selections and thoughtful narration this rich work delivers a tapestry of sound and emotion. Share this cantata with your people and help them discover God's graceful touch in their lives! Songsinclude: Christmas Dreams Overture; Advent Dreams; The Promise and the Prayer; A New Morning of Promise; Zechariah's Song; Mary's Dream; All Through the Night; Hark! The Herald Angels Sing; The Magi's Epiphany; Christmas Dreams; A Gentle Christmas Blessing.
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Judith Weir: The Song Sung True: SATB: Vocal Score
Choral SATB
[Vocal Score]
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Intermediate/advanced
Chester
The Song Sung True was expertly composed by Judith Weir. The piece was commissio...
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The Song Sung True was expertly composed by Judith Weir. The piece was commissioned by Lawyers??? Music in memory of Helen M. Sibthorp singer and promenader.The first performance ofThe Song Sung True was on the 4th December 2013 at St Lawrence Jewry London performed by London Lawyers??? Chorus and conducted by Christopher Oakley.Judith Weir is a British composer best known for her Operas and Theatrical works although she has also achieved international recognition for her Orchestral and Chamber works. Weir???s music is often created from ideas from medieval history as wellas the traditional stories and music of her native Scotland.
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Doug Brandt: The Gentlest Lady: SATB: Vocal Score
Choral SATB
[Vocal Score]
Schirmer
Craig Hella Johnson Choral Series-In this beautiful poem by Dorothy Parker Mary...
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Craig Hella Johnson Choral Series-In this beautiful poem by Dorothy Parker Mary knows her baby is holy simply because he is hers. She considers herself blessed whenever he reaches another birthday without even knowing how few he has left. Celebrating Mary themother and Christmas Doug Brandt creates an inner voice of Mary in the Altos and Tenors while the outer voices create the ironic voice of both joy and heartbreak.
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John Tavener: The Peace That Surpasseth Understanding: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Chester
This anthem The Peace That Surpasseth Understanding by John Tavener was commi...
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This anthem The Peace That Surpasseth Understanding by John Tavener was commissioned jointly by the Dean and Chapter of Westminster and the Ministry of Defence. It was first performed at a Service in Honourof the Passing of the World War One Generation in Westminster Abbey on Wednesday 11th November 2009 in the presence of Her Majesty The Queen and His Royal Highness The Duke of Edinburgh by the Choir of Westminster Abbeyconducted by James O’Donnell. COMPOSER’S NOTEIn this setting of Saint Paul’s great statement I have tried in a simple and primordial manner to suggest majesty solemnity and a radiance of peace andbliss. I have also given the music a ceremonial nature by inserting ‘Allelouias’ sounding from ‘Heaven’ (semi-chorus) gradually rising in pitch until they are answered by ‘Allelouias’ from‘The World’ (main choir). The music forms a gradual crescendo reflecting the meaning of the words. At the musical and spiritual climax the full organ sounds four chords which represent The Four Angels beforethe Throne of God. The final chord then transforms into the sacred monosyllable OM which hums around the building representing the Peace and Beatitude of God’s Presence. Duration: c. 4 minutes
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John Tavener: The Whale: SATB: Score
Choral SATB
SATB, Orchestra
[Sheet music]
Chester
The Whale written by John Tavener in 1968 as a documentary in music and spoken ...
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The Whale written by John Tavener in 1968 as a documentary in music and spoken word was given its first performance by the London Sinfonietta and the London Sinfonietta Chorus conducted by David Atherton wit AnnaReynolds (mezzo-soprano) and Raimond Herinex (baritone) in the Queen Elizabeth Hall London on the 24th January 1968. For solo baritone solo mezzo-soprano speaker SATB chorus and orchestra.Large (A3) score. This is aspecial item which is made to order. Please e-mail our Mail Order Department for further information.
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John Tavener: We Shall See Him As He Is: SATB: Score
Choral SATB
[Sheet music]
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Intermediate/advanced
Chester
This work was commissioned by the Cheshire County Council for the 900th annivers...
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This work was commissioned by the Cheshire County Council for the 900th anniversary of Chester Cathedral for performance at the Chester Summer Music festival 1992.The opening melody on the solo cello representsiconographyically the parable of the guest who had no fitting wedding garment and was not admitted to the feast. In the Orthodox Church The Heavenly Bridal Chamber is an especially important theme from Monday to Thursday ofHoly Week as we prepare for the Passion and Resurrection of Christ. This theme of the Bridegroom and bridal Chamber recurs in different guises throughout the work.Duration c. 65mins. This is a special item which is made toorder. Please e-mail our Mail Order Department for further information.
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Anna R. Matthews Frederick Niven: From Flanders: Mixed Choir: Vocal Score
Choral SATB
SATB, Organ
Recital Music
Anna R. Matthews writes: 'Frederick Niven's poem tells the story of Christmas in...
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Anna R. Matthews writes: 'Frederick Niven's poem tells the story of Christmas in 1914. On Christmas Day a truce was spontaneously enacted by the two sides fighting in Flanders in World War One. This was five months into the war which until this point many in Britain had confidently believed would be over by that time. When the two sides lay down their weapons in the name of humanity and met in the middle of no-man's-land they would not have realised the bloodshed that was to come as the war dragged on for a further four years - a conflict so atrocious that it came to be known as 'the war to end all wars'.This carol conveys the unknowing innocence of thosemen and the joy of Christmas yet explores the sinister context in which they met and the future which was to come. Ultimately the events of the 1914 Christmas truce came to symbolise the universality of hope and peace at Christmas. This carol brings this message into the twenty-first century.' Anna R. Matthews is a composer living in Exeter England. Born in Devon Anna studied music at Durham University where she was awarded the Rosalind Dickinson Prize. She enjoys working with some of today's most talented and creative ensembles: from Psappha to EXAUDI and from cathedral choirs to youth ensembles. Her music has been broadcast on BBC Radio 3 and she has been a featured new music composer in Choir & Organ magazine. Anna was a finalist in the 2011 King James Bible Composition Awards and is a 2013/24 Arts Council England fellow on the Clore Leadership Programme. She is also a fellow of the Royal Society of Arts.
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John Tavener: Favourite Anthems: SATB: Vocal Score
Choral SATB
SATB
[Vocal Score]
Chester
This album features 16 of John Tavener's anthems for SATB choir. Contents inclu...
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This album features 16 of John Tavener's anthems for SATB choir. Contents include: 'A Christmas Round' 'Advent Antiphon' 'Agnus Dei' 'As one who has slept' 'Exhortation and Kohima' 'TheFounder’s Prayer' 'God is with us (A Christmas Proclamation)' 'A Hymn to the Mother of God' 'The Lamb' 'Mother of God here I stand' 'Nunc dimittis' 'O that we were there' 'Rocking' 'Song for Athene' 'Today theVirgin' and 'What God is we do not know'.
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John Tavener: The Martydom Of St. Stephen: SATB: Score
Choral SATB
Chester
John Tavener's The Martydom Of Saint Stephen for Solo Horn Double SATB Choir an...
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John Tavener's The Martydom Of Saint Stephen for Solo Horn Double SATB Choir and Organ. Commissioned by the Metropolitan and Cathedral Chapter of St. Stephen’s Cathedral Vienna. First performed on 16thMarch 2015 at St Stephen’s Cathedral Vienna by the Cathedral Choir conducted by Markus Landerer. Vienna's iconic gothic cathedral is dedicated to the first Christian martyr and the Metropolitan and Chapter chosewith discrimination and imagination when they asked John Tavener to write this work setting the account of the stoning of St Stephen from the Acts of the Apostles. The choral writing is far from difficult and rich double-choireffects from staggered entries singing the same music creates an impressive sense of the numinous. Tavener fans will not be surprised that the composer suggests that extra male voices might be required. The virtuoso horn part marked 'ferocious - wild and violent' is directed to be played from a gallery and suggests the hail of stones and hatred directed at the saint. The organ mostly offers brief interjections and chordal support until the last 18bars a lullaby(?) for the saint who 'fell asleep in the Lord' as he was being stoned. John himself went to his final sleep not long after composing this majestic work: Eternal memory! - Organists' Review
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The Chelsea Carol
Choral SATB
SATB, Organ
Chester
The Chelsea Carol by Eric Whitacre, composed for, and premiered by, the Choirs o...
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The Chelsea Carol by Eric Whitacre, composed for, and premiered by, the Choirs of Birmingham-Southern College, Lester Seigel, conductor, to commemorate the 75th anniversary of the College's Service of Lessons and Carols. / Choeur Mixte (SATB) Et Orgue
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Philip Glass: Philip Glass Another Look At Harmony: SATB: Score
Choral SATB
SATB, Organ
[Sheet music]
Dunvagen Music Publishers
Another Look at Harmony Part 4 was written while Glass was working on Einstein o...
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Another Look at Harmony Part 4 was written while Glass was working on Einstein on the Beach and it is easy to hear similarities between the two works. In Harmony the Voices use solfege and nonsense syllables where in Einsteinrecognizable words are sometimes set non-narratively. There are similar harmonic progressions that the two pieces share though it is less predictable in Harmony. In both works Glass takes all the time he needs to explore histheme. Another Look at Harmony requires approximately one hour to perform with intensity building through the many repetitions over time.American composer Philip Glass is widely known as one of the most celebrated influentialand prolific of the modern composers. He is frequently referred to as a minimalist though he prefers to call himself a composer of ‘music with repetitive structures.’ His operas among them the renowned Einstein On The Beach are performed across the globe and he has created work for small and large ensembles film and experimental theatre and founded his own performing group The Philip Glass Ensemble.
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Pawel Lukaszewski: O Sapientia: SATB: Vocal Score
Choral SATB
SSAATTBB, Piano
[Vocal Score]
Chester
The antiphon 'O Sapientia' (with a text from the Old Testament Book of Wisdom) b...
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The antiphon 'O Sapientia' (with a text from the Old Testament Book of Wisdom) bears testimony to Pawel Lukaszewski's genuine artistry and to his fascinating very individual musical imagination as an academic composer (hestudied composition at the Music Academy in Warsaw where he is a lecturer at present) as well as to his vast knowledge and profound understanding of the immense wealth of choral church music tradition. He is a man deeplyinvolved in the development of new liturgical music the organiser of an association a competition and a festival of sacred music as well as founder of a choir in one of Warsaw's two cathedrals. 'O Sapientia' is neither eclecticnor experimental – it is rather a mature continuation of the tradition on the highest artistic level.For unaccompanied SATB chorus (with divisions) with a Piano accompaniment for rehearsal purposes.
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John Tavener: Unto The End Of The World: SATB: Score
Choral SATB
Chester
For Flute (doubling Piccolo) Clarinet in B flat* Very large Tam-Tam (sounding ...
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For Flute (doubling Piccolo) Clarinet in B flat* Very large Tam-Tam (sounding from a high gallery) and Choir (SSATTBB).* Notated in C in the score. 'According to Hindu Cosmology welive at the end of a cycle the Kali Yuga the Dark Age. There are two important sayings of Christ that should accompany his disciples always during these challenging times. The first is ?The Gates of Hell shall not prevail against my Church? (Matthew 16 v. 18); and the second ?I am with you always unto the end of the world? (Matthew 28 v. 20). These sayings form the basis of this work which falls into two main sections each with the same structure and with linked material. Each section begins with Kali Yuga which I havetried to represent in a chaotic unstructured way in contrast to the cosmic Cries of Humanity to Christ (Kyrie eleison - Lord have mercy) and Christ?s responses from Saint Matthew?s Gospel.The work ends with a serene?Coda? of the sacred monosyllable ?OM? representing the peace and beatitude of God?s presence. The intermingling of Christianity and Hinduism is an important simile for our times; in the same way early Christianity did nothesitate to incorporate Jewish and Greek thought.' - John Tavener
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Paul Ladmirault: The coal seller (SCTB): SATB: Vocal Score
Choral SATB
[Sheet music]
Heugel
Le Charbonnier is a song for SATB a cappella by Paul Ladmirault. The song was w...
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Le Charbonnier is a song for SATB a cappella by Paul Ladmirault. The song was written with a main theme two variations and a coda and features a total of 5 verses. The lyrics remind us of a time when coal sellers came to town to sell merchandise. To be sung a cappella all in andantino this song is very lyrical and has some polyphonic aspects and some merismas. Each verse contains different lyrics all revolving around the coal seller and his life: - Verse 1: this verse settles the action with the seller trying to sell coal in the city - Verse 2: the seller is asked how much is the cost of a poundof coal - Verse 3: he is asked where his wife is - Verse 4: the beauty of his wife is highlighted - Verse 5: the seller explains why his shirt is so black Paul Ladmirault (1877-1944) was a French composer. He composed numerous pieces including: operas ballets orchestral works chamber music and vocal music.
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Malcolm Archer: Anthems Of Malcolm Archer: SATB: Vocal Score
Choral SATB
[Vocal Score]
Kevin Mayhew
What an opportunity! The complete book of anthems by the hugely talented compos...
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What an opportunity! The complete book of anthems by the hugely talented composer Malcolm Archer. This collection contains more than 50 stunning anthems for a variety of choral uses.Archer's talent for writing forvoices is legendary and the melodies are marvelously singable and rejoiceful with a fine sense of rhythm.There are varied choir settings throughout from Solo voice to full mixed choir. This volume also features anOrgan accompaniment part for both manuals and pedals.
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Franz Joseph Haydn: Il Ritorno Di Tobia: Mixed Choir: Study Score
Choral SATB
SATB, Orchestra
[Sheet music]
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Intermediate/advanced
G. Henle
Il ritorno di Tobia-Written 25 years prior to Haydn's late great oratorios his ...
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Il ritorno di Tobia-Written 25 years prior to Haydn's late great oratorios his first oratorio telling the Biblical story of young Tobias who is able to cure his blind father with heavenly help is in the tradition of the Neapolitan oratorio andalready displays signs of Haydn's personal style; it is one of the most significant sacred works that he had written up to that time. This applies both to the virtuoso arias as well as to the expressive choruses. This work waslong-neglected but this Urtext Study Edition reflects its renewed popularity.
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