SKU: HL.49046092
Georg Kreisler - that's sharp, profoundly dark humor! The Singphoniker have arranged Georg Kreisler's most famous songs for male ensemble and recorded on CD. The corresponding sheet music edition for female choir SSAA with piano accompaniment was published by Schott Music (Georg Kreisler - Lieder und Chansons, ED22736). In addition to this, individual editions of all songs from the sheet music album are available: The beautiful Heinrich spans the women of all Viennese petty bourgeoisie. But how does he do that? The fact that he does not sip thesoup, it is determined, it probably can not lie. This appealing arrangement with Kreisler's humorous lyrics guarantees a lively atmosphere in the concert.
SKU: HL.346276
UPC: 840126923414. 6.75x10.5x0.029 inches.
The SATB divisi setting has been performed all over the world, and was selected as one of the Texas All-State performance pieces. This new voicing for divisi treble voices is a complete makeover with stunning results. For advanced choirs. Difficult.
SKU: HL.49046091
Georg Kreisler - that's sharp, profoundly dark humor! The Singphoniker have arranged Georg Kreisler's most famous songs for male ensemble and recorded on CD. The corresponding sheet music edition for female choir SSAA with piano accompaniment was published by Schott Music (Georg Kreisler - Lieder und Chansons, ED22736). In addition to this, individual editions of all songs from the sheet music album are available: Pigeons poison in the park brings the relationship between pigeon and human to the point and proposes a funny described, if not ethically correct approach against the pigeon terror. This appealing arrangement with Kreisler's humorous lyrics guarantees a livelyatmosphere in the concert.
SKU: BP.BP2292
6.875 x 10.5 inches.
Now available for SSAA voices! The third movement of Craig Courtney’s trilogy, Divine Encounter, The Blessing is a newly-composed benediction based on Numbers 6:24-26. As Jesus blessed and multiplied the fish and bread, so God blesses the offering we bring to Him. The melody, which is one large-scale arc, is stated twice, creating a simple, sincere message of peace and rest. Suitable for use on its own, or as part of the three-movement work; effective in both worship and concert settings. Scored for SSAA choir and organ (in choral score) or piano (available separately) with optional brass sextet, or string quartet, or full orchestra. An accompaniment track (brass and organ) is also available.ChurchScripture reference: Numbers.
SKU: BP.BP2290
Now available for SSAA voices! The first movement of Craig Courtney’s trilogy, Divine Encounter, is a song in which God invites us to receive His bounty. The first verse of Isaiah 55 is expressed as a celebration rather than the meditative, lyric manner found in most settings. In contrast, the setting of the sixth verse is regal, earnest and authoritative and the architecture of the movement is built upon the contrast between these two styles. Suitable for use on its own, or as part of the three-movement work; effective in both worship and concert settings. Scored for SSAA chorus and organ (in choral score) or piano (available separately) with optional brass sextet, or string quartet, or full orchestra. An accompaniment track (brass and organ) is also available.ChurchScripture reference: Isaiah.
SKU: BP.BP2291
Now available for SSAA voices! This regal, stately second movement of Craig Courtney’s trilogy, Divine Encounter, is based on Micah 6:6-8. As we partake of God's bounty, our gratitude urges us to offer ourselves as living sacrifices to serve God and people alike. Suitable for use on its own, or as part of the three-movement work; effective in both worship and concert settings. Scored for SSAA choir and organ (in choral score) or piano (available separately) with optional brass sextet, or string quartet, or full orchestra. An accompaniment track (brass and organ) is also available.ChurchScripture reference: Micah.
SKU: HL.268924
UPC: 888680736767. 6.75x10.5 inches.
Originally released as a 2-part piece, this selection continues to be one of the most popular in the Pavane catalog. This new voicing celebrates the same metamorphosis from fall into winter but arranged for 4-part treble choir. A favorite concert selection for fall concerts, the text and tune capture the turning of the leaves in song.
SKU: HL.428215
UPC: 196288063339. 6.75x10.5x0.029 inches.
“Funny Girl†is back on Broadway in 2022! It is exciting to know that this iconic music by Jule Styne and lyrics by Bob Merrill will be heard by a new generation. Perhaps the most well known song from the show is People and this new arrangement is a thrill, capturing the emotion of this great song as well as the style.
SKU: GI.WW1649
UPC: 785147006763. English. Text Source: Irish Children's Song.
A guaranteed showstopper! This playful Irish children's song has been set with rousing clapping and stomping to reflect how it might have been sung by children during their playtime. The vocals are set in a simple homophonic style, which makes the body percussion achievable. Can be performed with or without piano. Don't miss this fantastic concert closer! Also available in SATB voicing. Body Percussion Full Chart Body Percussion Group 1 Body Percussion Group 2 Body Percussion Group 3.
SKU: GI.WW1805
UPC: 785147025269. English. Text by Laura Foley.
I have noticed joy, how it threads below the darkness… this moving work by Tim Brent and Amanda Quist expresses what it means to have hope. Laura Foley's incredible - yet simple - poem is brought to life by the composers with a steady melody and lovely partwriting.
SKU: LO.15-3886H
ISBN 9780787775032.
Celebrating the wonder of music and the healing power of song, this spectacular work from Mark Hayes and lyricist Lollie Butler is an artistic expression of the unity and hope that music brings. Available in SSAA and SATB.
SKU: GI.WW1814
UPC: 785147026068. English. Text Source: American Folk Song.
Old Joe Clark is a tremendously fun American folksong from the Appalachian region. Fantastic and fun vocal lines are supported by a lively, yet accessible, piano accompaniment. Add spoons and clapping/stomping for a great time! MP3 is SATB recording.
SKU: GI.WW1797
UPC: 785147024767. English. Text by Sara Teasdale.
A special and unusual take on the idea of spring. The driving piano part captures the energy and wonder of the new beginnings of the season. Excellent vocal writing that is simple in its construction but complex in its sound.
SKU: HL.1168819
UPC: 196288124405. 6.75x10.5x0.01 inches.
This classic arrangement was originally scored for mixed voices, and is now available for treble choirs! Jazz harmonies are found throughout this lovely a cappella setting, which is full of opportunities to teach expressive singing and vocal blend.
SKU: LO.15-3844H
ISBN 9780787774011.
Winner of the 2020 Queens' College MagSoc competition and the 2021 California CDA George Huessenstamm Choral Composition Competition , this floating, dance-like melody set to the Robert Browning poem truly sings. Song-like in nature, the harmonies have a contemporary and subtle jazz character that rings through sentimental text beautifully. Composed as a set of three compositions, also look for Day of Fire and Sun (15/3898H) and Give Me Your Stars to Hold (15/3843L)ire and Sun (15/3842L and Give Me Your Stars to Hold (15/3843L).
SKU: LO.15-3994H
ISBN 9780787778538.
Kate Crellin's burgeoning signature compositional touch in a cappella choral music is on full display in this work. Utilizing vocal syllables for accompaniment and rhythmic motion, the vocal writing in this work will be well-received for a choirs looking for a rewarding challenge and a unique programming option.
SKU: LO.15-3541H
ISBN 9780787760809.
Music mirrors text in this artistic setting of three essential Latin words that are sure to provide comfort and solace to all those who live in this often turbulent world of ours. Showcase choral tone, blend, and legato line for the ballad slot in a contest program or for concert performance. Sublime beauty eloquently expressed!
SKU: AP.49651
UPC: 038081567389. English.
Stacked vocal lines and counterpoint handclaps sound (and look) stunning! Each voice part introduces its own independent melody with claps, until everything combines in joyful polyphony. Some chordal singing and a call-and-response section provide contrast before an energized reprise leads to the brilliant final flourish. A remarkably effective concert/contest feature, newly available for SSAA groups.
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version
