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EUPHONIUM
Choral SATB
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Musical Awakening (306)
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CD (298)
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Bassoon (279)
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Tuba (257)
Bb Instruments (255)
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DVD concert (236)
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Flute, Basso continuo (222)
Baritone voice, Piano (221)
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2 Saxophones (duet) (215)
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Livret (200)
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B Flat, E Flat and C Instrumen… (191)
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Travaux Pour Choeurs (189)
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Eb Instruments (181)
Soli (SATB), Choeur Mixte (SAT… (178)
Flute ensemble (177)
Choral SSAATTBB (172)
Musical dictation (170)
Trio (168)
Ensemble Mixte (167)
Stationery (159)
Brass Quartet: 2 trumpets, 2 t… (158)
Clarinet Quartet: Clarinet, Vi… (156)
Mezzo-Soprano voice, Piano (156)
Tenor Saxophone and Piano (156)
Violin, Guitar (duet) (155)
Piano Accompaniment (155)
:: (154)
Partie Séparée (151)
Organ, Trumpet (duet) (148)
Dulcimer (146)
String Quartet : 4 violas (143)
Trio Avec Piano (143)
Nursery rhyme (142)
Quintette (141)
Parties Supplémentaires (140)
Exemplaire Complet (140)
Flute Trio: 3 flutes (140)
Guitar, String Quartet (138)
Concert Band/Harmonie (137)
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Soprano voice (129)
Clarinet Ensemble (126)
Concert band, Choral (125)
Euphonium or Saxhorn and Piano… (124)
Snare drums (123)
Band Scores (121)
Accessoire (121)
Pocket, Study conductor (119)
2 Violins and Basso (119)
Partition de Poche (117)
Saxophone ensemble (117)
Violin, Viola (duet) (113)
3 Saxophones (trio) (113)
Euphonium, Piano (duet) (112)
Choral SSATTB (111)
Quintette à vent (110)
Brass Quartet: 4 trumpets (110)
3 Guitars (trio) (110)
Children choir, Piano (110)
Ensemble (105)
3 Recorders (trio) (105)
Recorder, Piano (104)
Violoncello, Basso continuo (104)
Flute Quartet: Flute, Violin, … (102)
Diverses Formations (102)
ENS::Ensemble (102)
Saxophone Quintet: 5 Saxophone… (101)
Tuba or Euphonium or Saxhorn (98)
2 Trumpets (duet) (98)
Trio à Cordes (97)
Flexible Instrumentation (96)
Descent (Soprano) Recorder, Pi… (94)
Mélodie, Chant Et Piano (94)
Clavecin (94)
Flûte à Bec Alto et Basse Co… (93)
Choral CD (92)
String Trio: 2 violins, cello (91)
Piano, Guitar (duet) (91)
Solistes SATB, Choeur SATB, 2 … (90)
Voix et Orchestre (90)
2 Flutes, Piano (89)
Etudes (89)
Piccolo, Piano (87)
Euphonium (86)
Flute, Orchestra (85)
Clarinet, Orchestra (85)
Treble (Alto) Recorder, Piano (85)
Choeur (SATB) et Brass Band (85)
5 Recorders (84)
Solistes SATB, Choeur SATB, Fl… (83)
Percussions (83)
Solistes SAT, Choeur SATB, 2 F… (82)
Solistes SATB, Choeur SATB, 2 … (82)
3 Clarinets (trio) (82)
Guitar Ensemble (82)
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2 Violins, Piano (81)
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Cornet and Piano (77)
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Big Band (76)
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Pennywhistle (75)
Bass Trombone and Piano (75)
Guitare Electrique (75)
String quartet: 4 violins (75)
Woodwind Quintet (75)
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Marimba (74)
2 Violons, Alto et Basse (73)
Flute, Clarinet (duet) (73)
Violon 1 (6 parts) Violon 2 (6… (72)
Bass Clarinet (72)
Clarinette et Quatuor à Corde… (72)
2 Trombones (duet) (72)
Big Note Piano (71)
Educatif (70)
Vocal duet, Piano (70)
Piano Quintet: piano, violin, … (70)
Choeur SATB, 2 Flûtes Travers… (69)
Clarinet, Cello, Piano (trio) (69)
Dobro (68)
Chant et Guitare (67)
Mezzo-Soprano voice (66)
2 Violas (duet) (65)
Tenor voice (65)
String Quintet: 2 violins, vio… (63)
Euphonium en Clé de Fa Do ou … (63)
Flute, Cello, Piano (trio) (62)
Saxophone Ténor et Piano (62)
2 Trumpets, Keyboard (piano or… (62)
Scores (62)
Ensemble à Cordes (61)
Low voice (60)
Trompette Sib 1 Cor en Fa 1 Tr… (60)
Flûte Traversière, Violon et… (60)
Quatuor à Cordes ou Orchestre… (60)
1 Piano, 6 hands (60)
High voice (59)
Solistes SBar, Choeur SATB, 2 … (58)
Quatuor Avec Piano (58)
Violin, Organ (58)
Quintette de Cuivres (57)
Baritone voice (57)
Voice and Orchestra (57)
Vibraphone (56)
Timpani (56)
Cello, String Bass (duet) (55)
Choeur SATB, (4 Instruments, C… (55)
Clarinet, Violin, Cello, Piano… (55)
Choeur Mixte (SSATBB) (55)
Solistes SATB, Choeur SATB, 2 … (54)
Soli and Orchestra (54)
Piano, Guitar (Chords) (53)
Guitare ou Luth (53)
3 Trombones Ténor et 1 Trombo… (52)
Flûte Traversière ou Hautboi… (52)
A Cappella (52)
Horn and Orchestra (52)
Solistes SATB, Choeur SATB, 2 … (52)
Cello, Guitar (duet) (52)
Brass Quartet: 4 horns (52)
Batterie et Percussions (51)
Livres (51)
Voix Mixtes (51)
Solistes SATB, Choeur SSATTB, … (50)
Choral, Orchestra (50)
Quatuor de Cuivres et Orgue (50)
2 Bassoons (duet) (50)
Quintette avec Piano (49)
Quatuor à vent (48)
Quatuor à Cordes et Guitare (48)
Flute and String Quartet (48)
2 Violons, Alto, Violoncelle e… (48)
Viola and orchestra (48)
Solistes STBB, Choeur SATTBB, … (47)
Flûte à Bec Alto ou Flûte T… (47)
Horn Ensemble (47)
Flute, Oboe, Clarinet, Bassoon… (47)
Trompette, Cordes Et Basse Con… (47)
Violin, Clarinet, Piano (trio)… (46)
4 Cellos (46)
Electric bass, Drums (46)
Livre Musical (46)
Solistes SATB, Choeur SATB, Fl… (46)
Trumpet, Orchestra (46)
Oeuvres Théâtrales/Oratorios… (46)
Matériel d'Apprentissage (46)
Symphonic Band (45)
Cajon (45)
Choeur SSATB, 2 Flûtes Traver… (44)
Trompette ou Cornet, Euphonium… (44)
Hautbois 1 Clarinette en Sib 1… (44)
2 Trompettes Sib 1 Cor en Fa 1… (44)
Trompette ou Bugle ou Cornet o… (44)
Recorder, Bass Continuo (44)
Solistes SATB, Choeur SATB, 2 … (43)
Solistes SSATTB, Choeur SATB, … (43)
Solistes SATB, Choeur SATB, 4 … (43)
Xylophone or Marimba or Vibrap… (43)
Oboe, Clarinet, Bassoon (trio)… (42)
2 Violons, Violoncelle et Bass… (42)
Choeur SATB et Basse Continue (42)
Djembe (42)
Soprano (42)
Voice, String Quartet (41)
Choeur d'Enfants, Solistes, In… (41)
2 Choeurs Mixtes (SATB Et SATB… (41)
Quintette à Cordes (41)
Choeur SATB, 2 Hautbois, 2 Cla… (41)
Voice, Organ (41)
Chorale (41)
Cor en Fa (41)
Trompette ou Cornet, Cor en Mi… (40)
Soli (ATB), Choeur Mixte (SATB… (40)
Lap Steel Guitar (40)
Piano et Quatuor à Cordes (40)
5 Voix (SSATB) Et Basse Contin… (40)
Saxhorn or Euphonium (40)
2 Euphoniums (39)
Oboe and Orchestra (39)
Cornet (39)
Soprano, Choeur Mixte (SATB), … (39)
Xylophone (39)
Edition Critique des oeuvres d… (39)
2 Clarinets, Piano (39)
Saxophone Baryton (39)
Quatuor Variable (39)
Choeur Mixte et Orchestre (39)
Chanson (39)
Saxophone Soprano, Saxophone A… (39)
Conga (38)
Solistes SATB, Choeur SATB, 2 … (38)
Viola, Cello (duet) (38)
Lyrics only (37)
Lecture Chantée/Formation de … (37)
Woodwind Quartet: any 4 woodwi… (37)
Flute, Violin, Keyboard (basso… (37)
Soprano Saxophone and Piano (37)
Choeur SATTB et Basse Continue… (37)
Saxhorn and Piano (37)
Harpsichord and Strings (37)
Choeur SATTB (37)
2 Hautbois, 2 Cors, 2 Clarinet… (36)
Tuba Solo (36)
Flûte à Bec Alto ou Flûte T… (36)
Flûte Traversière et Quatuor… (36)
Petit Ensemble Contemporain (36)
Lute (36)
String Trio: 3 violins (36)
Medium Voice (36)
Voix et Instruments Divers (35)
Violin, Horn and Piano (35)
Quatuor A Cordes Et Orchestre … (35)
Solistes SATB, Choeur SATB, 2 … (34)
Guitare Flatpick et Plectre (34)
Viola da Gamba (34)
Partition D'Orchestre (34)
Guitar, Orchestra (34)
3 Trombones (trio) (34)
4 Voix Mixtes (34)
Solistes SATB, Choeur SATB, 2 … (33)
2 Euphoniums et Piano (33)
Descant (Soprano) Recorder, Ba… (33)
Soli (STB), Choeur Mixte (SATB… (33)
8 Voix (SATB et SATB) et Basse… (33)
Ensemble Instrumental (33)
Solistes SATB, Choeur SATB, Ha… (33)
String Quintet: 2 violins, vio… (33)
Ensemble de Vents (33)
2 Flûtes Traversières, 2 Cor… (32)
Flute, Clarinet, Piano (trio) (32)
Piano Trio: Violin, Viola, Pia… (32)
2 Hautbois, 2 Clarinettes, Tim… (32)
Choeur en 8 Parties (SATB-SATB… (32)
4 Voix Mixtes a Cappella (32)
Piccolo (32)
Solistes ST, Choeur SATB, Flû… (32)
Solo S, Choeur SATB, 2 Flûtes… (32)
Choeur SS (B) ou SA (B), 2 Vio… (32)
Trompette et Quatuor à Cordes… (32)
Clavier ou Orgue Electronique (32)
Hautbois et Quatuor à Cordes (32)
2 Cellos, Piano (32)
English horn, Piano (32)
Autoharp (32)
Trio A Cordes (32)
Guitare Tablatures Flatpick et… (32)
Choeur de Femmes (32)
DVD Opera and Ballets (32)
Choeur SSATTB, (6 Instruments,… (31)
Cello, Organ (31)
Cello Ensemble (31)
Choeur a Cappella (31)
3 Clarinettes en Sib et Clarin… (31)
Guitare (Fingerpick) (31)
Chamber Music (31)
Tuba en Do et Piano (30)
Flûte à Bec Alto, 2 Flûtes … (30)
Piano Quartet: piano, 2 violin… (30)
Harp, Violin, Violoncello (30)
Bass Saxhorn or Euphonium or T… (30)
Flûte à Bec Alto ou Flûte T… (30)
Orchestre Scolaire (29)
Solistes SST, Choeur SSAATB, 2… (29)
Bugle (29)
String quintet (29)
Duos (29)
Bass Clarinet, Piano (29)
Book (29)
Choeur SATB/SATB, (Basse Conti… (29)
Harpe, Violon et Violoncelle A… (28)
2 Clarinettes, 2 Violons, Orgu… (28)
Flûte 1 Hautbois 1 Clarinette… (28)
Flûte Traversière Violon et … (28)
Flûte à Bec Alto et Basse Co… (28)
2 Flûtes Traversières et Vio… (28)
Trombone or Euphonium (28)
C Trumpetor et Trompette Sib/C… (28)
Orgue, 2 Hautbois, 2 Violons, … (28)
Oboe, Organ (28)
2 Hautbois, 2 Clarinettes, 2 B… (28)
Flûte Traversière, Clarinett… (28)
Flûte Traversière, Hautbois,… (28)
Flûte Traversière Violoncell… (28)
2 Clarinettes en Sib et Clarin… (28)
3 Flûtes A Bec (SAT) Et Piano… (28)
Grande Formation (27)
2 Trombones, Piano (27)
Solistes STTBB, Choeur SATB, 2… (27)
Solistes SATB, Choeur SATB, 2 … (27)
Solistes SATB, Choeur SATB, 2 … (27)
SATB, (4 InstrumentS Basse et … (27)
Choeur SATB, 2 Trompettes, 2 T… (27)
Orgue, 2 Hautbois, Basson Et C… (27)
Soprano Saxophone (27)
Hautbois, Clarinette et Basson… (27)
Choeur Mixte (SATB/SATB) (27)
Choral Soprano solo, SATB, Key… (27)
Solistes SST, Choeur SATB, 2 F… (26)
Petit Choeur SATB, Contrebasse… (26)
Solistes STBar, Choeur SATB, 2… (26)
Clarinette, 2 Violons, Alto et… (26)
Ensemble Instrumental Et Petit… (26)
Solistes SATB, Choeur SATB, Tr… (26)
Trumpet, Trombone (duet) (26)
Clarinette, Viola and Piano (t… (26)
Trompette en Do ou et Trompett… (26)
3 Trumpets (trio) (26)
Solistes SBar, Choeur SSATB, 2… (25)
Ensemble divers instruments (25)
Solistes SATB, Choeur SATB/SAT… (25)
Choeur SATB/SATB, (8 Instrumen… (25)
2 French horns (duet) (25)
Guitar Tab, Voice, Bass, Drum (25)
Choeur Mixte (SATTB/SATTB), So… (25)
Clarinette, Violon, Violoncell… (25)
Percussions Diverses (25)
Basse En Bb Et Piano (Orgue) (25)
Organ, Piano (duet) (25)
2 Saxophones, Piano (25)
Clavier Electronique et Ligne … (25)
Trompette Et Orchestre (25)
Choral SATTB (25)
Choeur SAT (25)
Choeur SSATTB et Basse Continu… (25)
Choeur SATB, 2 Violons, Alto e… (25)
Cor en Mib (25)
Solistes ATB, Choeur SATB, Fl… (24)
Hautbois 3 Clarinettes Sib 1 C… (24)
Trompette 2 Violons 1 Alto 1 V… (24)
Quatuor de Cordes (24)
Flûte Traversière 3 Clarinet… (24)
Quartette Pour Flûtes à Bec … (24)
Flûte, Violon, Alto et Violon… (24)
Hautbois 2 Violons 1 Alto 1 Vi… (24)
Trompette 3 Clarinettes Sib 1 … (24)
2 Violons, 2 Altos, Violon ou … (24)
Viola, Guitar (duet) (24)
Flûte Traversière ou Hautboi… (24)
Flûte Traversière, Violon, V… (24)
2 Violons, Alto, Violoncelle e… (24)
Petit Choeur SATB, 2 ViolonSBa… (24)
3 Tubas (24)
Soprano et Quatuor à Cordes (24)
Trompette, Instruments à Cord… (24)
Solistes SATBB, Choeur SATB, 2… (24)
Clarinette 2 Violons 1 Alto 1 … (24)
Basson, 2 Violons, 2 Altos et … (24)
Flûte Traversière 2 Violons … (24)
Solistes SATTB, Choeur SSATTBB… (24)
Quatuor à Cordes et Basse Con… (24)
Bagpipe (24)
Handbells (24)
Choral, Organ (24)
2 Violons, Violoncelle Et Cont… (24)
Trombone Solo (24)
2 Trompettes (duo) (24)
Soli (T (Evangelist), B (Jesus… (24)
2 Violons, Alto et Basse Conti… (24)
Soprano, Basse, Choeur Mixte e… (24)
Choeur SATB et Orchestre (24)
2 Recorders, Basso continuo (t… (24)
Libretto (24)
Flûte à Bec et Piano (24)
Instruments A Vent (24)
Trio (2 Soli Avec Réduction D… (24)
SATB, SATB et Orgue (24)
Flûte à Bec Alto ou Flûte T… (23)
Choeur SATB, 2 Trompettes, Tim… (23)
Solistes SST, Choeur SATB/SATB… (23)
String Trio: 3 cellos (23)
Soli (STB), Choeur Mixte (SSAT… (23)
Solo A, Choeur SATB/SATB, 2 Or… (23)
Trumpet ensemble (23)
Soli (SSATB), Choeur Mixte (SS… (23)
Quatuor à Cordes et Piano (23)
Choeur SATB/SATB, (8 Instrumen… (23)
Solistes SAB, Choeur SATB, 3 F… (23)
Saxophone en Mib et Piano (23)
Choral SSATBB (23)
Concert Band ou Harmonie et Cl… (23)
Clarinette et Orchestre (23)
2 Violons, Basse et Basse Cont… (23)
2 Violas, Piano (23)
Batterie-Fanfare (22)
Orchestre: Choeur TTBB, 2 Flû… (22)
Orchestre: Solistes SATB, Choe… (22)
String Trio: 2 violins, viola (22)
Piano, Violin, Bandoneon, Guit… (22)
Trompette Solo (22)
4 Euphoniums (22)
Choeur SATB/SATB, ou Basse Con… (22)
Trombone ensemble (22)
Oboe, Basso continuo (22)
Saxophone and Orchestra (22)
Conducteur et Poche (22)
Musique Légère (22)
String trio (22)
Saxophone Alto Solo (22)
Baritone Horn and Piano (22)
Flute and Strings Trio (22)
4 Voix Mixtes Sans Accompagnem… (22)
Violon, Alto et Basse Continue… (21)
Voice, Clarinet, Piano (21)
Solo B, Choeur SATB, 2 Flûtes… (21)
Violon, Ensembles de Cordes et… (21)
Sextuor (21)
Solistes SATB, Choeur SATB/SAT… (21)
Clavecin Et Instruments A Cord… (21)
Choeur SATB, (Basse Continue) (21)
Euphonium Ensemble (21)
Drums-Marching band (21)
Orchestre De Chambre (21)
Hautbois et Basse Continue (21)
2 French horns, Piano (21)
Clarinette, Violoncelle et Pia… (21)
5 Voix SATTB (21)
Choeur SSATB et Basse Continue… (21)
Choeur et Orchestre (21)
Violin, Viola and Orchestra (21)
Accordion - Piano, Voice, Guit… (21)
Reportage (21)
4 Tubas (21)
Solistes STB (SB/TB/SATB), Cho… (20)
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Dave Brubeck: They All Sang Yankee Doodle: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Associated
'Yankee Doodle' with variations is the most concise way to describe the piece co...
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'Yankee Doodle' with variations is the most concise way to describe the piece commissioned by the New Haven Symphony Orchestra to commemorate Conneticut's participation in The United States Bicentennial. 'Yankee Doodle' a tune dating back to the Middle Ages in Holland and England (and used by the British as early as 1755 to poke fun at untrained American troops in the French and Indian war) is interwoven with other folk and national melodies to stitch a patchwork or a musical collage. It is a personal view of American history.'To explain my approach to They All Sang Yankee Doodle I must explain my own background because the piece is made up ofmusical memories imprinted from early childhood.My earliest musical memories are a juxtaposition of sounds - hymns and Bach chorales from the church next door where my mother was choir director; early twenties jazz from my oldest brother's dance band; classical piano from my middle brother and my mother's piano studio; and cowboy songs and turn-of-the-century ballads that I have always identified with my father. Concord California where I was born was once part of a land grant from the Mexican government and the Spanish-Mexican influence remained strong even as the town expanded from a sleepy settlement into an American microcosmos with a wide variety of ethnic groups. Over fifty years ago most of us who sang 'Yankee Doodle' in Concord could not trace our ancestry to the founding fathers. Those of us with Anglo-Saxon names were at the end of the Westward push our forefathers having left behind the Eastern cities a few generations before settling for a time mid-continent then restlessly pushing further West. Little is known of my paternal grandfather for instance except that he had come to California from Indiana walking across Nevada desert to become one of the first settlers in Mordoc Indian territory.Of course the native American the Indian was there to greet each new migration and it is his
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Jonathan Bridcut: Why O Lord Do You Stand Far Off?: SATB: Vocal Score
Choral SATB
SATB
[Vocal Score]
Novello & Co Ltd.
Novello New Choral Series-Why O Lord do you stand far off? was written in memo...
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Novello New Choral Series-Why O Lord do you stand far off? was written in memory of the victims of the London bombings on 7 July 2005 questions the presence of God in times of human disaster particularly when committed by man upon his fellow man. The piece's focus lies in the two rhetorical questions first sung by the female voices at the beginning. This opening three note motif returns frequently throughout the work forever challenging the whereabouts of God's watchful eye. This commemorative setting of Psalm 10 was recorded by the Exeter College Chapel Choir in 2006.The Novello New Choral Series is an inspiring selection of new works from a range of contemporarycomposers offering pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yet accessible repertoire in an exciting variety of styles. This collection is perfect for choirs looking to broaden their repertoire and explore some of the best new music around.Jonathan bridcut (b.1984) has written a broad range of works for choir and orchestra that have been performed throughout the UK and europe. Jonathan was a treble at Winchester College where he was head Quirister in 1998 before Moving on to Radley College as top music scholar. He developed his interest in composition at Oxford University while studying at Exeter College as both an academic and choral Scholar. His first set of Evening Canticles was premiered in 2004 and a year later a second was performed in St Paul’s Cathedral. Recent highlights include performances at Oxford’s Sheldonian Theatre Tewkesbury Abbey St James’s Piccadilly and at the Lausanne Summer Festival by choirs and orchestras including Schola Cantorum of Oxford Commotio and The Oxford Spezzati. Future engagements include performances by the Oxford Spezzati and Laudate in London Lyon and Chester (where his latest choral commission will be premiered in September 2011). Jonathan graduated from Oxford in 2006 with a BA in Modern
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Tarik O'Regan: The Spring: SATB: Vocal Score
Choral SATB
SATB
[Vocal Score]
Novello & Co Ltd.
For SATB Chorus.Jointly commissioned by the National Chamber Choir and the Cork ...
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For SATB Chorus.Jointly commissioned by the National Chamber Choir and the Cork International Choral Festival for the seminar 'from composition to performance the seminar on choral music'.This work was premièred at the Cork International Choral Festival on 2nd May 2008 by the National Chamber Choir of Ireland conducted by Bo Holten. Text: Acallam na Senórach (12th century)After the battles of Commar Gabair and Ollarba the F an was destroyed. The survivors scatteredacross Ireland and by the time our story begins only two of the nobles of this ancient F anwerestill alive: Ois n and Ca lte. Sixteen of the F an warriors travelled with them across the wooded andflower-covered slopes of the Fews. Patrick was reciting his office. Then his priests seeing Ca lte and his men approaching wereseized with fear and horror at the sight of these warriors of an earlier age. Then Patrick apostle tothe Irish arose and sprinkled holy water on these great men for a thousand legions of demons hadbeen above their heads. The great men then sat down.?Well my friend there is something I would ask you ? said Patrick to Ca lte. ?Find us a well of purewater close by so that we might baptize the peoples.? Ca lte took Patrick by the hand and togetherthey went over the ramparts of the fortress. Just nine steps from the portal they saw a lovely crystalclearspring. Then Ca lte recited these lines:A thoibur Trágha dhá bhan laind do bhilar barrhglan.ó ro tréigedh do chnuas ortn r? léiced fás dot fochlocht Is uait dochuadar in Fianndar? marbad Coinchend coimfial dar? cuiredh ár Feinde Find.isin mhadain ós Maolghlind.A(r) marbadh chon ocus ferar n-athchuma laoch
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Thomas Augustine Arne: Rule Britannia Satb: SATB: Vocal Work
Choral SATB
SATB
[Sheet music]
Novello & Co Ltd.
Vincent Novello was a British composer and Organist who gave the Novello publish...
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Vincent Novello was a British composer and Organist who gave the Novello publishing company its first embryonic form. Here he arranges Rule Britannia! for Voice SATB with Piano accompaniment to introduce some contrapuntal interest in the verse.When 18th century British composer Thomas Arne included his song Rule Britannia! in a masque based on the life of Alfred the Great that was presented at Cliveden the country home of Frederick Prince of Wales he could not have imagined that more than two hundred seventy years later his ditty would be known throughout the British Isles and beyond. Rule Britannia! is widely used in the Royal Navy and British Army and is featuredeach year at the Last Night of the Proms in the Royal Albert Hall as a national sing-along.At the time of writing the Dutch actually ‘ruled the waves ’ so this song was more an exhortation than a status report. The lyrics were also a statement of civil liberty. Since Cromwell’s time Britain had had a standing army which could be turned against the native population. A standing navy however existed solely to protect the nation from invaders protecting a free populace.
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Der Erste Ton, Musik Zur Declamation (Wev B.2) - Hymne In Seiner Ordnung Schafft Der Herr (Wev B.8) Wev B.2 U. Wev B.8
Choral SATB
SATB, Orchestra
Schott
La renommée de Carl Maria von Weber repose principalement sur , Der Freischütz...
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La renommée de Carl Maria von Weber repose principalement sur , Der Freischütz '. Le succès sans précédent de cet opéra éclipsé tous ses autres travaux et a contribué à leur chute de plus en plus dans l'oubli . Certains travaux tels que , Preciosa ', , Oberon , et , Euryanthe ' , les ouvertures, concertos en solo et sonates pour piano , des lieder et chambre oeuvres jouissent d'une grande popularité et ont été largement connus en Allemagne et à l'étranger aussi tard que la deuxième moitié de la 19ème siècle . Cependant , toute chance d'une renaissance de Weber et influentoeuvre considérable a été perdu dans les années 1920 , quand une édition complète - commencé par Hans Joachim Moser et avec les contributeurs potentiels, y compris Wilhelm Kempff , Hans Pfitzner , Max von Schillings , Fritz Stein et Richard Strauss - a échoué après le troisième volume .Depuis , il ya eu de nombreuses tentatives pour relancer une édition complète des oeuvres de Weber , mais que ce genre de projet , il aurait fallu la collaboration de chercheurs des deux côtés de la frontière inter- allemande , la situation politique après 1945 n'était pas propice à une telle entreprise . Négociations approfondies ont conduit aux premières mesures concrètes dans les années 1980 . L'intention , dès le début , était de placer l'oeuvre de Weber dans son contexte, et ne pas se séparer de sa production musicale de son travail influent comme un écrivain , critique et organisateur dans le domaine musical , mais de publier ses compositions avec ses lettres, journaux et d'autres la production littéraire comme le meilleur moyen de documenter la fertilisation croisée entre ses activités musicales , littéraires et pratiques .Depuis la réunification des deux - groupes de travail allemands concernés - à la Staatsbibliothek zu Berlin , et au Séminaire Musikwissenschaftliches , Detmold / Paderborn - ont coopéré sur l'édition complète des oeuvres musicales ( c. 45 volumes de la série 10 : sacré musique - cantates , des odes et des autres travaux occasionnels- oeuvres scéniques , lieder et des oeuvres vocales - oeuvres orchestrales , musique de chambre , musique pour piano - réductions pour piano - Miscellanea , arrangements et orchestrations , des oeuvres d' attribution douteuse ) . Les journaux (6-8 vol.) Sont édités à Berlin et les lettres (8-10 vol.) Et d'autres écrits ( 2 vol. ) À Detmold .Cette édition complète vise à constituer une base fiable de débat scientifique , ainsi que pour la pratique de la performance authentique de la musique de Carl Maria von Weber . Conforme aux normes d'éditions historico-critiques récentes , le matériau textuel sera basé sur les sources authentiques disponibles , accompagnés par une documentation détaillée de la genèse et une liste de variantes pour chaque travail . L'importance musicologique des travaux sera évaluée en les plaçant dans leur contexte historique , la présentation de leur genèse , l'histoire et les commentaires critiques . Les lettres , les écrits et les journaux seront considérés comme interdépendants et pertinente à l'autre dans les commentaires , donc les lecteurs devraient bénéficier d'une foule de renseignements concis et renvois . / Choeur Mixte (SATB) Et Instruments Divers
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Thomas Hyde: As A Lily Among Thorns (Novello New Choral Series): SATB: Vocal
Choral SATB
SATB
[Sheet music]
Novello & Co Ltd.
As a lily among thorns was composed as a wedding present for Katie Johnston and ...
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As a lily among thorns was composed as a wedding present for Katie Johnston and John Hillier in March 2004. It was performed at their marriage in Christ Church Cathedral Oxford and later performed publicly by Commotio directed by Matthew Berry. The words are taken from the Song of Songs.The Novello New Choral Series is an inspiring selection of new works from a range of contemporary composers offering pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yet accessible repertoire in an exciting variety of styles. This collection is perfect for choirs looking to broaden theirrepertoire and explore some of the best new music around.Thomas Hyde (b.1978) studied at Oxford University where he gained a doctorate in composition in 2008 and the Royal Academy of Music. His teachers have included David Matthews Simon Bainbridge Peter Maxwell Davies and Robert Saxton. In October 2008 he was appointed Lecturer in Music at Worcester College Oxford and since September 2009 has been visiting lecturer in composition at City University London. Prizes include finalist in English National Opera’s young composer festival ‘New Visions New Voices’ (1992) the National School Band Association Prize (1993) and a Wingate Scholarship (2004-5). His music is performed regularly in Britain at festivals including Spitalfields City of London Presteigne Deal and Little Missenden as well as abroad and has been broadcast on BBC Radio 3. Recent works have included a string quartet for the Allegri Quartet and the one-man opera That Man Stephen Ward for the Hampstead & Highgate Festival.
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Grayston Ives: Susanni (Novello New Choral Series): SATB: Vocal Score
Choral SATB
SATB, Organ
[Vocal Score]
Novello & Co Ltd.
The text of Susanni is a translation of Martin Luther’s hymn of 1535 Vom...
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The text of Susanni is a translation of Martin Luther’s hymn of 1535 Vom Himmel hoch. The music is based loosely upon the well-known chorale melody which at times is quoted in full in both voices and organ. Except where indicated singers should adopt a legato style especially in the repeated quaver patterns. In the bars which appear to be in compound time conductors should beat in crotchets.An inspiring selection of new works from a range of contemporary composers the Novello New Choral Series offers pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yetaccessible repertoire in an exciting variety of styles. Bill Ives has spent his life in choral music as a singer conductor teacher and composer (writing as Grayston Ives). He was a chorister at Ely Cathedral and later studied music at Cambridge taking composition lessons with Richard Rodney Bennett. After Cambridge he sang in Guildford Cathedral Choir before joining the King’s Singers with whom he recorded and performed worldwide.For eighteen years he directed the Choir of Magdalen College Oxford. During his tenure the choir earned a Grammy nomination for a disc of music by Orlando Gibbons and gave the première of Paul McCartney’s Ecce Cor Meum written especially for them. In 2008 his work as a composer and conductor of church music was recognised with the award of a Lambeth DMus and a Fellowship of the Royal School of Church Music.
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Sing, Choirs!: Anthems, Psalms And Hymns For Choirs (SATB/Organ)
Choral SATB
SATB, Organ
Novello & Co Ltd.
Sing, Choirs! is a library in miniature. It contains many of the Christian churc...
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Sing, Choirs! is a library in miniature. It contains many of the Christian church's popular traditional anthems, including at least one example that will be suitable for each of the major services of the year. A number of Anglican chants (Psalms, Magnificat and Nunc Dimittis) are included, set out in a way that should enable those who are unfamiliar with the style to perform them easily. The selection of movements from the Mass can be used to enrich the music of the liturgy in services. Many of the works in Sing, Choirs! are presented in their original form, such as Bruckner's Locus Iste and Mozart's Laudate Dominum . Others are arrangements, adaptations or longer pieces, abridged to bring them into the scope of a useable anthem, including choral arrangements of Handel's Largo , the Ave Marias by Schubert and by Bach and Gounod, and Franck's Panis Angelicus amongst many others. This collection has practicability as a priority. The Organ parts can be played on either the Piano or the Keyboard. Much of the music in Sing, Choirs! will be suitable for special occasions, making this an indispensable volume for choirs singing at weekly church services, weddings, funerals and in the concert hall. / Choeur Mixte (SATB) Et Orgue
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Eric Whitacre: Collection: SATB: Vocal Score
Choral SATB
SATB A Cappella
[Vocal Score]
Chester
This a cappella collection of pieces for mixed choir by Eric Whitacre is the fir...
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This a cappella collection of pieces for mixed choir by Eric Whitacre is the first available printed music compilation of its kind for the composer. The book includes pieces of varying difficulty wide-rangingin theme from the iconic Sleep and Water Night to the quietly angelic Lux Aurumque (Light and Gold) and the recent Nox Aurumque (Night and Gold). A Boy and a Girl and ThisMarriage are both wonderfully tender pieces and the inclusion of the early Go Lovely Rose marks the beginning of a journey through Whitacre's choral output from this first success to the present day.Eric Whitacre is a Los Angeles-based composer and conductor who is held in the highest esteem everywhere inspiring and motivating a new generation of singers and musicians. His music creates a visceral impassioned response in audiences and performers. In 2008 the all-Whitacre choral CD 'Cloudburst' released by the British ensemble Polyphony on Hyperion Records became and unexpected international best-seller topping theclassical charts and earning a Grammy nomination. The BBC raves that 'what hits you straight between the eyes is the honesty optimism and sheer belief that passes any pretension. This is music that can actually make yousmile'.
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Eric Whitacre: Three Flower Songs: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
-
Intermediate/advanced
Chester
I hide myself With a lily Go lovely Rose-Written early in Whitacre's career wh...
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I hide myself With a lily Go lovely Rose-Written early in Whitacre's career whilst at the University of Nevada in Las Vegas. Arranged for SATB choir includes a Piano line for rehearsal purposes.I Hide MyselfJust a simple song really. All of the musical suggestions come from a careful study of the poem a quiet passionate soul occasionally speaking a little bolder than the age will allow. She loves almost to the point of distraction and this mood mustprevail in the performance: shy and sullen her passion surging to the surface only to sink back into the silence that is herself.Go Lovely RoseThe piece is structured around the cyclical lifeof a rose and is connection throughout by the opening 'rose motif' a seed that begins on the tonic and grows in all directions before it blossoms dies and grows again. Each season is represented: spring begins the piece summerappears at bar 13 autumn at bar 26 winter at bar 39 with spring returning at bar 49. The form is based on the Fibonacci sequence (the pattern found in plant and animal cell divisions) - its fifty five bars are a perfectFibonacci number. The Golden Mean appears at bar 34 as all parts are reunited to complete the flower before its final blossom and inevitable cycle of death and rebirth.Each performance should be approachedwith a child-like innocence and naivety that allows us to marvel at the return of the rose each spring. The szforzandos throughout must be light and gentle.With A Lily In Your HandWater and Fire. If the performance of this piece connects these contrasting elemental ideas its success is guaranteed. Water: At bar 30 this ostinato should be fluid and gentle only interrupted at bar 32 asthe butterflies momentarily spring out of the texture; bars 35-38 the water should slowly transform back to fire. Bar 44 should be tiny bell-tones motivating the next nine bars another patient sensuous transformation back to
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STABAT MATER (DVORAK ANTONIN) (DVORAK ANTONIN)
Choral SATB
SATB, Piano
Carus Verlag
Par DVORAK ANTONIN. Antonin Dvorák?s impressive Stabat Mater for soloists, chor...
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Par DVORAK ANTONIN. Antonin Dvorák?s impressive Stabat Mater for soloists, chorus and orchestra is probably the best-known of the composer?s sacred works. Some painful experiences in 1875 his first daughter died, and in 1877 he lost two other children in quick succession may have led to Dvorák?s preoccupation with the suffering of the Mother of God, who stands weeping beneath the cross of her son. The music enters into the different moods of the liturgical texts with great sensitivity. Nine movements in slow to moderate tempi serve as a kind of Passion meditation, before the ecstasy of a vision of the resurrection wins the upper hand at the end of the tenth movement. With our newly-publishedarrangement for chamber orchestra (flute, oboe, clarinet, horn, bassoon, timpani, and strings), smaller choirs now have the opportunity of performing this work without the choir being drowned out by a large-scale symphony orchestra. The symphonic character of the work is nevertheless preserved. This scoring offers an optimal balance between transparency and orchestral sound. All vocal parts (soloists and chorus) are identical with the original version. Vocal score and choral score can be used also together with the original version, which is in preparation. / Date parution : 2023-06-02/ Répertoire / Choeur Mixte SATB et Piano
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John Jacobson Roger Emerson: Math Rocks: Mixed Choir a Cappella: Classroom
Choral SATB
SATB A Cappella
Hal Leonard
Cross-Curricular Music Fun for the Classroom Performance/Accompaniment CD-Rocki...
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Cross-Curricular Music Fun for the Classroom Performance/Accompaniment CD-Rockin' with arithmetic is what it's all about! Reinforce basic math concepts that support Common Core State Standards and promote higher level learning while rockin' to the beat. From Hal Leonard's popular Rock 'n' Learn series this study for Grades 3-5 explores the 4 basic operations (add subtract multiply divide) computing the area of basic shapes the metric system fractions and decimal equivalents estimating and much more - all put to music for learning that lasts! Perfect for Music class or Math class the Teacher Book includes reproducible melody sheets with chord symbols and simple choreography and worksheet activities that incorporate Common Core State Standards in Math! For performance options a script is also included that introduces each of the eight original songs. Groove along with the singer recordings on the enclosed Listening CD! Also available is an Enhanced P/A CD with performance and accompaniment-only song tracks and PDFs of the piano/vocal arrangements with choreography lyrics and worksheets for lots of performance and projection options! For additional value receive all components in the Classroom Kit. Suggested for Grades 3-5.
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Henry Aldrich Orlando Gibbons: The Silver Swan Aldrich A Catch On Tobacco: SATB:
Choral SSATB
SSATB A Cappella
[Sheet music]
Novello & Co Ltd.
Composer Orlando Gibbons was the leading English composer of his time the late ...
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Composer Orlando Gibbons was the leading English composer of his time the late 16th and early 17th century. This five-Voice SSATB madrigal is the best known of his many madrigals and remains compellingly beautiful.The sheet music also includes A Catch on Tobacco by theologian philosopher and composer Dr Henry Aldrich. It dates from 1685 when the composer was Dean of Christ Church Oxford and widely known among his contemporaries as a convivial soul who among his writings created a Latin epigramme listing five reasons for drinking. The performance notes stipulate that the round is to be sung by four men while smoking their pipes.
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The Star-Spangled Banner: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Schirmer
Judith Clurman Choral Series-In 1814 Francis Scott Key (1779-1843) wrote new wo...
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Judith Clurman Choral Series-In 1814 Francis Scott Key (1779-1843) wrote new words for a well-known drinking song by John Stafford Smith (1750-1836) 'To Anacreon in Heaven' to celebrate America's recent victory over the British. In 1931 Congress passeda law proclaiming 'The Star Spangled Banner' to be the national anthem of the United States.This arrangement by Doug Katsaros was first performed at the Macy's 4th July Fireworks Spectacular onNBC television July 4th 2014. The performers were soloist Idina Menzel Judith Clurman's Essential Voices USA and Sherrie Maricle's Dive Jazz Orchestra. The recording of that performance has been added to the permanent archivesat F. McHenry in Balitmore MD.Text (Defence of Fort M'Henry by Francis Scott Key):O! say can you see by the dawn's early light What so proudly we hail'd at the twilight's last gleaming?Whose broadstripes and bright stars through the perilous fight O'er the ramparts we watch'd were so gallantly streaming And the rockets' red glare the bombs bursting in air Gave proof through the night that our flag was stillthere-O! say does that star-spangled banner yet waveO'er the land of the free and the home of the brave?
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Patrick Hawes: For King And Country: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Novello & Co Ltd.
For King And Country is part of a larger work entitled 'The Angel Of Mons' by co...
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For King And Country is part of a larger work entitled 'The Angel Of Mons' by composer Patrick Hawes dedicated to the memory of the British soldiers who Hawes believes witnessed an 'angel' during a battle in World War One. This is the Vocal Score arranged for SATB Chorus and Piano Accompaniment. This piece with a libretto by his brother Andrew Hawes was premiered in the latter's own church on the centenary of the date the 'angel' sighting was said to have occurred. The inspiration comes from a mythical story around the Battle of Mons during World War One where a group ofsoldiers supposedly received divine help from 'angels'. The story arose from a fictional short story by a writer that came to be known as fact despite the author's desperate please otherwise. The music itself is beautiful perfectly capturing the crisis of conscience and cognitive dissonance that the soldiers must have experienced being told that they were fighting for King and country yet at the same time being terrified of their own lives.
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Patrick Hawes: Let Them Give Thanks Whom The Lord Has Redeemed: SATB: Vocal
Choral SATB
SATB, Piano
[Sheet music]
Novello & Co Ltd.
Let Them Give Thanks Whom The Lord Has Redeemed is the final movements of a larg...
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Let Them Give Thanks Whom The Lord Has Redeemed is the final movements of a larger work entitled 'The Angel Of Mons' by composer Patrick Hawes dedicated to the memory of the British soldiers who Hawes believes witnessed an 'angel' during a battle in World War One. This is the Vocal Score and is arranged for SATB Chorus and Piano Accompaniment. This piece was premiered in the latter's own church on the centenary of the date the 'angel' sighting was said to have occurred. The inspiration comes from a mythical story around the Battle of Mons during World War One where a group of soldiers supposedly receiveddivine help from 'angels'. The story arose from a fictional short story by a writer that came to be known as fact despite the author's desperate pleas otherwise. The music itself is beautiful perfectly capturing the crisis of conscience and cognitive dissonance that the soldiers must have experienced being told that they were fighting for King and country yet at the same time being terrified of their own lives.
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Wolfgang Amadeus Mozart: Vesperae Solennes De Dominica K.321: SATB: Vocal Score
Choral SATB
SATB, Organ
[Vocal Score]
Barenreiter
We know that Mozart held his Vespers in high regard since he once asked his fath...
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We know that Mozart held his Vespers in high regard since he once asked his father in a letter dated 12 March 1783 to send the two works to him in Vienna so that he could show them to Baron Gottfried van Swieten. The Office hymns designated as Vesperae de Dominica K. 321 and Vesperae solennes de Confessore K. 339 both call for four vocal parts two violins two clarini kettledrums basses (violoncello double bass and bassoon) three trombones and organ.They contain settings of Psalms 109 (Dixit) 110 (Confitebor) 111 (Beatus vir) 112 (Laudate pueri) 116 (Laudate Dominum) and of the Magnificat canticle. Each of the Psalms forms an autonomous unit; the Doxology atthe end is derived from the themes of the various Psalms.Urtext of the New Mozart EditionFull score & performance material (BA4893) vocal score (BA4893-90) available for sale
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Gareth Treseder: Never weather-beaten sail: SATB: Vocal Score
Choral SATB
SATB A Cappella
Boosey and Hawkes
Thomas Campion?s Never weather-beaten sail is a sprightly text that powerfully e...
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Thomas Campion?s Never weather-beaten sail is a sprightly text that powerfully evokes the sailor?s plea for God?s calming presence upon the sea?s unrelenting rushing waves. At the opening of this work for unaccompanied mixed voices the jaunty alto/tenor movement in thirds symbolises the curling waves of the undulating sea the mellifluous soprano melody represents the boat?s sails and the bass section?s never-changing ?A? provides the anchor. All four voices then come together in homophony urging God to ?come quickly...and take my soul to rest?. Rather than a simple repetition of thematic material in the manner of a standard hymn the texture alters through the rest ofthe work until the very end where all voices gradually fade away into the distance leaving what seems like a lone voice in the wilderness to cry ?to Thee?. Contrasting to other well-known setting of this text this new work provides a fresh interpretation suitable for intermediate choirs.
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Georg Friedrich Händel: Judas Maccabaeus: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
-
Intermediate/advanced
Novello & Co Ltd.
The Maccabaean Revolt in the second century B.C. provided the background to the ...
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The Maccabaean Revolt in the second century B.C. provided the background to the story that unfolds in Judas Maccabaeus. It is part of the history of the Ptolemaic and Seleucid Empires. This oratorio follows the story from the death of Alexander the Great in 323 B.C. up until Judas' march on Jerusalem in 164 B.C. With a libretto supplied by Thomas Morell Handel's great work was first performed at the Theatre Royal Covent Garden on April the 1st 1747 as part of his annual Lenten season of oratorios. By the time of Handel's death in 1759 Judas Maccabaeus had become the composer's second most popular oratorio having received 33 Londonperformances under the composer's supervision (Messiah had 36).For SATB soli SATB chorus and accompaniment. This version edited by Merlin Channon. Includes historical notes.
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Jeremy Thurlow: Of Noblest Cities (Novello New Choral Series): SATB: Vocal Score
Choral SATB
SSATBB, Organ
[Vocal Score]
Novello & Co Ltd.
Of Noblest Cities is intended for a choir of between 12 and about 40 voices alt...
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Of Noblest Cities is intended for a choir of between 12 and about 40 voices although it may also be given by just six singers one to a part (SSATBB). The piece can be performed unaccompanied if no suitable organ is available simply by leaving approximately two crotchet beats of silence between the end of the last note of one verse and the beginning of the next.Underlying the melody is a simple rhythm which is sometimes expanded or contracted. In the first verse the position of the main beats in this rhythm is made clear by the barlines. In the remaining verses however the barlines are only there to help the singers to keep together and forconvenience in rehearsal: singers should observe their own strong beats which fall in different places for each part and not regard the barlines as indicating downbeats. A few of the strong beats which underlie individual parts and appear to be contradicted by the barlines are marked by the symbol / .The words are a beautiful Victorian translation of a Latin hymn by Prudentius which meditates on the story of the three wise men. Each verse is set to the same melody in an increasingly rich counterpoint inspired by the wonderful sound of Tudor choral polyphony.An inspiring selection of new works from a range of contemporary composers the Novello New Choral Series offers pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yet accessible repertoire in an exciting variety of styles. Jeremy Thurlow is a composer writer and pianist. His music has been described as ‘seductive innovative full of freshness’ by Henri Dutilleux. It has been performed by the BBC Philharmonic the Fitzwilliam String Quartet Rolf Hind the BBC Singers Endymion Carmen Elektra Peter Sheppard Skaerved Matthew Schellhorn and Sequitur (New York) among others. In 2007 he won the George Butterworth Award for new composition. As a musicologist he writes on French music in
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Pater Noster IV (LISZT FRANZ)
Choral SATB
SATB, Organ
[Sheet music]
Carus Verlag
Tonalité : C-Dur - S 22. Par LISZT FRANZ. Verwendung / Anlässe: Vater unser - ...
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Tonalité : C-Dur - S 22. Par LISZT FRANZ. Verwendung / Anlässe: Vater unser - Langue : Latin/ Répertoire / Choeur SATB et Orgue
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Pater Noster (GOUNOD CHARLES)
Choral SATB
SATB, Organ
[Sheet music]
Carus Verlag
Par GOUNOD CHARLES. Französische Kirchenmusik - Verwendung / Anlässe: Vater un...
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Par GOUNOD CHARLES. Französische Kirchenmusik - Verwendung / Anlässe: Vater unser - Langue : Latin/Anglais/ Répertoire / Choeur SATB et Orgue
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Wade in the Water (FORBES L'ESTRANGE JOANNA (Arr)
Choral SATB
SATB, Piano
[Sheet music]
Faber Music Limited
Par FORBES L'ESTRANGE JOANNA (Arr.). Wade in the Water is a lively and infectiou...
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Par FORBES L'ESTRANGE JOANNA (Arr.). Wade in the Water is a lively and infectious spiritual. Its features include a call-and-response texture, jazz ‘scat’ vocalization and finger clicks on beats 2 and 4 of the measure. This arrangement by Joanna Forbes L’Estrange remains true to the spirit of Eva Cassidy’s well-loved version, adapting the instrumental improvisation on the recording to create a fun scat section. Listen to Eva Cassidy’s version and aim for the same passion and commitment, allowing the voices as much freedom of expression as is possible in a choral texture. This piece is part of the Faber Choral Singles series, offering a selection of beautifully crafted arrangements in a diversity of musical styles. From Broadway, pop and folk to spirituals, gospel and original works, the series is arranged for 3-part choir (soprano, alto and a combined male-voice part) providing flexibility for any choir. Complete with straight-forward piano accompaniments supporting the vocal lines, the Faber Choral Singles series guarantees the perfect repertoire for every occasion – so get exploring and get singing! / Choral Music / Répertoire / Voix Mixtes et Piano
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Wherever You Are - SATB Version (25-Pack)
Choral SATB
SATB, Piano
Novello & Co Ltd.
Arranged for SATB chorus and Piano accompaniment. Commissioned by Gareth Malone ...
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Arranged for SATB chorus and Piano accompaniment. Commissioned by Gareth Malone for Series Four of BBC TV's 'The Choir' and first performed by Malone and the Military Wives' choir as part of The Royal British Legion's Festival of Remembrance at the Royal Albert Hall on 12th November 2011 in the presence of Her Majesty The Queen. A favourite for the 2011 Christmas Number One, with support from radio DJ Chris Evans who has suggested every choir in the country should sing this song, it's and nbsp - the biggest threat to X-Factor chart domination this year. The text is taken from poems, letters and prayers written by the Military Wives, selected and adapted by Paul Mealor, and a passage from the Book of John: Wherever you are, my love will keep you safe - My heart will build a bridge of light, across both time and space. Wherever you are, our hearts still beat as one, I hold you in my dreams each night, until your task is done. Light up the darkness, my wondrous star, Our hopes and dreams, my heart and yours, forever shining far. Light up the darkness, my prince of peace - May the stars shine all around you, may your courage never cease. Wherever I am, I will love you day by day, I will keep you safe, cling on to faith, along the dark, dark way. Wherever I am, I will hold on through the night - I will pray each day, a safe return, will look now to the light. Greater love hath no man than this, that a man lay down his life for his friends. John 15:13 / SATB Et Piano
99.50 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
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Wherever You Are - SATB Version (10-Pack)
Choral SATB
SATB, Piano
Novello & Co Ltd.
Arranged for SATB chorus and Piano accompaniment. Commissioned by Gareth Malone ...
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Arranged for SATB chorus and Piano accompaniment. Commissioned by Gareth Malone for Series Four of BBC TV's 'The Choir' and first performed by Malone and the Military Wives' choir as part of The Royal British Legion's Festival of Remembrance at the Royal Albert Hall on 12th November 2011 in the presence of Her Majesty The Queen. A favourite for the 2011 Christmas Number One, with support from radio DJ Chris Evans who has suggested every choir in the country should sing this song, it's and nbsp - the biggest threat to X-Factor chart domination this year. The text is taken from poems, letters and prayers written by the Military Wives, selected and adapted by Paul Mealor, and a passage from the Book of John: Wherever you are, my love will keep you safe - My heart will build a bridge of light, across both time and space. Wherever you are, our hearts still beat as one, I hold you in my dreams each night, until your task is done. Light up the darkness, my wondrous star, Our hopes and dreams, my heart and yours, forever shining far. Light up the darkness, my prince of peace - May the stars shine all around you, may your courage never cease. Wherever I am, I will love you day by day, I will keep you safe, cling on to faith, along the dark, dark way. Wherever I am, I will hold on through the night - I will pray each day, a safe return, will look now to the light. Greater love hath no man than this, that a man lay down his life for his friends. John 15:13 / SATB Et Piano
45.60 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
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Johann Sebastian Bach: Ein Feste Burg Ist Unser Gott BWV 80: SATB: Vocal Score
Choral SATB
satb (soli), SATB (chorus), Keyboard
[Vocal Score]
Carus Verlag
Kantate zum Reformationsfest [Rekonstruktion: Reinhold Kubik]-J.S. Bach's Ein fe...
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Kantate zum Reformationsfest [Rekonstruktion: Reinhold Kubik]-J.S. Bach's Ein feste Burg ist unser Gott for SATB and Orchestra.Bach's Reformation cantata based on what is probably Martin Luther's most famous hymn evolved over a period of several years. At the beginning was a Weimar cantata for Oculi Sunday 1716 now missing which was based on the hymn with an instrumental quotation in the opening aria and with the final chorale. In the Leipzig years around 1730 Bach wrote a cantata for Reformation Day using this material. It began with the first verses of Luther's hymn in a simple four-part setting and also included the other verses. Later on in the 1730s or 1740s Bach replaced the introductory chorale movement with achorale setting which was unique spacious and motet-like in its style; this uniquely in this respect incorporated the choral writing in an instrumental canon for oboes and organ continuo. The powerful opening chorus is followed by recitatives and arias which reflect the full breadth of Bach's art of word painting and emotion. One of Bach's most magnificent cantatas one of the greatest works in the history of music. In addition to the complete performance material the arrangements of movements 1 and 5 (with 3 trumpets timpani as playing score) by Wilhelm Friedemann Bach are available.
9.10 GBP - Sold by Musicroom UK
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Paul Mealor Military Wives Choir Paul Mealor: Wherever You Are - SATB Version:
Choral SATB
SATB, Piano
[Sheet music]
Novello & Co Ltd.
Arranged for SATB chorus and Piano accompaniment.Commissioned by Gareth Malone f...
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Arranged for SATB chorus and Piano accompaniment.Commissioned by Gareth Malone for Series Four of BBC TV's 'The Choir' and first performed by Malone and the Military Wives' choir as part of The Royal British Legion's Festival of Remembrance at the Royal Albert Hall on 12th November 2011 in the presence of Her Majesty The Queen.A favourite for the 2011 Christmas Number One with support from radio DJ Chris Evans who has suggested every choir in the country should sing this song it's the biggest threat to X-Factor chart domination this year.The text is taken from poems letters and prayers written by the Military Wives selected and adapted by PaulMealor and a passage from the Book of John:Wherever you are my love will keep you safe;My heart will build a bridge of light across both time and space.Wherever you are our hearts still beat as one I hold you in my dreams each night until your task is done.Light up the darkness my wondrous star Our hopes and dreams my heart and yours forever shining far.Light up the darkness my prince of peace;May the stars shine all around you may your courage never cease.Wherever I am I will love you day by day I will keep you safe cling on to faith along the dark dark way.Wherever I am I will hold on through the night;I will pray each day a safe return will look now to the light.Greater love hath no man than this that a man lay down his life for his friends.John 15:13
3.99 GBP - Sold by Musicroom UK
Pre-shipment lead time:
In Stock
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