A majestic and triumphant Operatic theme by the ever expressive Wagner and his giant ornate and considered style. From his popular and acclaimed Opera Tannhauser this familiar piece has been arranged for a TTBB chorus with piano accompaniment. It is fabulous treatment and perfectly suited to Men’s Voices which serve to emphasise the depth and the drama of the piece.

Eugene Rogers Choral Series-Capturing the importance of the Greenfield poem and the dramatic story of Harriet Tubman's life Rollo Dilworth has crafted a powerful new spiritual. Tubman was often referred to as a conductor of the Underground Railroad and as the Moses of her people. In recognition of these titles musical themes from the spirituals If I Got My Ticket and Go Down Moses have been incorporated into the score.

Description Max Raabe: Kussen Kann Man Nicht Alleine Kussen Kann Man Nicht Alleine is the theme song from Max Raabe 's 2011 album. This fantastic piece has been arranged for TTBB men's chorus with accompanying Piano. Songlist Küssen Kann Man Nicht Alleine

This offering from Randy Stenson's Male Chorus was premiered at the 2008 ACDA Northwest Division convention. Beginning with a rollicking and rhythmic opener the middle section transforms to tasty punctuations of sound. Returningto the opening theme it drives to a thrilling completion.

Four poems sharing a common motif of 'Night' provide the texts for my choral cycle Nocturnes the American Choral Directors Association's commissioned work for its 2005 national convention. For Rilke's atmospheric “Sa nuit d'ete ” several melodic themes are supported by dense colorful harmonies in both the choral and piano parts leading to a climactic section where all are combined and stated simultaneously. Neruda's “Soneto de la Noche ” from his Cien Sonetos de Amor speaks of an eternal love that transcends death while reaffirming life. My a cappella setting of this gorgeous poem is predominantly quiet serene and folk-like utilizing direct harmonies accompanying long lyrical vocal lines. Agee's wondrous “Sure on this Shining Night” is set much like a song from the American musical theater a genre for which I have held a life-long esteem. Rilke's poignant “Voici le soir” recalls the opening bell sounds and jazz-tinged chords of the first movement and serves as an epilogue quietly concluding this cycle of night songs as darkness descends.

from State Fair-Now available in men's and women's voicings! For the advanced concert choir this Rodgers and Hammerstein song is a great opener or concert theme!