Three Rags for Clarinet Quartet. Par JOPLIN SCOTT. Qui dit Scott Joplin, dit ragtime. Surnommé « le roi du ragtime », ce pianiste et compositeur américain (1868?1917) a écrit une bonne centaine de rags, parmi lesquels les célèbres « Maple Leaf Rag » et « The Entertainer ». Ce genre musical se reconnaît aisément : une mélodie syncopée accompagnée d?une ligne de basse régulière au rythme simple. Comme ces deux éléments sont en partie décalés et, parfois, se contrarient même, la musique swingue beaucoup. « Rag » signifiant « lambeau », le terme « ragtime » provient donc de cette impression de déchirement entre mélodie et ligne de basse. La plupart des rags sont écrits pour le piano. Ils ont joui d?une immense popularité au tournant des XIXe et XXe siècles, principalement grâce à Joplin lui-même. Après sa disparition, l?ère du ragtime en tant que courant dominant s?acheva. Les années 1970 ont connu un regain d?intérêt pour Scott Joplin, surtout grâce au succès cinématographique The Sting (L?Arnaque), dont la bande sonore comprend plusieurs de ses compositions, y compris « The Entertainer ». Les trois rags rassemblés dans cet arrangement ne comptent pas parmi les plus connus de Joplin, mais ils sont incontestablement de haut niveau. / Date parution : 2022-01-18/ Répertoire / 4 Clarinettes

5 Original Pieces for Clarinet Quartet. A composition in five movements that sound as if from a former age. They are in fact newly composed pieces but, stylistically speaking, are ?historically accurate?. They can be performed separately or one after the other. The important thing is that the lead part at any point is given enough ?space? in terms of dynamics and overall balance. Old music, newly composed, at times cheerful and at others solemn, which create the very special charm of this composition.

Solo and Chamber Works-Signs Games and Messages are series for solo instruments and small chamber ensembles. Each of the three notions refers to an essential factor in Kurtág's music. Signs ties in with the composer's period of study in Paris as a young man when he could not compose merely put graphic signs on the paper. (Additionally the word points to inspiration gained from the art of Klee and Michaux.) Games links with his nine-volume series for the piano with that title. Messages conveys the very personal content of these works in that these short pieces are actually diary notes and missives to musicians and friends important to Kurtág.The collection - like his earlierfive series for stringed instruments - does not form a coherent cycle. The pieces can be played individually or in various orders or among pieces from Signs Games and Messages written for other instruments.

French composer and conductor Henri Tomasi (1901-1971) published Three Divertissements for Clarinet Quartet in 1964. As with his other wind compositions Three Divertissements was well-received by audiences. Tomasi was born in Marseille but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured into musical studies by his parents Tomasi dreamed of becoming a sailor and during the summer he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However in 1921 he began his studies at the Paris Conservatoire and went on to become ahigh profile composer and conductor. Tomasi did not forget his Corsican routes often incorporating themes of the songs he had learnt during the summers with his Grandmother into his compositions. The Three Divertissements are named; 1) Proceedings 2) Masquerade and 3) Rounds. This Tomasi piece is suitable to an advanced Clarinet Quartet providing an exciting alternative addition to the ensemble repertoire.

Une transcription de la célèbre page orchestrale de Smetana, empreinte de virtuosité à quatre clarinettes. / 4 Clarinettes Et Quatuors De Clarinettes

La partition BOURGEOIS GENTILHOMME - 2 MENUETS : ROSAMUNDE/LE FREISCHUTZ de Lully Jean-Baptiste a été composée pour Musique de Chambre et plus particulièrement pour 4 Clarinettes Et Quatuors De Clarinettes. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Billaudot. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / 4 Clarinettes Et Quatuors De Clarinettes / Partition

Toccata, Adagio e Fuga per quartetto di clarinetti. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Date parution : 1905-06-17/ Répertoire / 4 Clarinettes

Edition For Clarinets. Par CURTIS MIKE. / Musique klezmer / Recueil / 4 Clarinettes (3 Clarinettes en Sib et Clarinette

for the doumka clarinet ensemble. Par CIESLA ALEXIS. Ces miniatures pour quatuor de clarinettes ont été écrites pour le Doumka Clarinet Ensemble. Elles permettent d’aborder, par le biais de six pièces très contrastées, le travail des mesures asymétriques. / Niveau : Moyen / score and parts / Répertoire / 4 Clarinettes (3 Clarinettes en Sib et Bass Clarin

from Once upon a Time in America. Par MORRICONE ENNIO. / Date parution : 2022-05-31/ Répertoire / 4 Clarinettes

Par RAMEAU JEAN-PHILIPPE. Musique Instrumentale / Niveau : Cycle 2 / Répertoire / Ensemble de Clarinettes

Arrangement: Naulais Jérôme. Par NAULAIS JEROME. / Niveau : Intermédiaire / Répertoire / 4 Clarinettes

Arrangement: Naulais Jérôme. Par NAULAIS JEROME. / Niveau : Difficile / Répertoire / 4 Clarinettes

Arrangement: Naulais Jérôme. Par NAULAIS JEROME. / Niveau : Elémentaire / Répertoire / 4 Clarinettes