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Percussion Ensemble
EUPHONIUM
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Joan Tower: DNA: Percussion: Score and Parts
Orchestra
[Sheet music]
Associated
Score and Parts-This piece was written for and premiered by the New England Cons...
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Score and Parts-This piece was written for and premiered by the New England Conservatory Percussion Ensemble conducted by Frank Epstein in April 2003.
31.50 GBP - Sold by Musicroom UK
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Poul Ruders: Wind-Drumming: Orchestra: Score
Orchestra
Wilhelm Hansen
Poul Ruder's Wind-Drumming for Wind Quintet and 4 Percussionists (1979/85). Part...
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Poul Ruder's Wind-Drumming for Wind Quintet and 4 Percussionists (1979/85). Parts are for hire: hire@ewh.dk Programme NoteWind-Drumming was written in 1979 on a commission from The Danish Percussion Ensemble.The piece is a clash of two kinds of sound-associations; the mystic exotic impact of Latin-American drumming and the more well dressed reputation of Western concert-instruments in this case a wind-quintet (w. electric flute).The two instrumental camps either melt into one soft humming ritual or are split wide apart the winds tearing their way through the undergrowth ofrainforest-drumming. There is more than one way of getting on to WIND-DRUMMING: obviously it is about the confrontation of two incongruent ways of living a lament on the damage done to the tropical rainforests of the world by modern civilisation. One can hear it plainly as a direct rhythm-show a downright number or a joyous homage to the most exiting kind of folkloristic music at all: the carnal spell of the Brazilian Samba. Poul Ruders
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Per Nørgård: Three Scenes: Chamber Ensemble: Parts
Orchestra
Wilhelm Hansen
Three Scenes for Percussion and Six Instruments (2009) by Per Nørgård. Preface...
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Three Scenes for Percussion and Six Instruments (2009) by Per Nørgård. Preface / Programme Note Slagtøjssolisten er den gennemgående skikkelse og hovedperson i musikkens ”tre scener”. Begrebet ”scene” kan forstås flertydigt både som det fysiske sted platformen hvor man optræder og spiller musik og drama – og som betegnelsen for defortællende forløb og afsnit i en dramatisk forestilling. Mine musikalske ”scener” udfolder sig i tre forskellige sceniskefremtrædelsesformer og ensembler. Den førstescene er præget af diskrete ogmelodiske slagtøjsinstrumenter vibrafon og marimba med modspil fra de trestrygere. I den anden scene er spotlightet på slagtøjssolisten alene vi møder hovedpersonen/solisten i en monolog fremført hovedsageligt på ”syngende sav” der skal trakteresmed den yderste mikrotonale præcision. Vi hører også solisten spille på Kalimba ligeledes et folkeligt instrument men nu med afrikansk baggrund – i modsætningtil den hjemlige gårdsangers ”musikalske sav” – et ofte hørt lydbillede frakomponistens barndom på Nørrebro. I den tredje scene er det en blæsertrio der indledningsvis spiller op til slagtøjetsforskellige kraftfulde trommer. Efter en tromme-kadence sætter alle syv musikereind sammen for første og eneste gang. Værket afsluttes med en kort slagtøjssolo. I en ”programmatisk tolkning” kan de tre scener ses som repræsenterende tretilbagevendende stadier:det indadvendt/drømmendedet udadvendt/agerendedet daglige drama mellem os alle. Per Nørgård februar 2010
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Bryce Dessner: Aheym For Chamber Orchestra: Chamber Ensemble: Score
Orchestra
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Advanced
Chester
This is the full score of Aheym For Orchestra composed by Bryce Dessner best k...
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This is the full score of Aheym For Orchestra composed by Bryce Dessner best known as the guitarist of The National but also an acclaimed composer in his own right. If sodesired this work can be performed with Strings alone: the Wind and Percussion instruments are optional. Composed in 2009 for the Kronos Quartet for their performance in Brooklyn's Prospect Park for the CelebrateBrooklyn! festival Aheym (meaning 'homeward' in Yiddish) was directly inspired by his parents' migration to Brooklyn. The score in this edition was first performed by the London Sinfonietta at the Southbank Centre in London onthe 9th of October 2012. The work lasts around 8 minutes and is filled with dynamic tempo changes a mix of staccato and smooth playing and all-round excitement. It's a fantastic piece to play and the genius composition will keepaudiences on their toes.
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Chris Sharp: Mambo Jambo: Ensemble: Score and Parts
Orchestra
[Sheet music]
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Easy
FJH
It’s time to bring some Caribbean mambo style to your next performance wi...
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It’s time to bring some Caribbean mambo style to your next performance with Mambo Jambo! Rhythm parts have been carefully notated to help your ensemble achieve an authentic Latin groove. You can open this one up for as many soloists as you would like. Optional added percussion includes bongos vibraslap and guiro. Plenty of teaching opportunities and the musicians will even get to shout a good Mambo Jambo or two before this one is over!
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Rrrrrr... : 11 Stücke Für Bläser, Kontrabässe Und Schlagzeug (Rrrrrr... : 11 Pieces For Wind, Double Basses And Percussion)
Orchestra
Peters
Volume I: 6 pieces (1. Raccontando, 2.Rauschpfeifen, 3. Rejdovák, 4. Register, ...
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Volume I: 6 pieces (1. Raccontando, 2.Rauschpfeifen, 3. Rejdovák, 4. Register, 5 Réjouissace, 6. Reprisen) c. 12 ½ min Volume II: 5 pieces (1. Reveille/Retraite, 2. Rheinländer, 3. Ritornell I, 4. Ritornell II, 5. Rhapsodie) c. 9 ½ min Both volumes may be played in the same programme but not in succession / Grand Ensemble Contemporain Et Orchestre
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Concerto For Percussion And Wind
Orchestra
Peters
/ Grand Ensemble Contemporain Et Orchestre
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Don Hanna Michael Allen: Daily Warm-Ups for Full Orchestra: Orchestra: Score &
Orchestra
Hal Leonard
Based on the success of his best-selling warm-ups for strings Michael Allen has...
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Based on the success of his best-selling warm-ups for strings Michael Allen has teamed up with respected conductor and teacher Don Hanna to bring us this invaluable resource for full orchestra. Similarly this daily regiment isdesigned to prepare the orchestra for rehearsal or performance through a carefully paced set of short examples. Focus on tuning ensemble playing technique phrasing and special needs for strings winds and percussion are alladdressed.
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Time Et Again (MURAIL TRISTAN)
Français
Orchestra
[Sheet music]
Lemoine, Henry
Par MURAIL TRISTAN. Time and Again tente de rompre, partiellement, avec l'esthé...
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Par MURAIL TRISTAN. Time and Again tente de rompre, partiellement, avec l'esthétique qui domine dans mes oeuvres précédentes, une esthétique de la continuité où la forme est structurée par des processus se déroulant en un flot presque ininterrompu. Ici, la forme musicale cherche à créer une architecture du temps plus complexe, qui joue de flash-backs, prémonitions, boucles..., comme si l'on se trouvait dans une sorte de machine à remonter le temps. Pour néanmoins préserver une sorte de continuité sous-jacente, j'ai d'abord imaginé une structure 'linéaire' pour la pièce, comportant des évolutions progressives et logiques, et j'ai parfois réalisé des fragments de cette pièce virtuelle, puis, un peu comme un cinéaste, j'ai 'monté' la structure de la pièce, en coupant, dupliquant, insérant, collant. A peu près aux deux tiers de la pièce, le temps s'inverse et s'écoule deux fois plus vite - on repasse, plus symboliquement que textuellement, par toutes les étapes des deux premiers tiers, avec parfois des superpositions, des inserts ou des raccourcis. L'orchestration n'est pas tout à fait conventionnelle - les vents et la percussion sont en nombre habituel, mais les cordes sont réduites à environ la moitié de l'effectif normal. J'ai cherché ainsi une qualité particulière du son des cordes moins volumineux, mais plus intense. Les cordes jouent le plus souvent des parties individuelles. Leur emploi principal consiste à colorer ou distordre les sons joués par les autres instruments, ou à construire des spectres sonores complexes. L'orchestre est enrichi par un synthétiseur (un Yamaha DX7) qui a deux principales fonctions. Grâce à son aptitude à synthétiser des sons par modulation de fréquence, il peut émettre directement des spectres riches identiques à ceux que j'utilise dans mon écriture orchestrale. La composition de cette pièce a donc impliqué d'abord la programmation des sons sur le synthétiseur (un seul son peut produire une texture très riche et n'est souvent utilisé qu'une seule fois). Dans d'autres cas, je l'utilise comme un complément de la section des percussions et du piano, le synthétiseur ayant la tâche d'émettre les sons non tempérés. Time and Again est une commande du 'John Feeney Charitable Trust' pour le City of Birmigham Symphony Orchestra, et a été créé à Birmingham le 21 janvier 1986 par cet orchestre, sous la direction de Simon Rattle. La pièce était destinée à être jouée en première partie de la Turangalila Symphonie d'Olivier Messiaen, pour une série de concerts en Angleterre. Cela explique qu'un auditeur attentif trouvera peut-être quelques allusions à cette symphonie dans Time and Again... Tristan Murail Enregistrement: 1 CD Montaigne/Naïve, MN782175 Désintégrations - Gondwana - Time and again Ensemble L'Itinéraire, Orchestre National de France, Yves Prin (direction) - Orchestre Beethoven Halle de Bonn, Karl Anton Rickenbacher (direction) / contemporain / Date parution : 1985-01-01/ Répertoire / Orchestre
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Tidings Of Comfort And Joy (F/O)
Orchestra
[Score and Parts]
Alfred Publishing
Reinforce legato, staccato, and ensemble phrasing with this piece while ushering...
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Reinforce legato, staccato, and ensemble phrasing with this piece while ushering in the joyous holiday season with musical glee. Opening with a clear unison statement and slowly adding textures and harmonic voices, the work develops to a joyous tutti statement that continues to build in intensity to a glorious conclusion. This arrangement is scored for full orchestra- however, it is also completely playable by string orchestra alone, or with any number of added winds or percussion. (2:30) / Orchestre
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Military Symphony 2nd Move (f/o Sc/Pts) (HAYDN FRANZ JOSEF)
Orchestra
[Sheet music]
Alfred Publishing
Par HAYDN FRANZ JOSEF. One of Haydn's most famous symphonic movements, this sele...
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Par HAYDN FRANZ JOSEF. One of Haydn's most famous symphonic movements, this selection will give your students a chance to develop a refined, 'Classic' style of playing. It seems like Haydn included everything in this movement---a delicately beautiful main theme, wild, minor-keyed outbursts, military percussion, and a solo trumpet fanfare. No wonder the London audiences went crazy over it! Arranged with the young orchestra in mind, all string parts are in first position. A great introduction to a too-often neglected style. / Ensemble Music, Miscellaneous, Scores / Répertoire / Orchestre
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Søren Nils Eichberg: Nigh Machine: Orchestra: Score
Orchestra
[Sheet music]
Wilhelm Hansen
Søren Nils Eichberg's Night Machine for nine instruments (2006). Parts are fo...
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Søren Nils Eichberg's Night Machine for nine instruments (2006). Parts are for hire: hire@ewh.dk Ensemble: Flute Clarinet in B Baritone Saxophone in E(alternatively Bass Cl. in B or Bassoon) Percussion Piano 2 Violin Viola Violoncello.
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Elisabeth Lutyens: Elegy of the Flowers Op.127: Orchestra: Score
Orchestra
[Sheet music]
University Of York Music Press
For Tenor and Ensemble.Published in 1978.Tenor voice 2 Horns 2 Violins Flute/...
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For Tenor and Ensemble.Published in 1978.Tenor voice 2 Horns 2 Violins Flute/Alto Flute Clarinet/Bass Clarinet Cello Double Bass 2 Violas 2 Trombones Percussion.Score.
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Henry Purcell Poul Ruders Nahum Tate: Prologue To Dido And Aenas: Orchestra:
Orchestra
Wilhelm Hansen
Poul Ruders' Prologue To Dido And Aenas by Henry Purcell (2011). Text by Nahum T...
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Poul Ruders' Prologue To Dido And Aenas by Henry Purcell (2011). Text by Nahum Tate. Commissioned by The Danish National Vocal Ensemble / DR Scored for Mixed Choir (SATB) String Quartet Percussion Theorbe and Harpsichord.Vocal score available: WH31460CParts available: WH31460A
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Asbjørn Schaathun: Chorale: Orchestra: Score
Orchestra
[Sheet music]
Wilhelm Hansen
Asbjørn Schaathun's Chorale(s) (2011) for seven instruments. Written for the Af...
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Asbjørn Schaathun's Chorale(s) (2011) for seven instruments. Written for the Affinis Ensemble in memoriam Igor Stravinsky. Scored for Cor Anglais Clarinet (db Bass Clarinet) Alto Saxophone (db. Tenor Sax) Trumpet Guitar Percussion and Piano. Parts are for hire: hire@ewh.dk
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Elisabeth Lutyens: Islands Op.80: Orchestra: Score
Orchestra
[Sheet music]
University Of York Music Press
For Soprano Tenor Male Narrator and Ensemble.Published in 1970.Soprano voice ...
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For Soprano Tenor Male Narrator and Ensemble.Published in 1970.Soprano voice Tenor voice Narrator Flute/Alto Flute/Piccolo Clarinet/Bass Clarinet/Baritone Saxophone French Horn Piano/Cembalo Violin Viola and 2 Percussionists.Score.
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Jo Kondo: Left Bank: Orchestra: Score
Orchestra
[Sheet music]
University Of York Music Press
Flute Oboe Clarinet Contrabass Clarinet or Double Bass Bassoon Horn Trumpe...
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Flute Oboe Clarinet Contrabass Clarinet or Double Bass Bassoon Horn Trumpet Trombone 2 Violins Viola Cello PercussionFirst performance: Tokyo 1981 Jo Kondo (cond) Musica Practica Ensemble.
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David Mairs: Genesys Fanfare: Orchestra: Score & Parts
Orchestra
[Score and Parts]
Southern Music Ltd
Genesys Fanfare was written for and performed by the members of the Brass and Pe...
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Genesys Fanfare was written for and performed by the members of the Brass and Percussion sections of the Flint Symphony Orchestra. Later the work was rescored for full orchestra and ultimately for concert band in this present arrangement. This band version was first performed in 2016 by the combined Wind Ensembles of Texas Lutheran University conducted by Beth Bronk. The musical ideas for this fanfare are straightforward - the theme is a rhythmic representation of the name of the institution that commissioned the piece - Genesys Hospital. The asymmetrical repetition of the spoken rhythm however yields a refreshingly compelling pulse which drives the music all the waythrough.
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Genesys Fanfare: Orchestra: Score
Orchestra
Southern Music Ltd
Genesys Fanfare was written for and performed by the members of the Brass and Pe...
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Genesys Fanfare was written for and performed by the members of the Brass and Percussion sections of the Flint Symphony Orchestra. Later the work was rescored for full orchestra and ultimately for concert band in this present arrangement. This band version was first performed in 2016 by the combined Wind Ensembles of Texas Lutheran University conducted by Beth Bronk. The musical ideas for this fanfare are straightforward - the theme is a rhythmic representation of the name of the institution that commissioned the piece - Genesys Hospital. The asymmetrical repetition of the spoken rhythm however yields a refreshingly compelling pulse which drives the music all the waythrough.
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Renga
Orchestra
Peters
Score (361 dessins de Thoreau parfois superposent) et 78 pièces (pour tout inst...
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Score (361 dessins de Thoreau parfois superposent) et 78 pièces (pour tout instrument et/ou voix): à jouer seul ou (comme une pièce occasionnelle) avec 1776 maison d'habitation ou certains autres musicircus (direct ou enregistré) approprié à une autre occasion que le bicentenaire des Etats-Unis, à l'occasion, par exemple, comme la naissance ou la mort d'une autre nation musicalement productive ou à, ou la naissance d'une société porte sur certains aspects de la création productive du son, par exemple. Oiseaux, animaux marins, changements météorologiques, tremblements de terre ou de plantes (équipés de cartouches et utilisés comme des instruments de percussion, comme dans l'enfant d'arbres et de BRANCHES, ou acoustiquement isolés et au moyen de la technologie appropriée fait audible) permettant des restrictions du droit d'auteur. / Grand Ensemble Contemporain Et Orchestre
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Above All: Orchestra: Parts
Orchestra
Integrity Music
Above All features 12 powerful songs that are sure to find a place in any Palm S...
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Above All features 12 powerful songs that are sure to find a place in any Palm Sunday Easter or Communion service. This collection is ideal for choirs ensembles and student choirs and the songs can be performedindividually or in four mini-musicals leading up to Easter. As a finale the DVD Accompaniment Trax features powerful visuals for the last three songs. Titles include: O Wondrous Love The Glories of Calvary Lord of Life andLove Above All Behold the Lamb. For All You've Done O Mighty Cross I Will Glory in the Cross All the Earth Will Sing Your Praises God So Loved Saved the Day My Redeemer Lives. Orchestration includes score and parts forFlute Oboe Clarinet Trumpet 1 2 3 Horn Trombone 1 2 3 Percussion 1 2 Violin Viola Cello String Bass Rhythm (Piano/Guitar/Bass). Instrumentation varies. SATB Listening CD CD Accompaniment Trax (Split) DVDAccompaniment Trax Orchestration CD 10-Pack CD Preview Pack also available.
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