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Voice
EUPHONIUM
Orchestra
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Olav Anton Thommessen: Opp - Ned: Voice: Score
Orchestra
Wilhelm Hansen
Opp-Ned / Up-Down for Symphony Orchestra and 2 voices by Olav Anton Thommessen ...
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Opp-Ned / Up-Down for Symphony Orchestra and 2 voices by Olav Anton Thommessen (1972/73)
34.99 GBP - Sold by Musicroom UK
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Rued Langgaard: Tonebilleder / Tone Pictures: Voice: Score
Orchestra
[Partitions]
-
Intermediate/advanced
Rued Langgaard Edition
Rued Langgaard's Tonebilleder / Tone Pictures for Voice and Orchestra (1917) BV...
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Rued Langgaard's Tonebilleder / Tone Pictures for Voice and Orchestra (1917) BVN 133. Texts by Jenny Blicher-Clausen Ivan Turgenjev Thor Lange and Holger Drachmann. Critical edition by Bendt Viinholt Nielsen / The Rued Langgaard Edition.
29.95 GBP - Sold by Musicroom UK
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The Voices of Christmas: Orchestra: Parts
Orchestra
Shawnee Press
Joseph Martin and the creative team that brought you The Winter Rose and Journey...
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Joseph Martin and the creative team that brought you The Winter Rose and Journey of Promises now present their latest major work The Voices of Christmas. Using beloved carols and new anthems especiallycomposed for the cantata the story of Christmas unfolds through the “voices” of witnesses (narration) and is echoed in the voices of the choir as they sing the good news of the Savior's birth. Beautiful orchestrationsby Brant Adams are available as well as a full menu of companion products and support material. Familiar carol melodies abound: The First Noel • The Gallery Carol • St. Denio • O Come O Come Emmanuel • GodRest Ye Merry Gentleman • Masters in this Hall • Adeste Fideles • Still Still Still • In Dulci Jubilo – making this joyful cantata a splendid choice for your holiday programming.
324.99 GBP - Sold by Musicroom UK
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Donald Crockett: The Melting Voice: Orchestra: Full Score
Orchestra
Lauren Keiser Music Publishing
The Melting Voice
29.99 GBP - Sold by Musicroom UK
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Cord Meijering: The Voice Of The Winter 1984 Für Großes Orchester: Orchestra:
Orchestra
Mannheimer Musikverlag
The Voice Of The Winter 1984 Für Großes Orchester
34.99 GBP - Sold by Musicroom UK
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Donald Crockett: Melting Voices: Orchestra: Full Score
Orchestra
Lauren Keiser Music Publishing
Melting Voices
102.99 GBP - Sold by Musicroom UK
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Franz Liszt: Wenn die letzten Sterne bleichen Opus Posthume: Voice: Score
Orchestra
G. Henle
The Bavarian State Library in Munich made a quite sensational discovery in 2007:...
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The Bavarian State Library in Munich made a quite sensational discovery in 2007: a previously unknown Lied for Voice (soprano) and Piano by Franz Liszt was found which he had written down himself. The work shows Liszt at hisbest; it was composed in 1843 and dedicated to Count Franz von Pocci from Munich. This was a good enough reason for Henle Publishers to publish the manuscript in the form of a high-quality facsimile which also contains the musicin modern music print and extensive information concerning the fascinating circumstances of its genesis. A true delight for all connoisseurs and lovers of Franz Liszt.
55.25 GBP - Sold by Musicroom UK
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Charlotte Schiotz: Ti Etuder For Born: Voice: Score
Orchestra
Wilhelm Hansen
Ti Etuder For Born has been composed by Charlotte Schiotz for Voice and Piano ac...
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Ti Etuder For Born has been composed by Charlotte Schiotz for Voice and Piano accompaniment.
13.99 GBP - Sold by Musicroom UK
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New Year Suite (TIPPETT MICHAEL SIR)
Orchestra
Schott
Par TIPPETT MICHAEL SIR. Détails de la formation instrumentale: 3.2.ca.2.b Clar...
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Par TIPPETT MICHAEL SIR. Détails de la formation instrumentale: 3.2.ca.2.b Clarinette asax.tsax.barsax(ssax).2.cbn-4.4.3.1-5perc(kit (s.d., t.d., cym. (crash and hi-hat), 2 tom-toms, b.d., w.bl., gng., slit dr.), t.d., b.d., brake dr., clash cym., sus.cym., tamb., cast., wh., large tri., lge. tam-tam, xyl., vib., glock., 2 sets of 6 tub.bells (metal rod), claves, rattle)-hp.2e Guitare -Strings (4.4.4.4.2 min)-taped effects (spaceship and distant voices) - Durée: 30' - Format: New Edition landscape/ Répertoire / Orchestre
47.20 EUR - Sold by LMI-partitions
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Michael Sweeney: Ancient Voices: Concert Band: Score & Parts
Orchestra
[Score]
-
Beginner
Hal Leonard
Ancient Voices
7.99 GBP - Sold by Musicroom UK
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Symphonic Extracts From The Conducting Score: Les Fêtes De L'Hymen Et De L'Amour
Orchestra
Barenreiter
Rameau's 'Les Fêtes de l'Hymen et de l'Amour? was long considered second-rate b...
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Rameau's 'Les Fêtes de l'Hymen et de l'Amour? was long considered second-rate because its première was associated with a political event. Yet this ballet abounds in novel dramaturgical effects that foreshadow his later operas, such as 'Zaïs?, 'Zoroastre? and 'Les Boréades?. Working together with his librettist Cahusac, Rameau sought to weave the dance numbers, choruses and stage machinery more tightly into the main plot. He also experimented with stylistic devices unique to this work, the most famous being unquestionably the scene in which the Nile overflows its banks (an impressive ten-voice double chorus with solo voices and orchestra) and the sextet from 'Aruéris?, a scoring found nowhere else in his oeuvre.For the first time, this scholarly-critical edition of 'Les Fêtes de l'Hymen et de l'Amour? presents a reference version of the work that is based on all the major sources for both the libretto and the music, including two recent musical discoveries. As most of the performance material for the première has vanished, our edition is based on the version prepared for the Académie Royale de Musique in 1748.- Milestone of French Baroque opera in performance practice orientated vocal score- With a brief foreword (Fr/Eng) containing salient information on the genesis of the work, the synopsis and the edition / Orchestre
57.94 EUR - Sold by LMI-partitions
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Joby Talbot: Worlds Stars Systems Infinity (Full Score): Orchestra: Score
Orchestra
Chester
Commissioned by the Philharmonia Orchestra and Esa-Pekka Salonen for the Univers...
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Commissioned by the Philharmonia Orchestra and Esa-Pekka Salonen for the Universe of Sound project.First perfromed at the Royal Festival Hall on 8th July 2012 by the Philharmonia Orchestra and PhilharmoniaVoices conducted by Esa-Pekka Salonen.Instrumentation.4 Flutes (3rd doubling Alto Flute Piccolo; 4th doubling Piccolo)3 Oboes (3rd doubling Bass Oboe)Cor Anglais2 Clarinets in BflatClarinet in A BassClarinet in B flat3 BassoonsContrabassoon6 Horns in F4 Trumpets in C2 Tenor TrombonesBass TromboneTenor Tuba in B flat (Euphonium)Bass Tuba2 Timpani (2nddoubling Suspended Cymbals China Cymbal)4 Percussion (Meditation Bowls Bass Drum Crotales Marimba Vibraphone Small & Large Tam-tam Glockenspiel Xylophone Side Drum Mark Tree SizzleCymbal)CelestaOrgan2 HarpsChorus (SSSAAAA)Strings
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An American Trilogy: Orchestra: Parts
Orchestra
Shawnee Press
A show-stopping get-the-congregation-on-their-feet medley of patriotic favorite...
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A show-stopping get-the-congregation-on-their-feet medley of patriotic favorites An American Trilogy will bring down the house! Mark Hayes has arranged this mini-collection in gospel style with an awesome solo opening andfabulous orchestration. Voiced for SATB or TTBB ensembles this is a must for any general or patriotic presentations. Includes: “My Country 'Tis of Thee ” “America the Beautiful ” and “This Is MyCountry.”
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Per Nørgård: Symphony No. 6 'At The End Of Day': Orchestra: Score
Orchestra
Wilhelm Hansen
Symphony No. 6 'At The End Of Day' (1997-99) for Orchestra by Per Nørgård. Pro...
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Symphony No. 6 'At The End Of Day' (1997-99) for Orchestra by Per Nørgård. Programme note: ”… with the Lord a day is like a thousand years and a thousand years is like a day” (New Testament 2 Peter 3:8) My SYMPHONY NO. 6 was commissioned by the Danish National Radio Symphony Orchestra the Göteborg Symphony Orchestra and the Oslo Philharmonic Orchestra to be premiered at the millenium 2000. The subtitle AT THE END OF THE DAY can be understood literally or it can mean “when all is added up”. However in my opinion nothing ever quite adds up there is always “something” missing any ending will be provisional ... This symphony appears to end only a few minutes into the first movement the first passage as the music fades away to almost-silence after a start of flying colours. But then there is still “something” a small motive (first heard in the initial sound-waves) which reappears hesitant but persistent and this embryo is what leads on the musical progression. An agitated section of many instrumental voices comes next until all the voices become obsessed with the same phrase a see-saw motive based on thirds. This section evolves into almost martial ferocity when broken off by a tutti descent into an extreme bass-world (a bass-world which actually permeates the whole symphony emplyoing instruments that I have never used before: double-bass tuba double-bass trombone double-bass clarinet and bass flute). The second movement the second passage apparently takes off where the first passage ended but now the events are more ambiguous and the same music may be perceived as fast-moving one moment and slow-moving the next. This section is a kind of passacaglia the characteristic baroque bass-variation. Without a break follows the third and last passage in a
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Parry: Jerusalem: Orchestra: Score and Parts
Orchestra
[Sheet music]
Goodmusic Publishing
This edition is faithful to Parry's original orchestration with the exception th...
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This edition is faithful to Parry's original orchestration with the exception that the Clarinets were in A and the Trumpet parts were originally written in F. Here Bb copies have been provided for both. The work may be played by orchestra alone or with the addition of a solo voice or a choir. We do not publish vocal or choral copies of this work but this orchestral edition is fully compatible with the original vocal and unison choral editions published by Roberton Publications and readily available.Duration: 2½ minutes Orchestration 2 Flutes 2 Oboes 2 Clarinets in Bb 2 Bassoons4 Horns in F 2 Trumpets in Bb 3 Trombones TimpaniStrings (Violin 1 Violin 2 Viola Cello Bass)Voice or chorus (optional)
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Perte De Memoire: Orchestra: Score
Orchestra
Wilhelm Hansen
Perte De Memoire (2008) for Bandoneon/Voice and Orchestra. Composed for Per Arne...
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Perte De Memoire (2008) for Bandoneon/Voice and Orchestra. Composed for Per Arne Glorviken. Commissioned by the Oslo Philharmonic Orchestra. Premiered by Per Arne Glorvigen (Bandoneon) and the Oslo Philharmonic Orchestra conducted by Christian Eggen at the Oslo Konserthus as part of the Ultima Festival October 3rd 2008.
60.99 GBP - Sold by Musicroom UK
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Helen Grime: Everyone Sang: Orchestra: Score
Orchestra
[Partitions]
Chester
Everyone Sang was composed by Scottish composer Helen Grime in 2010. It was comm...
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Everyone Sang was composed by Scottish composer Helen Grime in 2010. It was commissioned by BBC Radio 3 for the 75th anniversary of the BBC Scottish Symphony Orchestra. It was first performed at CityHall Candleriggs Glasgow in December 2010 and is arranged for Orchestra. When composing this piece Grime states that she imagined the Orchestra as many individual voices that were capableof producing a unified melody but also breaking off into separate strands of song. Since it was composed as a commemoration for the BBC Scottish Symphony Orchestra Grime wished to emphasise the Orchestra as a grand unified whole as well as their individual sections and sounds. The piece unifies the orchestra with a sense of celebration and elation as well as a sense of melancholy making it apt that the pieceis named after a poem by Siegfried Sassoon.
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Charles Tomlinson Griffes: The Pleasure Dome of Kubla Khan: Orchestra: Score
Orchestra
Schirmer
Score-Originally scored for Piano solo (GS48199) Griffes' 'Pleasure Dome of Kubl...
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Score-Originally scored for Piano solo (GS48199) Griffes' 'Pleasure Dome of Kubla Khan' was later expanded into a tone poem for orchestra by the American impressionistic composer. It is based on the poetry of Samuel Taylor Coleridge andis scored for Piano Voice Chamber Ensemble and orchestra. This original version is combined with Frederic Stocks' 1920 revisions.
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Joaquín Rodrigo: Concerto D'Aranjuez: Orchestra: Miniature Score
Orchestra
Eulenburg
The first of Joaquin Rodrigo's attempts at composition for the concerto genre Co...
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The first of Joaquin Rodrigo's attempts at composition for the concerto genre Concierto De Aranjuez quickly became the most popular and recognizable of his works. Written for Solo Guitar and Orchestra it reveals the composer's great affinity for those two mediums as well as his reverence for the long-standing traditions of Spanish Classical music. It was composed in 1939 after Rodrigo's return to Madrid from France (where he had fled to escape the Spanish Civil War) and premiered to great success in 1940.The Concierto De Aranjuez is notable for the way in which Rodrigo managed to wed unusual instrumentation of the relatively small voice ofthe solo guitar to that of the full orchestra. With a nod to Spanish folk music and straightforward lyrical disposition it is an extremely imaginative piece with meandering melody and distinctive colour throughout.Eulenberg's celebrated and highly authoritative miniature score is the definitive reference source for study performance preparation or simply for those with a love of the great orchestral works.
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David Rimelis: Phonefare: Orchestra: Score & Parts
Orchestra
[Score and Parts]
Lauren Keiser Music Publishing
Concert Opener and Friendly Cell Phone Reminder for Orchestra-Phonefare is a 37-...
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Concert Opener and Friendly Cell Phone Reminder for Orchestra-Phonefare is a 37-second overture designed to be played just after the oboe tuning. The instruments of the orchestra play cell phone rings and at the end of this short attention-getter a voice over the speaker reminds the audience to please turn off their cell phones.
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Olivier Messiaen: Saint Francois d'Assise -Act III 7. Les stigmates: Opera:
Français
Orchestra
[Sheet music]
Leduc, Alphonse
Saint François D'Assise is an opera in 3 acts by Olivier Messiaen. This volume...
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Saint François D'Assise is an opera in 3 acts by Olivier Messiaen. This volume is part of the edition that includes the books with the full Orchestra scores as well as the explanations analysis and comments of each tableau. It is focused on the “Act 3 Tableau 7. Les stigmates” which tells of the moment when Saint Francis receives the stigmata which proves that God approves his status of Saint. This tableau is happening when Saint Francis is alone in a cave in Verna. The music with a choir depicts a feeling of anxiety until the Choir interprets the voice of the Christ. Saint Francis is then hit by some lightfrom a cross that appeared to him in the exact same places where the Christ was hit by the Stigmata. The Orchestra is really strong on that tableau and depicts one of the most important moments of the opera Based on the life of Saint Francis of Assisi this opera is set in Italy and is divided as per below: Act I: 1. La croix 2. Les laudes 3. Le baiser au lépreux Act II 4. L’ange voyageur 5. L’ange musicien 6. Le prêche aux oiseaux Act II 7. Les stigmates 8. La mort et la nouvelle vie This opera was first played at the Paris Opera in 1983. Olivier Messiaen (1908-1992) was a French Organist and composer passionate about Ornithology and one of the most important composers of his century. Inspired by Japanese music he had a very special way of composing and his work can be identified by its complexity its diatonic aspect its harmony with limited transposition its colour and its additive rhythms. He composed many works related to ornithology and birdsong including the Bird Catalogue in 7 volumes and the Treatise on rhythm colour and ornithology in 7 volumes.
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Witold Lutoslawski: Trois Poemes D'henri Michaux: Orchestra: Instrumental Work
Orchestra
[Sheet music]
Chester
Trois po?mes d?Henri Michaux was written for the Zagreb Biennale and first perfo...
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Trois po?mes d?Henri Michaux was written for the Zagreb Biennale and first performed there by the orchestra and choir of Radio Zagreb conducted by the composer and Slavko Zlatic on 9 May 1963. It is composed for 20-part choirand an orchestra similar to that of the Symphony of Psalms though without the lower strings of the latter.Lutoslaswski has said that the general outline of the work came to him first and only then did he choose the threepoems. These reflect his Francophile taste: Henri Michaux was born in Belgium in 1899 and later became a painter: the trenchant Le Grand Combat with its onomatopoeic invented words dates form the 1920s; the other two texts which are more philosophic than pictorial form the 1930s. Choir and orchestra need separate conductors even though throughout they alternate more often than they combine.A description of the course of the music itself will bemore useful than any discussion of its technical processes or of its notation. A quiet section of orchestral polyphony which brass sforzandi punctuate with increasing frequency frames the beginning and end of Pens?es. Afterthe choir?s first unaccompanied passage the woodwind have a staccato section over which the female voices singing downward glissandi are superimposed (?Ombre de mondes infimes??). Then the woodwind and both pianos join in alapping ostinato which illustrates the text of the next forte choir entry ?Pens?es la nage merveilleuse?? The climax of the movement comes as these characteristic woodwind figures alternate with the tintinnabulation of agamelan-like ensemble of vibraphone c?leste harp and pianos.
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Thomas Augustine Arne: Rule Britannia - Score/Parts: Orchestra: Score and Parts
Orchestra
[Sheet music]
Goodmusic Publishing
Orchestration:2 Flutes 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 Horns in F (or...
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Orchestration:2 Flutes 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 Horns in F (or Horns/Saxophones in Eb) 2 Trumpets in Bb 3 Trombones Tuba Timpani Percussion (Side drum Glockenspiel [1 player]) Strings (Violin 1 Violin 2 Viola or Violin 3 Cello Double Bass)The famous Rule Britannia in a new arrangement by Nigel Wicken. Each verse features different sections of the orchestra. The final part has the benefit of some interesting harmonies more 'Wicken' than 'Arne'. Although no voice part is scored it is quite possible for the audience to join in at the traditional moments! The Violin 3 part is a treble clef version of the Viola partexcept for a few out-of-range notes.Duration: 4 minutes.
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Witold Lutoslawski: Triptyque Silesien: Orchestra: Score
Orchestra
[Sheet music]
Power Music Company
For soprano voice and symphonic orchestra. Full score with piano reduction inclu...
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For soprano voice and symphonic orchestra. Full score with piano reduction included.
47.50 GBP - Sold by Musicroom UK
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Giacomo Puccini: One Fine Day: Orchestra: Score and Parts
Orchestra
Goodmusic Publishing
A wonderful aria from Madame Butterfly. For soloist and orchestra.This is the fu...
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A wonderful aria from Madame Butterfly. For soloist and orchestra.This is the full score and parts comprising strings (4-4-3-4-2) wind and brass. a separate voice part is not included and singers should use whatever edition of the opera vocal score or the aria that they have.
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Ralph Vaughan Williams: The Solent: Orchestra: Study Score
Orchestra
Oxford Univertsity Press
Marking the first publication of an early work for chamber orchestra this study...
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Marking the first publication of an early work for chamber orchestra this study score presents Ralph Vaughan Williams's The Solent composed in 1903. The main theme from this work will be recognisable to many listeners as it later found its way into both the Sea Symphony and the Ninth Symphony albeit in a somewhat altered form. This duplication has intrigued many Vaughan Williams' scholars as has the Philip Marston quotation that prefaces the scores: 'Passion and sorrow in the deep sea's voice A mighty mystery saddening all the wind?'.The score has been edited by James Francis Brown and includes an introduction by theeditor.
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Anders Nordentoft: Beggar's Palace: Orchestra: Score
Orchestra
Wilhelm Hansen
'Beggars' Palace' is the name of a fictive railway station a metaphor that can ...
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'Beggars' Palace' is the name of a fictive railway station a metaphor that can evoke many associations for example as a place from which one journeys on where one is forced to stay for a short or long period or a place where one simply gets stuck and must watch others journey on. The fictive station has something worn-out and shabby about it but the worn and shabby can have its own poetry and beauty. At the end the music stands still for a minute or two while a voice talks about Beggars' Palace. 'Beggars' Palace' was composed in January 2000 for the Aarhus Symphony Orchestra. Anders Nordentoft
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Elisabeth Lutyens: Islands Op.80: Orchestra: Score
Orchestra
[Sheet music]
University Of York Music Press
For Soprano Tenor Male Narrator and Ensemble.Published in 1970.Soprano voice ...
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For Soprano Tenor Male Narrator and Ensemble.Published in 1970.Soprano voice Tenor voice Narrator Flute/Alto Flute/Piccolo Clarinet/Bass Clarinet/Baritone Saxophone French Horn Piano/Cembalo Violin Viola and 2 Percussionists.Score.
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The Holy City: Orchestra: Parts
Orchestra
Shawnee Press
Mark Hayes does it again in his stellar adaptation of a true sacred evergreen. M...
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Mark Hayes does it again in his stellar adaptation of a true sacred evergreen. Mark's colorful orchestrations are highly imaginative and there is liberal use of solo voice making this piece not only a great choral moment but ashowcase for solo voice as well. The Holy City is destined to become an instant classic!
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Ron Kean: American Mass: Orchestra: Parts
Orchestra
Pavane Publishing
Now available for SSA voices this marvelous work was released a few years ago t...
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Now available for SSA voices this marvelous work was released a few years ago to great acclaim and remains popular. Fully orchestrated in 4 distinctive movements this “missa brevis” tastefully weaves American folksongs spirituals and hymns into a liturgical fabric. May be performed with piano chamber orchestra or full orchestra.
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