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Gene
EUPHONIUM
Piano, Voice
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Gene de Paul: Seven Brides for Seven Brothers: Movie Selections: Piano Vocal
Piano, Voice
Alfred Publishing
The popular and folky musical arranged here for piano with vocals and guitar cho...
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The popular and folky musical arranged here for piano with vocals and guitar chord symbols. W ords by Johnny Mercer and music by Gene de Paul.
9.95 GBP - Sold by Musicroom UK
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Pyotr Ilyich Tchaikovsky: Eugene Onegin: Mixed Choir: Vocal Score
Piano, Voice
Schirmer
Tchaikovsky wrote Eugene Onegin in 1878 using a libretto by Konstantin Shilovsk...
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Tchaikovsky wrote Eugene Onegin in 1878 using a libretto by Konstantin Shilovsky based on the epic poem by Pushkin. Flirtatious Olga and shy bookish Tatyana are sisters Olga being happily engaged to Lenski. One day Lenski arrives with a friend Eugene Onegin and Tatyana is smitten. She writes him a letter but he rudely rebuffs her and she is devastated. At the dance that night he dances with Olga making Lenski jealous also. They fight a duel in which Lenski is killed.Six years later Tatyana has become a beauty and married Prince Gremin unbeknownst to Onegin who has become a wanderer. Onegin enters Gremin’s house for a party seesTatyana falls in love and pleads with her to come with him but Tatyana though confessing she still loves him refuses him she is married. Eugene is left alone and heartbroken.This is the Schirmer edition of the Vocal Score in an English translation by Henry Reese.
29.99 GBP - Sold by Musicroom UK
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Landau Eugene Murphy Jr.: Landau Eugene Murphy Jr. - That's Life: Vocal and
Piano, Voice
Hal Leonard
A West Virginian jazz singer who's gone from rags to riches Landau Eugene Murph...
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A West Virginian jazz singer who's gone from rags to riches Landau Eugene Murphy Jr. won the sixth season of the NBC show America's Got Talent. Here are his takes on 11 beloved Sinatra standards all arranged for vocal/piano in the keys Landau sings them in: Ain't That a Kick in the Head · Baby It's Cold Outside · Fly Me to the Moon (In Other Words) · I Get a Kick Out of You · I've Got the World on a String · I've Got You Under My Skin · My Way · Night and Day · Somethin' Stupid · That's Life · Witchcraft.
16.99 GBP - Sold by Musicroom UK
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Django Reinhardt: Montagne St Genevieve: Voice: Single Sheet
Piano, Voice
Carisch
Montagne St Genevieve
5.99 GBP - Sold by Musicroom UK
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Asger Pedersen: Blæsten kan man ikke få at se - 37 sange for børn: Voice: Mixed
Piano, Voice
[Textbook]
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Easy
Wilhelm Hansen
Asger Pedersens underfundige spidsfindige og tankevækkende sange elskes af b...
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Asger Pedersens underfundige spidsfindige og tankevækkende sange elskes af børn og voksne over hele landet. Som storleverandør til DR’s børneudsendelser heriblandt â€Ingrid og Lillebror†og ikke mindst julekalenderne â€Vinterbyøster†og â€Jullerup Færgeby†har Asger Pedersen ramt flere generationer af danske fjernsynskiggere.Men sangene har ogsÃ¥ fÃ¥et deres eget liv og Asger Pedersens musikalske billeder af hverdagens oplevelser er ligeledes blevet folkeeje. â€Blæsten kan man ikke fÃ¥ at se†â€Sneglen den bor i et sneglehus†â€Edderkoppens vise†og â€Juleaftensdag†er klassikere og i nærværende bog finder du i alt 37 sange som alle fortjener at blive sunget og lyttettil.De becifrede klaverarrangementer gør det muligt for de fleste at være med og Bolette Marie Madsens dejlige illustrationer gør oplevelsen endnu større.
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Finn Jorgensen: Blandt Ølhunde og Månestråler: Voice: Score
Piano, Voice
[Livre, Partitions]
Wilhelm Hansen
Et vigtigt indslag i enhver revyforestilling har siden starten været sang og ...
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Et vigtigt indslag i enhver revyforestilling har siden starten været sang og musik og her har revyvisen været det væsentligste og mest holdbare element. Der har siden 1850 været hundredvis af revyer - og flere tusind revyviser. Mange er for længst gået i glemmebogen vel nok de mest dagsaktuelle men mange har overlevet gennem flere generationer. Deres kvaliteter har været dels en god tekst en fængende melodi samt en original fremførelse …Blandt Ølhunde og Månestråler er den første samlede udgivelse af udvalgte revyviser fra 1849 til vore dage. Gennem revyviserne oplever vi et stykke danmarkshistorie og da de her præsenteres kronologisk kan de samtidig give et indtrykaf periodernes skiftende udtryksformer såvel på det tekstmæssige som på det musikalske område.De enkelte viser er forsynet med melodi og becifring samt fyldige noter om skuespillere komponister og forfattere. Endvidere er mere end 200 fotografier og illustrationer med til at sætte stemningen og gøre nærværende samling til en ganske særlig oplevelse for såvel musik- og teaterinteresserede som folk med deres kulturelle nysgerrighed intakt.
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Georges Bizet: Carmen: Opera: Vocal Score
Piano, Voice
Ricordi
Vocal Score-Bizet died on 3rd June 1875 exactly three months after the first pe...
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Vocal Score-Bizet died on 3rd June 1875 exactly three months after the first performance of his Carmen which had met with a cool reception. This caused the already undermined composer to fall into a depression which most probably led him to take his own life. The following October Carmen was a triumph in Vienna and ever since this opera has been considered an all-time classic. Inspired by the tale of the same name by Prosper Mérimée (1845) the opera tells the story of the gypsy girl Carmen: a free passionate spirit she generously gives herself in love yet fights off all attempts to tie her down. Bizet invented music to suit her character: impetuous and passionate. Andhe turns Spain (a country he never actually visited) into a land of violent passion. Speaking of this opera the philosopher Nietzsche said 'When we listen to Carmen we too become a masterpiece'.
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Songs II GA/CE vol. 11 (SZYMANOWSKI KAROL)
Piano, Voice
[Sheet music]
PWM (Polskie Wydawnictwo Muzyczne)
Par SZYMANOWSKI KAROL. (VII) The Polish idiom appeared in Szymanowskis music in ...
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Par SZYMANOWSKI KAROL. (VII) The Polish idiom appeared in Szymanowskis music in 1920, foreshadowing the beginning of a new period of creativity, later called nationalistic. Before this idiom was realised and such compositions typical of the Polish style as the ballet Harnasie, the Mazurkas, Stabat Mater, Fourth Symphony and Second Violin Concerto had been written, the change in musical thinking and the first experiments in the new language took place in songs. Symptoms of the new style manifested themselves fully in Slopiewnie, Op. 46 bis, composed in the summer of 1921 and published by Universal Edition. In these bizarre songs to bizarre words by Tuwim Szymanowski attempted to crystallize and generalize artistically some primaeval Polish, racial as he described them elements in music. The inspiring factor was undoubtedly the text by Julian Tuwim, abounding in new-coined words and imbued with its own music. It indicated the direction that artistic creativity was to take, and made the full corellation of the verbal and musical layers possible in, as Mieczyslaw Tomaszewski has stated, all the planse of co-operation phonic, structural, expressional and semantic. Based on A. Neuer Commentary to Complete Edition Volume C11 (VIII) Szymanowski did not yield to the temptation of easy over-stilization. Streching out to the deepest ethnic layers of his native musical culture, he made an attempt to mould and suitably fashion a Polish style of musical utterance. This tendency is apparent in the Three Lullabies, Op. 48, to words by Jaroslaw Iwaszkiewicz, composed in 1922 and published by Universal Edition in 1926. In the Lullabies we can find the confirmation of the fact that utterly new atmosphere which, according to the composer, Slopiewnie had introduced into his music, was not a once-for-all phenomemon. The elements of the new musical language, analised in connection with the earlier cycle, may here be regarded as assimilated. These are modalities in vocal melodies (Lullaby I) and cadences (Lullabies I and III), a bourdon effect with a tritone (Lullaby II). However these sometimes sligh and apparently unimportant details recur constatnly, an so acquire the nature of a definite compositional technique establishing a style based in an increasing degree on nationalistic elements. Based on Adam Neuer Commentary to Complete Edition Volume C11 (IX) The Childrens Rhymes, Op. 49, a cycle of twenty short songs by Kazimiera Illakowicz, composed in 1922-23, were a completely new creative experience for Szymanowski. He composed the Rhymes with his 11-year-old niece in mind. She was the daughter of Stanislawa Korwin-Szymanowska, who performed these songs for the first time in Warsaw on 25 February 1924. / Date parution : 2021-12-09/ Recueil / Chant et Piano
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Franz Schubert: Lieder Volume 8 - Low Voice D 262 - D 323: Voice: Vocal Album
Piano, Voice
Barenreiter
Tiefe Stimme / Low Voice-Walther Dürr presents Volume 8 of the new Urtext editi...
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Tiefe Stimme / Low Voice-Walther Dürr presents Volume 8 of the new Urtext edition of Schubert’s lieder in separate editions for high medium and low voice.This volume contains lieder originating during the latter half of 1815 between August and November. Three series of lieder each based on a particular poet immediately catch the eye: a number of Ossian settings a group of Klopstock lieder and finally another set on texts that Schubert found in a Viennese almanac (Selam). Furthermore the series of Schubert lieder on texts by the North German poet Ludwig Theobul Kosegarten which starts in Volume 7 is concluded in this volume.• Based on the Urtext of the “NewSchubert Edition”• Clear and uncluttered engraving• Foreword by Walther Dürr on the genesis and history of the work as well as an explanation of the sources for each individual lied (Ger/ Eng)• Includes English translations of the lieder texts by Richard Wigmore
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Franz Schubert: Lieder Volume 8 - High Voice D 262 - D 323: High Voice: Vocal
Piano, Voice
Barenreiter
Hohe Stimme / High Voice-Walther Dürr presents Volume 8 of the new Urtext editi...
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Hohe Stimme / High Voice-Walther Dürr presents Volume 8 of the new Urtext edition of Schubert’s lieder in separate editions for high medium and low voice. This volume contains lieder originating during the latter half of 1815 between August and November. Three series of lieder each based on a particular poet immediately catch the eye: a number of Ossian settings a group of Klopstock lieder and finally another set on texts that Schubert found in a Viennese almanac (Selam). Furthermore the series of Schubert lieder on texts by the North German poet Ludwig Theobul Kosegarten which starts in Volume 7 is concluded in this volume. Based on the Urtext of the “New Schubert Edition” Clear and uncluttered engraving Foreword by Walther Dürr on the genesis and history of the work as well as an explanation of the sources for each individual lied (Ger/ Eng) Includes English translations of the lieder texts by Richard Wigmore
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Franz Schubert: Lieder Volume 8 - Medium Voice D 262 - D 323: Voice: Vocal Album
Piano, Voice
Barenreiter
Mittlere Stimme / Medium Voice-Walther Dürr presents Volume 8 of the new Urtext...
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Mittlere Stimme / Medium Voice-Walther Dürr presents Volume 8 of the new Urtext edition of Schubert’s lieder in separate editions for high medium and low voice. This volume contains lieder originating during the latter half of 1815 between August and November. Three series of lieder each based on a particular poet immediately catch the eye: a number of Ossian settings a group of Klopstock lieder and finally another set on texts that Schubert found in a Viennese almanac (Selam). Furthermore the series of Schubert lieder on texts by the North German poet Ludwig Theobul Kosegarten which starts in Volume 7 is concluded in this volume. Based on the Urtext of the “New Schubert Edition” Clear and uncluttered engraving Foreword by Walther Dürr on the genesis and history of the work as well as an explanation of the sources for each individual lied (Ger/ Eng) Includes English translations of the lieder texts by Richard Wigmore
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Verdi G. - Messa Da Requiem - Vocal Score
Piano, Voice
[Vocal Score]
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Advanced
Barenreiter
Verdi, Giuseppe Messa da Requiem In this new scholarly-critical edition of the ...
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Verdi, Giuseppe Messa da Requiem In this new scholarly-critical edition of the “Messa da Requiem”, the editor, on the basis of all available sources, succeeds in presenting practical suggestions to solve musical problems and those concerning the interpretation of this famous work. A hitherto unexamined handwritten reduction for voice and piano casts a new light on the evaluation of several known sources and leads to new philological and editorial decisions. This edition presents a detailed Critical Commentary as well as a preface on the genesis and history of the work. In addition the preface includes a short section on the most important editions published in the 19th century and compares them with regard to problematic passages in the work and the suggestions they made to solve musical problems. • Verdi’s monumental work in a Bärenreiter Urtext edition • Trilingual preface (Ital/Eng/Ger) • Detailed Critical Commentary (Eng) • Idiomatic well-presented piano reduction Edition no.: BA 7590-90 ISMN: 9790006541591 Editor: Uvietta, Marco Arranger: Campora, Andrea Language(s) of text: German, English Product format: Piano reduction, Urtext edition Binding: Paperback Pages / Format: X, 154 S. - 27,0 x 19,0 cm
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Georges Bizet: Au Fond Du Temple Saint: Tenor: Vocal Score
Piano, Voice
[Sheet music]
-
Intermediate/advanced
Peters
Bizet’s opera Les Pecheurs de Perles (The Pearl Fishers) is an exquisite ...
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Bizet’s opera Les Pecheurs de Perles (The Pearl Fishers) is an exquisite combination of emotional turmoil and pervasive sadness containing a ceaselessly seductive score. Taken from the opera Au Fond Du Temple Saint is one of the most famous arias ever written for tenor and baritone voice and is available here with a piano accompaniment.The libretto for the opera was written in French by Eugene Cormon and Michel Carre. This edition has been edited by Roger Nichols and contains a preface critical commentary and the Duet text which has been translated into English and German. Note that the text written in the score is in French only.
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Evgeny Kissin: Thanatopsis op. 4 für Frauenstimme und Klavier: Vocal and Piano:
Piano, Voice
G. Henle
Thanatopsis op. 4 for female voice and pian. It is a great pleasure to present, ...
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Thanatopsis op. 4 for female voice and pian. It is a great pleasure to present, with Thanatopsis, maestro Kissin?s opus 4, an expressive setting of the ground-breaking poem from the quill of William Cullen Bryant. Published in in the form known today in 1821, it is an early example of American romantic poetry of the 19th century. Bryant is today reckoned among the group of ?Fireside Poets? or ?Schoolroom Poets?, names that allude to the places where their poems were usually recited. His poems ? first and foremost Thanatopsis (?A Consideration of Death?) as his most famous ? are rooted in the English tradition, but at the same time show Bryant?s openness to a genuine American language and lifeworld. Evgeny Kissin?s setting is a large vocal scene intensely informed by recitative, which congenially allows the prevailing mood of the text to resound. Our edition additionally includes German and French translations of the poem and an informative afterword about Bryant?s life and work and the genesis of Thanatopsis.
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Isabelle Aboulker: Cendrillon: Voice
Piano, Voice
Leduc, Alphonse
Cendrillon is an opera-story created by Isabelle Aboulker in French and based o...
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Cendrillon is an opera-story created by Isabelle Aboulker in French and based on a story by Charles Perrault. Featuring the scores for Voice and Piano this piece requires different voices to sing the characters'' parts (including 3 sopraninos) and an actor for the story-telling. The Piano part can be played easily by a professional player. This piece was recorded for audio-books had representation for children in Paris theatre and is generally really enjoyed by the audience. Isabelle Aboulker is a French composer specially known for her opera her vocal works and for her adaptations of stories andfables.
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Pyotr Ilyich Tchaikovsky: None But The Longing Heart: Voice: Instrumental Work
Piano, Voice
[Sheet music]
Edwin Ashdown
None But The Longing Heart (Often translated as None But The Lonely Heart) is a ...
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None But The Longing Heart (Often translated as None But The Lonely Heart) is a song for solo Voice with Piano accompaniment. Written in 1869 it is the last in a collection of six Romancesthat formed the composer's opus 6. The words were originally written in German by Goethe and translated into Russian by Lev Mey. The English words have been produced here by E. Teschemacher.Pyotr IlyichTchaikovsky (1840 - 1893) is one of the best-known Russian composers in the west. He was the first Russian composer to write in the European style generating criticism from his peers for abandoning the Russian culturalheritage but gathering acclaim across both Europe and America.
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Kurt Weill: 3 Chansons: Voice: Vocal Work
Piano, Voice
[Sheet music]
Heugel
Trois Chansons by Kurt Weill is a set of three French songs for Voice and Piano...
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Trois Chansons by Kurt Weill is a set of three French songs for Voice and Piano. The lyrics have been written by Maurice Magre and Roger Fernay and the general level of difficulty is medium. The first piece Complainte de la Seine (Complains of the Seine) is three page long and its lyrics are about what lies at the bottom of the river. The second song Je ne t’aime pas (I don’t love you) is a man telling someone that he doesn’t love her that everything is fine and that he is fine if she is happy. The third piece Youkali is a highly rhythmic tango-habanera in fourpages which depicts the island of Youkali. Kurt Weill (1900-1950) is a German composer who developed operas and some works for the concert hall.
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3 Chansons (WEILL KURT)
Piano, Voice
[Sheet music]
Heugel
Par WEILL KURT. Trois Chansons by Kurt Weill is a set of three French songs for ...
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Par WEILL KURT. Trois Chansons by Kurt Weill is a set of three French songs for Voice and Piano. The lyrics have been written by Maurice Magre and Roger Fernay and the general level of difficulty is medium. The first piece, Complainte de la Seine (Complains of the Seine), is three page long and its lyrics are about what lies at the bottom of the river. The second song, Je ne t'aime pas (I don't love you), is a man telling someone that he doesn't love her, that everything is fine and that he is fine if she is happy. The third piece, Youkali is a highly rhythmic tango-habanera in fourpages, which depicts the island of Youkali. Kurt Weill (1900-1950) is a German composer who developed operas and some works for the concert hall./ Répertoire / Chant et Piano
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TCL Sight Reading Singing: Initial-Grade 2
Piano, Voice
[Sheet music]
Trinity College London
Par . This progressive method, written by Ralph Allwood and Andrew Morris, provi...
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Par . This progressive method, written by Ralph Allwood and Andrew Morris, provides a carefully paced approach to the sight reading requirements of Trinity Singing exams at Initial to Grade 2. For each grade there are ten lessons, each with a clear area of focus, featuring a wide range of classical genres. Stage-appropriate sight reading tips, both general and specific to the voice, are given along the way. Official Trinity specimen sight singing tests conclude each grade section. By the time the student has completed the ten lessons they should be well prepared to cope with the demands of these tests. / Date parution : 2023-03-11/ Etude / Voix et Piano
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TCL Sight Reading Singing: Grades 3-5
Piano, Voice
[Sheet music]
Trinity College London
Par . This progressive method, written by Ralph Allwood and Andrew Morris, provi...
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Par . This progressive method, written by Ralph Allwood and Andrew Morris, provides a carefully paced approach to the sight reading requirements of Trinity Singing exams at Grade 3 to Grade 5. For each grade there are ten lessons, each with a clear area of focus, featuring a wide range of classical genres. Stage-appropriate sight reading tips, both general and specific to the voice, are given along the way. Official Trinity specimen sight singing tests conclude each grade section. By the time the student has completed the ten lessons they should be well prepared to cope with the demands of these tests. / Date parution : 2023-03-11/ Etude / Voix et Piano
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Le Willis (PUCCINI GIACOMO)
Piano, Voice
Ricordi
Ed. critica di Martin Deasy - Riduzione per canto e pianoforte. Par PUCCINI GIAC...
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Ed. critica di Martin Deasy - Riduzione per canto e pianoforte. Par PUCCINI GIACOMO. Here, appearing for the first time, is the piano vocal score of Le Willis, Giacomo Puccini’s first stage work, whose full score remained unpublished until 2020, when it was issued by Casa Ricordi (NR 139546).The critical edition by Martin Deasy is based, as far as the first six Numbers are concerned, on the autograph score that Puccini reutilized for composing Le Villi. The autograph pages incorporating the final Number – pages that were later removed, in order to make space for the new material produced for Le Villi– are also proposed as the principal text.Pursuing an innovative philological approach, the editor has, furthermore, taken into due consideration the contemporaneous printed editions of the piano vocal score, on the assumption that they constitute the principal collateral sources, if one considers the particular genesis of this work. For it is certain that Puccini, upon entering the Sonzogno competition, submitted a score of Willis that lacked proper orchestration in a few pages and displayed, above all, incomplete vocal lines. However, he also provided a manuscript reduction for piano and vocal score (now lost, except for the final Number of Willis) that was undoubtedly more detailed, as far as the vocal lines were concerned. The editor proves that the vocal material produced for the first performance of Willis was not copied from the autograph score, but from the lost score reduction. The latter also served as the basis for the preparation of Ricordi’s printed edition of the piano vocal score./ Répertoire / Chant et Piano
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