Par VAN NUETEN GUY. Contact by Guy Van Nueten originated from the feeling of being abandoned, such as a person who treks through a barren desert following a great disaster and asks himself if there's any point in carrying on when every day brings just more of the same - still more desert. I suspect that each of us has such a desert within himself, but that it depends on circumstances whether or not we choose to make the journey through it. Contact lays out a path that we can share. This music seems especially romantic to me, in the sense that the sounds have much to say about loneliness. There are moments where this album emphasises its own seriousness, then immediately afterwards invites us todance. Contact sticks out a hand, sometimes two, mostly to show the internal process of the composer - firstly the lack of fire and the abandoned longing for this, followed by the bewilderment that there is something that is still smouldering and that can be fanned into a blazing forest fire to burn away all the pain of desolation. For this reason it is also moving music - because it wants the recognition of the listener, wants us to feel our own desolation while the piano explores further depths and heights. At times a composition is almost carelessly abandoned and another one begun. Whoever looks closely at feelings and is honest with himself and the world is always a little cruel. But finally there is an end to that desert - he sees an oasis and also a beautiful hotel. Upon entering, he sees no-one, not even at the desk, but the reigning play of light and colour is of an otherworldly power. Maybe no other people are needed here and the beauty that prevails is enough. Then sounds of music arise and some people move across to the immense hall where a wing has been set up, behind which a man is sitting, his fingers moving across the keyboard. And only one thing is real: after desolation comes comfort. That person is you and that person is me. And that music is called Contact, directly from the soul of Van Nueten. Contact by Guy Van Nueten originated from the feeling of being abandoned, such as a person who treks through a barren desert following a great disaster and asks himself if there's any point in carrying on when every day brings just more of the same - still more desert. I suspect that each of us has such a desert within himself, but that it depends on circumstances whether or not we choose to make the journey through it. Contact lays out a path that we can share. This music seems especially romantic to me, in the sense that the sounds have much to say about loneliness. There are moments where this album emphasises its own seriousness, then immediately afterwards invites us todance. Contact sticks out a hand, sometimes two, mostly to show the internal process of the composer - firstly the lack of fire and the abandoned longing for this, followed by the bewilderment that there is something that is still smouldering and that can be fanned into a blazing forest fire to burn away all the pain of desolation. For this reason it is also moving music - because it wants the recognition of the listener, wants us to feel our own desolation while the piano explores further depths and heights. At times a composition is almost carelessly abandoned and another one begun. Whoever looks closely at feelings and is honest with himself and the world is always a little cruel. But finally there is an end to that desert - he sees an oasis and also a beautiful hotel. Upon entering, he sees no-one, not even at the desk, but the reigning play of light and colour is of an otherworldly power. Maybe no other people are needed here and the beauty that prevails is enough. Then sounds of music arise and some people move across to the immense hall where a wing has been set up, behind which a man is sitting, his fingers moving across the keyboard. And only one thing is real: after desolation comes comfort. That person is you and that person is me. And that music is called Contact, directly from the soul of Van Nueten./ Répertoire / Piano

Von Luis Fonsi bis Star Wars - Das ultimative Spielbuch für Klavier. Von Luis Fonsi bis Star Wars - Das ultimative Spielbuch f and uuml - r Klavier Der achte Band unserer beliebten Reihe Piano gefällt mir! enthält eine Auswahl von 50 aktuellen Charthits und Filmsongs. Alle Titel wurden von Hans-G and uuml - nter Heumann wie gewohnt leicht arrangiert und bieten ein unkompliziertes Spielvergn and uuml - gen f and uuml - r Anfänger, Wiedereinsteiger und Fortgeschrittene. Ein weiterer Pluspunkt des Songbooks ist die praktische Spiralbindung. Die Titelliste umfasst eine gro and szlig - e Auswahl an populären Charthits, wie Skin( Rag and rsquo - n and rsquo - Bone Man), Roar (Katy Perry), Perfect (Ed Sheeran) , Wolves ( Selena Gomez and Marshmello ), What About Us (P!nk), Feuerwerk (Wincent Weiss), Thunder (Imagine Dragons), Gorgeous (Taylor Swift ), Ist da jemand (Adel Tawil). Dazu kommen bekannte Film- und Serienmusiken aus u.a. and bdquo - Coco and ldquo - , and bdquo - Star Wars and ldquo - sowie and bdquo - The Shape Of Water and ldquo - , and bdquo - Moana and rdquo - oder and bdquo - Grey's Anatomy and ldquo - . Alle Songs sind mit Tempoangaben, Akkordsymbolen und dem Text versehen. Diese Version enthält zusätzlich zu den Arrangements auch eine MP3-CD mit allen Songs jeweils als Vollversion mit Klavier, Bass und Schlagzeug und als Version ohne Klavier zum Mitspielen. / TV, Film, Comédie musicale / Recueil / Piano

50 recent popular hits simply arranged to get beginning pianists started playing their favorite songs. Includes: All of Me - Brave - City of Stars - Foolish Games - Goodbye My Lover - How to Save a Life - I'm Yours - Just Give Me a Reason - Let It Go - My Immortal - No One - One Call Away - Roar - Say Something - Someone like You - Stay with Me - Thinking Out Loud - We Are Young - You Raise Me Up - and more. Includes lyrics. / Niveau : Facile Piano / Recueil / Piano

Was Sie schon immer auf dem Klavier spielen wollten. Par . The Cinema and its great stories and melodies have had a lasting impact on our life and culture over the past few decades. Reason enough for top author Hans-Günter Heumann to devote himself to the most popular and beautiful film melodies and movie songs in a special volume after the great success of his former PIANOTAINMENT editions. All arrangements are easily playable for every beginner on the piano. / Date parution : 2022-10-12/ Recueil / Piano

This Easiest Pop Songs edition of John Thompson's Easiest Piano Course allows the beginner pianist, who is progressing from part one to part two of the world-renowned course, to learn some fantastic and well-known pop songs. With simplified arrangements and large notation, these are popular hits in the familiar John Thompson style.As well as reinforcing basic technique, developing musicality and making learning great fun, the Easiest Pop Songs will be familiar to most young beginners, allowing them to learn and play some of their favourite tunes of the moment. Repertoire books like this have been specially created and graded to be used with the John Thompson's Easiest Piano Course, so pianists who are working through that will recognise the style of this songbook.This book features a number of pop songs, including Taylor Swift's Shake It Off, Sam Smith's Brilliant Stay With Me and Adele's huge smash-hit Hello. There are many more, though, such as Wings by Birdy, Flashlight by Jessie J and I Really Like You by Carly Rae Jepsen. These Easiest Pop Songs are perfect supplementary material for those working through parts 1 and 2 of the course, but also make great sight-reading practice for more advanced students. Since dynamics and phrasing are not introduced until part 3 of the course, they are not included here, although some invaluable hints and tips and fingering guides are featured for all songs.All beginner Piano pupils will love to learn the famous pop songs included in this repertoire book - an ideal complement to John Thompson's Easiest Piano Course. / Piano

The Not Just Another Praise Book series has the best songs in contemporary Christian music. Book 1 is carefully arranged and graded for students at the early intermediate level. These books are truly unique because they contain accompanying CDs that feature MP3 praise band accompaniments. / Piano

This songbook contains 101 top hits, arranged for easy Piano. Featuring pieces from many different genres, Really Easy Piano: 101 Top Hits includes songs by Elton John, Snow Patrol, Frank Sinatra, Beyoncé, Abba and many more well-known artists. / Piano

10 Richly-Arranged Piano Solos by Mark Hayes. Par HAYES MARK (Arr.). Pianist/composer Mark Hayes puts his unique spin on ten contemporary classics for worship. These intermediate piano solos, infused with rich harmonic language and hints of jazz, will be welcome in both church and home. Songs include: Amazing Grace (My Chains Are Gone) · Cornerstone · How Deep the Father\'s Love for Us · In Christ Alone · Living Hope · Lord, I Need You · Open the Eyes of My Heart · 10,000 Reasons (Bless the Lord) · Yet Not I but Through Christ in Me · Your Name. / Date parution : 2022-09-07/ Recueil / Piano

Easiest Keyboard Collection: Today's Big Hits features a collection of today's biggest hits, in easy melody line arrangements for all Electronic Keyboards, including Best Song Ever, Just Give Me A Reason and Wake Me Up.Ideal for the beginner, each song has chord symbols, lyrics, suggested registration, rhythm and tempo.Easy-to-follow Keyboard diagrams are grouped together at the start of each song and show all the left-hand chord voicings used. / Piano

Une nouvelle collection de play-along originale par le système de téléchargement des versions demos et play-back sur internet. Titres : Best Thing I Never Had (Beyoncé) - How Long Will I Love You (Ellie Goulding) - I Need A Dollar (Aloe Blacc) - Just Give Me A Reason (P!nk feat. Nate Ruess) - Just The Way You Are (Bruno Mars) - Let Go For Tonight (Foxes) - Let It Go (Idina Menzel) - Next To Me (Emeli Sandé) - A Night Like This (Caro Emerald)... / Piano

A year after their composition in 1866, Brahms?s popular 16 Waltzes op. 39 for piano duet were arranged by the composer for piano solo, thus fulfilling the request of his publisher for a simplified version. Brahms himself described the first version as suitable for reasonable hands , that is for proficient players, and the easier version as perhaps for prettier hands , that is, for domestic music-making. He initially described the latter version to his publisher as a children?s edition . The catchy and musically easily accessible pieces are among the composer?s most popular works and are particularly suitable for piano students and lovers of the Romantic repertoire.

Both versions of the Waltzes op. 39 (BA9602, BA9603) are available in separate editions and form an important contribution to Bärenreiter?s series of Brahms?s works in scholarly-critical Urtext editions. Both editions include fingering, a well-presented musical layout and optimum page-turns. The Urtext editions are complemented by explanations on performance practice used by Brahms, an informative foreword on the genesis, sources and significance of the works together with comments on the primary sources.

- A key work in the Romantic piano repertoire
- All known sources and the latest research findings taken into account
- Well-presented musical layout with optimum page-turns
- Includes fingering
- Suggestions on performance practice and interpretation (Ger/Eng)
- Informative foreword (Ger/Eng) and critical commentary (Eng)

The editor
Christian Köhn has been awarded several scholarships as well as winning major international music competitions in Germany.
He has released 24 CDs to date, including the first ever complete recording of the piano duo works of Johannes Brahms. Christian Köhn is a lecturer at the Musikhochschule Detmold. / [Valses op. 39] / Classique / Partition / Agrafé /

These wonderful songs of praise from the late 2000s were arranged to move your listeners to meaningful moments of worship. / Piano

Jouer et chanter 60 hits avec cette collection de compacts paroles, symboles d'accords et des diagrammes corde à piano. / Piano / 192 pages / niveau : Facile / Partition