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EUPHONIUM
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
NARROW BY INSTRUMENTATION
NARROW BY INSTRUMENTATION
Piano, Vocal and Guitar (4841)
Piano solo (2866)
Choral SATB (2281)
Concert band (1987)
Guitar notes and tablatures (1202)
Piano, Voice (895)
Choral 3-part (800)
Marching band (743)
Jazz Ensemble (671)
Guitar (668)
String Quartet: 2 violins, vio… (599)
Violin (524)
Brass ensemble (441)
Choral 2-part (440)
Organ (428)
Orchestra (428)
Flute (378)
Violin and Piano (373)
String Orchestra (336)
Ukulele (313)
Lyrics and Chords (312)
Easy Piano (295)
Trumpet (281)
Clarinet (280)
Melody line, (Lyrics) and Chor… (265)
Alto Saxophone (246)
Cello (232)
Flute and Piano (213)
Voice solo (199)
Saxophone (191)
C Instruments (174)
Keyboard (163)
Drums (154)
Bass guitar (148)
Soli, Mixted choir and accompa… (143)
Trombone (130)
Choral TTBB (129)
1 Piano, 4 hands (125)
Choral (123)
Viola (122)
Tenor Saxophone (120)
Clarinet and Piano (117)
Cello, Piano (115)
Piano and Orchestra (109)
French horn (106)
All Instruments (102)
High voice, Piano (97)
Bb Instruments (95)
Recorder (95)
Divers (93)
Musical course - Solfege (88)
Choral SSAA (87)
Banjo (85)
Children choir (75)
B Flat, E Flat, C and Bass cle… (75)
Mandolin (69)
Accordion (69)
Alto Saxophone and Piano (67)
Trumpet, Piano (66)
Viola, Piano (61)
Low voice, Piano (60)
Opera (56)
Soprano voice, Piano (53)
Voice, Guitar (53)
Double Bass (53)
Eb Instruments (52)
Brass Quintet: 2 trumpets, hor… (50)
Medium voice, Piano (50)
Piano Trio: piano, violin, cel… (49)
2 Violins (duet) (48)
Harp (48)
School Ensemble (46)
Flute and Guitar (46)
Choral Unison (46)
Chant (44)
2 Flutes (duet) (44)
Tenor voice, Piano (43)
Chamber Orchestra (40)
Orchestra, Violin (38)
Descant (Soprano) Recorder (38)
Children choir, Piano (37)
Harmonica (37)
Violon Solo, Violoncelle Solo,… (36)
2 Pianos, 4 hands (36)
Guitare (35)
Oboe (35)
Soprano voice (34)
Oboe, Piano (duet) (34)
2 Cellos (duet) (34)
Partition de Poche (33)
Woodwind Quintet: flute, oboe,… (32)
Music Theory (32)
2 Clarinets (duet) (31)
String Trio: violin, viola, ce… (29)
Tenor voice (28)
Piano, Voice, Guitar tablature… (28)
French Horn and Piano (28)
Percussion (27)
2 Saxophones (duet) (26)
Trombone and Piano (26)
Flexible Instrumentation (25)
Baritone voice, Piano (24)
Mezzo-Soprano voice, Piano (24)
Solistes SATB, Choeur SATB, 2 … (24)
Saxophone and Piano (24)
Soli (SATB), Choeur Mixte (SAT… (23)
Band Scores (23)
Piano Accompaniment (22)
Pennywhistle (22)
Musical Awakening (22)
Wind ensemble (22)
2 Recorders (duet) (21)
2 Trumpets (duet) (21)
Big Note Piano (20)
ENS::Ensemble (20)
Dulcimer (19)
B Flat, E Flat and C Instrumen… (19)
Flute, Orchestra (18)
Big Band (18)
Bassoon, Piano (duet) (18)
Bassoon (17)
Saxophone Quartet: 4 saxophone… (17)
Bass Clef Instruments (17)
Ensemble A Vent (17)
Piano Quintet: piano, 2 violin… (16)
Flute ensemble (16)
Guitare Electrique (16)
Oboe, Violin, Viola and Violon… (16)
Double bass, Piano (duet) (16)
Piano, Guitar (Chords) (16)
Conducteur (15)
Concert Band/Harmonie (15)
Violin, Cello (duet) (15)
SB, 4 Parties Mixtes et Orches… (14)
Low voice (14)
Harpsichord (14)
Biography (14)
Treble (Alto) Recorder (14)
Choral CD (14)
2 Guitars (duet) (14)
Brass Quartet: 2 trumpets, hor… (13)
High voice (13)
Clarinet Quartet: 4 clarinets (13)
Recorder Ensemble (13)
Tuba (13)
Mezzo-Soprano voice (13)
Snare drums (12)
String Trio: 2 violins, cello (12)
Violin, Viola (duet) (12)
Violin, Basso continuo (12)
Choral SSATB (11)
2 Violas (duet) (11)
Solo A, Choeur SATB/SATB, 2 Or… (11)
Flute Trio: 3 flutes (11)
Clavier Electronique et Ligne … (11)
Saxophone (band part) (11)
String Quintet: 2 violins, 2 v… (11)
Solistes STBarB, Choeur SATB, … (10)
Solistes SATB, Choeur SATB, 2 … (10)
Cajon (10)
Choral, Orchestra (10)
2 Trombones (duet) (10)
Lyrics only (10)
CD (10)
String quintet (9)
SATB, 4 Parties Mixtes et Inst… (9)
Solistes SATB, Choeur SATB, Fl… (9)
Solistes SATB, Choeur SATB, 2 … (9)
Solistes SATB, Choeur SATB, 2 … (9)
Baritone voice (9)
Solistes SATB, Choeur SATB, 2 … (9)
Percussion Ensemble (9)
Solo S, 2 Hautbois ou 2 Flûte… (9)
Vocal duet, Piano (9)
Soli (T (Evangelist), B (Jesus… (9)
Tenor Saxophone and Piano (9)
DVD concert (9)
Cello, Orchestra (9)
Piano Quintet: piano, violin, … (9)
Flute Quartet: 4 flutes (9)
Autoharp (9)
Viola, Organ (9)
Solistes SATB, Choeur SATB, Ba… (8)
Clavecin Et Instruments A Cord… (8)
Vibraphone (8)
Solistes ST, Choeur SSAATB, 2 … (8)
Flûte Traversière, Hautbois,… (8)
Solo A, Timbales, Percussions … (8)
Clarinet, Orchestra (8)
Voix Mixtes (8)
Flute, Clarinet (duet) (8)
Solistes SSA, Choeur SATB, 2 F… (8)
Cello, String Bass (duet) (8)
Violon, Instruments à Cordes … (8)
Solistes SATTBarB, Choeur SATB… (8)
Euphonium (8)
Recorder, Piano (8)
Brass Quartet (8)
Voice and Orchestra (8)
Quintette avec Piano (8)
Lute (8)
Educatif (8)
Ensemble à Cordes et Piano (7)
Solistes SSATB, Choeur SSATB, … (7)
Soli (ATB), Choeur Mixte (SATB… (7)
Solistes SATB, Choeur SATB, Or… (7)
2 Choeurs Mixtes (SATB Et SATB… (7)
Travaux Pour Choeurs (7)
Treble (Alto) Recorder, Piano (7)
Quintette à Cordes (7)
Dobro (7)
Saxophone Baryton (7)
Clavecin (7)
Voix et Orff-Instruments (7)
Klavier und Orchester (6)
Orchester (6)
Trombone or Euphonium (6)
Solistes, Div. Instruments à … (6)
Violin, Guitar (duet) (6)
Solistes SATB, Choeur SATB, Pa… (6)
Organ, Piano (duet) (6)
Guitar Tab, Voice, Bass, Drum (6)
Solistes STB, Choeur SATB, (Ba… (6)
Solistes SATB, Choeur SATB, 4 … (6)
Baryton ou Tuba, Cor et Fanfar… (6)
Gemischter Chor (SATB/CantoATB… (6)
Fake Book (6)
Baritone Saxophone (6)
Trombone (band part) (6)
Violin, Viola and Orchestra (6)
Piccolo, 2 Flûtes Traversièr… (6)
3 Recorders (trio) (6)
Flute, Cello, Piano (trio) (6)
Chant et Guitare (6)
3 Clarinets (trio) (6)
Chamber Music (6)
Ocarina (6)
Voix Mixtes SAB et Piano (6)
Trombone 2 (6)
Choral SSAATTBB (6)
Violon 2 (6)
Concert band, Choral (5)
Fiddle (5)
Cello Ensemble (5)
Flute, Violin, Violoncello and… (5)
Choeur Mixte (SATB), Orchestre… (5)
Piccolo, Piano (5)
Solistes SATB, Choeur SATB, 2 … (5)
Recorder Quartet (5)
Choeur SS (SA), 2 Violons et B… (5)
Violon, Viole Et Orchestre (5)
Piccolo (5)
Jazz Ensemble (5)
Voix, Flûte à Bec et Percuss… (5)
Soli (AB), Choeur Mixte (SATB)… (5)
Soprano, Piano (5)
Trombone 3 (5)
Clarinette Alto et Piano (5)
Clarinet Ensemble (5)
Guitar and Bass Tablatures, Ch… (5)
Saxophone ensemble (5)
Choeur SATB, 2 Clarinettes (2 … (5)
2 Violins, Piano (5)
Stationery (5)
Lap Steel Guitar (5)
Xylophone (5)
Saxophone Alto 2 (5)
Accordion ensemble (5)
String trio (5)
Ensemble (5)
Basse (5)
Descent (Soprano) Recorder, Pi… (5)
Timpani (5)
Soprano Saxophone (5)
Xylophone or Marimba or Vibrap… (4)
Clavier ou Orgue Electronique (4)
Flûte Traversière, Clarinett… (4)
Trio à Cordes (4)
Clarinette et Quatuor à Corde… (4)
Organ, Percussion (4)
Flûte et Mandoline (4)
English horn, Piano (4)
Clarinet Quintet: Clarinet, St… (4)
Harp, Flute (duet) (4)
Violon, Alto, Violoncelle et C… (4)
Percussion et Violoncelle (4)
Voice, String Quartet (4)
Solistes STB, Choeur SATB, ou … (4)
Madrigaux (4)
Piano Quartet: piano, 2 violin… (4)
Clarinet (band part) (4)
Violoncelle, Contrebasse, Bass… (4)
Clarinet, Violin, Cello, Piano… (4)
SSSAA et Violon (4)
Quatuor à Cordes et Enregistr… (4)
4 Double Basses (4)
Viola and orchestra (4)
2 Pianos, 8 hands (4)
Quatuor à Cordes (Piano ad li… (4)
Choral, Organ (4)
Trompette (pour Quintette De C… (4)
Flûte Traversière, Hautbois,… (4)
Violon, Violoncelle, Alto et C… (4)
2 Violons, Alto, Hautbois, Cor… (4)
Sextuor (4)
Trompette, Piano, Instruments … (4)
Guitar, String Quartet (4)
Double Quintette de Bois et Co… (4)
Flûte Traversière, Violon, A… (4)
Trumpet and Guitar (4)
Flûte, Clarinette, Piano, Vio… (4)
Trumpet (band part) (4)
Ensemble Flexible (4)
Soli [AT] et Orchestre (4)
Tuba and Piano (4)
:: (4)
Trumpet , Piano (4)
Woodwind Quintet (4)
Flûte Traversière, Alto et V… (4)
Vocal duet, Piano and Guitar c… (4)
Percussion, Piano (duet) (4)
Flute, Violin, Viola (4)
Flûte Traversière, Guitare, … (4)
Flûte Traversière, Hautbois,… (4)
Viola, Cello (duet) (4)
5 Instruments à Vent (4)
Flûte à Bec et Piano (4)
2 Violons Hautbois et Orchestr… (4)
Oboe, Flute (4)
Flûte à Bec Basse ou Flûte … (4)
Choeur Mixte (SSATB) Et Instru… (4)
Djembe (4)
Solo S, Choeur SATB, 2 Clarine… (4)
Choeur SATB et Orchestre (4)
Piano, Chant et Guitare Tablat… (4)
Mariachi (4)
Accessoire (4)
Flute, Violoncello (4)
Viola da Gamba (4)
Flûte Traversière Cordes et … (4)
Chorale (4)
Violin, Organ (4)
Concert Band ou Harmonie et 3 … (4)
Medium Voice (4)
Percussions (4)
Trompette 3 (4)
Melody line, Piano (4)
Voix Hautes (3)
Solo, Choeur SATB, 2 Trompette… (3)
Flute, Oboe, Piano (trio) (3)
Tuba or Euphonium or Saxhorn (3)
Choral SSAB, Piano (3)
Voice and Big Band (3)
Flute, Viola and harp (3)
Flute, Violin, Piano (3)
Voice, Clarinet, Piano (3)
Violon, Cordes et Basse Contin… (3)
Choeur Mixte (SSATB) et Instru… (3)
Vocal duet (3)
Choeur SSATTB et Basse Continu… (3)
Guitare Tablatures Classique (3)
Violin, Clarinet, Piano (trio)… (3)
Oboe, Clarinet, Bassoon (trio)… (3)
String Quartet : 4 violas (3)
Piano, Violon et Cor ou Alto o… (3)
Brass Quartet: 4 trombones (3)
Concert Band et Tuba (3)
Piano, Oboe and Bassoon (3)
Organ and Brass Quartet (3)
1 Piano, 6 hands (3)
Symphonic Band (3)
Solistes ATB, Choeur SATB, Cor… (3)
Oboe and Orchestra (3)
Tuba et Hélicon (3)
Solo S (Garçon) T, HauptChoeu… (3)
Guitar and String Quintet (3)
2 Violins and Basso (3)
Cello, Guitar (duet) (3)
Clavier, Guitare Et Voix (3)
Handbells (3)
Euphonium or Saxhorn and Piano… (3)
Scores (3)
Flute, Clarinet, Piano (trio) (3)
Saxophone en Mib et Piano (3)
2 Bassoons (duet) (3)
Guitare et Voix (3)
Bass Clarinet (3)
Flute, Oboe, Clarinet, Bassoon… (3)
Solistes SATB, Choeur SATB, 2 … (3)
Choeur (Unisson), Voix Hautes … (3)
Choeur De Femmes A 3 Voix (Cho… (3)
Violon II (3)
Saxhorn and Piano (3)
Ensemble de Tubas ou Euphonium… (3)
Harpsichord and Strings (3)
Matériel D'Orchestre (3)
3 Tubas (3)
Flute, Violin and Violoncello (3)
Concert Band ou Harmonie et Ba… (3)
Saxophone et Trio à vent (3)
Libretto (3)
Choeur Mixte, Piano et Orchest… (3)
Organ, Trumpet (duet) (3)
Choeur De Femmes (Ou D'Hommes)… (3)
Ensemble Divers (3)
Choeur et Orchestre (3)
Conga (3)
Violoncello, Basso continuo (3)
Saxophone Ténor et Piano (3)
Guitare Classique et Fingerpic… (3)
Bongos (3)
Choeur De Jeunes Et Piano (3)
Voix et Orchestre (3)
Trompette I (2)
8 Bassoons (2)
Flute (band part) (2)
Choeur SATB/SATB et Basse Cont… (2)
Clavier et Clavier Electroniqu… (2)
Folk Ensemble (2)
ST (A) BarB et Piano (2)
Klavierauszug : Gemischter Cho… (2)
Choeur (SA), 2 Violons et Bass… (2)
Trombone 1 (2)
SOP/BAR/ENS::Soprano, Baritone… (2)
Soli, Gemischter Chor 1 & 2, … (2)
Concert Band ou Harmonie et Cl… (2)
Accordion, Flute (2)
Trumpet and String Quartet (2)
Violon 1 (2)
Voix Moyenne(s), 3 Clarinettes… (2)
Flute, Bassoon (duet) (2)
Quintette (2)
Cor (pour Quintette De Cuivres… (2)
3 Guitares Cubaines Tablatures… (2)
Clarinette, Basson, Trompette… (2)
Percussion (band part) (2)
Piano Quintet: mixed chamber i… (2)
Flûte à Bec Alto et Instrume… (2)
Flute, Basso continuo (2)
2-6 Flûtes à Bec [Aa/St/Stt/… (2)
12 Voix (2)
2 Clarinets, Piano (2)
2 Flutes, Piano (2)
Flute, Violin (2)
2 Parties Voix Aigues (SS) Et … (2)
CLT/ORCH::Clarinette, Orchestr… (2)
Brass Quartet: 2 trumpets, 2 t… (2)
VCE/VLN/VLC/DB::Voice, Violin,… (2)
Baryton ou Tuba. Cor et Brass … (2)
Piano (band part) (2)
Tout Instrument (2)
Choeur Mixte Et Orgue (2)
BAR/STR QUARTET::Baryton, Quat… (2)
Solo Piano (2)
Choeur D'Enfants (Ou De Femmes… (2)
Clavier Numérique (2)
Concert Band / Harmonie (2)
Baryton ou Tuba et Brass Band (2)
Euphonium et Orchestre d'Harmo… (2)
Voix, Flûte à Bec et Orff-In… (2)
Base Musicale (2)
Flûte à Bec Soprano ou Flût… (2)
VCE/FLT/VLC/DB::Voice, Flute, … (2)
Electric bass, Drums (2)
Trombone 4 (2)
Cahier (2)
Saxophone en Mib (2)
Brass Quartet (2 Trumpets, Ho… (2)
2 Marimbas (2)
Soprano voice, Orchestra (2)
Electric Bass (band part) (2)
Violon I (2)
Brass Trio (2)
E Flat Instruments (2)
Opéra Full Score (2)
WIND 5TET::Quintette · Vent (2)
Saxophone, Guitare Electrique,… (2)
Tuba (pour Quintette De Cuivre… (2)
Chant et Basse Continue (2)
Clarinet, Guitar (duet) (2)
Tenor Banjo (2)
Saxophone and Organ (2)
Choeur D'Enfants (Ou De Jeunes… (2)
Voice, Organ (2)
3 Voix (2)
OPERA::Op‚ra (2)
Flûte Traversière et Piccolo… (2)
Chant et Réduction Piano (2)
Alto voice, Piano (2)
Voice (2)
Bass Clarinet, Piano (2)
Voix solo - piano (2)
Nursery rhyme (2)
Cor Français (2)
Trumpet, Trombone (duet) (2)
Alto Et Choeur Mixte (SATB) (2)
Clavier ou Piano (2)
Violin, Horn and Piano (2)
Solistes (ATB), Choeur Mixte (… (2)
Cornet and Piano (2)
Choeur et Piano (2)
SOP/PFA::Soprano, Accompagneme… (2)
SOP/CLT/STR QUARTET::Soprano, … (2)
Voice Mezzo-Soprano, Orchestra… (2)
4 Percussions (2)
Livret (2)
Soprano, Choeur Mixte (SATB), … (2)
MAND::Mandolin (2)
Orchestre d'Harmonie 4 Voix et… (2)
Drum (band part) (2)
Ukulélé Soprano (2)
Double bass, Orchestra (2)
Choeur SA Et Piano (2)
2 Flutes and Guitar (2)
Basse Electrique (2)
Basse, Alto, Ténor et Piano (2)
Soprano, SATB et Orchestre (2)
REC/VLN/VLA/VLC::Fl–te … B… (2)
Baryton et 4 Voix D'Hommes (2)
4 Cellos (2)
Soprano ou Ténor ou Mezzo-Sop… (2)
Voix Haute (2)
Saxophone Soprano et Piano (2)
Guitar (band part) (2)
Oboe, Cello and Piano (2)
Clarinette (2)
Violoncelle, Contrebasse Et Ba… (2)
Voix Elevée(s)/Moyenne(s) Et … (2)
Mandoline et Violon (2)
Trompette04 (2)
Chœur Mixte SATB et Quatuor … (2)
Choeur De Femmes (SS) Et Piano… (2)
Carte Postale (2)
Piano, Guitar (duet) (2)
Solistes (AT) Et Choeur Mixte (2)
Lyrics & Chords (2)
String Trio: 3 violins (2)
Trombone (pour Quintette De Cu… (2)
Male Voice (2)
2 Mandolines et Basse Continue… (2)
Choeur De Femmes (SSA) Et Pian… (2)
Carillon (2)
Partition D'Ensemble (2)
2 ou 3 Timbales et Piano (2)
SOP/CLT/VLA/VLC/DB::Soprano, C… (2)
Soprano Et Orchestre De Chambr… (2)
Voix et Instruments (2)
Bodhran (2)
Percussions et Concert Band ou… (2)
Chanson (2)
5 Recorders (2)
12 Parties de Choeur a Cappell… (2)
Baritone Ukulele (2)
French horn (band part) (2)
Solistes, Choeur Mixte (SATB) … (2)
2 French horns (duet) (2)
4 Bassoons (2)
Horn and Orchestra (2)
Choral Soprano solo, SATB, Key… (2)
Ensemble Flexible à 5 Parties… (2)
Soprano Saxophone and Piano (2)
Opéra (2)
3 Trombones (trio) (2)
Instruments A Vent (2)
Oboe, Basso continuo (1)
BASS::Bass Voice (1)
TBN/TBA/PFA::Trombone, Tuba, A… (1)
ENS/ELEC::Ensemble d'cole, … (1)
Piano Trio: Violin, Viola, Pia… (1)
Melody Line, Lyrics & Chords (1)
CLT/TPT/EUPH/TSAX::Clarinet/Tr… (1)
ST (A) BarB et Orchestre (1)
Piano et Hautbois ou Instrumen… (1)
VCE/GTR::Voice, Guitar (1)
Paroles et accords (1)
Oboe / Violin / Recorder / Fl… (1)
Soli, Chor und Klavier (1)
Guitare Fingerpicking (1)
Choral SSATBB (1)
Voix Moyenne (1)
2 Saxophones, Piano (1)
Voix Haute(s) (1)
Chœur Mixte [SATB] et Orchest… (1)
Bassoon / Cello (1)
5TET/STR ENS::Quintet, String … (1)
Quatuors de Flûtes à Bec et … (1)
SA(T)B (1)
Orgue Sans Pédale (1)
Petit Orchestre (1)
Violoncelle, Basse et Accompag… (1)
Baryton et Quatuor à Cordes (1)
Voix Moyenne ou Voix Basse et … (1)
Contrebasse (Partie séparée)… (1)
Choeur De Femmes (SA) (1)
Choeur Mixte (SA Hommes) Et Or… (1)
TEN/SATB::Tenor/SATB (1)
VLA/PF::Viola, Piano (1)
Instrument Cuivre En Mib (1)
Guitare (Résonateur) (1)
Solistes SATB, Choeur SATB, Ha… (1)
Instruments à Cordes et Orgue… (1)
Tenor Et 14 Instruments (1)
Voix Moyennes et Piano ou Clav… (1)
Soprano, Baryton et Piano (1)
Flute, Violin, Guitar (1)
20 Instruments Avec Choeur Mix… (1)
Saxophone Alto 1 (1)
Violin ensemble (1)
Tenor, Violon Et Piano (1)
Violin/Continuo (1)
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Johann Sebastian Bach: Cantata BWV 80 Ein feste Burg ist unser Gott: Mixed
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Cantata for the Feast of Reformation-Ein feste Burg ist unser Gott BWV 80 (A Mig...
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Cantata for the Feast of Reformation-Ein feste Burg ist unser Gott BWV 80 (A Mighty Fortress is our God)Cantata for the Feast of ReformationThere are practically no surviving original sources for Bach's great Reformation Cantata 'Ein feste Burg ist unser Gott'. It is possible that the original form of the Cantata was written in Weimar in 1715 to which Bach later made various additions and alterations to transform it into a Reformation Cantata for Leipzig. Although scholarly opinion as to the sources is divided there is no doubt that the opening chorus based on Martin Luther's chorale melody 'Ein feste Burg' is one of Bach's greatest achievements.Urtext ofthe New Bach EditionPerformance material (BA10080) vocal score (BA10080-90) & study score format 22.5 x 16.5cm (TP1080) available for sale
21.50 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Cantata BWV 78 Jesu der du meine Seele: SATB: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Cantata for the 14th Sunday after Trinity-Jesu der du meine Seele BWV 78 (Jesu ...
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Cantata for the 14th Sunday after Trinity-Jesu der du meine Seele BWV 78 (Jesu by Thy Cross and Passion)Cantata for the 14th Sunday after TrinityThe cantata Jesu der du meine Seele is one of the famous cycle of chorale cantatas which Bach wrote during the second year of his Leipzig appointment. It was probably performed for the first time on 10 September 1724 the fourteenth Sunday after Trinity in one of the principal Leipzig churches. The text is based on Johann Rist’s at that time widely known hymn of 1641. As in most of the cantatas of this cycle the corner-stones are provided by the first and last verses which appear in an unaltered form; whereas the middle verses were freelyremodelled as arias and recitatives.Urtext of the New Bach EditionPerformance material (BA10078) vocal score (BA10078-90) & study score format 22.5 x 16.5cm (TP1078) available for sale
5.00 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Cantata BWV 78 Jesu der du meine Seele: SATB: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Cantata for the 14th Sunday after Trinity-Jesu der du meine Seele BWV 78 (Jesu ...
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Cantata for the 14th Sunday after Trinity-Jesu der du meine Seele BWV 78 (Jesu by Thy Cross and Passion)Cantata for the 14th Sunday after TrinityThe cantata Jesu der du meine Seele is one of the famous cycle of chorale cantatas which Bach wrote during the second year of his Leipzig appointment. It was probably performed for the first time on 10 September 1724 the fourteenth Sunday after Trinity in one of the principal Leipzig churches. The text is based on Johann Rist’s at that time widely known hymn of 1641. As in most of the cantatas of this cycle the corner-stones are provided by the first and last verses which appear in an unaltered form; whereas the middle verses were freelyremodelled as arias and recitatives.Urtext of the New Bach EditionPerformance material (BA10078) vocal score (BA10078-90) & study score format 22.5 x 16.5cm (TP1078) available for sale
5.00 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Cantata BWV 78 Jesu der du meine Seele: SATB: Parts
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Cantata for the 14th Sunday after Trinity-Jesu der du meine Seele BWV 78 (Jesu ...
(+)
Cantata for the 14th Sunday after Trinity-Jesu der du meine Seele BWV 78 (Jesu by Thy Cross and Passion)Cantata for the 14th Sunday after TrinityThe cantata Jesu der du meine Seele is one of the famous cycle of chorale cantatas which Bach wrote during the second year of his Leipzig appointment. It was probably performed for the first time on 10 September 1724 the fourteenth Sunday after Trinity in one of the principal Leipzig churches. The text is based on Johann Rist’s at that time widely known hymn of 1641. As in most of the cantatas of this cycle the corner-stones are provided by the first and last verses which appear in an unaltered form; whereas the middle verses were freelyremodelled as arias and recitatives.Urtext of the New Bach EditionPerformance material (BA10078) vocal score (BA10078-90) & study score format 22.5 x 16.5cm (TP1078) available for sale
15.00 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Cantata BWV 78 Jesu der du meine Seele: SATB: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Cantata for the 14th Sunday after Trinity-Jesu der du meine Seele BWV 78 (Jesu ...
(+)
Cantata for the 14th Sunday after Trinity-Jesu der du meine Seele BWV 78 (Jesu by Thy Cross and Passion)Cantata for the 14th Sunday after TrinityThe cantata Jesu der du meine Seele is one of the famous cycle of chorale cantatas which Bach wrote during the second year of his Leipzig appointment. It was probably performed for the first time on 10 September 1724 the fourteenth Sunday after Trinity in one of the principal Leipzig churches. The text is based on Johann Rist’s at that time widely known hymn of 1641. As in most of the cantatas of this cycle the corner-stones are provided by the first and last verses which appear in an unaltered form; whereas the middle verses were freelyremodelled as arias and recitatives.Urtext of the New Bach EditionPerformance material (BA10078) vocal score (BA10078-90) & study score format 22.5 x 16.5cm (TP1078) available for sale
15.00 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Cantata BWV 78 Jesu der du meine Seele: SATB: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Cantata for the 14th Sunday after Trinity-Jesu der du meine Seele BWV 78 (Jesu ...
(+)
Cantata for the 14th Sunday after Trinity-Jesu der du meine Seele BWV 78 (Jesu by Thy Cross and Passion)Cantata for the 14th Sunday after TrinityThe cantata Jesu der du meine Seele is one of the famous cycle of chorale cantatas which Bach wrote during the second year of his Leipzig appointment. It was probably performed for the first time on 10 September 1724 the fourteenth Sunday after Trinity in one of the principal Leipzig churches. The text is based on Johann Rist’s at that time widely known hymn of 1641. As in most of the cantatas of this cycle the corner-stones are provided by the first and last verses which appear in an unaltered form; whereas the middle verses were freelyremodelled as arias and recitatives.Urtext of the New Bach EditionPerformance material (BA10078) vocal score (BA10078-90) & study score format 22.5 x 16.5cm (TP1078) available for sale
5.00 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: St Mark Passion BWV247: Mixed Choir: Score
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
[Sheet music]
Barenreiter
Rezitative und turbae von Reinhard Keiser (1674-1739)-St Mark Passion (BWV 247):...
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Rezitative und turbae von Reinhard Keiser (1674-1739)-St Mark Passion (BWV 247): A reconstruction.Recitatives and turbae by Reinhard Keiser (1674-1739). Although all that survives of Bach's “St. Mark Passion” is Picander's libretto virtually all the arias and choruses can be reconstructed from “parody” versions. The original recitatives and turbae however are probably lost forever. Rather than rewriting these numbers “in Bachs's style” the editor Austin Harvey Gomme has added passages from Reinhard Keiser's setting of the Passion (a setting highly esteemed by Bach who performed it several times) thereby allowing this lost work to be performed in its entirety. A detailed prefacesheds further light on this unique reconstruction based on the New Bach Edition. Full score (BA5209) and vocal score (BA5209-90) available for sale Performance material (BA5209-72) available for hire.
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Johann Sebastian Bach: Cantata BWV 130 Herr Gott Dich Loben Alle Wir: Mixed
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God w...
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Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God we praise Thee all of us) BWV 130Cantata for the Feast of St. MichaelComposed for Michaelmas 1724 Bach's cantata 'Herr Gott dich loben alle wir' belongs to the cycle of chorale cantatas which uses a hymn as perhaps various preachers also did to interptet the ideas of the Biblical texts. The hymn used here composed by Paul Eber in 1554 has twelve stanzas. Texts for two recitatives and two arias were written to go with each of stanzas 2 to 10. Bach used the first stanza as a processional and the last two stanzas were made into a concluding chorale withthe original text.- Urtext of the New Bach Edition
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Johann Sebastian Bach: Cantata BWV 130 Herr Gott Dich Loben Alle Wir: Mixed
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God w...
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Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God we praise Thee all of us) BWV 130Cantata for the Feast of St. MichaelComposed for Michaelmas 1724 Bach's cantata 'Herr Gott dich loben alle wir' belongs to the cycle of chorale cantatas which uses a hymn as perhaps various preachers also did to interptet the ideas of the Biblical texts. The hymn used here composed by Paul Eber in 1554 has twelve stanzas. Texts for two recitatives and two arias were written to go with each of stanzas 2 to 10. Bach used the first stanza as a processional and the last two stanzas were made into a concluding chorale withthe original text.- Urtext of the New Bach Edition
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Johann Sebastian Bach: Cantata BWV 130 Herr Gott Dich Loben Alle Wir: Mixed
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God w...
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Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God we praise Thee all of us) BWV 130Cantata for the Feast of St. MichaelComposed for Michaelmas 1724 Bach's cantata 'Herr Gott dich loben alle wir' belongs to the cycle of chorale cantatas which uses a hymn as perhaps various preachers also did to interptet the ideas of the Biblical texts. The hymn used here composed by Paul Eber in 1554 has twelve stanzas. Texts for two recitatives and two arias were written to go with each of stanzas 2 to 10. Bach used the first stanza as a processional and the last two stanzas were made into a concluding chorale withthe original text.- Urtext of the New Bach Edition
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Franz Joseph Haydn: Mass In E-flat Major: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Great Organ Mass Hob. XXII:4-Mass in E-flat major (Great Organ Mass) Hob.XXII:4I...
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Great Organ Mass Hob. XXII:4-Mass in E-flat major (Great Organ Mass) Hob.XXII:4In honorem Beatissimae Virginis MariaeFollowing his “Jugendmesse” from 1749 church music played only a secondary role in Haydn’s creative output. It was not until 1766 with the “Cäcilienmesse” and again in 1768-69 with the “Great Organ Mass” that Haydn returned to this genre of composition.This Mass in E-flat major belongs to the same period as the “Sturm-und- Drang” symphonies. Some of the remarkable features of this period are reflected here in the expansion of expression combinedwith a new very original musical language. The score also contains the traditional Viennese trumpet and timpani parts although it is extremely unlikely that they stem from Haydn. As Haydn at least tolerated these parts the performance material contains both the original as well as the expanded versions.- Hadyn’s 'Sturm-und-Drang' Mass- Performable in both versions- Clear and straightforward vocal score- Urtext from Joseph Haydn Werke- Full score parts (BA4646) and vocal score (BA4646-90) available for sale
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Johann Sebastian Bach: Cantata No. 21 - BWV 21: Mixed Choir: Part
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Cantata for the 3rd Sunday after Trinity-Ich Hatte Viel Bekümmernis - Lord My G...
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Cantata for the 3rd Sunday after Trinity-Ich Hatte Viel Bekümmernis - Lord My God My heart And Soul Were Sore Distrest BWV 21.Cantata for the 3rd Sunday after Trinity.The cantata ?Ich Hatte Viel Bekümmernis? dates from around 1713 and was probably performed for the first time that year in the Liebfrauenkirche in Halle. Its assigning to the third Sunday after Trinity probably only occurred the following year.With its large-scale structure and strong emphasis on biblical texts it was extremely popular in the 19th century and remains one of Bach?s best-known cantatas today.The cantata is published here with a Vocal score based on the New Bach Edition with an idiomatic straightforward Piano reduction by Martin Focke.- One of Bach?s best-known cantatas.- Urtext based on the ?New Bach Edition?.- Clear straightforward Piano reduction.- Study score (TP1021) Vocal score (BA10021-90) & performance material (BA10021) available for sale.
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Johann Sebastian Bach: Cantata No. 21 - BWV 21: Mixed Choir: Parts
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for the 3rd Sunday after Trinity-Ich Hatte Viel Bekümmernis - Lord My G...
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Cantata for the 3rd Sunday after Trinity-Ich Hatte Viel Bekümmernis - Lord My God My heart And Soul Were Sore Distrest BWV 21.Cantata for the 3rd Sunday after Trinity.The cantata ?Ich Hatte Viel Bekümmernis? dates from around 1713 and was probably performed for the first time that year in the Liebfrauenkirche in Halle. Its assigning to the third Sunday after Trinity probably only occurred the following year.With its large-scale structure and strong emphasis on biblical texts it was extremely popular in the 19th century and remains one of Bach?s best-known cantatas today.The cantata is published here with a Vocal score based on the New Bach Edition with an idiomatic straightforward Piano reduction by Martin Focke.- One of Bach?s best-known cantatas.- Urtext based on the ?New Bach Edition?.- Clear straightforward Piano reduction.- Study score (TP1021) Vocal score (BA10021-90) & performance material (BA10021) available for sale.
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Franz Joseph Haydn: Mass In E-flat Major: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Great Organ Mass Hob. XXII:4-Mass in E-flat major (Great Organ Mass) Hob.XXII:4I...
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Great Organ Mass Hob. XXII:4-Mass in E-flat major (Great Organ Mass) Hob.XXII:4In honorem Beatissimae Virginis MariaeFollowing his “Jugendmesse” from 1749 church music played only a secondary role in Haydn’s creative output. It was not until 1766 with the “Cäcilienmesse” and again in 1768-69 with the “Great Organ Mass” that Haydn returned to this genre of composition.This Mass in E-flat major belongs to the same period as the “Sturm-und- Drang” symphonies. Some of the remarkable features of this period are reflected here in the expansion of expression combinedwith a new very original musical language. The score also contains the traditional Viennese trumpet and timpani parts although it is extremely unlikely that they stem from Haydn. As Haydn at least tolerated these parts the performance material contains both the original as well as the expanded versions.- Hadyn’s 'Sturm-und-Drang' Mass- Performable in both versions- Clear and straightforward vocal score- Urtext from Joseph Haydn Werke- Full score parts (BA4646) and vocal score (BA4646-90) available for sale
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Johann Sebastian Bach: Cantata No. 21 - BWV 21: Mixed Choir: Part
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Cantata for the 3rd Sunday after Trinity-Ich Hatte Viel Bekümmernis - Lord My G...
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Cantata for the 3rd Sunday after Trinity-Ich Hatte Viel Bekümmernis - Lord My God My heart And Soul Were Sore Distrest BWV 21.Cantata for the 3rd Sunday after Trinity.The cantata ?Ich Hatte Viel Bekümmernis? dates from around 1713 and was probably performed for the first time that year in the Liebfrauenkirche in Halle. Its assigning to the third Sunday after Trinity probably only occurred the following year.With its large-scale structure and strong emphasis on biblical texts it was extremely popular in the 19th century and remains one of Bach?s best-known cantatas today.The cantata is published here with a Vocal score based on the New Bach Edition with an idiomatic straightforward Piano reduction by Martin Focke.- One of Bach?s best-known cantatas.- Urtext based on the ?New Bach Edition?.- Clear straightforward Piano reduction.- Study score (TP1021) Vocal score (BA10021-90) & performance material (BA10021) available for sale.
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Johann Sebastian Bach: Cantata BWV 130 Herr Gott Dich Loben Alle Wir: Mixed
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Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God w...
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Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God we praise Thee all of us) BWV 130Cantata for the Feast of St. MichaelComposed for Michaelmas 1724 Bach's cantata 'Herr Gott dich loben alle wir' belongs to the cycle of chorale cantatas which uses a hymn as perhaps various preachers also did to interptet the ideas of the Biblical texts. The hymn used here composed by Paul Eber in 1554 has twelve stanzas. Texts for two recitatives and two arias were written to go with each of stanzas 2 to 10. Bach used the first stanza as a processional and the last two stanzas were made into a concluding chorale withthe original text.- Urtext of the New Bach Edition
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Franz Joseph Haydn: Mass In E-flat Major: Mixed Choir: Score
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
[Sheet music]
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Great Organ Mass Hob. XXII:4-Mass in E-flat major (Great Organ Mass) Hob.XXII:4I...
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Great Organ Mass Hob. XXII:4-Mass in E-flat major (Great Organ Mass) Hob.XXII:4In honorem Beatissimae Virginis MariaeFollowing his “Jugendmesse” from 1749 church music played only a secondary role in Haydn’s creative output. It was not until 1766 with the “Cäcilienmesse” and again in 1768-69 with the “Great Organ Mass” that Haydn returned to this genre of composition.This Mass in E-flat major belongs to the same period as the “Sturm-und- Drang” symphonies. Some of the remarkable features of this period are reflected here in the expansion of expression combinedwith a new very original musical language. The score also contains the traditional Viennese trumpet and timpani parts although it is extremely unlikely that they stem from Haydn. As Haydn at least tolerated these parts the performance material contains both the original as well as the expanded versions.- Hadyn’s 'Sturm-und-Drang' Mass- Performable in both versions- Clear and straightforward vocal score- Urtext from Joseph Haydn Werke- Full score parts (BA4646) and vocal score (BA4646-90) available for sale
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Johann Sebastian Bach: Cantata BWV 130 Herr Gott Dich Loben Alle Wir: Mixed
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God w...
(+)
Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God we praise Thee all of us) BWV 130Cantata for the Feast of St. MichaelComposed for Michaelmas 1724 Bach's cantata 'Herr Gott dich loben alle wir' belongs to the cycle of chorale cantatas which uses a hymn as perhaps various preachers also did to interptet the ideas of the Biblical texts. The hymn used here composed by Paul Eber in 1554 has twelve stanzas. Texts for two recitatives and two arias were written to go with each of stanzas 2 to 10. Bach used the first stanza as a processional and the last two stanzas were made into a concluding chorale withthe original text.- Urtext of the New Bach Edition
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Johann Sebastian Bach: Cantata No. 21 - BWV 21: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for the 3rd Sunday after Trinity-Ich Hatte Viel Bekümmernis - Lord My G...
(+)
Cantata for the 3rd Sunday after Trinity-Ich Hatte Viel Bekümmernis - Lord My God My heart And Soul Were Sore Distrest BWV 21.Cantata for the 3rd Sunday after Trinity.The cantata ?Ich Hatte Viel Bekümmernis? dates from around 1713 and was probably performed for the first time that year in the Liebfrauenkirche in Halle. Its assigning to the third Sunday after Trinity probably only occurred the following year.With its large-scale structure and strong emphasis on biblical texts it was extremely popular in the 19th century and remains one of Bach?s best-known cantatas today.The cantata is published here with a Vocal score based on the New Bach Edition with an idiomatic straightforward Piano reduction by Martin Focke.- One of Bach?s best-known cantatas.- Urtext based on the ?New Bach Edition?.- Clear straightforward Piano reduction.- Study score (TP1021) Vocal score (BA10021-90) & performance material (BA10021) available for sale.
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Franz Joseph Haydn: Mass In E-flat Major: Mixed Choir: Parts
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Great Organ Mass Hob. XXII:4-Mass in E-flat major (Great Organ Mass) Hob.XXII:4I...
(+)
Great Organ Mass Hob. XXII:4-Mass in E-flat major (Great Organ Mass) Hob.XXII:4In honorem Beatissimae Virginis MariaeFollowing his “Jugendmesse” from 1749 church music played only a secondary role in Haydn’s creative output. It was not until 1766 with the “Cäcilienmesse” and again in 1768-69 with the “Great Organ Mass” that Haydn returned to this genre of composition.This Mass in E-flat major belongs to the same period as the “Sturm-und- Drang” symphonies. Some of the remarkable features of this period are reflected here in the expansion of expression combinedwith a new very original musical language. The score also contains the traditional Viennese trumpet and timpani parts although it is extremely unlikely that they stem from Haydn. As Haydn at least tolerated these parts the performance material contains both the original as well as the expanded versions.- Hadyn’s 'Sturm-und-Drang' Mass- Performable in both versions- Clear and straightforward vocal score- Urtext from Joseph Haydn Werke- Full score parts (BA4646) and vocal score (BA4646-90) available for sale
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Johann Sebastian Bach: Magnificat In D major BWV243: Mixed Choir: Part
Soli (SSATB), Choeur Mixte (SSATB) Et Orchestre
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Basso continuo Organ-The 2nd version with the 4 inserts from the E-flat major v...
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Basso continuo Organ-The 2nd version with the 4 inserts from the E-flat major version (transposed into D major).- Urtext of the New Bach Edition- Full Score (BA5103) vocal score (BA510390) and study score format 22.5 x 16.5cm (TP2) available for saleBarenreiter Urtext:In the international music world “Bärenreiter Urtext” is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest inmusicological research.For Bärenreiter “Urtext” is more than just a label – it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer’s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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