Method for Flugel Horn-Edited by acclaimed educator Philip Sparke these exciting method book/CD packs for beginners contain songs music puzzles games to increase your understanding of music information about your instrument and lots of fun pieces to play - either with the CD provided or with other students. Books include helpful diagrams and fun illustrations throughout.

A stimulating collection of unique concepts on becoming a successful performer by 57 of today's most outstanding brass professionals. Contains to-the-point thought-provoking ideas proven successful by master teacher-performers. Problem-solving tips philosophical concepts and technique-building skills all in one easy-to-read collection. An ideal source of exciting strategies for all levels of development.

Le Petit Trompettorama est un répertoire de morceaux pour violonistes débutants permettant de jouer aussi bien du classique que des musiques de films ou de la variété et du traditionnel. L?ouvrage réunit Dominique Le Guern, pédagogue chevronnée, et Gérard Boulanger, sommité de la trompette, largement reconnu pour son travail pédagogique et pour ses qualités de soliste, notamment à l?Orchestre philharmonique de Radio France. Le CD accompagnant l?ouvrage de qualité supérieur a été enregistré par Gérard Boulanger lui-même. Cet enregistrement exceptionnel donnera un exemple et un plaisir musical de choix à tous les apprentis trompettistes ainsi qu?à tous les mélomanes. Chaque morceau est le fruit d?un travail d?arrangement précis adapté à l?instrument et au niveau de l?élève. Ce volume progressif présente un niveau de difficulté très faible et aisément accessible pour l?élève. La mise en page en couleur et très aérée assure une grande lisibilité. Et toujours, dans l?esprit de la collection ...RAMA : originalité qualité des arrangements progressivité variété des styles. 30 morceaux pour trompette dont : True story (Ibrahim Maalouf), Beirut (Ibrahim Maalouf), Michelle (Lennon

Level: easy / advanced Format: English / French / German Embouchure building Studies Elementary Intermediate Advanced High register training In the 17th century there were no studies in the modern sense of the word. Of J. S. Bach, however, we know that he wrote pieces of a study nature for his pupils, indeed he made them spend months, and in his own words preferably years, practising exercises for touch at the keyboard, that is, daily finger exercises, on the principle: There is little point in getting fit if you do nothing to stay fit. From this point of view, relating it to our instrument and to the lips, you ought to look at the following embouchure-building studies. They are not intended as warm-ups, although that term is quite appropriate for some of these exercises. Taken together they serve to build the muscles, rather like an athlete's training. Like him, we too must increase our capacity gradually. The muscles and organs involved adapt to the greater workload, but only if the increase proceeds systematically and rationally. Try to complete the full distance of each study, gradually reducing the time, like a long-distance runner. Adding one exercise, or at most three, according to the difficulty, to your daily workload will be enough. You should only start further exercises when you have fully mastered the preceding ones according to the directions in my embouchure method and have reached a satisfactory standard in rhythm and sound. The deliberately simple fingerings make it easier to check the actions of the diaphragm, the lips, and the tongue inside the mouth cavity. Form a mental picture of their movements and compare yourself constantly to an artist whose principle is: There are no secrets, at best some small tricks, which can be learned.

Be Our Guest The Bells Of Notre Dame Can You Feel The Love Tonight Colors Of The Wind Friend Like Me I Just Can't Wait To Be King Part Of Your World Reflection Under The Sea You'll Be In My Heart (Pop Version) You've Got A Friend In Me Zero To Hero

The New Method for Learning to Read Written Jazz Music. A self-study text (newly revised with CD), presenting the most common jazz rhythms in order of increasing complexity in a series of short exercises and duets. The CD provides examples of performance and a professional rhythm section to play with. Great especially for those trained in classical music. Five compatible editions.