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EUPHONIUM
Violin and Piano
NARROW BY INSTRUMENTATION
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Choral SATB (34489)
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Musical course - Solfege (10571)
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Saxophone (1229)
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Keyboard (1070)
Lyrics and Chords (1068)
Ukulele (1041)
Brass Quintet: 2 trumpets, hor… (991)
Viola (942)
Piano Trio: piano, violin, cel… (937)
Accordion (935)
Trombone (913)
Choral TTBB (894)
Viola, Piano (877)
Guitare (862)
4 Guitars (Quartet) (798)
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Melody line, (Lyrics) and Chor… (773)
Oboe, Piano (duet) (756)
Opera (713)
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Music Theory (652)
French horn (643)
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2 Pianos, 4 hands (577)
Oboe (537)
Choral SSAA (529)
High voice, Piano (506)
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Piano and Orchestra (491)
Choral SSATB (491)
Quatuor (477)
Mandolin (476)
Bassoon, Piano (duet) (470)
Harmonica (459)
Banjo (454)
2 Violins (duet) (449)
Recorder Quartet (439)
Biography (438)
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2 Guitars (duet) (419)
C Instruments (411)
2 Flutes (duet) (405)
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Woodwind Quintet: flute, oboe,… (401)
B Flat, E Flat, C and Bass cle… (399)
Parties Orchestrales (397)
Conducteur (395)
Soprano voice, Piano (392)
Percussion (377)
Ensemble A Vent (374)
Matériel D'Orchestre (373)
Chant (371)
Children choir (354)
Low voice, Piano (350)
String Trio: violin, viola, ce… (348)
Medium voice, Piano (333)
Tuba and Piano (331)
Saxophone and Piano (307)
Musical Awakening (306)
Choral Unison (302)
CD (298)
Accordion ensemble (286)
Voice, Guitar (284)
Double bass, Piano (duet) (280)
Bassoon (279)
Clarinet Quintet: Clarinet, St… (269)
Descant (Soprano) Recorder (267)
Piano, Voice, Guitar tablature… (262)
Tuba (257)
Bb Instruments (255)
Harpsichord (246)
Oboe, Violin, Viola and Violon… (244)
2 Cellos (duet) (236)
DVD concert (236)
Percussion, Piano (duet) (232)
2 Clarinets (duet) (223)
Flute, Basso continuo (222)
Baritone voice, Piano (221)
Violin, Basso continuo (217)
2 Saxophones (duet) (215)
Violin, Cello (duet) (210)
Tenor voice, Piano (205)
Percussion Ensemble (204)
Cello, Orchestra (200)
Livret (200)
2 Recorders (duet) (199)
Piano Quintet: piano, 2 violin… (192)
B Flat, E Flat and C Instrumen… (191)
Treble (Alto) Recorder (190)
Soprano voice, Orchestra (190)
Travaux Pour Choeurs (189)
Treble (Alto) Recorder, Basso … (189)
Guitare et Musique de Chambre (185)
Eb Instruments (181)
Soli (SATB), Choeur Mixte (SAT… (178)
Flute ensemble (177)
Choral SSAATTBB (172)
Musical dictation (170)
Trio (168)
Ensemble Mixte (167)
Stationery (159)
Brass Quartet: 2 trumpets, 2 t… (158)
Clarinet Quartet: Clarinet, Vi… (156)
Mezzo-Soprano voice, Piano (156)
Tenor Saxophone and Piano (156)
Violin, Guitar (duet) (155)
Piano Accompaniment (155)
:: (154)
Partie Séparée (151)
Organ, Trumpet (duet) (148)
Dulcimer (146)
String Quartet : 4 violas (143)
Trio Avec Piano (143)
Nursery rhyme (142)
Quintette (141)
Parties Supplémentaires (140)
Exemplaire Complet (140)
Flute Trio: 3 flutes (140)
Guitar, String Quartet (138)
Concert Band/Harmonie (137)
Harp, Flute (duet) (130)
Recorder Ensemble (129)
Soprano voice (129)
Clarinet Ensemble (126)
Concert band, Choral (125)
Euphonium or Saxhorn and Piano… (124)
Snare drums (123)
Band Scores (121)
Accessoire (121)
Pocket, Study conductor (119)
2 Violins and Basso (119)
Partition de Poche (117)
Saxophone ensemble (117)
Violin, Viola (duet) (113)
3 Saxophones (trio) (113)
Euphonium, Piano (duet) (112)
Choral SSATTB (111)
Quintette à vent (110)
Brass Quartet: 4 trumpets (110)
3 Guitars (trio) (110)
Children choir, Piano (110)
Ensemble (105)
3 Recorders (trio) (105)
Recorder, Piano (104)
Violoncello, Basso continuo (104)
Flute Quartet: Flute, Violin, … (102)
Diverses Formations (102)
ENS::Ensemble (102)
Saxophone Quintet: 5 Saxophone… (101)
Tuba or Euphonium or Saxhorn (98)
2 Trumpets (duet) (98)
Trio à Cordes (97)
Flexible Instrumentation (96)
Descent (Soprano) Recorder, Pi… (94)
Mélodie, Chant Et Piano (94)
Clavecin (94)
Flûte à Bec Alto et Basse Co… (93)
Choral CD (92)
String Trio: 2 violins, cello (91)
Piano, Guitar (duet) (91)
Solistes SATB, Choeur SATB, 2 … (90)
Voix et Orchestre (90)
2 Flutes, Piano (89)
Etudes (89)
Piccolo, Piano (87)
Euphonium (86)
Flute, Orchestra (85)
Clarinet, Orchestra (85)
Treble (Alto) Recorder, Piano (85)
Choeur (SATB) et Brass Band (85)
5 Recorders (84)
Solistes SATB, Choeur SATB, Fl… (83)
Percussions (83)
Solistes SAT, Choeur SATB, 2 F… (82)
Solistes SATB, Choeur SATB, 2 … (82)
3 Clarinets (trio) (82)
Guitar Ensemble (82)
Fanfare Band (81)
2 Violins, Piano (81)
Bass Clef Instruments (78)
Brass Quartet: 2 trumpets, hor… (77)
Cornet and Piano (77)
Violon, Cordes Et Basse Contin… (77)
Big Band (76)
Solistes (SATB), Choeur Mixte … (75)
Pennywhistle (75)
Bass Trombone and Piano (75)
Guitare Electrique (75)
String quartet: 4 violins (75)
Woodwind Quintet (75)
String Quintet: 2 violins, 2 v… (74)
Marimba (74)
2 Violons, Alto et Basse (73)
Flute, Clarinet (duet) (73)
Violon 1 (6 parts) Violon 2 (6… (72)
Bass Clarinet (72)
Clarinette et Quatuor à Corde… (72)
2 Trombones (duet) (72)
Big Note Piano (71)
Educatif (70)
Vocal duet, Piano (70)
Piano Quintet: piano, violin, … (70)
Choeur SATB, 2 Flûtes Travers… (69)
Clarinet, Cello, Piano (trio) (69)
Dobro (68)
Chant et Guitare (67)
Mezzo-Soprano voice (66)
2 Violas (duet) (65)
Tenor voice (65)
String Quintet: 2 violins, vio… (63)
Euphonium en Clé de Fa Do ou … (63)
Flute, Cello, Piano (trio) (62)
Saxophone Ténor et Piano (62)
2 Trumpets, Keyboard (piano or… (62)
Scores (62)
Ensemble à Cordes (61)
Low voice (60)
Trompette Sib 1 Cor en Fa 1 Tr… (60)
Flûte Traversière, Violon et… (60)
Quatuor à Cordes ou Orchestre… (60)
1 Piano, 6 hands (60)
High voice (59)
Solistes SBar, Choeur SATB, 2 … (58)
Quatuor Avec Piano (58)
Violin, Organ (58)
Quintette de Cuivres (57)
Baritone voice (57)
Voice and Orchestra (57)
Vibraphone (56)
Timpani (56)
Cello, String Bass (duet) (55)
Choeur SATB, (4 Instruments, C… (55)
Clarinet, Violin, Cello, Piano… (55)
Choeur Mixte (SSATBB) (55)
Solistes SATB, Choeur SATB, 2 … (54)
Soli and Orchestra (54)
Piano, Guitar (Chords) (53)
Guitare ou Luth (53)
3 Trombones Ténor et 1 Trombo… (52)
Flûte Traversière ou Hautboi… (52)
A Cappella (52)
Horn and Orchestra (52)
Solistes SATB, Choeur SATB, 2 … (52)
Cello, Guitar (duet) (52)
Brass Quartet: 4 horns (52)
Batterie et Percussions (51)
Livres (51)
Voix Mixtes (51)
Solistes SATB, Choeur SSATTB, … (50)
Choral, Orchestra (50)
Quatuor de Cuivres et Orgue (50)
2 Bassoons (duet) (50)
Quintette avec Piano (49)
Quatuor à vent (48)
Quatuor à Cordes et Guitare (48)
Flute and String Quartet (48)
2 Violons, Alto, Violoncelle e… (48)
Viola and orchestra (48)
Solistes STBB, Choeur SATTBB, … (47)
Flûte à Bec Alto ou Flûte T… (47)
Horn Ensemble (47)
Flute, Oboe, Clarinet, Bassoon… (47)
Trompette, Cordes Et Basse Con… (47)
Violin, Clarinet, Piano (trio)… (46)
4 Cellos (46)
Electric bass, Drums (46)
Livre Musical (46)
Solistes SATB, Choeur SATB, Fl… (46)
Trumpet, Orchestra (46)
Oeuvres Théâtrales/Oratorios… (46)
Matériel d'Apprentissage (46)
Symphonic Band (45)
Cajon (45)
Choeur SSATB, 2 Flûtes Traver… (44)
Trompette ou Cornet, Euphonium… (44)
Hautbois 1 Clarinette en Sib 1… (44)
2 Trompettes Sib 1 Cor en Fa 1… (44)
Trompette ou Bugle ou Cornet o… (44)
Recorder, Bass Continuo (44)
Solistes SATB, Choeur SATB, 2 … (43)
Solistes SSATTB, Choeur SATB, … (43)
Solistes SATB, Choeur SATB, 4 … (43)
Xylophone or Marimba or Vibrap… (43)
Oboe, Clarinet, Bassoon (trio)… (42)
2 Violons, Violoncelle et Bass… (42)
Choeur SATB et Basse Continue (42)
Djembe (42)
Soprano (42)
Voice, String Quartet (41)
Choeur d'Enfants, Solistes, In… (41)
2 Choeurs Mixtes (SATB Et SATB… (41)
Quintette à Cordes (41)
Choeur SATB, 2 Hautbois, 2 Cla… (41)
Voice, Organ (41)
Chorale (41)
Cor en Fa (41)
Trompette ou Cornet, Cor en Mi… (40)
Soli (ATB), Choeur Mixte (SATB… (40)
Lap Steel Guitar (40)
Piano et Quatuor à Cordes (40)
5 Voix (SSATB) Et Basse Contin… (40)
Saxhorn or Euphonium (40)
2 Euphoniums (39)
Oboe and Orchestra (39)
Cornet (39)
Soprano, Choeur Mixte (SATB), … (39)
Xylophone (39)
Edition Critique des oeuvres d… (39)
2 Clarinets, Piano (39)
Saxophone Baryton (39)
Quatuor Variable (39)
Choeur Mixte et Orchestre (39)
Chanson (39)
Saxophone Soprano, Saxophone A… (39)
Conga (38)
Solistes SATB, Choeur SATB, 2 … (38)
Viola, Cello (duet) (38)
Lyrics only (37)
Lecture Chantée/Formation de … (37)
Woodwind Quartet: any 4 woodwi… (37)
Flute, Violin, Keyboard (basso… (37)
Soprano Saxophone and Piano (37)
Choeur SATTB et Basse Continue… (37)
Saxhorn and Piano (37)
Harpsichord and Strings (37)
Choeur SATTB (37)
2 Hautbois, 2 Cors, 2 Clarinet… (36)
Tuba Solo (36)
Flûte à Bec Alto ou Flûte T… (36)
Flûte Traversière et Quatuor… (36)
Petit Ensemble Contemporain (36)
Lute (36)
String Trio: 3 violins (36)
Medium Voice (36)
Voix et Instruments Divers (35)
Violin, Horn and Piano (35)
Quatuor A Cordes Et Orchestre … (35)
Solistes SATB, Choeur SATB, 2 … (34)
Guitare Flatpick et Plectre (34)
Viola da Gamba (34)
Partition D'Orchestre (34)
Guitar, Orchestra (34)
3 Trombones (trio) (34)
4 Voix Mixtes (34)
Solistes SATB, Choeur SATB, 2 … (33)
2 Euphoniums et Piano (33)
Descant (Soprano) Recorder, Ba… (33)
Soli (STB), Choeur Mixte (SATB… (33)
8 Voix (SATB et SATB) et Basse… (33)
Ensemble Instrumental (33)
Solistes SATB, Choeur SATB, Ha… (33)
String Quintet: 2 violins, vio… (33)
Ensemble de Vents (33)
2 Flûtes Traversières, 2 Cor… (32)
Flute, Clarinet, Piano (trio) (32)
Piano Trio: Violin, Viola, Pia… (32)
2 Hautbois, 2 Clarinettes, Tim… (32)
Choeur en 8 Parties (SATB-SATB… (32)
4 Voix Mixtes a Cappella (32)
Piccolo (32)
Solistes ST, Choeur SATB, Flû… (32)
Solo S, Choeur SATB, 2 Flûtes… (32)
Choeur SS (B) ou SA (B), 2 Vio… (32)
Trompette et Quatuor à Cordes… (32)
Clavier ou Orgue Electronique (32)
Hautbois et Quatuor à Cordes (32)
2 Cellos, Piano (32)
English horn, Piano (32)
Autoharp (32)
Trio A Cordes (32)
Guitare Tablatures Flatpick et… (32)
Choeur de Femmes (32)
DVD Opera and Ballets (32)
Choeur SSATTB, (6 Instruments,… (31)
Cello, Organ (31)
Cello Ensemble (31)
Choeur a Cappella (31)
3 Clarinettes en Sib et Clarin… (31)
Guitare (Fingerpick) (31)
Chamber Music (31)
Tuba en Do et Piano (30)
Flûte à Bec Alto, 2 Flûtes … (30)
Piano Quartet: piano, 2 violin… (30)
Harp, Violin, Violoncello (30)
Bass Saxhorn or Euphonium or T… (30)
Flûte à Bec Alto ou Flûte T… (30)
Orchestre Scolaire (29)
Solistes SST, Choeur SSAATB, 2… (29)
Bugle (29)
String quintet (29)
Duos (29)
Bass Clarinet, Piano (29)
Book (29)
Choeur SATB/SATB, (Basse Conti… (29)
Harpe, Violon et Violoncelle A… (28)
2 Clarinettes, 2 Violons, Orgu… (28)
Flûte 1 Hautbois 1 Clarinette… (28)
Flûte Traversière Violon et … (28)
Flûte à Bec Alto et Basse Co… (28)
2 Flûtes Traversières et Vio… (28)
Trombone or Euphonium (28)
C Trumpetor et Trompette Sib/C… (28)
Orgue, 2 Hautbois, 2 Violons, … (28)
Oboe, Organ (28)
2 Hautbois, 2 Clarinettes, 2 B… (28)
Flûte Traversière, Clarinett… (28)
Flûte Traversière, Hautbois,… (28)
Flûte Traversière Violoncell… (28)
2 Clarinettes en Sib et Clarin… (28)
3 Flûtes A Bec (SAT) Et Piano… (28)
Grande Formation (27)
2 Trombones, Piano (27)
Solistes STTBB, Choeur SATB, 2… (27)
Solistes SATB, Choeur SATB, 2 … (27)
Solistes SATB, Choeur SATB, 2 … (27)
SATB, (4 InstrumentS Basse et … (27)
Choeur SATB, 2 Trompettes, 2 T… (27)
Orgue, 2 Hautbois, Basson Et C… (27)
Soprano Saxophone (27)
Hautbois, Clarinette et Basson… (27)
Choeur Mixte (SATB/SATB) (27)
Choral Soprano solo, SATB, Key… (27)
Solistes SST, Choeur SATB, 2 F… (26)
Petit Choeur SATB, Contrebasse… (26)
Solistes STBar, Choeur SATB, 2… (26)
Clarinette, 2 Violons, Alto et… (26)
Ensemble Instrumental Et Petit… (26)
Solistes SATB, Choeur SATB, Tr… (26)
Trumpet, Trombone (duet) (26)
Clarinette, Viola and Piano (t… (26)
Trompette en Do ou et Trompett… (26)
3 Trumpets (trio) (26)
Solistes SBar, Choeur SSATB, 2… (25)
Ensemble divers instruments (25)
Solistes SATB, Choeur SATB/SAT… (25)
Choeur SATB/SATB, (8 Instrumen… (25)
2 French horns (duet) (25)
Guitar Tab, Voice, Bass, Drum (25)
Choeur Mixte (SATTB/SATTB), So… (25)
Clarinette, Violon, Violoncell… (25)
Percussions Diverses (25)
Basse En Bb Et Piano (Orgue) (25)
Organ, Piano (duet) (25)
2 Saxophones, Piano (25)
Clavier Electronique et Ligne … (25)
Trompette Et Orchestre (25)
Choral SATTB (25)
Choeur SAT (25)
Choeur SSATTB et Basse Continu… (25)
Choeur SATB, 2 Violons, Alto e… (25)
Cor en Mib (25)
Solistes ATB, Choeur SATB, Fl… (24)
Hautbois 3 Clarinettes Sib 1 C… (24)
Trompette 2 Violons 1 Alto 1 V… (24)
Quatuor de Cordes (24)
Flûte Traversière 3 Clarinet… (24)
Quartette Pour Flûtes à Bec … (24)
Flûte, Violon, Alto et Violon… (24)
Hautbois 2 Violons 1 Alto 1 Vi… (24)
Trompette 3 Clarinettes Sib 1 … (24)
2 Violons, 2 Altos, Violon ou … (24)
Viola, Guitar (duet) (24)
Flûte Traversière ou Hautboi… (24)
Flûte Traversière, Violon, V… (24)
2 Violons, Alto, Violoncelle e… (24)
Petit Choeur SATB, 2 ViolonSBa… (24)
3 Tubas (24)
Soprano et Quatuor à Cordes (24)
Trompette, Instruments à Cord… (24)
Solistes SATBB, Choeur SATB, 2… (24)
Clarinette 2 Violons 1 Alto 1 … (24)
Basson, 2 Violons, 2 Altos et … (24)
Flûte Traversière 2 Violons … (24)
Solistes SATTB, Choeur SSATTBB… (24)
Quatuor à Cordes et Basse Con… (24)
Bagpipe (24)
Handbells (24)
Choral, Organ (24)
2 Violons, Violoncelle Et Cont… (24)
Trombone Solo (24)
2 Trompettes (duo) (24)
Soli (T (Evangelist), B (Jesus… (24)
2 Violons, Alto et Basse Conti… (24)
Soprano, Basse, Choeur Mixte e… (24)
Choeur SATB et Orchestre (24)
2 Recorders, Basso continuo (t… (24)
Libretto (24)
Flûte à Bec et Piano (24)
Instruments A Vent (24)
Trio (2 Soli Avec Réduction D… (24)
SATB, SATB et Orgue (24)
Flûte à Bec Alto ou Flûte T… (23)
Choeur SATB, 2 Trompettes, Tim… (23)
Solistes SST, Choeur SATB/SATB… (23)
String Trio: 3 cellos (23)
Soli (STB), Choeur Mixte (SSAT… (23)
Solo A, Choeur SATB/SATB, 2 Or… (23)
Trumpet ensemble (23)
Soli (SSATB), Choeur Mixte (SS… (23)
Quatuor à Cordes et Piano (23)
Choeur SATB/SATB, (8 Instrumen… (23)
Solistes SAB, Choeur SATB, 3 F… (23)
Saxophone en Mib et Piano (23)
Choral SSATBB (23)
Concert Band ou Harmonie et Cl… (23)
Clarinette et Orchestre (23)
2 Violons, Basse et Basse Cont… (23)
2 Violas, Piano (23)
Batterie-Fanfare (22)
Orchestre: Choeur TTBB, 2 Flû… (22)
Orchestre: Solistes SATB, Choe… (22)
String Trio: 2 violins, viola (22)
Piano, Violin, Bandoneon, Guit… (22)
Trompette Solo (22)
4 Euphoniums (22)
Choeur SATB/SATB, ou Basse Con… (22)
Trombone ensemble (22)
Oboe, Basso continuo (22)
Saxophone and Orchestra (22)
Conducteur et Poche (22)
Musique Légère (22)
String trio (22)
Saxophone Alto Solo (22)
Baritone Horn and Piano (22)
Flute and Strings Trio (22)
4 Voix Mixtes Sans Accompagnem… (22)
Violon, Alto et Basse Continue… (21)
Voice, Clarinet, Piano (21)
Solo B, Choeur SATB, 2 Flûtes… (21)
Violon, Ensembles de Cordes et… (21)
Sextuor (21)
Solistes SATB, Choeur SATB/SAT… (21)
Clavecin Et Instruments A Cord… (21)
Choeur SATB, (Basse Continue) (21)
Euphonium Ensemble (21)
Drums-Marching band (21)
Orchestre De Chambre (21)
Hautbois et Basse Continue (21)
2 French horns, Piano (21)
Clarinette, Violoncelle et Pia… (21)
5 Voix SATTB (21)
Choeur SSATB et Basse Continue… (21)
Choeur et Orchestre (21)
Violin, Viola and Orchestra (21)
Accordion - Piano, Voice, Guit… (21)
Reportage (21)
4 Tubas (21)
Solistes STB (SB/TB/SATB), Cho… (20)
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6 Sonates Progressives Wev P.6 Heft 2
Violin and Piano
Schott
When Weber offered the sonatas for violin and piano to the publisher André from...
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When Weber offered the sonatas for violin and piano to the publisher André from Offenbach in 1810, the latter refused to print them because they were 'too good and demanding'. In order to reach as large a target group of music-making amateurs as possible, the editors at that time increasingly saw to the works' easy playability. Fortunately, the sonatas nevertheless found their way into the repertoire of the violinists.This is a practical edition in two volumes based on the text of the Weber Complete Edition. / Violon Et Piano
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Violin Sonatas Op. 5 Bd. 1+2 Kplt.
Violin and Piano
Wiener Urtext
Ces sonates sont parmi les oeuvres epoch-making du répertoire pour violon et au...
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Ces sonates sont parmi les oeuvres epoch-making du répertoire pour violon et aujourd'hui figure dans le répertoire standard de tous les violonistes. Il est d'autant plus surprenant, donc, que jusqu'à présent il n'y a pas eu édition Urtext de ces travaux importants.Le score est basé sur une première édition supervisée par Corelli lui-même. D'après ce que nous savons de la performance en temps de Corelli, cependant, était plusattend de la violoniste qu'une lecture musicale de la partition imprimée: il était d'usage d'ajouter des ornements à la limite de l'improvisation, avec l'embellissement et 'variations' comme vous le souhaitez. La partition originale est doncprésenté ici avec le plus documenté l'ornementation d'une réimpression publiée par Roger à Amsterdam en 1708. Cette ornementation n'est pas destiné à être servilement imité, mais de stimuler le lecteur à trouver leur propre interprétation créative et stylistiquement confiant de la partition. Comme Roger n'a pas précisé les ornements pour les sonates dans le deuxième volume, les 'variations que désiré' utilisé par l'élève de Corelli Geminiani ont été reproduites avec la Sonate neuvième exemple. Conseils sur les performances est donnée par la Cologne baroque spécialiste Reinhard Goebel. Ce conseil ne s'applique pas seulement à l'ornementation, mais aussi de l'articulation, coups d'archet et d'autres choses encore, appelant à des marquages ??spécifiques dans la partie de violon séparée.La réalisation de la partie de continuo fait écho à la mode de l'époque. Ici aussi, des conseils sur la performance vise à stimuler la libre interprétation par le joueur de continuo. Une partie basse chiffrée est inclus pour le joueur qui préfère lire l'accompagnement des chiffres. / Violon Et Piano
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Johannes Brahms: Sonatas In F Minor And E-Flat For Violin: Violin: Instrumental
Violin and Piano
Barenreiter
for Violin and Piano-Brahms had already announced his ?retirement? from composit...
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for Violin and Piano-Brahms had already announced his ?retirement? from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter apparently renewed his enthusiasm for Mühlfeld?s much admired playing and inspired him to write two Clarinet sonatas in the summer of the same year.Brahms conceived an alternate version of the works for Viola from the beginning and already before the publication of these two versions he intended to do another one for Violin a version which was to require changes and was to result in an independent edition. While the Clarinet and Viola versions havedeveloped a rich performance tradition the Violin version is almost unknown. Yet for the Violin version the composer revised the original Clarinet part much more extensively than he did for the Viola version and also rewrote the Piano part to achieve a thoroughly convincing Violin and Piano idiom. This Bärenreiter edition aims to bring the neglected Violin Sonatas Op. 120 back into players? hands.An important part of this edition is the extensive preface. Firstly it informs about the sonatas? origins their compositional process pre-publication performances their publication history as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors start from the premise that already a few decades after Brahms' death a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners treatises and essays early instructive editions and historical recordings the editors deal with key issues in understanding Brahms' notation. By a section-by-section analysis of rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation string instrument fingering string instrument harmonics and vibrato the editors provide an indispensable assistance for a historically informed interpretation of the works.At the same time the edition offers an exciting and
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Wolfgang Amadeus Mozart: Violin Sonatas Volume 2: Violin: Instrumental Album
Violin and Piano
[Sheet music]
Peters
This complete edition of the Mozart sonatas for violin and keyboard has been res...
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This complete edition of the Mozart sonatas for violin and keyboard has been researched and prepared by Cliff Eisen one of the most distinguished Mozart scholars of our time. Professor Eisen recognizes that many of the apparent inconsistencies and idiosynchrasies of Mozart's notation are perfectly deliberate and that the attempts in many other editions to impose uniformity upon similar phrases or musical paragraphs can bemisguided. As he writes in the preface '...the notion that the classical style represents a model of symmetry balance and clarity is for the most part an 19th-century fiction...it has little to do with Mozart's actual practice which is basedprimarily on variety of both content and articulation.' So in this new edition alternative readings found in parallel passages are preserved rather than being sterilized by a spurious quest for conformity. Naturally all such instances are noted within the Critical Commentary. The highly individual beaming within Mozart's autographs is also respected in the new edition as this often contributes to our aural perceptions of phrase structure and accent. Professor Eisenis is conscious that there is no single 'Urtext' for this music. On the contrary he believes that 'there is compelling evidence that Mozart's later performances of his works were characterized by changes--sometimes substantial changes--in the musical text.' It is the achievement of this edition to indicate how far this freedom of musical expression can extend and as such it is likely to take pride of place in the collections of all those involved in the study and performance of these masterpieces.Contents: Sonatas K296 K376-K380; Andante and Fugue K402 (completed by Stadler); Sonata K403 (completed by Stadler).
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Sonatas For Violin And Basso Continuo
Violin and Piano
[Sheet music]
Wiener Urtext
Sonates Georg Friedrich Haendel pour violon et basse continue appartiennent à d...
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Sonates Georg Friedrich Haendel pour violon et basse continue appartiennent à du répertoire de base de la musique de violon Baroque, certains d'entre eux même parmi les plus célèbres pièces de répertoire de leur temps. La nouvelle édition de la série de Wiener Urtext édition est basée sur des autographes de Handel, copies contemporaines et premier imprime. En plus de neuf sonates de violon de Handel, il contient deux Menuets pour violon et basse continue, qui ont été prononcées dans l'environnement des sonates. Hormis la partie de violon solo et un score de continuo avec réalisés, facilement jouable basse continue, l'édition comprend également une partie de la basse continue qui permet aux joueurs expérimentés continuo d'improviser sur la partie basse continue de basso. Les notes sur l'interprétation par le célèbre Baroque expert Reinhard Goebel donnent un aperçu d'une performance de Sonate qui était une pratique courante à l'époque de Haendel. / Violon Et Piano / Partition
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Sonatas Band 1 Und 2
Violin and Piano
Wiener Urtext
Carl Philipp Emanuel Bach's works for violin and harpsichord obbligato pervade h...
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Carl Philipp Emanuel Bach's works for violin and harpsichord obbligato pervade his entire compositional oeuvre. The earliest works, like the Sonata in D minor still numbered BWV 1036, date back to the years of study with his father, yet show already a remarkable creative will of his own. The latest work, the fantasia 'C. P. E. Bachs Empfindungen' in F flat minor of 1787 is characterized by the composer's highly expressive late style. The new two-volume edition of Wiener Urtext Edition contains C. P. E. Bach's complete works for harpsichord (piano) obbligato and violin. Vol. 1 contains not only the sonatas Wq 71-74 and BWV 1036 but also the arrangements of the trios Wq 143-145 for violin and harpsichord, most of which are included in C. P. E. Bach's autographs, as well as a - previously ignored - early version of Wq 71 which, like BWV 1036, grants a rare insight into the early works of the composer. Vol. 2 contains the four major sonatas of 1763 which already fascinated Johannes Brahms. Brahms not only played them in concert, together with Joseph Hellmesberger, but also published two of these sonatas in 1864. This volume concludes with the two late works 'Arioso' and 'Fantasie' of 1781 and 1787 respectively. With these works, C. P. E. Bach bridged the gap between the late Baroque sonatas of his father and the early classical 'Klaviersonate mit begleitender Violine' [Piano Sonata with Accompanying Violin]. / Violon Et Piano
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Johannes Brahms: Sonata Movement in C minor from the FAE-Sonata: Violin:
Violin and Piano
Barenreiter
Sonata WoO postum for Violin and Piano-Edited by Clive Brown and Neal Peres Da C...
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Sonata WoO postum for Violin and Piano-Edited by Clive Brown and Neal Peres Da Costa with an Urtext solo part as well as a second part with performance markings.Johannes Brahms The Works for one Instrument and Piano:Johannes Brahms? compositions for one instrument and Piano have been standards in chamber music literature ever since their inception. These works were written with specific performers in mind and Brahms worked closely with them when refining the final texts. Nevertheless we rarely approach the music taking into consideration the possibilities of the instruments for which Brahms wrote or the performing practices of the individual playerswho first performed these compositions including Brahms himself.The New Urtext Editions:Bärenreiter?s pioneering new scholarly-critical editions of Brahms? works for one instrument and Piano are edited by a team of musicologists who are also performers. They offer today?s musicians not just a reliable musical text based on all known sources but also a comprehensive approach to the works which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers.In addition to the musical text these editions offer an informative Introduction laying out the genesis publication history and reception of the works. At the same time there is a complete list of the sources an explanation of the editorial procedures and a Critical Commentary. Also each volume contains a detailed discussion of specific performing practice issues raised by individual works.An integral part of Bärenreiter?s Brahms publication complex is a text booklet which approaches general performance practice issues of the 19th century with regard to e.g. tempo rubato rhythmic flexibility and articulation. Furthermore musicians will find valuable information concerning vibrato portamento and bowing. Last but not least characteristics of Brahms? own Piano playing as well as that of his circle and contemporaries are discussed.The Violin and Viola sonata editions come not only with an Urtext part freed from all editorial emendations but also with an
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Sonata Op. 40 (CALLIGARIS SERGIO)
Violin and Piano
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Intermediate
Ricordi
Per Violino E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in R...
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Per Violino E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Date parution : 1905-06-19/ Répertoire / Violon et Piano
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Sonate Pour Piano Forte Et Violon Op. 24
Violin and Piano
Barenreiter
In May of 1802, the ?Allgemeine musikalische Zeitung? praised the violin sonatas...
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In May of 1802, the ?Allgemeine musikalische Zeitung? praised the violin sonatas op. 23 and 24 as being ?... among the best Beethoven has written, which is to say that they are among the best being written at all. The composer?s original, fiery and bold spirit ... becomes more and more apparent now ...? The time during which Beethoven composed his ?Spring Sonata?, which was to become increasingly popular during the course of the 19th century, was marked by a frantic surge of compositional creativity. ?I live only in my notes, and with one work barely finished, the other is already started; the way I write now I often find myself working on three, four things at the same time.?, he wrote in a letter to Wegeler on 29 June 1801. However during this time, Beethoven also suffered from the rapid deterioration of his hearing, a fact he was still trying to hide and that the enchanting ?Spring Sonata? certainly does not divulge.
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Cats Selection: Violin: Instrumental Album
Violin and Piano
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Easy
Faber Music Limited
Cats is one of the all-time most successful shows on the West End and Broadway ...
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Cats is one of the all-time most successful shows on the West End and Broadway and truly is a triumphant piece of musical theatre. Lloyd Webber???s memorable songs from the musical are available here for Solo Violin with Piano Accompaniment as arranged by Daniel Scott. Play through some of these unforgettable classics including the beautiful song of Grizabella The Glamour Cat as famously performed by Elaine Paige Memory.The solo violin part is also included on a separate insert.
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Sonatas for Pianoforte and Violin Volume I and Volume II (BEETHOVEN LUDWIG VAN)
Violin and Piano
[Sheet music]
Barenreiter
Par BEETHOVEN LUDWIG VAN. Beethoven’s Sonatas for Pianoforte and Violin are no...
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Par BEETHOVEN LUDWIG VAN. Beethoven’s Sonatas for Pianoforte and Violin are now available at a special set price. The set consists of volume I (BA 9014) and volume II (BA 9015). Beethoven’s ten sonatas for piano and violin, along with those by Mozart, constitute the heart of this classical music genre. Following the lead of Mozart’s late sonatas, Beethoven lets the violin part become increasingly independent from the piano part. Not only does Clive Brown’s scholarly critical edition offer a meticulously edited text but for the first time it presents a list of sources and a Critical Report. Furthermore Brown documents a great number of passages where, by today’s standards, the notation raises some questions. These passages had previously been overlooked in the autograph but their significance is now clarified. One example can be found in Beethoven’s “Tempo di Minuetto” from Sonata op. 30 No. 3, where he uses a notational idiosyncracy based on C.P.E. Bach’s “Versuch über die wahre Art das Clavier zu spielen” to denote a rest. This musical symbol, which was included in the first edition published during Beethoven’s lifetime, has not been addressed in any modern edition to date. In addition, a score through a chord can also not be found in previous modern editions - this denotes an arpeggiated chord./ Recueil / Violon et Piano
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Pièces récréatives Vol.2 (TRACHIER FRANCINE / BERA-TAGRINE NATHALIE)
Violin and Piano
[Sheet music]
Van de Velde
Par TRACHIER FRANCINE / BERA-TAGRINE NATHALIE. Nathalie Béra-Tagrine (pianist),...
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Par TRACHIER FRANCINE / BERA-TAGRINE NATHALIE. Nathalie Béra-Tagrine (pianist), associated with Francine Trachier (violinist) wrote and adapted these melodious pieces to easily pass the difficulties of the violin and its technical aspects. Each piece involves a precise technical difficulty (bow, strings, pizz, legato, nuances, wrist, shift technic...). Learning will be a pleasure with the progression of these four volumes. Nice violin-piano duets for 1st cycle students. / Niveau : 1er cycle / Date parution : 2022-01-14/ Recueil / Violon et Piano
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Wieniawski H. - 2eme Polonaise Brillante Op. 21 - Violon Et Piano
Violin and Piano
PWM (Polskie Wydawnictwo Muzyczne)
2me Polonaise brillante pour violon avec acompagnement de piano op.21 Henryk Wi...
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2me Polonaise brillante pour violon avec acompagnement de piano op.21 Henryk Wieniawski wrote only two polonaises. The first one, op. 4 in D minor, is one of his youthful works; the other, op. 21 in A major, is one of the last works he composed. Moreover, H. Wieniawski is the co-author of another polonaise, op. 8, for violin and piano, which he wrote with his brother Józef Wieniawski, a pianist. The latter polonaise, like the Polonaise in D minor op. 4, is also a youthful composition (1852). The polonaise as a genre, therefore, does not occupy much space in Wieniawskis heritage. Nonetheless, both polonaises, in D minor and A major, constitute an essential part of his artistic inheritance. Likewise, both polonaises had been composed in two versions: for violin and orchestra, and for violin and piano. The Polonaise in A major was completed in 1870. It is not known precisely which of the versions, the one with the piano, or the one with the orchestra first came into being. It was the version with orchestra that the composer performed for the first time on 17 March 1870, in the Grand Theatre in St. Petersburg. But merely two months later he performed the Polonaise in Warsaw, accompanied by his brother Józef at the piano. It is quite possible that Wieniawski had already performed this version of the Polonaise. It is certain, nonetheless, that both versions either appeared simultaneously, or one was composed shortly after the other. From its first public performance until the end of his concert career, Wieniawski often included this Polonaise in his concert repertoire, playing one version or another, the choice depending on the needs and circumstances. Just to mention one occasion, he played the orchestral version during a concert tour of Sweden in 1870, when he dedicated and presented a manuscript of this piece to King Charles XV of Sweden. The dedication, however, was changed in print, and both versions were eventually dedicated to François van Hal. Both versions were published simultaneously, by Schott Publishers in Mainz, with the same plate number, though the orchestral version appeared only in parts, which was a common practice in those days. The piece was most probably not published earlier than 18751. The Polonaise was praised by the critics. The reviews reported that it was a magnificent piece2, and this opinion was shared by later critical reviews, both Russian and West European. The Polonaise remained popular after the composer had died, which is evident from the number of later editions of the piece (more than ten) issued by different publishers, mostly German, and prepared by different editors. In Poland, the Polonaise was published twice after the Second World War. All the editions introduced some more or less significant changes into the text, mostly concerning performance indications, but in a sense blurring the composers intentions. All those changes were pertinent to the violin and piano version, and it was mostly in this form that the piece appeared in concert and teaching repertoires. The performances with an orchestra were much more seldom which was, among other factors, due to limited availability of the orchestral version, as it had never been published again after the first edition, until now. The Polonaise in A major was composed approximately at the same time as the Violin Concerto No. 2 in D minor3. This convergence in time had influenced a certain similarity with regard to both composition and technical means, and also to the themes. In particular, the similarity becomes quite obvious in the second theme of the Allegro in the Concerto, and in the theme of the Polonaise. The Polonaise in A major is also in a certain way similar to the first Polonaise (in D minor), the motifs of the themes in both polonaises are alike. However, both pieces differ in style. The Polonaise in D minor shows the composers fascination with technical writing. Wieniawski makes the most of double-stops, chords, and all other sophisticated virtuoso techniques. The Polonaise in A major, written 18 years later, is much more mature. Although it is a virtuosic piece as well, the techniques used are somewhat more limited and subordinated to the expression. The virtuoso character of this piece is more fragile, much closer to the brillant style. At the same time, the Polonaise is typical of Wieniawskis violin playing technique. Here the composer uses the means regarded by his contemporaries to be typical of him, e.g., long staccato fragments played with one bow. The Polonaise is a concert piece in one movement extended form with a considerably abbreviated return of the first section at the end. The middle section is contrasting in character, due to the modulation to F major, change of tempo (meno mosso) and the reduction in the number of instruments (in the orchestral version). All the sections show thematic similarity. The first section, too, consists of three subsections, including a contrasting middle subsection (in E major). Zofia Chechlińska Footnotes 1. See The Critical Commentary, p. ? and onward. 2. See V. Grigoriev, Henryk Wieniawski. Życie i twórczość. [Life and Work] Warszawa - Poznań 1986, p. 184. 3. The first version of the Concerto No. 2 in D minor was completed in 1862, but in 1870, i.e., not until the Polonaise in A major was completed, Wieniawski had been working on the Concerto and implemented quite a few changes. Publisher: PWM/Towarzystwo Muzyczne im. Henryka Wieniawskiego w Poznaniu Series: Henryk Wieniawski - Complete Works Cover: softback Nr ISMN: 979-0-2740-0753-9 Number of pages: 34+8 Format: N4 stoj. 235x305 Language version of text: pol., Eng.
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Sonatas For Violin And Piano Band 2
Violin and Piano
Wiener Urtext
En Vol. 2 de la sonates pour violon, par Robert Schumann, le Wiener Urtext édit...
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En Vol. 2 de la sonates pour violon, par Robert Schumann, le Wiener Urtext édition présente la Sonate F.A.E. composée conjointement par Schumann, Brahms et Albert Dietrich, ainsi que la version éditée, avec les mouvements de Brahms et de Dietrich remplacé, comme troisième Sonate de violon de Robert Schumann. La présente édition est basée sur l'édition publiée en 2002 dans la nouvelle édition complète de Schumann et donc sur les plus récentes conclusions musicologiques. Dans le cas de la Sonate F.A.E., c'est surtout une question de légers changements dans les domaines de la dynamique et l'articulation. Dans le cas du troisième Sonate de violon de Schumann, la présente édition diffère plus significativement la première édition, publiée en 1956 et la nouvelle édition légèrement révisée de 1988. L'ordre des mouvements moyens dont l'exactitude ne peut être clairement déterminée jusqu'à maintenant a été modifiée, par rapport aux éditions précédentes, en raison des documents nouvellement trouvées. En outre, la répétition de la première section de la partie moyenne noter... / Violon Et Piano
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Pièces récréatives Vol.1 (TRACHIER FRANCINE / BERA-TAGRINE NATHALIE)
Français
Violin and Piano
[Sheet music]
Van de Velde
Par TRACHIER FRANCINE / BERA-TAGRINE NATHALIE. Nathalie Béra-Tagrine (pianist),...
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Par TRACHIER FRANCINE / BERA-TAGRINE NATHALIE. Nathalie Béra-Tagrine (pianist), associated with Francine Trachier (violinist) wrote and adapted these melodious pieces to easily pass the difficulties of the violin and its technical aspects. Each piece involves a precise technical difficulty (bow, strings, pizz, legato, nuances, wrist, shift technic...). Learning will be a pleasure with the progression of these four volumes. Nice violin-piano duets for 1st cycle students. / Date parution : 2022-01-14/ Recueil / Violon et Piano
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Kaz Daelare Sonate (Mount Ida Sonata) op. 82
Violin and Piano
[Sheet music]
Schott
2nd sonata for violin and piano. Par SAY FAZIL. / Date parution : 2022-05-31/ R...
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2nd sonata for violin and piano. Par SAY FAZIL. / Date parution : 2022-05-31/ Répertoire / Violon et Piano
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Works For Piano And Violin (MOZART WOLFGANG AMADEUS)
Violin and Piano
G. Henle
Works for Piano and Violin I. Par MOZART WOLFGANG AMADEUS. Mozart ne s’est ado...
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Works for Piano and Violin I. Par MOZART WOLFGANG AMADEUS. Mozart ne s’est adonné à aucun autre genre de musique de chambre autant qu’à celui des duos pour piano et violon, qu’il s’agisse de sonates ou de variations. Exploitant les possibilités d’interaction de ces deux instruments par des combinaisons et des croisements toujours renouvelés, en particulier dans les sonates, il composa ainsi des oeuvres d’une beauté pure et intemporelle alliant force dramatique, élégance et profondeur de sentiments. Cette édition de travail offre le texte complet et non modifié des partitions publiées dans les trois éditions pratiques «bleues» Henle Urtext HN 77, 78 et 79, respectivement l’édition sous reliure lin de l’ensemble des sonates pour violon deMozart HN 80. / Partition brochée / Répertoire / Violon et Piano
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Claude Debussy: Sonata For Violin And Piano In G Minor: Violin: Instrumental
Violin and Piano
G. Henle
Debussy wrote his solitary Violin Sonata in the closing days of his life plague...
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Debussy wrote his solitary Violin Sonata in the closing days of his life plagued by the distress of the ongoing Great War financial difficulties and health issues of a terminal cancer. Shortly afterits completion in April the first performance took place on May 5th 1917 with Debussy himself at the Piano. This was the composer?s last public appearance before his death in 1918.The Sonata For Violinand Piano was the third and final composition in a cycle intended to consist of six sonatas for various instruments. It has an overall atmosphere of melancholy while also capturing contradictory characteristics such asjoy and silliness presented in a form closer to a fantasia than a sonata. The three expressive movements (Allegro vivo Intermede and Finale) are written in a French nationalistic spirit withdistinctive influences from Spanish and gypsy music throughout. This ambiguousness and ambivalence in form sound and character all attribute to Debussy?s innovative language of ?musical impressionism? which has become afavourite of musicians and audiences alike.The comments at the end of this Urtext edition provide detailed information on the sources and alternative readings while the preface by François Lesure in German English andFrench gives historical and biographical context. Two copies of the Violin solo are included as separate inserts.
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Serenade
Violin and Piano
Schott
The Violinissimo series attempts to make the rich repertoire of five centuries o...
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The Violinissimo series attempts to make the rich repertoire of five centuries of violin music accessible for lessons, concerts and private music-making. The anthology Serenade contains a selection of 36 intermediate arrangements for violin and piano which can be used for performance purposes to enlarge the educational standard repertoire and make it more interesting and may therefore be a constant companion of every advanced pupil in his/her lessons. / Violon Et Piano
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