Performance Score and Parts-This scholarly-critical edition is based on all the known sources whether printed or handwritten that have come down to us for these frequently played pieces. By closely scrutinizing the source material the editor has arrived at interesting findings that considerably differ from earlier editions of these works. Rather than taking as her principal source Le Clerc’s 1740 print of Sonatas I to VI – an edition probably made without the composer’s consent – the editor has examined the Naples and Wiesentheid manuscripts prepared under Vivaldi’s direct supervision. The editor has also managed to identify a previously unknown source forSonata RV 44. All departures from the sources in the printed text and all editorial additions are listed in the critical report. Cellists are thus given ready access to every alternative reading including deleted bars and the many inevitable variants in articulation. A detailed preface provides essential information on sources and their assessment with a section on performance practice offering valuable suggestions on interpretation. All of Antonio Vivaldi's works for violoncello and continuo in a single edition Scholarly-critical edition for performance purposes Detailed preface on sources and performance practice (German/English) With new findings that considerably differ from earlier editions 'This edition is invaluable for all performers of the Sonatas .' (Ensemble January 2004) 'This is certainly the definitive edition of these works.'(Strings August/September 2003)

13 pieces of easy to intermediate standard ideal for lessons and concerts. As well as popular Baroque sonatas by the likes of Vivaldi and de Fesch, there are also some charming, lesser-known compositions by Lanzetti and Zocarini. Also included are Classical sonatas by J. C. F. Bach, Stephen Paxton and Beethoven alongside pieces from the Romantic era including Mendelssohn's Song Without Words Op. 109, Fauré's Sicilienne Op. 79 as well as two little pieces by Goltermann. / Violoncelle Et Basse Continue

Les six sonates par Benedetto Marcello (1686-1739) sont parmi les plus célèbres compositions baroques pour violoncelle et basse continue, deuxièmement, qu'à ceux de Antonio Vivaldi. Marcello est un compositeur célèbre de son vivant, et par conséquent sa collection pourrait se trouver dans les éditions imprimées dans les grandes métropoles de la musique européenne de Londres, Paris et Amsterdam. Même s'il y a certains doigtés mal à l'aise dans ces sonates - qui pourrait être due à Marcello de travail avec un violoncelle de cinq cordes avec un ajout E' chaîne - ils sont de difficulté modérée seulement et appartiennent aux oeuvres standards du violoncelle, enseignement de la littérature. / Violoncelle Et Basse Continue

Edition specially prepared for the ABRSM & TRINITY GUILDHALL exam syllabuses-Vivaldi was familiar with the technique and idiomatic qualities of the cello and writing for the cello seems to have drawn from Vivaldi a special empathy: there is a degree of seriousness and expressive depth which is encountered much less consistently in his violin music. Perhaps it has something to do with the cello's low register since similar qualities inform his writing for bassoon.This Urtext edition edited by Bettina Hoffmann provides you with a clear and accurate realisation of the composer’s original intentions with thoroughly detailed editorial markings and suggestions. The solo cello part is also included on a separate insert.

Par VIVALDI ANTONIO. Les sonates de Antonio Vivaldi (1678-1741) sont sans aucun doute parmi les meilleures compositions pour violoncelle et basse continue, créé à l'époque baroque. De ces oeuvres, c'est la Sonate en mi mineur (RV 40) qui jouit d'une popularité particulière. C'est pourquoi il/ Répertoire / Violoncelle et Basse Continue

Un grand nombre de oeuvres par le musicien italien Giovanni Battista Cirri (1724-1808) de Forlì furent imprimé toute sa vie. Le virtuose du violoncelle occupé naturellement écrit oeuvres pour ' son ' instrument principalement, y compris les concertos et sonates, mais a également écrit un nombre o / Violoncelle Et Basse Continue

Edition : Paris, 1774La préface donne une biographie de Jean-Baptiste Janson et une explication détaillée de sa notation.Présentation de :Philippe Lescat : Biographie de Jean-Baptiste JansonJean Saint-Arroman : Lecture de la partition / Violoncelle Et Basse Continue / 38 pages / niveau : 1 / Fac-Similés - Format: 24.5 X 33.5