Für Violine, Orgel Und Harfe. Par STRAUSS JOHANN (FILS). Vl Org (Harm) Hf / Niveau : Assez Facile / Date parution : 1896-01-01/ Répertoire / Violon, Orgue et Harpe

Sonata a 3. Par MOLTER JOHANN MELCHIOR. / Répertoire / Violon, Harpe, Clavecin ou Orgue et Violoncelle Ad

Par SCHULTZ JOHANN ABRAHAM PETER. Cette pièce est accessible pour le même le plus jeune choeur. Possibilités d'enseignement comprennent l'apprentissage forme couplet, établissant une ligne legato et transportant plus longues phrases par la gestion de l'haleine et de respiration décalée./ Répertoire / Choeur d'Enfants (SS) et Harpe ou Piano, Quatuor à

Par SUE BANKS. Livre d'autoharpe du débutant un grand contenant l'enseignement technique de base plus lignes de mélodie, accords et paroles de 48 favoris folkloriques. Contient des informations sur jouant des postes, doigté, grattant, glissando technique de jeu et plus avec des photographies utiles. Paroles sont placés au-dessus de la musique pour faciliter la lecture tout en jouant des accords. / Niveau : Débutant / Folk - Songbooks / Recueil / Harpe

Par PETERSON MEG. Chansons de Noël une trentaine de partout dans le monde arrangé pour autoharpe ou chromaharp. Les arrangements dans ce livre supposent que le joueur avait maîtrisé les techniques pimenter simples et sait les principes fondamentaux de la joue de la harpe. Bon nombre des arrangements font ressortir la richesse des cantiques grâce à fréquents changements harmoniques. Paroles et des accords sont indiquées ci-dessus les notes de la mélodie, avec les cordes pour mélodie jouant ci-dessous. Dans ce livre, la plupart des chansons sont arrangés pour un instrument de 15-chord, bien que certains nécessitent un modèle 21 ou 27-corde. / Niveau : Tous Niveaux / Christmas - Songbooks / Recueil / Harpe

Parts for Pelle Gudmundsen-Holmgreen's Quodlibet for Baritone String Quartet and Piano (or Harp) dating from 2009. Written for Leigh Melrose and the Hebrides Ensembleon the occasion of Sir Peter Maxwell Davies’s 75th birthday. The text paraphrases fragments of William Shakespeare: 'Music to Hear'and John Dowland: 'Flow my Tears'.

This book is the second volume of arrangements for the Celtic harp by MonikaMandelartz. The material encompasses diverse songs and tunes from the British Isles, commonly described as 'Celtic Music'. This type of music is often associated with the English publisher John Playford. In the 17th century, he published The English Dancing Master, which contains traditional music as well as tunes of his day (up to the Renaissance). Author Monika Mandelartz, a specialist in historical performance practice, followsPlayford's tradition by arranging parts of the collection for Celtic harp. Thereby, Mandelartz points out that her arrangements constitute a 'snapshot in time'. Her workemphasizes the idea that lively music always allows for change and variation - it must in order to survive. The book includes tunes such as De`il Take the Wars, Scot Cap (Edinburgh Castle), Upon a Summer's Day, Parson's Farewell, Welcome Home Old Rowland, Dissembling Love (The Lost Heart), An Italian Rant, Porter's Lament, Greenesleeves and Pudding Pies (Greenesleeves and Yellow Lace), Jenny Pluck Pears, Remember Me My Deir, Enfield Common, The Sword Dance, and Drive the Cold Winter Away. This book is the second volume of arrangements for the Celtic Harp by Monika Mandelartz. The material encompasses diverse songs and tunes from the British Isles, commonly described as 'Celtic Music'. This type ofmusic is often associated with the English publisher John Playford. In the 17th century, he published The English Dancing Master, which contains traditional music as well as tunes of his day (up to the Renaissance). Author Monika Mandelartz, a specialist in historical performance practice, follows Playford's tradition by arranging parts of the collection for Celtic Harp. Thereby, Mandelartz points out that her arrangementsconstitute a 'snapshot in time'. Her work emphasizes the idea that lively music always allows for change and variation - it must in order to survive. The book includes tunes such as De`il Take the Wars, ScotCap(Edinburgh Castle), Upon a Summer's Day, Parson's Farewell, Welcome Home Old Rowland, Dissembling Love (The Lost Heart), An Italian Rant, Porter's Lament, Greenesleeves and Pudding Pies (Greenesleeves and Yellow Lace), JennyPluckPears, Remember Me My Deir, Enfield Common, The Sword Dance and Drive the Cold Winter Away./ Recueil / Harpe

This book is the second volume of arrangements for the Celtic Harp by Monika Mandelartz. The material encompasses diverse songs and tunes from the British Isles commonly described as 'Celtic Music'.This type ofmusic is often associated with the English publisher John Playford. In the 17th century he published The English Dancing Master which contains traditional music as well as tunes of his day (up to the Renaissance).AuthorMonika Mandelartz a specialist in historical performance practice follows Playford's tradition by arranging parts of the collection for Celtic Harp. Thereby Mandelartz points out that her arrangementsconstitute a 'snapshot in time'. Her work emphasizes the idea that lively music always allows for change and variation - it must in order to survive. The book includes tunes such as De`il Take the Wars ScotCap(Edinburgh Castle) Upon a Summer's Day Parson's Farewell Welcome Home Old Rowland Dissembling Love (The Lost Heart) An Italian Rant Porter's Lament Greenesleeves and Pudding Pies (Greenesleeves and Yellow Lace) JennyPluckPears Remember Me My Deir Enfield Common The Sword Dance and Drive the Cold Winter Away.