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DIDGERIDOO
2 Pianos, 4 hands
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4 Parties Mixtes (16)
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Flute, Violin, Keyboard (basso… (15)
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Musique de chambre (15)
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Descant (Soprano) Recorder, Ba… (15)
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2 Violons et Alto (12)
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Hautbois et Basse Continue (12)
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Solistes ou AuswahlChoeur SSAT… (11)
Guitare Acoustique (11)
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2 Violons et 2 Cornets (et Bas… (11)
Choeur D'Hommes (TTBB) A Cappe… (11)
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Petit Choeur SMsAT, Grand Choe… (11)
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Choeur SATB/SATB, 2 Hautbois (… (11)
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Solistes (S) TB, Choeur SATB, … (11)
Soprano et Ensemble (11)
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Choeur SSATB, 2 Clarines, 2 Vi… (11)
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Choeur SA (SAM) et Basse Conti… (11)
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Ouvertures
2 Pianos, 4 hands
Schott
The New Robert Schumann Edition (RSA) is intended as a historico-critical editio...
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The New Robert Schumann Edition (RSA) is intended as a historico-critical edition of the collected works. They will be carefully studied and prepared according to present-day musicological and editorial techniques and presented in their entirety. Drafts, sketches and fragments, in short, everything that has come down to us as being authentically by Schumann and which, in most cases, has been deliberately preserved by him, will be brought together, evaluated as to its importance and documented in some form or other in the edition of the complete works.It is the aim of the edition to reproduce authentic texts which - having corrected scribal, copying and printing errors and eradicated later additions and other textual corruptions - will approach as closely as is possible the intention of the originals.The critical edition will form the basis of accurate performance material for Robert Schumann's work. / 2 Pianos 4 Mains
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La Sévillane Op. 19 (CHAMINADE CECILE)
2 Pianos, 4 hands
[Sheet music]
Enoch et Cie
Par CHAMINADE CECILE. / Répertoire / 2 Pianos 4 Mains
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Concertino For Piano And String Orchestra
2 Pianos, 4 hands
EMB (Editio Musica Budapest)
Dániel Csengery (né en 1974) a écrit son trois mouvements Concertino en 2006....
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Dániel Csengery (né en 1974) a écrit son trois mouvements Concertino en 2006. Il s'agit d'une composition sans soucis à consonance coloré avec des rythmes entraînants, Convient aux pianistes de niveau intermédiaire et des orchestres de jeunes. La partie d'alto peut également être joué par une troisième section de violon. La musique est disponible en deux versions: 14606A - Partition et parties, la réduction 14606B pour deux pianos / 2 Pianos
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Christopher Norton: Anatolian-Portuguese Suite: Piano Duet: Instrumental Work
2 Pianos, 4 hands
[Sheet music]
80 Days Publishing
For 2 Pianos-Christopher Norton's Anatolian-Portuguese Suite for two Pianos.
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Claude Debussy: Deuxième Arabesque: Piano Duet: Score
2 Pianos, 4 hands
[Sheet music]
Durand
transcription pour 2 pianos-Claude Debussy's Deuxieme Arabesque arranged for tw...
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transcription pour 2 pianos-Claude Debussy's Deuxieme Arabesque arranged for two Pianos by Léon Roques.
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Kaija Saariaho: Graal Théâtre: Piano Duet: Score
2 Pianos, 4 hands
[Sheet music]
Chester
Rehearsal Accompaniment Reduction For Two Pianos-Kaija Saariaho's Graal Théât...
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Rehearsal Accompaniment Reduction For Two Pianos-Kaija Saariaho's Graal Théâtre for Violin and Orchestra was commissioned for the Centenary Season of Promenade Concerts 1995. This arrangement for Violin and Two Pianos by Yann Ollivorequires two grand Pianos with sostenuto pedal and may be used for rehearsal of both the full Orchestra and Chamber versions of the work. Two copies of the score will be supplied.  The solo Violin part may beordered separately (CH61222-01).
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Gaston Et Les Enfants - Ballet En 30 Numéros (Version A 2 Pianos)
Français
2 Pianos, 4 hands
Delatour France
Gaston et les enfants' est un ballet pour enfants ou adolescents, associant la d...
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Gaston et les enfants' est un ballet pour enfants ou adolescents, associant la danse classique et la danse jazz. L'intrigue, très actuelle, réunit humour, charme, dynamisme et suspens. Le ballet comprend trois rôles principaux : Gaston, un bon vieux clochard, héros malgré lui d'une singulière aventure qui oppose Alice et Alex, chefs respectifs de deux bandes rivales, évoluant dans un décor évoquant un terrain vague en bordure de ville. La chorégraphie, laissée à la volonté des professeurs de danse ou des maîtres de ballet, est adaptable à chaque interprète. Le livret, clairement rédigé au fil de chaque numéro, fait partie intégrante de la partition. / 2 Pianos
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Exergues Pour 2 Pianos (Fourchotte) )
Français
2 Pianos, 4 hands
Delatour France
3 mouvements dont un utilisant les sonorités à même les cordes du piano, les ...
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3 mouvements dont un utilisant les sonorités à même les cordes du piano, les deux autres étant plus véloces. / 2 Pianos
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Oeuvres Completes Serie 1 Vol.8
Français
2 Pianos, 4 hands
[Sheet music]
Durand
A coup sûr, les éditions Durand vont contenter tous les pianistes avec cette f...
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A coup sûr, les éditions Durand vont contenter tous les pianistes avec cette fabuleuse partition de Debussy Claude et qui a pour titre OEUVRES COMPLETES SERIE 1 VOL 8. En la commandant aujourd'hui, cette partition qui a pour référence DB01529700 et pour catégorie Classique peut être en votre possession dans quelques jours. / 2 Pianos / Partition
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Vivaldiana Op. 23 (CALLIGARIS SERGIO)
2 Pianos, 4 hands
[Score]
-
Intermediate
Ricordi
Divertimento su temi di Antonio Vivaldi per due pianoforti. Par CALLIGARIS SERGI...
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Divertimento su temi di Antonio Vivaldi per due pianoforti. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Répertoire / 2 Pianos
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Uchronies (II) (LACOTE THOMAS)
Français
2 Pianos, 4 hands
[Sheet music]
Lemoine, Henry
Par LACOTE THOMAS. En créant de nouvelles bifurcations à partir d'évènements...
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Par LACOTE THOMAS. En créant de nouvelles bifurcations à partir d'évènements du passé, l'uchronie, en histoire, en littérature, et dans d'autres arts narratifs, imagine des futurs non-advenus, mettant ainsi en perspective l'incertitude de notre propre présent. Les formes musicales des XVIIIe et XIXe siècles ont pu elles aussi donner à entendre différents futurs, ou différentes causes, d'une même situation musicale, à brève ou longue échéance. Ces Uchronies cherchent à renouer avec cette capacité qu'à la musique de démultiplier la flèche du temps, de tisser la réminiscence, l'attendu, l'imprévisible et l'inéluctable. Uchronies (I) et Uchronies (II) peuvent être enchaînées comme deux mouvements d'une même oeuvre, ou jouées séparément, ou encore disposées au sein d'un même programme, entrecoupées d'autres oeuvres. Ces deux volets sont pensés comme deux scénarios entrelaçant chacun prequel et sequel, transformations progressives, nouvelles causes et devenirs multiples d'idées musicales très contrastées. Malgré la grande diversité de leurs parcours respectifs, ils aboutissent tous les deux au même point d'arrivée apaisé./ Répertoire / 2 Pianos
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Alla Turca Jazz op. 5b (SAY FAZIL / CETINER YUDUM (Arr)
2 Pianos, 4 hands
[Sheet music]
Schott
Fantasie über das Rondo aus der Klaviersonate in A-Dur KV 331 von Wolfgang Amad...
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Fantasie über das Rondo aus der Klaviersonate in A-Dur KV 331 von Wolfgang Amadeus Mozart. Par SAY FAZIL / CETINER YUDUM (Arr.). The final movement of the Sonata in A major KV 331 by Wolfgang Amadeus Mozart, the Rondo Alla Turca, is one of the most famous piano pieces of all time. Once only familiar to musical experts, later a universal piece for all piano pupils, its opening melody is now even omnipresent as an alienated sinus tone-like mobile phone ring tone. Fazil Say's arrangement, originally created as an effective encore, follows on from this popularity. After the first eight bars have been presented in original form, typical elements of jazz superimposed on the still recognisable classical foundations can be discovered, such as syncopation of the top notes and ornamentation through chromatic blue notes, embedded in the at times frenzied chains of semiquavers. In the spirit of the work's improvisatory character, Say likes to perfom his Alla Turca Jazz in different combinations, for example accompanied by jazz singers of with orchestra. It may appear strange that Fazil Say, who was born in Turkey and - when not on tour - is still resident in that country, does not bring back Mozart's interpretation of genuine Turkish music closer to its own roots, particularly as many of his compositions such as Black Earth or the Violin Sonata are characterised by a subtle amalgamation of the Classical-Romantic tradition, Turkish folk music and elements of jazz. In a further Mozart arrangement, the ballet music Patara premiered in Vienna in 2006, composed on the basis of the Rococo-like theme from the first movement of the same A-major Sonata (wich enjoys almost as great popularity as the Alla Turca theme), Say utilised the connection which was absent in Alla Turca, albeit in the opposite direction. In the ballet music, the piano symbolises Western culture and the Ney flute Oriental culture, communcated atmosperically by austere percussion instrumentation and soprano vocalisation. / Date parution : 2021-12-09/ Répertoire / 2 Pianos
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Messiaen O. - Visions De L'amen - 2 Pianos
Français
2 Pianos, 4 hands
Durand
pour 2 pianos Titres séparés : Amen de la création ? Amen des étoiles, de l...
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pour 2 pianos Titres séparés : Amen de la création ? Amen des étoiles, de la planète à l' anneau ? Amen de l' agonie de Jésus ? Amen du désir ? Amen des anges, des saints, du chant des oiseaux ? Amen du jugement ? Amen de la consommation
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George Gershwin - Rhapsody In Blue - 2 Pianos, 4 Mains
2 Pianos, 4 hands
Hal Leonard
George Gershwin's iconic Rhapsody in Blue changed the landscape of American musi...
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George Gershwin's iconic Rhapsody in Blue changed the landscape of American music at its 1924 premiere. Its irresistible fusion of classical and jazz has made it one of the most popular American concert works of all time. For this new edition all available sources at the Library of Congress were consulted, including full scores for piano and orchestra as well as two-piano reductions. This edition includes a second copy of the music, making it ideal for all concerto settings. Historical background and critical notes on the sources provide a fascinating window into Gershwin's composition process.
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Claude Debussy: Première Arabesque - Pour Deux Pianos: Piano Duet: Score
2 Pianos, 4 hands
[Sheet music]
Durand
pour deux pianos-Claude Debussy's Première Arabesque arranged for two Pianos by...
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pour deux pianos-Claude Debussy's Première Arabesque arranged for two Pianos by Léon Roques.
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Claude Debussy: La Mer - Pour Deux Pianos: Piano Duet: Score
2 Pianos, 4 hands
[Sheet music]
Durand
pour deux pianos-Claude Debussy's La Mer for two Pianos. Score. I. De l’au...
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pour deux pianos-Claude Debussy's La Mer for two Pianos. Score. I. De l’aube à midi sur la mer II. Jeux de vagues III. Dialogue du vent et de la mer
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Cyril Scott: Russian Fair (Two Pianos): Piano Duet: Instrumental Work
2 Pianos, 4 hands
[Sheet music]
Novello & Co Ltd.
Cyril Scott's Russian Fair for 2 Pianos.
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Cinderella - 8 Easy Pieces (STEENHUYSE-VANDEVELDE CHRISTA)
2 Pianos, 4 hands
Metropolis Music Publishers
Par STEENHUYSE-VANDEVELDE CHRISTA. Christa Steenhuyse-Vandevelde has been teachi...
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Par STEENHUYSE-VANDEVELDE CHRISTA. Christa Steenhuyse-Vandevelde has been teaching for over 30 years with unbridled enthusiasm and unparalleled creativity. Throughout her career she inspired more than a thousand piano students, which she brought into contact with masters from the past and the present. Christa's own compositions have a high romantic style with a flowing melody and a beautiful harmonic accompaniment. Christa Steenhuyse-Vandevelde has been teaching for over 30 years with unbridled enthusiasm and unparalleled creativity. Throughout her career she inspired more than a thousand piano students, which she brought into contact with masters from the past and the present. Christa's own compositions have a high romantic style with a flowing melody and a beautiful harmonic accompaniment./ Répertoire / 2 Pianos
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Ø (Symbol)
2 Pianos, 4 hands
Schott
Written in 1979 after seeing an exhibition of Rothko's paintings in Cologne, Ø ...
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Written in 1979 after seeing an exhibition of Rothko's paintings in Cologne, Ø is one of Barry's earliest published works. Both piano parts are the same and the composer describes the work as 'an exploration of ornamentation (the bending of an existing melody) and an etude in co-ordination (the challenge of playing exactly together)'. / 2 Pianos
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Hahn, Reynaldo : Le Ruban Dénoué : 12 Valses à 2 Pianos et une Mélodie
2 Pianos, 4 hands
[Sheet music]
Heugel
Reynaldo HAHN (Caracas, Venezuela 1875 - Paris 1947) n'a que trois ans lorsque s...
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Reynaldo HAHN (Caracas, Venezuela 1875 - Paris 1947) n'a que trois ans lorsque ses parents s'installent en France. Enfant prodige, il fait ses débuts à l'âge de six ans dans le célèbre salon de la princesse Mathilde, cousine de l'empereur Napoléon III ; il y chante des ai d'Offenbach en s'accompagnant au piano. Au Conservatoire où il entre à dix ans, il est l'élève de Decombes, Lavignac, Dubois et surtout Massenet qui sera pour lui un ami et un protecteur. Son ?uvre est principalement tournée vers la musique vocale : mélodies, opérettes, opéras. On lui doit aussi de nombreuses musiques de scène, des concertos, pièces instrumentales et de musique de chambre. / Classique / Partition /
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Ludwig van Beethoven: Concerto No.3 In C Minor Op.37 For Piano: Piano: Parts
2 Pianos, 4 hands
Barenreiter
for Pianoforte and Orchestra op. 37-Urtext edition reflecting the latest musico...
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for Pianoforte and Orchestra op. 37-Urtext edition reflecting the latest musicological research.With many corrections in the solo part and Orchestral parts.Piano reduction for 2 Pianos with a separate solo Piano part.A must for Pianists Orchestras and Beethoven scholars.Beethoven’s Piano Concerto No.3 is the only concerto where no authentic manuscript exists for the solo part. The autograph of the score is available whereby the articulation dynamics and pedal markings are for the most part absent. However Beethoven oversaw the first printed edition of the solo part (1804) with great diligence. Plate corrections bear witness to the care with which Beethovenplaced slurs and pedal markings in order to be consistent and unambiguous. By means of a thorough examination of the sources this new Urtext edition presents many corrections in terms of articulation dynamics and notes. In particular the orchestral parts have been corrected for the first time since Beethoven’s lifetime.
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Fantasio
Français
2 Pianos, 4 hands
Delatour France
Fantasio, oeuvre de jeunesse, a été écrit à une époque où je subissais trÃ...
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Fantasio, oeuvre de jeunesse, a été écrit à une époque où je subissais très fortement l influence de Darius Milhaud et de Bela Bartok. Il doit être considéré comme un hommage à ces deux compositeurs que j admirais.Tous les titres ont été empruntés à la comédie de Musset. / 2 Pianos
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Grieg And Schumann Piano Concertos: With Orchestral Reduction For Second Piano
2 Pianos, 4 hands
[Sheet music]
-
Advanced
Dover Publications
Le Concerto de Grieg in A Minor, Op.. 16, et le Concerto de Schumann en la mineu...
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Le Concerto de Grieg in A Minor, Op.. 16, et le Concerto de Schumann en la mineur, op. 54 - deux des plus populaires de tous les concertos pour piano du répertoire - réimprimé dans les éditions qui font autorité. Dans chaque cas, la partie de piano 2ème est une réduction d'orchestre, en fournissant des pianistes avec le format 2-piano qui est la méthode standard pour les répétitions.Réimpression de sélections de Concerto en la mineur pour piano, op. 54, G. Schirmer, Inc, New York, 1918 et Konzert für Klavier, op. 16, A-??Moll, C. F. Peters, Francfort, n.c. / 2 Pianos
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Friedrich Burgmüller: 25 Easy Studies op. 100: Piano Duet: Score
2 Pianos, 4 hands
Zen-on
Friedrich Burgmüller's 25 Easy Studies Op. 100 for Piano four hands.
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Sergei Rachmaninov: Russian Rhapsody: Piano Duet: Instrumental Work
2 Pianos, 4 hands
[Sheet music]
-
Intermediate/advanced
Sikorski
An authoritative edition of Rachmaninov's Russische Rhapsodie for four hands at ...
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An authoritative edition of Rachmaninov's Russische Rhapsodie for four hands at the Piano edited by David Butler Cannata.
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NYMAN MICHAEL - WATER DANCES - 2 PIANOS
2 Pianos, 4 hands
Chester
Water Dances is a work scored for two pianos from 2011. Much of the work is an a...
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Water Dances is a work scored for two pianos from 2011. Much of the work is an arrangement of the music written for the Michael Nyman Band for Peter Greenaway's 1984 film Making a Splash. The two-piano version was recorded by theLabèque sisters for their CD Minimalist Dream House on the KML/Deutsche Grammophon label. / Partitions classique / Piano - instruments à clavier / Piano / CHESTER MUSIC
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Darius Milhaud: Scaramouche Op.165b: Piano Duet: Instrumental Work
2 Pianos, 4 hands
[Sheet music]
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Intermediate/advanced
Salabert
pour deux pianos-Milhaud's Suite for two Pianos takes its name from the Theater ...
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pour deux pianos-Milhaud's Suite for two Pianos takes its name from the Theater Scaramouche which specialised in productions aimed at children. The pieces in this suite were written for the Paris International Exposition in 1937 by adapting melodies and music Milhaud had previously composed for production at the Theater.
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Maurice Ravel: Concerto Pour La Main Gauche: Piano Duet: Instrumental Work
2 Pianos, 4 hands
[Sheet music]
Durand
Réduction pour deux pianos-Maurice Ravel's 1931 composition Concerto For The Le...
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Réduction pour deux pianos-Maurice Ravel's 1931 composition Concerto For The Left Hand originally for Piano and Orchestra. This version for Two Pianos with a reduction of the Orchestral material by the composer.
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Claude Debussy: Jeux - Poème Dansé: Piano Duet: Instrumental Work
2 Pianos, 4 hands
Durand
transcription pour deux pianos-Claude Debussy's Jeux - Poème Dansé for two Pia...
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transcription pour deux pianos-Claude Debussy's Jeux - Poème Dansé for two Pianos.
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Camille Saint-Saëns: Piano Concerto No. 2 In G Minor Op. 22: Piano Duet: Score
2 Pianos, 4 hands
[Reduction]
G. Henle
Piano Reduction-A talented pianist and composer it stood to reason that Camille...
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Piano Reduction-A talented pianist and composer it stood to reason that Camille Saint-Saëns would engage with the Piano concerto genre early on particularly as in France the 'concerto brilliant' was very popular at that time.Saint-Saëns did indeed begin to compose his own concertos however; he gave a clear renunciation of the 'concerto brilliant' declaring instead that 'the solo part of a concerto must be set out and treated like adramatic role'. He realised this concept of a 'symphonic concerto'; in his Piano Concerto No.2 In G Minor composed in 1868.The solo part is technically very challenging and at the same time closely boundup with the Orchestra. Johannes Umbreit is responsible for the Piano reduction based on the composer's own version for Two Pianos; Pascal Rogé supplies the fingerings for the solo part.
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