Euphoniun and Brass Band-Rob Goorhuis a écrit cette œuvre exigeante pour euphonium solo à la demande de Danny Oosterman d?après une idée d?Anteun Hoesen. En fait The Seven Divine Properties est née parce que la Andels Fanfare Corps (Fanfare d?Andel Pays-Bas) devait enregistrer au début de 2012 un CD consacré exclusivement aux œuvres de Rob Goorhuis. Sur ce CD Anteun Hoesen interprète la partie solo de la pièce.Le concept des 'vertus divines' joue un rôle prépondérant dans certaines religions anciennes : il s?agit de celles auxquelles un homme peut aspirer. En s?efforçant d?acquérir ces vertus il lui est possible d?évoluer spirituellement et de devenir meilleur. Les vertus divinesvarient selon les religions. Pour l?église chrétienne les termes Foi Espoir et Amour sont particulièrement importants.Cette composition est écrite principalement du point de vue de l?Ancien Testament. Les vertus choisies sont les suivantes : Simplicité Force Vérité Persévérance et Passion. Après une courte exposition des éléments thématiques les diverses vertus sont illustrées sous forme de miniatures musicales.

The assignment to write a test piece for the National Brass Band Championships ended up also being a ?test piece? for myself as a composer. Although being quite familiar with the Brass Band phenomenon as a composer I still have the feeling ofbeing an outsider. Delta Energy turned out to be a non-program composition. The Brass Band as orchestra form is depicted musically in this piece. All the specific characteristics are portrayed in varying settings. Solo passages for Euphonium Flugelhorn and Cornet alternating with extensive tutti-passages and of course technical highlights form the ingredients for this work written in rhapsodic form. The title ?Delta Energy? is derived from a project of the N.V. NederlandseGasunie in Groningen which also contributed in making this composition possible.

for Euphonium and Brass Band-Dreamsong was commissioned by Geir Ulseth and the Nidaros Brass Band from Trondheim Norway. After a short introduction the soloist introduces a rather nostalgic melody accompanied by the lower brass parts. A fast central section is then played by the band which leads to a climax. Eventually the main melody played by the solo Cornet and Flugel Horn returns overlaid with an ornamented counter-melody from the soloist who then closes the piece with a short cadenza.

from 'Il Trovatore'-The Soldiers March from Verdi's opera Il Trovatore has become much better known through it's use as the theme for The Harry Enfield Show. This is a fantastic arrangement for brass quartet. Parts included trumpet 1/2 Horn in F and trombone / euphonium (BC).

This Sullivan classic has been wonderfully arranged for brass quartet with parts for two trumpets Horn in Eb Horn in F and trombone / euphonium in both treble and bass clef included.

Every young pianist learns this one. Now brass players can also have fun with the catcy tune. Arranged for 2 trumpets/cornets horn in Eb/F trombone/euphonium TC/BC.

A euphonium solo based on a Norwegian tune Stille stund. Een euphonium solo gebaseerd op een Noors volksliedje Stille Stund.

Ole Olsen (4 July 1850 - 4 November 1927) was a Norwegian organist composer conductor and military musician. Originally written for piano this lovely tender lullaby has been arranged by Tom Brevik for brassband and four solo instruments: Cornet Flugel Tenor Horn and Euphonium. Ole Olsen (4 juli 1850 - 4 november 1927) was een Noors componist organist dirigent en militaire muzikant. Oorspronkelijk geschreven voor piano werd dit mooie tedere slaapliedje gearrangeerd door Tom Brevik voor brassband en 4 solo instrumenten: Cornet Flugel Hoorn en Euphonium.

A euphonium solo based on a Norwegian tune Stille stund. Een euphonium solo gebaseerd op een Noors volksliedje Stille Stund.

Euphonium Solo-A Final Fling was written at the request of David Childs for a CD recording with a Celtic theme which he released in 2007. The phrase ‘a final fling’ means a last quick effort at doing something perhaps when this item is used as an encore and also a fling is a type of Scottish Highland dance which tied in with the Celtic theme. A light- hearted piece A Final Fling starts in the mood of a folk dance and quotes from The Irish Washerwoman before flying to a close. A perfect way to put your euphonium player in the spotlight.

Simon Dobson wrote his 'Four Sketches' at the request of Peter Bossano Head of Brass at the Royal College of Music in recognition of the 25th anniversary of Benjamin Britten’s death. The first movement 'Fanfare' quotes directly from the opening violin melody from Britten’s song cycle Les Illuminations. This melodic line is superimposed upon sonorous Lydian mode chords to project a majestic sound. The second movement 'Prayer' is a definite contrast being and much more reflective and pensive in it’s mood and featuring a dream like euphonium cadenza. The third movement 'Funeral March' builds from a soft chordal opening to a chaotic and confusedfortississimo climax with flourishes in the cornets and pounding tri-tones across the basses before plunging into silence for a flugel cadenza to finish. The final Finale movement is much more positive from the off with its jaunty melodies over a Brittenesque ostinato. The block chordal passages offer a crashing climax making for an exciting conclusion to an excellent new work for the medium. Simon Dobson’s 'Four Sketches' was the winning entry in the European Brass Band Composer Competition held in Brussels in March 2002.

Concerto for Brass Band-Perihelion was commissioned by the Cory Band as their own-choice piece for the 2013 European Brass Band Championships held in Oslo Norway. Winning the set piece section of the contest and coming second to Eikanger-Bjorsvik Musikklag with their own choice selection Cory went on to become European Champions for the fifth time.Cory MD Philip Harper had asked for a ‘Concerto for Band’ to fully exploit his outstanding band of virtuosi and composer Philip Sparke created a one-movement work with contiguous sections first featuring horns and flugel then trombones followed by cornets and a slower central section for percussion and baritones euphonium andbasses.The piece is abstract in nature without a specific programme and the title merely reflects the fact that the piece was begun on January 2nd 2013 the day of Earth’s perihelion - the point in its orbit when it is closest to the sun. It could also be argued that the piece weaves between moments of brilliant optimism and dark shadow both of which can be the result of bright sunshine.

Rob Goorhuis schreef de compositie Amsterdam voor Amsterdam Brass in 2002. Het werk beleefde haar premi?re in 2003 in een uitvoering van de opdrachtgever. De componist zelf Amsterdammer van geboorte heeft in dit werk zijn herinneringen aan de toen ook al bruisende stad muzikaal verwerkt in een combinatie met het heden. De geluiden van de stad zoals Goorhuis die in de 50-er jaren hoorde zijn al dan niet abstract weergegeven in Amsterdam. Amsterdam bestaat uit drie in elkaar overgaande delen. Het eerste deel (Allegro Moderato) beschrijft de grote drukte in de Nederlandse hoofdstad die altijd leeft beweegt zindert en schijnbaar nooit 'slaapt'. Devoortdurende zestiende beweging in de diverse instrumenten benadrukken die immer aanwezige drukte in de stad die in de volksmond bekend staat als 'Mokum'. Zelfs de klanken van een Amsterdams draaiorgel zijn goed hoorbaar in dit eerste gedeelte. De karavaan vuilnisauto's die elke ochtend om 5 uur door de straat van de nog jonge Rob Goorhuis reed is een hoorbare herinnering aan vervlogen tijden. Het tweede deel brengt ons in het Vondelpark aan de rand van het centrum. Het thema wordt voorgesteld door de bugel en voert via variaties op dit thema in diverse andere instrumenten naar een drukker gedeelte van het stadspark om vervolgens weer kort terug te keren naar de oase van rust.Het tempo en de begeleidende beweging zijn bepalend voor het bijzondere karakter van dit middendeel. Het derde deel zet ons weer met beide benen in het bruisende hart van de stad. De euphonium introduceert het grillige thema met karakteristieke toonladderfiguren en kwartsprongen dat in de verschillende stemmen canonisch wordt verwerkt. Halverwege duikt onopvallend het thema van het middendeel weer op dat steeds opvallender naar voren komt resulterend in een verrassend slot. Verplicht werk Nederlandse Brassband Kampioenschappen 2004 - 1e divisie.

A virtuoso solo based on the Christmas song In Dulci Jubilo for Bb instrument and brass band especially for cornet or euphonium.